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- 2012 (2) (entfernen)
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- Englisch (2) (entfernen)
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- Fine arts (2)
- Archaeometry (1)
- Archeometry (1)
- Chlorine to bromine ratio (1)
- Dark matrix (1)
- Fundamental parameter quantification (1)
- Inorganic compounds (1)
- Inorganic traces (1)
- Nondestructive testing (1)
- Paper analysis (1)
The aim of the research project 'Typology of
Dutch Drawing' was to establish an interdisciplinary approach
for investigating heterogeneous drawing collections.
To define a type common to a group of drawings, we
determine elements that are common to them based on style
and the use of identical materials. To that end, we investigated
about 750 Dutch drawings from the sixteenth century at the
Dresden Kupferstich-Kabinett using art historical and
scientific methods. In this work, we present a detailed
analysis of 30 drawings ascribed to the Egmont Master.
In this study, we address the question of the
provenance and origin of the Dead Sea Scrolls manuscripts.
A characteristic low ratio of chlorine to bromine, corresponding
to that of the Dead Sea water, may serve as an indicator for
local production. For this aim we developed a non-destructive
procedure to determine the Cl/Br ratio in the parchment of
these manuscripts. Micro-X-ray fluorescence (µ-XRF) measurements
of a large number of parchment and leather
fragments from the Dead Sea Scrolls were analyzed with a
routine we developed based on fundamental parameter
quantification. This routine takes into account the absorption
of the collagen matrix and the influence of the different sample
thicknesses. To calculate the representative Cl/Br ratio for each
fragment, we investigated the lateral homogeneity and
determined the total mass deposition using the intensity of
the inelastically scattered, characteristic tube radiation. The
distribution of the Cl/Br ratios thus obtained from the µ-XRF
measurements make it possible to distinguish fragments
whose origin lies within the Dead Sea region from those
produced in other locations.