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The Nepal-German Manuscript Preservation Project (NGMPP) microfilmed two sets of the rNying margyud 'bum: in 1989 the set stored in the National Archives in Kathmandu (NAK) and in 1992 another set during an expedition to Nubri, Samagaon. Both microfilming were carried out under the local director of the Nepal Research Centre (NRC) in Kathmandu, and who has also discussed the two (and other) rNying ma rgyud 'bum sets on several occasions.2 The NAK and Nubri rNying ma rgyud 'bum sets were extensively studied and catalogued (Almogi) within the framework of the Tibetology sub-project "The Manuscript Collections of supervision of Franz-Karl Ehrhard, who was at the time the the Ancient Tantras (rNying ma rgyud 'bum): An Examination of Variance," conducted at the Researcher Group "Manuscript Cultures in Asia and Africa," University of Hamburg (2008-2011).
This article presents the findings resulting from the material analysis of several Sanskrit palm-leaf manuscripts from a corpus partly preserved in Nepal, viz. in the National Archives, Kathmandu (NAK), and in the Kaiser Library (KL), which is likewise situated in Kathmandu. The analysis was undertaken in March 2013. The colleagues of the NAK allocated a room in their precincts to us, where we could set up our mobile laboratory, and gave us access to the required manuscripts from their holdings. The officials of the KL, in turn, allowed us to take some of their valuable and ancient manuscripts to the NAK. In this way, we were enabled to conduct multi-instrumental studies on writing materials of great antiquity and interest.
The analysis of physical and chemical properties of artefacts provides important data for answering questions that cannot be solved by historical and philological methods alone. In its individual materiality, each manuscript is the result of various influences (e.g. production, storage, restoration, preservation). Given the recent technological developments (e.g. miniaturization of structural units, enlargement of memory capacity), technical diagnostics of art and cultural objects are becoming increasingly sought after in trans-disciplinary research. In this review we present a multi-instrumental approach to the investigation of manuscripts. Several case studies will illuminate our methodology.
The qualitative and quantitative investigations of historical iron-gall inks by use of μ-XRF spectrometry is a common method for analyzing the diff erences in their composition. When a fingerprint is established, it is possible to characterize the distinguishable inks used in the production of medieval manuscripts, and, in turn assist in the reconstruction of the manuscript’s history.The characterization of the primary inks in palimpsests, i.e. manuscripts written on re-used parchment, presents a serious problem as the effect of the partial removal on the inks fi ngerprint is yet known.
In this paper we explore our preliminary results concerning the effects of two removal techniques on the fingerprint of iron-gall inks on parchment.