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Our current projects focus on the material analysis of the writing materials
kept in the Taylor-Schechter Collection at Cambridge University Library,
which houses the largest collection of Cairo Geniza fragments, about 190,000.
Although Geniza manuscripts have attracted a great deal of scholarly attention,
the material aspects of these documents seem to have been largely neglected.
The current study aims to obtain information on the composition of the writing
supports and the inks that were used, the production of the original manuscripts
and the history of their degradation. The collected data should supplement the
description based on Hebrew palaeography and codicology. Moreover, a characterisation
of the writing materials would provide insights on trade, local production
techniques and social structures. The tabulated results have the potential to
be used as geo-chronological markers if sufficient data is collected.
For our study, we chose Hebrew legal documents and letters from three communities
that co-existed in Fustat (today Cairo) in the 11th century: the Jerusalemite
(or ‘Palestinian’) community, the Babylonian community and the Karaites, three
different communities with different scribal traditions. In addition to this, we
studied non-biblical scrolls attributed to the Palestinian and Babylonian communities.
The question we addressed was whether we can correlate the use of a
specific type of ink to an objective criterion.
For our analysis at Cambridge University Library, we used a number of protocols
developed at BAM (Bundesanstalt für Materialforschung und -prüfung) in
Berlin and at the Centre for Study of Manuscript Cultures, University of Hamburg
(CSMC). These include reflectographic examination followed by non-destructive
X-ray fluorescence (XRF) analysis using transportable instruments so that the
analysis can be carried out in situ.
We have illustrated our approach here by providing two examples. The first one
describes our investigation of the leather fragment containing a portion of the
Babylonian Talmud on its hair side (TS Misc.26.53.17). The second example illustrates
our ability to compare iron-gall inks using the XRF method. In this case,
we explored the question of the codicological attribution of three fragments (TS
F17.4, TS 12.755 and TS 12.756) to the same Talmud manuscript.
L'archéométrie est une discipline riche qui peut nous apporter beaucoup d'informations sur l'étude des manuscrits et qui, conjuguée à la paléographie et la codicologie, peut s'apporter un outil précieux pour mieux appréhender les sociétés qui ont produits ces manuscrits.
Nous verrons ici quelques exemples de techniques scientifiques non destructives, principalement appliqués à la Génizah du Caire, appliquées à l'étude des manuscrits.
The Cairo Geniza is an “archive” discovered in the 19th century in Ben Ezra Synagogue in Fustat, a district in Old Cairo (Egypt). The collection of mostly Jewish documents that vary in genres, languages and writing supports contains a large number of early medieval Hebrew manuscripts.
The Geniza provides sources for the literary, linguistic, historical studies of the various aspects Jewish life. As the documents attest, at least two Jewish communities co-existed in Fustat up to 11th century: a so-called Babylonian and Palestinian. These communities had different leaders, different traditions and lived independently. The differences seem to manifest themselves also in the paleographical, codicological and some material properties of the manuscripts produced by each community.
The aim of this project is to compare the inks used in the Jewish documents depending on different variables: support (paper, parchment), purpose of the manuscript (legal, private, religious), provenance of the scribe. For the determination of the inks type and composition we had to choose non-invasive, non-destructive and portable techniques to analyze the corpus directly on-situ.
The analyses were carried out with a micro-X-ray spectrometer ArtTAX® (Bruker GmbH) and a digital stereomicroscope features built-in LED illumination at 395 nm and 940nm, Dino Lite.
We would like to stress that though the methods of material analysis listed above have been successfully employed in the field of cultural heritage and conservation including ancient and medieval manuscripts they have not yet been used to study fragments from the Cairo Genizah. Therefore, we believe that this research project is a pioneering study that will provide new insights into the history of Hebrew writing materials, their production techniques and materials and, thus, contribute new data to the field of Hebrew paleography.
The quest for the mixed inks
(2018)
In this article, we would like to share our observations concerning the inks produced by intentionally mixing soot or charcoal with tannin extracts or iron-gall ink. Aside from Zerdoun’s mention in her outstanding review of written sources, “Les encres noires au Moyen-Âge”, this ink category has received little if any attention from scholars and scientists. And yet, if analytically attested, the use of such inks could serve as an additional category to classify and distinguish the writing inks on the historical socio-geographic map of the writing inks we are trying to build.
The qualitative and quantitative investigations of historical iron-gall inks by use of μ-XRF spectrometry is a common method for analyzing the diff erences in their composition. When a fingerprint is established, it is possible to characterize the distinguishable inks used in the production of medieval manuscripts, and, in turn assist in the reconstruction of the manuscript’s history.The characterization of the primary inks in palimpsests, i.e. manuscripts written on re-used parchment, presents a serious problem as the effect of the partial removal on the inks fi ngerprint is yet known.
In this paper we explore our preliminary results concerning the effects of two removal techniques on the fingerprint of iron-gall inks on parchment.
Black writing materials of different types and compositions have varied in use over time and different geographical regions. With this paper, we would like to contribute to their study by listing and reviewing recipes for black writing inks that were in circulation in the Carolingian Empire as well as by referencing the archaeometric analyses of the black inks used in the manuscripts. The studies presented here that involved the humanities and natural sciences provide new insights into how the scholars of the early Medieval Ages organized manuscripts.