TY - CONF A1 - Brandt, S. A1 - Brozowski, F. A1 - Horn, Wolfgang A1 - Müller, B. T1 - Odour testing of building products: Examinations for an on-going development of the test standard ISO 16000-28 N2 - VOC-emissions and their odours from building products and furnishings present indoors should not have an impact on personal well-being or health. Odours can be measured by applying the standard ISO 16000-28. Indoor air determination of odour emissions from building products using test chambers. One of the described procedures is the assessment of perceived intensity using a comparative scale by a group of panellists. In this paper, the perceived intensity sampling procedure and its evaluation method are investigated and shown to need improvement. New technical developments in the methodology used to increase the reproducibility of measurement results are discussed. Since odour tests are used for labelling, they have a major influence on the assessment of construction products, similar to the procedure of the German Committee for Health Evaluation of Building Products (AgBB). In the original ISO standard, the evaluation is typically performed using a sampling container separated from the emission chamber. For a better sample presentation, an adapter was developed to connect the emission test chamber to the evaluation funnel and thus enable an odour assessment which is comparable to a direct measurement. The investigations show that losses of odourous substances can be greatly reduced, which is very desirable when seeking to obtain reliable results in odour measurement. Another experimental series was carried out to reduce the measurement effort in the evaluation of perceived intensity. Application of the developed greater than or less than/equal to. query could be helpful here. The results show that the query mostly leads to the same result as the evaluation of the perceived intensity using the method according to the standard but is much easier to perform. Overall, the results can contribute to improving the acceptance of the evaluation of perceived intensity using ISO 16000-28 and to determining odours from building materials increasingly more precisely. T2 - Healthy Buildings 2023 Europe CY - Aachen, Germany DA - 11.06.2023 KW - Building material KW - Odour KW - Perceived intensity KW - VOC KW - Emission test chamber PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-580070 SP - 345 EP - 352 PB - ISIAQ (International Society of Indoor Air Quality and Climate) CY - Herndon, VA, USA AN - OPUS4-58007 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Strzelczyk, Rebecca T1 - Zeolites loaded with VOCs as reference for material emissions testing N2 - Nowadays, people spend most of their time indoors. Thus, a good indoor air quality is important. Emissions of volatile organic compounds (VOCs) from furniture and building materials can cause health complaints1. Quantitative VOC-emission testing is carried out under standardized conditions in emission test chambers. In the presented project an emission reference material (ERM) is developed that emits a defined mixture of VOCs which is required for quality assurance and -control (QA/QC) measures. Porous materials (e.g zeolites, activated carbons, MOFs or aerogels) are used as reservoir materials and impregnated with VOC. The porous materials are selected, among others, by their pore size, pore size distribution, polarity and availability. Due to their regular pore structure zeolites are tested at first. For a prediction of the emission profile, the ERM is supposed to exhibit a constant emission rate over time. The aim is a stability of ≤ 10 % change in the emission rate over a minimum of 14 days. Method For impregnation, the material is placed into an autoclave inside a rotatable basket. The VOC is added and the autoclave is closed. Afterwards, CO2 is inserted. The closed system is then heated to the supercritical point of CO2 (31 °C, 73.75 bar). In this state, the CO2 acts as solvent for the VOC. By rotating the basket, the distribution of the VOC is ensured. After a few minutes, the pressure is decreased slowly and the CO2 is released. For the determination of the emission profile, the impregnated sample is placed into an emission test chamber. These chambers can be operated either with dry or humid air (50 ± 5 % rel. humidity). Every second to third day, air samples are taken and analyzed by gas chromatography. For an ideal impregnation, several different pressures and temperatures as well as impregnation times are tested. Results Two zeolite materials tested in dry air conditions reach emission profiles with a decrease of less than 10 % over 14 days (heptane and toluene, respectively). Further it was discovered that smaller pellets of the same zeolite show better results than bigger particles. When the pore size of a zeolite is too small, e.g. 0.3 nm, the VOC cannot be absorbed sufficiently. The main disadvantage of zeolites is their hygroscopicity because it has a large impact on the release of VOC when they are used in emission test chambers under standardized test conditions (23 °C, 50 % rel. humidity). Activated carbons have emission profiles with a larger change over 14 days. However, the high hydrophobicity allows measurements in humid air conditions which was not possible with the before mentioned hygroscopic zeolites. It is possible to impregnate powdered materials as well, and thus powdered non-hygroscopic (n.h.) zeolites were impregnated. Their emission profiles are comparable to those of the activated carbons. The use of methylated hygroscopic zeolites with a decrease in hygroscopicity did not yield successful emission measurements. The change over 14 days is calculated only for the stable phase (~250–300 h). The desired stability of ≤ 10 % change of the emission rate over 14 days could already be reached under dry testing conditions. Further investigations under humid conditions show that zeolites with high Si/Al-ratios are non-hygroscopic and comparable to activated carbons (20–30 % change). The next step is to reduce the change in the emission rate of these materials to the aimed ≤ 10 % over 14 days. T2 - Deutsche Zeolithtagung CY - Jena, Germany DA - 28.02.2024 KW - VOC KW - Emission KW - Quality assurance KW - Reference material KW - Zeolite PY - 2024 AN - OPUS4-59843 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang A1 - Richter, Matthias A1 - Wilke, Olaf T1 - Volatile organic compounds from building products - Results from seven proficiency tests with emission test chambers conducted between 2008 and 2021 N2 - Emission testing of volatile organic compounds (VOC) from materials and products is commonly based on emission test chamber measurements. To ensure the comparability of results from different testing laboratories their measurement performance must be verified. For this purpose, Bundesanstalt für Materialforschung und -prüfung (BAM) organizes an international proficiency test every two years using well-characterised test materials (one sealant, one furniture board and four times a lacquer) with defined VOC emissions. The materials fulfilled the requirements of homogeneity, reproducibility, and stability. Altogether, 41 VOCs were included of which 37 gave test chamber air concentrations between 10 and 98 µg/m³. This is the typical concentration range to be expected and to be quantified when performing chamber tests. Four compounds had higher concentrations between 250 and 1105 µg/m³. The relative standard deviations (RSD) of BAM proficiency tests since 2008 are compared and the improvement of the comparability of the emission chamber testing is shown by the decrease of the mean RSD down to 23% in 2021. In contrast, the first large European interlaboratory comparison in 1999 showed a mean RSD of 51%. T2 - Proficiency Testing in Analytical Chemistry, Microbiology and Laboratory Medicine CY - Windsor, United Kingdom DA - 25.09.2023 KW - Proficiency Test KW - VOC-Emission KW - Chamber-test PY - 2023 AN - OPUS4-59694 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Gruskovà, J. A1 - Martin, G. A1 - Kresten, O. A1 - Mitthoff, F. A1 - Kaska, K. A1 - Hofmann, C. A1 - Kreuzer, W. A1 - Phelps, M. A1 - Boydston, K. A1 - Easton Jr., R. L. A1 - Knox, K. T. A1 - Kelbe, D. A1 - Kasotakis, D. A1 - Christens-Barry, W. A. A1 - Stewart, D. A1 - Rabin, Ira A1 - Hahn, Oliver A1 - Glaser, L. A1 - Garrevoet, J. A1 - Shevchuk, I. A1 - Klumpp, S. A1 - Deckers, D. A1 - Buck, J. ED - Cronier, M. ED - Mondrain, B. T1 - Insights-into-the-Digital-Recovery-of-the-Scythica-Vindobonesia N2 - The Scythica Vindobonensia, the new fragments on Gothic incursions into Roman provinces in the Balkans in the middle of the third century AD that were revealed some years ago in a Greek palimpsest at the Austrian National Library in Vienna (ÖNB), are commonly considered as one of the most important additions of the last decades to the corpus of texts from classical Antiquity. Tere is a high degree of confdence among scholars in supposing that the fragments come from the lost work Scythica written in Greek by the third-century historian P. Herennius Dexippus (Δέξιππος) of Athens. The new fragments have hence also been called Dexippus Vindobonensis. In his Scythica, Dexippus recorded wars of the Romans with the Goths (and other tribes) whom he called Scythians. The work had been hitherto known only from excerpts and quotes by later authors. Eight pages of a Byzantine manuscript copy of the ancient text have survived hidden underneath the visible surface of the last four parchment folios of the Vienna manuscript Historicus graecus 73, f. 192r -195v4. The copy is written in a Greek calligraphic minuscule which has been estimated by palaeographers to be of the middle or the second half of the eleventh century. In the thirteenth century, the text (on each of the eight pages arranged in one column, with 30 lines per page) was washed of the parchment and the valuable material made from animal skin was re-used for Christian texts. The new writing largely covered the faded remnants of the original text. It thus became hidden from the human eye for more than seven hundred years. Its discovery by Jana Grusková, a classical philologist specialized in the transmission of Greek texts, resulted from a systematic review of all Greek palimpsests kept at the Austrian National Library in Vienna at the beginning of the twenty-first century and a detailed examination of the four folios in 2007-20097. KW - Scythica Vindobonensia, KW - Gothic incursions KW - A Greek palimpsest KW - Antiquity KW - Byzantine manuscript KW - Vienna manuscript PY - 2020 SN - 978-2-916716-81-7 SN - 0577-1471 VL - 2020 IS - 24/1 SP - 945 EP - 967 PB - Association des Amis du Centre d’Histoire et Civilisation de Byzance CY - Paris ET - 1 AN - OPUS4-53843 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF ED - Hahn, Oliver ED - Doil, Thorsten T1 - Workshop Kulturguterhaltung - Vom Dampfkessel zu Nanomaterialien N2 - Sehr geehrte Damen und Herren, liebe Leserinnen und Leser, bereits im ersten Band der N.i.Ke. Schriftenreihe des Netzwerks zur interdisziplinären Kulturerhaltung hatte ich angeführt, dass bei der Untersuchung von kulturellen Artefakten naturwissenschaftliche Untersuchungsmethoden zunehmend an Bedeutung gewinnen, sie eigentlich unverzichtbar geworden sind. Ein besonders einprägsames Beispiel dieser fächerübergreifenden Zusammenarbeit zwischen Geisteswissenschaften, Naturwissenschaften und Restaurierungswissenschaften war die Ausstellung Johannes Vermeer. Vom Innehalten, die in diesem Jahr in der Gemäldegalerie Alter Meister in den staatlichen Kunstsammlungen Dresden gezeigt wurde. Eigens für diese Ausstellung wurde das Gemälde Brieflesendes Mädchen am offenen Fenster einer grundlegenden Restaurierung unterzogen. Diese Restaurierung diente jedoch nicht nur der Reparatur des Bildes. Um sich dem ursprünglichen Zustand des Gemäldes zwischen 1657 und 1659 anzunähern, wurden später hinzugefügte Malschichten großflächig abgenommen. Möglich wurde dies durch unterschiedliche, bildgebende materialwissenschaftliche Untersuchungen im Vorfeld, welche die wissenschaftlichen Grundlagen für die Diskussion über den weiteren Umgang mit der Lesenden schufen. Materialanalytische Verfahren wurden und werden ständig weiterentwickelt und optimiert. Sei es, um aus einer Vielzahl von Einzelmessungen ein Gesamtbild zu erstellen, oder die Größe einer Probenentnahme so zu reduzieren, dass von einer „minimal-invasiven“ oder „quasi nicht-invasiven“ Untersuchung ausgegangen werden kann. Nun feiert die Bundesanstalt für Materialforschung und -prüfung, zusammen mit ihren Vorgängerinstitutionen, den königlichen Versuchsanstalten, in diesem Jahr ihren einhundertfünfzigsten Geburtstag. Sie blickt damit auf eine lange Tradition materialwissenschaftlicher Analysen zurück, an deren Beginn beispielsweise die metallographischen Untersuchungen von Adolf Martens stehen. Derartige Untersuchungen bilden auch heute noch einen wesentlichen Bestandteil archäometallurgischer Forschung. Die Historie bzw. die Weiterentwicklung der Methodik lässt sich hier besonders gut nachzeichnen. Jedoch blicken auch Verfahren zur Charakterisierung weiterer Werkstoffe, wie Glas, Keramik, oder organischer Materialien auf eine lange Geschichte zurück. Die in diesem Band der N.i.Ke.-Schriftenreihe präsentierten Beiträge dokumentieren einerseits aktuelle Forschungsarbeiten, die erst in diesem Jahr in entsprechenden Fachjournalen publiziert wurden, andererseits liegen einige der Arbeiten bereits 50 Jahre zurück. Sie bekunden damit nicht nur die materialtechnologische und historische Bandbreite der Projekte, sondern offenbaren die Vielfältigkeit kulturhistorischer oder restauratorischer Fragestellungen, zu deren Beantwortung natur- und materialwissenschaftliche Forschung wesentliche Beiträge liefern können. Ich bedanke mich bei allen Kolleginnen und Kollegen, die zur Erstellung dieser dritten Ausgabe der N.i.Ke. Schriftenreihe des Netzwerks zur interdisziplinären Kulturerhaltung beigetragen haben. Ihre Aufsätze ermöglichen den Blick in die Vielfältigkeit materialwissenschaftlicher Untersuchungen im Bereich Kunst- und Kulturgut. Ich wünsche Ihnen viel Spaß auf dieser kleinen Zeitreise. T2 - Workshop Kulturguterhaltung - Vom Dampfkessel zu Nanomaterialien CY - Berlin, Germany DA - 17.11.2021 KW - Pergamonmuseums KW - Schriftrollen vom Toten Meer KW - Gold mit Synchrotronstrahlung KW - Kandelaber des Ensembles am Charlottenburger Tor KW - Berliner Tuffsteinfassaden KW - Betondickglasfenster des Glockenturms am Eiermannbau KW - Kaiser-Wilhelm-Gedächtniskirche KW - Radiografische Untersuchung PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-543239 UR - https://netzwerke.bam.de/Netzwerke/Navigation/DE/Netzwerke/NIKE/nike.html VL - 3 SP - 1 EP - 155 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-54323 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Lange, Diana A1 - Hahn, Oliver ED - Lois, C. T1 - Colours on East Asian Maps N2 - Maps and colours have a close connection. Drawn or printed in black on white, subsequently added colours enhance maps with additional information. Colours were not just there to improve maps aesthetically, but they regulated how they were read and thus reinforced their meanings, significances and ideas. Colour is an important key to a more precise understanding of the map’s purposes and uses; moreover, colours are also an important aspect of a map’s materiality. The material scientific analysis makes it possible to find out more about the making of colours and the process of colouring maps. By skillfully deploying colours, map colourists were able to create mimetic representations of nature or codify information in an abstract form. The use of colours involved many considerations as to the materials. ‘Reading’ colours in this way gives a glimpse into the social lives of mapmakers as well as map users and reveals the complexity of the historical and social context in which maps were produced and how the maps were actually made. Within the scope of the three-year joint research project Coloured Maps (2018–2021), we undertook an in-depth and systematic study of hand-drawn and hand-coloured maps from East Asia in the Museum am Rothenbaum (MARKK) in Hamburg and produced between the seventeenth and twentieth centuries. With a multi-perspective approach and transdisciplinary methods (humanities and the sciences), we were able to pool and compare the research results from different fields of research on Asian maps. The aim of this publication is to provide a first general overview of the subject of colours on maps in East Asia in the period from the seventeenth to the early twentieth century and to stimulate further research on the topic. KW - Maps and colours KW - Colouring KW - Colourants KW - Dyes and pigments KW - Map production and publishing KW - Non-invasive scientific methods PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-569682 UR - https://brill.com/display/title/61839 SN - 978-90-04-54562-5 VL - 2023 SP - 1 EP - 79 PB - Brill CY - Leiden, Netherlands AN - OPUS4-56968 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Hahn, Oliver A1 - Golle, U. A1 - Wintermann, Carsten A1 - Laurenza, D. ED - Quenzer, J. B. T1 - Scientific Analysis of Leonardo’s Manuscript with Anatomic Drawings and Notes N2 - In this paper, we discuss the importance of scientifically investigating cultural artefacts in a non-invasive way. Taking as test case Leonardo da Vinci’s Manuscript with anatomic drawings and notes, which is stored in Weimar, we clarify fundamental steps in the chronology of this folio. By means of microscopy, infrared reflectography, UV photography, and X-ray fluorescence analysis, we were able to identify various types of sketching material and several varieties of iron gall ink. For his sketches, Leonardo used two different sketching tools, a lead pencil and a graphite pencil, as well as several types of ink for developing these sketches into drawings. With regard to ink, it is important to observe that there is no difference between the ink Leonardo used for drawing and the ink he used for writing text. Based on the materials analysed, we suggest a chronology for the creation of this unique folio. KW - Archaeometry KW - Non-invasive analysis KW - Drawings KW - Leonardo da Vinci PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-543460 SN - 978-3-11-074545-0 DO - https://doi.org/10.1515/9783110753301-011 VL - 25 SP - 213 EP - 228 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-54346 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - BOOK A1 - Dietz, G. A1 - Eggert, Claudia A1 - Golle, U. A1 - Hahn, Oliver A1 - Ketelsen, T. A1 - Ludwig, A. A1 - Melzer, C. A1 - Rabin, Ira A1 - Wintermann, C. ED - Hahn, Oliver ED - Doil, Thorsten ED - Wintermann, C. T1 - Die Materialität der Zeichnung - Eine naturwissenschaftliche Annäherung N2 - Der Band 5 der N.i.Ke.-Schriftenreihe präsentiert den aktuellen Stand materialwissenschaftlicher und bildgebender Verfahren, die bei der Untersuchung von Zeichnungen Anwendung finden. Im ersten Teil der Publikation werden die klassischen Zeichnungsträger und Zeichnungsmaterialien vorgestellt. Der mittlere Teil der Publikation beschreibt die relevanten materialwissenschaftlichen und bildgebenden Verfahren. Der letzte Teil diskutiert anhand einiger Fallbeispiele die Möglichkeiten und Grenzen der Methoden. KW - Archäometrie KW - Zeichnungen KW - Zerstörungsfreie Prüfung KW - Papier KW - Pergament KW - Zeichenmaterialien PY - 2024 SN - 2567-1251 N1 - Es gibt eine parallele Sprachausgabe (englisch), ein Link befindet sich im Feld zugehöriger Identifikator - There is a parallel language edition (English), a link is in the field related identifier VL - 5 SP - VII EP - 111 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-60751 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN ED - Hahn, Oliver ED - Doil, Thorsten T1 - Der Bestand der Rembrandt-Zeichnungen in der Klassik Stiftung Weimar - Kritischer Katalog und materialtechnischer Befund N2 - Mit dem aktuellen Band 6 der N.i.Ke.-Schriftenreihe erscheint der kritische Katalog aller Rembrandt-Zeichnungen in der Klassik Stiftung Weimar. Im Unterschied zu vielen anderen Graphischen Kabinetten, die ihre Rembrandt-Bestände bereits erfolgreich publiziert haben, existierte eine solche Gesamtschau in Weimar bisher nicht. Die nun vorliegende Publikation mit 51 Katalognummern umfasst alle, aktuell Rembrandt zugeschriebenen Blätter, alle rembrandtesken Zeichnungen, die ehemals als Werk Rembrandts angesehen wurden, aber auch alle Zeichnungen, die einmal mit Rembrandt und seiner Schule in Verbindung gebracht wurden. Der Titel "Der Bestand der Rembrandt-Zeichnungen in der Klassik Stiftung Weimar - Kritischer Katalog und materialtechnischer Befund" macht deutlich, dass hier neue Wege beschritten wurden. Auch diese Publikation basiert auf Quellen der klassischen Kunstgeschichte, wie etwa bestehende Werkverzeichnisse. Die Befunde werden jedoch mit materialwissenschaftlichen Erkenntnissen erheblich erweitert. Jedes der hier besprochenen Blätter wurde verschiedenen naturwissenschaftlichen Untersuchungen unterzogen, um die Materialität jeder Zeichnung in ihrer Gesamtheit zu bestimmen. Es wird der Versuch unternommen, die Materialität mit der klassischen Stilkritik zu verzahnen, um neue Hinweise auf die Genese, den Gebrauch oder die Funktion der Zeichnung zu erhalten. Nicht jedes naturwissenschaftliche Ergebnis findet sich im Katalogteil, aber alle Hinweise, die zum Verständnis der Materialität der Zeichnung unmittelbar notwendig sind, werden zitiert. T2 - Rembrandt in Weimar - Ein Beitrag zur Neujustierung der Kennerschaft CY - Weimar, Germany DA - 20.03.2025 KW - Rembrandt KW - Zeichnung KW - Katalog KW - Materialität PY - 2025 SN - 2567-1251 VL - 6 SP - 1 EP - 242 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-63538 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - BOOK A1 - Dietz, G. A1 - Eggert, Claudia A1 - Golle, U. A1 - Hahn, Oliver A1 - Ketelsen, T. A1 - Ludwig, A. A1 - Melzer, C. A1 - Rabin, Ira A1 - Wintermann, C. ED - Hahn, Oliver ED - Doil, Thorsten ED - Wintermann, C. T1 - The materiality of drawings - A scientific approach N2 - Volume 5 of the N.i.Ke. series presents the current state of materials science and imaging techniques used in the examination of drawings. The first part of the publication introduces the classic drawing substrates and materials. The middle part of the publication describes the relevant materials science and imaging techniques. The final part discusses the possibilities and limitations of these methods using several case studies. KW - Archaeometry KW - Paper KW - Parchment KW - Drawing materials KW - Drawings KW - Nondestructive testing PY - 2024 SN - 2567-1251 N1 - Es gibt eine parallele Sprachausgabe (deutsch), ein Link befindet sich im Feld zugehöriger Identifikator - There is a parallel language edition (German), a link is in the field related identifier VL - 5 SP - VII EP - 110 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-63672 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang A1 - Müller, Birgit T1 - Low-odour and low-emission indoor products - Nose vers. odour threshold values N2 - To achieve good air quality in buildings, it is necessary to remove, avoid or reduce cleaning loads through ventilation. To reduce the cleaning loads and their effect on the odour perception of the occupants, a sensory test in indoor spaces and on building products is necessary in addition to VOC emission measurements of the contaminants. ISO 16000-28 provides the basis for odour assessment of products using a human olfactory panel. Through many years of experience and testing of these methods, it can now be assumed that reproducible odour ratings are available for many products used indoors. An odour measurement is mandatory for the Blue Angel for carpets and is being tested for environmentally friendly resilient floor coverings. Based on the results of an earlier project and new results of the upcoming study, the ISO should be revised and completed. The project investigates the odour and VOC emissions of building products based on natural raw materials. The data generated is used to address several issues, which are briefly explained below. Floor coverings based on linoleum and rubber are included in the Blue Angel eco-label with an odour assessment. The aim of the project is to clarify whether other assessment methods in addition to intensity can provide better information. Positive hedonics have an influence on the intensity assessment. Typically, building products show high intensity with low hedonic values. Results for wood-based products often show high intensity and positive hedonics. Based on these examples, an appropriate odour assessment of wood-based products for the Blue Angel, supported by research results, should be possible. The concept of the odour guide value which is based on odour threshold values was renewed in 2023. This approach will now be compared with the standardised odour measurement (16000-28). This assessment is based on GC/MS measurements and uses odour thresholds analytically when panel-based odour assessment is not possible. For this procedure well defined odour thresholds are necessary T2 - AIRMON 2025 The 11th International Symposium on Modern Principles of Air Monitoring and Biomonitoring. CY - Loen, Norway DA - 15.06.2025 KW - Emission KW - Indoor air quality KW - Materials emissions test KW - VOC KW - Geruch PY - 2025 UR - https://stami.no/en/wp-content/uploads/sites/2/2025/06/Programhefte-Airmon-2025-Juni-10-YTH.pdf AN - OPUS4-63634 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang A1 - Klein, Luise A1 - Bethke, Robert T1 - Determination of uptake rates of VVOCs and carbonyls in indoor air on passive sampling system N2 - The identity and concentration of volatile contaminants are important factors in ensuring a healthy indoor environment. Volatile organic compounds (VOCs) in indoor air can be determined by using passive samplers that are exposed to the air for a well-defined period of time. This sampling method is often used in environmental surveys, e.g. the German Environmental Survey (GerES). Conclusions about indoor air concentrations can be drawn from substance and adsorption material specific uptake rates. For the assessment of indoor air quality, highly volatile organic compounds may also be substantial, but for many of these substances realistic uptake rates and suitable analytical methods are lacking. A small chamber is used to generate gas atmospheres with constant concentrations of the analytes at 23 °C and 50 % relative humidity. For a large number of compounds, a very small flow of pure liquid VVOCs is introduced into the chamber via a syringe pump and mixed with a constant flow of clean and humidified air. A gas mixture from cylinders is also used for this purpose. Carbograph 5TD has already been proven as a suitable sorption material for active sampling for most of VVOCs. With this procedure up to 55 different VVOCs should be tested in this study. Stable concentrations of gas phase atmospheres of the first group of VVOCs (acetone, 2-butanone, methyl acrylate) were produced for exposure of passive samplers. Comparison of different adsorbent materials showed that Carbograph 5TD was the most suitable for passive sampling of these substances, with higher uptake than Carbopack X and Tenax® TA. Very strong adsorbents are not suitable for this experimental design as it adsorbs larger amounts of water. The effective uptake rates were calculated for the first three VVOCs on Carbograph 5TD tubes and an exposure time of 7 days. The same experiment will be performed for all VVOCs and ideally one material should be the best option for all of them. T2 - AIRMON 2025 The 11th International Symposium on Modern Principles of Air Monitoring and Biomonitoring. CY - Loen, Norway DA - 15.06.2025 KW - VVOC KW - Air quality KW - Passive sampling PY - 2025 UR - https://stami.no/en/wp-content/uploads/sites/2/2025/06/Programhefte-Airmon-2025-Juni-10-YTH.pdf AN - OPUS4-63632 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Gordon, Nehemia A1 - Patrick, Andrist A1 - Hahn, Oliver A1 - Vasileiadis, Pavlos D. A1 - Calvillo, Nelson A1 - Rabin, Ira T1 - Did the Original Scribes Write the Distigmai in Codex Vaticanus B of the Bible (Vat. gr. 1209)? N2 - The fourth-century Greek Bible manuscript Codex Vaticanus B (Vat. gr. 1209) contains pairs of horizontally aligned marginal dots known as distigmai, which correspond to textual variants in other manuscripts. The production of the distigmai has been variously dated to the 4th or 16th centuries. A fourth-century date would prove the early existence of hundreds of textual variants, many of which are otherwise only witnessed by later manuscripts. Near infrared microscope reflectography combined with micro-X-ray fluorescence spectroscopy proved that the distigmai, both those categorized as “apricot” (which are visually similar to the ink of the original main text) and “chocolate” (which are visually similar to the reinking of the main text) were written with ink(s) made from chemically purified vitriol, a process that only became standard in the 16th century. As a result, there is no reasonable chance that the distigmai were written in the fourth century. Horizontal lines that have been hypothesized to function as text-critical obeloi were written in the same ink as the original main text, which differs completely from that of the distigmai. In other words, the distigmai and horizontal lines tested were not produced during the same writing session and are separated by more than 1,000 years, making it impossible for them to have functioned as conjoining text-critical symbols in the 4th century. KW - Bible manuscripts KW - New Testament KW - Paratextual features KW - Textual criticism KW - Obelos KW - Septuagint KW - XRF KW - Greek palaeography PY - 2024 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-622902 DO - https://doi.org/10.1163/27728641-00302005 SN - 2772-8633 VL - 3 IS - 2 SP - 125 EP - 156 PB - Brill CY - Leiden AN - OPUS4-62290 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira A1 - Caldararo, N. A1 - Rimon, H. ED - Russel, R.E. ED - Lange, A. T1 - The Role of DNA Analysis in the Study of the Biblical Manuscripts N2 - Interest in the type of skin used in scriptural materials and preparation methods increased from the nineteenth into the twentieth century. This was due partly to the number of newly discovered fragments and to the invention of new instruments and scientific procedures to identify animal skins and produce qualitative means to demonstrate specific preparation reagents and techniques. The invention of various means of analyzing the DNA of organic materials brought about a revolution in archaeology and in conservation. Difficulties in overcoming contamination of archaeological samples resulted in a number of controversies but also produced advances and improvement in the techniques of ancient DNA analysis and interpretation of results. KW - DNA KW - Dead Sea Scrolls KW - Parchment PY - 2023 SN - 2468-3027 VL - 3D SP - 120 EP - 123 PB - Brill CY - Leiden / Boston AN - OPUS4-58914 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Ketelsen, T. A1 - Golle, U. A1 - Hahn, Oliver A1 - Wintermann, C. ED - Hahn, Oliver ED - Doil, Thorsten T1 - Katalog der Rembrandt-Zeichnungen in Weimar N2 - Hiermit liegt der kritische Katalog aller Rembrandt-Zeichnungen in der Klassik Stiftung Weimar vor. Im Unterschied zu vielen anderen Graphischen Kabinetten, die ihre Rembrandt-Bestände bereits erfolgreich publiziert haben, existierte eine solche Gesamtschau in Weimar bisher nicht. Die umfassten 51 Katalognummern umfassen alle aktuell Rembrandt zugeschriebenen Blätter, alle rembrandtesken Zeichnungen, die ehemals als Werk Rembrandts angesehen wurden, aber auch alle Zeichnungen, die einmal mit Rembrandt und seiner Schule in Verbindung gebracht wurden. T2 - Rembrandt in Weimar - Ein Beitrag zur Neujustierung der Kennerschaft CY - Weimar, Germany DA - 20.03.2025 KW - Katalog KW - Materialität KW - Rembrandt KW - Zeichnung PY - 2025 SN - 2567-1251 N1 - Serientitel: N.i.Ke. Schriftenreihe des Netzwerks zur interdisziplinären Kulturguterhaltung – Series title: N.i.Ke. Schriftenreihe des Netzwerks zur interdisziplinären Kulturguterhaltung VL - 6 SP - 57 EP - 217 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-63618 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Ketelsen, T. A1 - Hahn, Oliver ED - Hahn, Oliver ED - Doil, Thorsten T1 - Von 25 auf 6: Der Bestand der Rembrandt-Zeichnungen in Weimar N2 - Das Rembrandt-Projekt ist ein Teilresultat, das aus der dreijährigen Katalogisierung der niederländischen und flämischen Zeichnungen in den Graphischen Sammlungen erwachsen ist. Es umfasst alle heute Rembrandt zugeschriebenen Blätter, alle rembrandtesken Zeichnungen, die ehemals als Rembrandts angesehen wurden, aber auch alle Zeichnungen, die einmal mit Rembrandt und seiner Schule in Verbindung gebracht wurden. T2 - Rembrandt in Weimar - Ein Beitrag zur Neujustierung der Kennerschaft CY - Weimar, Germany DA - 20.03.2025 KW - Katalog KW - Materialität KW - Rembrandt KW - Zeichnung PY - 2025 SN - 2567-1251 N1 - Serientitel: N.i.Ke. Schriftenreihe des Netzwerks zur interdisziplinären Kulturguterhaltung – Series title: N.i.Ke. Schriftenreihe des Netzwerks zur interdisziplinären Kulturguterhaltung VL - 6 SP - 10 EP - 12 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-63576 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Colini, Claudia A1 - Shevchuk, I. A1 - Huskin, K. A. A1 - Rabin, Ira A1 - Hahn, Oliver ED - Quenzer, J. B. T1 - A New Standard Protocol for Identification of Writing Media N2 - Our standard protocol for the characterisation of writing materials within advanced manuscript studies has been successfully used to investigate manuscripts written with a pure ink on a homogeneous writing surface. However, this protocol is inadequate for analysing documents penned in mixed inks. We present here the advantages and limitations of the improved version of the protocol, which now includes imaging further into the infrared region (1100−1700 nm). KW - Archaeometry KW - Manuscripts KW - Non-destructive testing PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-543454 SN - 978-3-11-074545-0 DO - https://doi.org/10.1515/9783110753301-009 VL - 25 SP - 161 EP - 182 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-54345 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Panorama of Black writing inks: From Antiquity to the Middle Ages N2 - Black writing inks in the period under consideration can be divided into three different classes: soot, tannin and iron-gall ink. The first one is a fine dispersion of carbon pigments in a water-soluble binding agent, the second one is a solution of plant extract from tree barks or gallnuts, while the third one contains both soluble and insoluble phases. This last ink is based on metal (iron) and is produced by a chemical reaction of soluble iron (II) with tannin in aqueous solution. Tracing the transition from writing inks based on carbon pigments (soot or charcoal), common in Antiquity to the iron-gall inks commonly used in the Middle Ages builds a focus of our investigative work at the BAM (Federal Institute of Material Analysis and Testing) [1-5]. With the aim of creating a detailed history of writing black inks, we worked out a non-invasive protocol to collect statistically relevant ink data from dated and localized manuscripts covering a large time span and different geographic areas. The first step of our protocol consists of the screening carried out by means of imaging in the near infrared region. The optical differences between carbon, tannin, and iron-gall inks are best recognized by comparing their response to the infrared light: carbon ink has a deep black colour, iron-gall ink becomes transparent above 1400 nm, and tannin ink disappears at about 750 nm, we have simplified the analysis using a small USB microscope with built-in NIR (940 nm) and UV (395 nm) LED in addition to an external white light source [1]. Comparing the images under white and near infrared illumination, we determine the ink typology by observing the changes in the opacity of the ink. Here, carbon-based inks show no change in their opacity when illuminated with near infrared light, while the opacity of iron-gall inks changes considerably, and tannin inks become transparent. Our own recent finding that mixed carbon / iron-gall inks were quite popular in the late Antiquity and early Middle Ages suggested to return to the conventional method using infrared light in the spectral region 1000 – 1400 nm. The presentation will show the panorama of historic inks and our attempt to follow up the transition of the inks from those based on soot to the iron-gall inks commonly used in the Middle Ages. T2 - Public lecture CY - Manchester, UK DA - 01.02.2024 KW - Ink KW - Historic ink PY - 2024 AN - OPUS4-61201 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Black writing inks: From Antiquity to the Middle Ages N2 - Tracing the transition from writing inks based on soot, common in Antiquity to the iron-gall inks commonly used in the Middle Ages builds a focus of our investigative work at the BAM and the Centre for the Studies of Manuscript Cultures (CSMC) [1-4]. With the aim of creating a detailed history of writing black inks, we worked out a non-invasive protocol to collect statistically relevant ink data from dated and localized manuscripts covering a large time span and different geographic areas. The first step of our protocol consists of the screening carried out by means of the NIR & IRR reflectography. The optical differences between carbon, tannin, and iron-gall inks are best recognized by comparing their response to the infrared light: carbon ink has a deep black color, iron-gall ink becomes transparent above 1400 nm, and tannin ink disappears at about 750 nm, we have simplified the analysis using a small USB microscope with built-in NIR (940 nm) and UV (395 nm) LED in addition to an external white light source [1]. Comparing the images under white and near infrared illumination, we determine the ink typology by observing the changes in the opacity of the ink. Here, carbon-based inks show no change in their opacity when illuminated with NIR wavelength, while the opacity of iron-gall inks changes considerably, and tannin inks become transparent. Our own recent finding that mixed carbon / iron-gall inks were quite popular in the late Antiquity and early Middle Ages suggested to return to the conventional IRR method. The presentation will show the panorama of historic inks and our attempt to follow up the transition of the inks from those based on soot to the iron-gall inks commonly used in the Middle Ages. T2 - Seminar University of Oslo CY - Oslo, Norway DA - 23.09.2022 KW - Ink KW - Historic ink PY - 2022 AN - OPUS4-61194 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Methoden und Erkenntnismöglichkeiten von Tintenanalysen N2 - Der Vortrag stellt die Palette der zerstörungsfreien analytischen Methoden, die zur Identifizierung und Vergleich der Tinten, Tuschen und Pigmente verwendet werden. T2 - Experten-Workshop CY - Hamburg, Germany DA - 06.10.2022 KW - Tinte KW - Tusche KW - Pigmente PY - 2022 AN - OPUS4-61195 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Unveiling the use of writing materials in Carolingian manuscripts N2 - After having been neglected for a long time, materiality is nowadays of great interest in the study of manuscripts. This allows us to explore the variety (and potential coexistence) of different inks and pigments in type and composition in their use over time and geographical area. In this presentation, we aim to contribute to their study through archaeometric analyses of black and red inks used in Carolingian manuscripts copied between the 8th and the 10th centuries. These analyses are based on an interdisciplinary strategy, bringing together knowledge from the humanities and natural sciences to understand the global use of black and red inks in the Carolingian Empire. In this regard, we adopted a non-invasive protocol that included near-infrared imaging and X-ray fluorescence spectroscopy for on-site measurements supported by historical and palaeographic analysis. The results have been collected in the framework of two projects at the University of Hamburg in close collaboration with the Bundesanstalt für Materialforschung und -prüfung, Berlin (BAM) and will be compared with several other archaeometric studies of contemporary manuscripts. T2 - Novel approaches to Digital Codicology CY - Tours, France DA - 10.05.2023 KW - Carolingian manuscripts KW - Historick inks KW - Pigments PY - 2023 AN - OPUS4-61199 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Imaging micro-XRF in studies of manuscripts N2 - Availability of mobile XRF-equipment with an interaction spot of ca. 100 µm produced a revolution in the studies of manuscripts. A protocol for the use of line-scans introduced in the beginning of 2000 permitted large scale and extremely successful investigations of the medieval iron-gall inks. Here, we usually focus on a comparison of the characteristic metallic components in the inks. In our work, we encountered cases that could be adequately addressed only using large area imaging XRF. However, conducting an M6 scan on a bound manuscript or on a scroll of huge dimensions is not a simple and easy matter. In our presentation, we want to share our experience by presenting a series of the case studies, in which many an original solution was found. T2 - M6 JETSTREAM European User Meeting CY - London, GB DA - 03.04.2023 KW - Micro-XRF KW - Manuscripts KW - Imaging PY - 2023 AN - OPUS4-61198 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Authentic vs. inauthentic Dead Sea Scrolls from the point of view of material analysis N2 - The paper seeks to illuminate the problem of identifying forgeries among the Dead Sea Scrolls from the point of view of material analysis. It will present the sum of our technical knowledge of the skin-based material of the Dead Sea Scrolls, which includes the original treatment of the skins and the resulting typology as well as degradation effects due to their sojourn in caves and post-discovery interventions. We will try then to list the characteristic properties that must be found in the authentic material. We will supplement the presentation with a short description of the relevant methods of material analysis and their contribution to the secure identification of inauthentic Dead Sea Scrolls. T2 - Annual Meeting of the Siciety of Biblical Literature CY - Denver, CO, USA DA - 19.11.2022 KW - Dear Sea Scrolls KW - Forgery PY - 2022 AN - OPUS4-61196 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Material analysis - results N2 - The presentations describes the results obtained by material analysis of the writing materials. Their relevance in the field of digital editing and publishing is discussed. T2 - Communicating Revealed Texts: Best Practices for Born-Digital Editions Using Enhanced Imaging CY - Iowa City, IA, USA DA - 29.06.2024 KW - Writing materials KW - Manuscripts KW - Material analysis PY - 2024 AN - OPUS4-61202 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Cohen, Z. A1 - Hennings, T. A1 - Hahn, Oliver A1 - Depreux, P. A1 - Rabin, Ira T1 - Black inks under examination. Part 2: a case study of Carolingian manuscripts N2 - With this paper, we would like to contribute to the study of black writing materials by investigating the black inks used in the manuscripts from monastic production in the eastern part of the Frankish kingdom, especially in the region of Lake Constance and in Bavaria and dated to the period between the 8th and the 10th centuries. The corpus under study contains manuscripts with formulae, i.e. model letters and charters, besides numerous other types of texts with no clear separation between them (for example by titles). Sixty-three manuscripts have been studied with the aim of reconstructing the history of both their copying and their use. To this aim, we adopted a non-invasive approach that included near-infrared imaging and X-ray fluorescence spectroscopy for on-site measurements, supported by historical and palaeographic analysis. The results obtained in this project are compared with several other archaeometric studies of contemporary manuscripts with the general aim of understanding the use of black ink in medieval manuscripts. KW - Manuscript KW - Ink analysis KW - Carolingian PY - 2023 DO - https://doi.org/10.4000/techne.18919 SN - 2239-0243 VL - 56 SP - 105 EP - 113 AN - OPUS4-61582 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Advances in Characterization of Written Heritage N2 - The session discusses three brances of teh work on the manuscripts: ink analysis, parchment analysis by proteomics (Matthew Collins) and lipids (Mélanie Roffet-Salque); revealing of hidden text using AI. The example of Vesuvium Challenge is presented and discussed by Bren Seales. T2 - Scientific Methods in Cultural Heritage Research Gordon Research Conference CY - Vaud, Switzerland DA - 07.07.2024 KW - Written Heritage KW - Vesuvius challenge KW - Proteomics KW - Lipids PY - 2024 AN - OPUS4-61203 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Hahn, Oliver ED - Ackermann, U. ED - Golle, U. ED - Hahn, Oliver ED - Wintermann, Carsten T1 - Die Farben des frühen Bauhauses N2 - Der Beitrag beschäftigt sich mit zerstörungsfreien Untersuchungen an den Farbmitteln früher Bauhauszeichnungen. Mit welchen Farbmitteln wurden diese Zeichnungen gestaltet? Wurden hier neueste Zubereitungen genutzt, von denen viele im ersten Drittel des 20. Jahrhunderts gerade auf den Markt kamen, oder fanden – der ebenfalls am Bauhaus propagierten Materialökonomie folgend – althergebrachte Materialien Verwendung, die günstiger zu beschaffen waren? Weitere Fragen widmen sich dem Themenkomplex Original, Kopie und Nachahmung sowie der Auffindung von Fälschungen. Restauratorische, konservatorische und kuratorische Fragestellungen und Entscheidungen sind grundsätzlich damit verknüpft. Zwölf exemplarisch vorgestellte Zeichnungen ermöglichen einen guten Über blick über die verwendeten Farbmittel des frühen Bauhauses von 1919 bis 1925. Trotz der Vielfalt der betrachteten Studien, Entwürfen und Arbeitsblättern, ergibt sich ein homogenes Gesamtbild. Bis auf wenige Ausnahmen dominieren anorganische Pigmente die Farbmittelpalette. Dieser Befund wird durch eine weitaus größere Stichprobe materialtechnologisch untersuchter Zeichnungen aus dem Bestand des Bauhaus-Museums Weimar bestätigt KW - Archäometrie KW - Bauhaus Weimar KW - Zerstörungsfreie Prüfung KW - Zeichenmaterialien PY - 2022 SN - 978-3-7443-0424-5 SP - 18 EP - 31 AN - OPUS4-56730 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Original, Kopie, Fälschung? Multispektralanalyse von Bauhauszeichnungen N2 - Der Vortrag widmet sich der materialwissenschaftlichen Analyse von Zeichnungen einiger Bauhausschülerinnen und Bauhausschüler und legt besonderen Fokus auf die verwendeten Farbmittel. Die Objekte werden mit nicht-invasiven bildgebenden Verfahren untersucht, in dem die Wechselwirkung zwischen Röntgen-, sichtbarem und infraroten Licht und den Zeichnungen studiert wird. Dier Analysen liefern nicht nur generell Erkenntnisse über die Art und Zusammensetzung und damit das Alter der verwendeten Farbmittel. Durch die Auffindung von Vorzeichnungen, die Bestimmung von Überarbeitungen und Korrekturen werden Erkenntnisse über die Genese von Zeichnungen gewonnen. Auf der Basis dieser materialwissenschaftlichen Erkenntnisse werden die Begriffe Original, Kopie, Fälschung diskutiert. Da die nicht-invasiven Untersuchungen einen umfassenden Einblick in die Materialität der – überwiegend aus Papier bestehenden – Objekte erlauben, bilden sie die Grundlage für die Erstellung nachhaltiger Konservierungs- und Restaurierungskampagnen und deren dauerhaften Erhalt. T2 - Rahmenprogramm zur Ausstellung "Das Leben der Objekte. Farbe und Papier am Weimarer Bauhaus" CY - Weimar, Germany DA - 12.01.2023 KW - Bauhaus KW - Zerstörungsfreie Prüfung KW - Farbmittel PY - 2023 AN - OPUS4-56847 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Dietz, Georg A1 - Dumas, C. A1 - Golle, U. A1 - Melzer, C. A1 - Mildenberger, H. A1 - Orth, C. A1 - Seifert, C. T. A1 - Wintermann, Carsten A1 - Ketelsen, T. A1 - Hahn, Oliver ED - Ketelsen, T. ED - Hahn, Oliver T1 - Die Sammlung der Niederländischen Zeichnungen in Weimar. Ein Handbuch N2 - Die Klassik-Stiftung Weimar besitzt eine umfangreiche Sammlung niederländischer und flämischer Zeichnungen vom 15. bis 19. Jahrhundert. Im Rahmen des Forschungsprojektes »Kennerschaft heute« wurde der Bestand der über 1.500 Zeichnungen erstmals wissenschaftlich erschlossen. Das Handbuch führt anhand bedeutender Werkgruppen, darunter Zeichnungen von Lucas van Leyden, Dirck Vellert, Roelant Savery und Rembrandt, den Reichtum der Weimarer Sammlung vor Augen, die zum großen Teil auf die Sammelleidenschaft von Johann Wolfgang Goethe zurückgeht. Im Zentrum des Buches steht aber die Zusammenarbeit von traditioneller Stilkritik und naturwissenschaftlicher Materialanalyse. In zwölf Fallbeispielen wird die Notwendigkeit einer methodischen Neuausrichtung der Kennerschaft darlegt. Einen Schwerpunkt der Untersuchungen bildet hierbei das große Konvolut an Zeichnungen von Rembrandt und seinen Schülern, das erstmals systematisch auf die verwendeten Zeichenmaterialien und Papiere untersucht wird. KW - Archäometrie KW - Zeichnungen KW - Papier KW - Zeichenmaterialien KW - Rembrandt PY - 2022 SN - 978-3-95498-715-3 SP - 1 EP - 312 PB - Sandstein Verlag CY - Dresden AN - OPUS4-56720 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Bonnerot, Olivier A1 - Del Mastro, G. A1 - Hammerstaedt, J. A1 - Mocella, V. A1 - Rabin, Ira ED - Capasso, M. ED - Davoli, P. ED - Pellé, N. T1 - XRF Ink Analysis of Selected Fragments from the Herculaneum Collection of the Biblioteca Nazionale di Napoli N2 - Hundreds of papyrus rolls, carbonized during the 79CE eruption of Mount Vesuvius, were discovered in 1754 at Herculaneum. Sophisticated mechanical methods for unrolling the best-preserved scrolls have been applied, with varying success. However, such processes have been abandoned, to prevent risk from irremediable damage or loss and to preserve the integrity of the extremely fragile rolls. Following the development of X-ray based non-invasive techniques, attempts to virtually unroll the scrolls were made. The most common ink in Antiquity was carbon-based, and the main element of carbonized papyrus is carbon, making these investigations difficult. However, some attempts with synchrotron X-ray phase-contrast tomography (XPCT) were successful. Recently, the identification of antique inks containing metals raised hope that if some of the inks contain metal the rolls can be virtually unrolled using conventional CT- technique. We investigated the inks of a selection of partially unrolled fragments stored at the Biblioteca Nazionale di Napoli with X-ray fluorescence in order to select the best candidates for tomography. Despite the many difficulties (analysis of several layers sticking together, letters barely visible, difficulty to separate contribution from the ink and from the papyrus, inhomogeneity of the support, fragility of the fragments…), encouraging results were found, with a number of inks from Greek fragments found to contain additions to the soot (Fe, Pb, Cu P). KW - XRF KW - ink KW - Herculaneum KW - papyrus PY - 2022 UR - http://siba-ese.unisalento.it/index.php/29th_ICP/issue/view/1881 SN - 978-88-8305-177-7 DO - https://doi.org/10.1285/i99788883051760 SP - 200 EP - 213 PB - Centro di Studi Papirologici dell’Università del Salento CY - Lecce AN - OPUS4-54756 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Rabin, Ira A1 - Gordon, Nehemia A1 - Cohen, Zina T1 - Inks of the Bologna Scroll: A Preliminary Study N2 - Rotolo 2 at the Biblioteca Universitaria di Bologna, also known simply as the “Bologna Scroll,” is currently the oldest known complete Torah scroll without later replacement sheets or significant lacunae. The Bologna Scroll has some unusual scribal features. According to one opinion in the Babylonian Talmud, a Torah scroll must be written with carbon ink to be valid for liturgical use.12 The main inks of the Bologna Scroll are very black, and the inks of the marginal corrections in tiny letters are even blacker. In this study, eh inks were tested by means of XRF-spectroscopy and NIR imaging. Conreary to the expectations, the current tests have definitively determined that the Bologna Scroll was both written and corrected using multiple iron-gall inks. KW - Torah KW - Ink KW - Historic ink PY - 2024 DO - https://doi.org/10.1353/mns.2024.a945374 VL - 9 IS - 2 SP - 222 EP - 242 AN - OPUS4-62264 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Rabin, Ira A1 - Krutzsch, A1 - Nehring, ED - Prignitz, Sebastian ED - Vaelske, Veit T1 - Der Papyruskodex Berlin P 1862: Restaurierung und materialtechnische Beobachtungen N2 - This paper presents the conservation of the codex Berlin P 1862, which includes the reconstruction of the original double leaves. This made it possible to reconstruct the original sequence of the layers of the codex. In addition to a detailed description of the papyrus material, technical details are explained. These concern the production, structure and layout of this codex. KW - Papyrus KW - Tusche PY - 2024 DO - https://doi.org/10.1515/9783111345253-011 SP - 141 EP - 163 AN - OPUS4-62265 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN ED - Hahn, Oliver ED - Danielewski, A. ED - Nöller, Renate ED - Doil, Thorsten T1 - Manuscripta americana - Den Azteken auf der Spur - Eine Ausstellung im Kulturwerk der Staatsbibliothek zu Berlin - 07. Dezember 2022 bis 26. Februar 2023 N2 - Die Publikation befasst sich mit einer einzigartigen Sammlung mexikanischer und südamerikanischer Handschriften, die zu Beginn des 19. Jahrhunderts ins Leben gerufen wurde, als Alexander von Humboldt der Königlichen Bibliothek zu Berlin Fragmente indigener mexikanischer Bilderhandschriften aus dem 16. Jahrhundert schenkte. Sie sind heute auch unter der Bezeichnung Humboldt-Fragmente bekannt und stellen den bedeutendsten Teil der Sammlung dar, die im Laufe der Zeit durch den Ankauf verschiedener Arten von Handschriften aus Mittelamerika, vorwiegend in indigenen Sprachen und lateinischer Schrift, erweitert wurde. In den zwei Jahren von April 2017 bis März 2019 verfolgten die Staatsbibliothek zu Berlin – Preußischer Kulturbesitz (SBB-PK) und die Bundesanstalt für Materialforschung und -prüfung (BAM) ein gemeinsames, von der Deutschen Forschungsgemeinschaft (DFG) großzügig gefördertes wissenschaftliches Projekt: Materialanalysen und kulturgeschichtliche Untersuchungen mexikanischer Handschriften aus der Kolonialzeit in Berlin und Krakau. Die Hauptziele des Projekts bestanden darin, die Provenienz der Manuscripta americana zu ermitteln und, da sie einen hohen Grad an Fragmentierung aufweisen, festzustellen, wie sie untereinander und mit Objekten außerhalb der Sammlung in Beziehung stehen. Zu diesem Zweck wurden ethno-kulturhistorische und naturwissenschaftliche Methoden kombiniert. Dank einer guten Zusammenarbeit mit der Jagiellonen-Bibliothek konnten wir die Manuscripta americana sowohl in Berlin als auch in Krakau sehen und studieren und sie wissenschaftlich vermessen. T2 - Manuscripta americana - Den Azteken auf der Spur - Eine Ausstellung im Kulturwerk der Staatsbibliothek zu Berlin CY - Berlin, Germany DA - 07.12.2022 KW - Archäometrie KW - Zerstörungsfreie Prüfung KW - Manuskripte KW - Amate PY - 2022 SN - 2567-1251 N1 - Es gibt parallele Sprachausgaben (englisch und spanisch), Links befinden sich im Feld zugehöriger Identifikator - There are parallel language editions (English and Spanish), links are in the field related identifier VL - 4 SP - 1 EP - 120 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-56729 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Bonnerot, Olivier T1 - XRF Ink analysis of selected fragments from the Herculaneum collection N2 - Hundreds of papyrus rolls, carbonized during the 79CE eruption of Mount Vesuvius, were discovered in 1754 at Herculaneum. Sophisticated mechanical methods for unrolling the best-preserved scrolls have been applied, with varying success. However, such processes have been abandoned, to prevent risk from irremediable damage or loss and to preserve the integrity of the extremely fragile rolls. Following the development of X-ray based non-invasive techniques, attempts to virtually unroll the scrolls were made. The most common ink in Antiquity was carbon-based, and the main element of carbonized papyrus is carbon, making these investigations difficult. However, some attempts with synchrotron X-ray phase-contrast tomography (XPCT) were successful. Recently, the identification of antique inks containing metals raised hope that if some of the inks contain metal the rolls can be virtually unrolled using conventional CT- technique. We investigated the inks of a selection of partially unrolled fragments stored at the Biblioteca Nazionale di Napoli with X-ray fluorescence in order to select the best candidates for tomography. Despite the many difficulties (analysis of several layers sticking together, letters barely visible, difficulty to separate contribution from the ink and from the papyrus, inhomogeneity of the support, fragility of the fragments…), encouraging results were found, with a number of inks from Greek fragments found to contain additions to the soot (Fe, Pb, Cu P). T2 - International Symposium on Archaeometry CY - Online meeting DA - 16.05.2022 KW - XRF KW - Ink KW - Herculaneum KW - Papyrus PY - 2022 AN - OPUS4-54892 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rimon, Hasia A1 - Rabin, Ira ED - Fuller, R.E. ED - Lange, A. T1 - Conservation of the Dead Sea Scrolls N2 - The current state of preservation of the DSS results from the synergetic effect of various factors such as great age, post-discovery treatments, poor storage conditions, environmental influences and exhibitions. With rare exceptions, neither the initial state nor a list of the treatments performed on each DSS fragment is known. Reconstruction of the individual fragment history will have to rely upon advanced analytical techniques to identify the treatments and their effects. Management of the scrolls may be divided roughly into three periods: a) the scholarly archiving period, from 1948 to the mid-1960s; b) first attempts at conservation, from the mid-1960s to late-1980s; c) Israel Antiquities Authority Scrolls Lab, from 1991 onwards. KW - Preservation KW - Dead Sea Scrolls PY - 2023 SN - 2468-3027 VL - 3D SP - 102 EP - 105 PB - Brill CY - Leiden / Boston AN - OPUS4-58910 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira ED - Russel, R.E. ED - Lange, A. T1 - Ancient Inks N2 - In the last decade scientists and scholars have accumulated more knowledge on black ink used for writing in Antiquity and the early Middle Ages. Ready availability of non-destructive testing instruments employed in interdisciplinary projects on historic manuscripts have made it possible to determine the composition of ink and to compare it with the extant records. KW - Writing Ink KW - Antiquity PY - 2023 SN - 2468-3027 VL - 3D SP - 117 EP - 120 PB - Brill CY - Leiden / Boston AN - OPUS4-58913 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira ED - Russel, R.E. ED - Lange, A. T1 - Non-invasive Analytic Tools in Studies of Manuscripts N2 - Physico-chemical analyses of writing materials offer insight into various questions associated with historical, cultural, and conservational aspects of manuscript studies. The catalogue of questions that can be addressed with these methods includes authenticity, dating, the attribution of various parts of the text to different scribes and the relation between the primary and secondary texts. Similarly, preservation of the manuscripts requires knowledge of the composition of the original materials versus old repairs, identification of damage, as well as recognition of natural aging and degradation processes. The material sciences can contribute data about the chemical compositions of the writing materials, elucidation of the techniques of their production and the absolute age of organic components, as well as characterization of corrosion effects, evaluation of conservation treatment, and monitoring of the preservation state. KW - Material Analysis KW - Manuscripts PY - 2023 SN - 2468-3027 VL - 3D SP - 114 EP - 116 PB - Brill CY - Leiden / Boston AN - OPUS4-58912 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Nehring, Grzegorz T1 - Breaking the limits of the non-destructive instrumental analysis of writing inks N2 - The ink analysis protocol developed through cooperation between the Bundesanstalt für Materialforschung und -prüfung in Berlin and the Centre for the Study of Manuscript Cultures at the University of Hamburg involves the use of imaging techniques for ink screening, followed by spectroscopic analysis. In our presentation, we will begin by briefly reviewing the history of writing inks and discussing the three main categories: carbon-based inks, plant, and iron-gall inks. We will address their chronology, precursors, and mixed forms, as well as the features that allow for their identification. Then, we will present the techniques we use in ink analysis, whereby we would like to highlight the limitations, advantages, and disadvantages of each approach. Finally, we will discuss the new mass-spectrometric method based on micro-sampling and using atmospheric solid analysis probe (ASAP). T2 - Future of the Past CY - Torun, Poland DA - 14.06.2023 KW - Ink analyses KW - Spectroscopy KW - Mass spectroscopy PY - 2023 AN - OPUS4-58882 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Charakterisierung historischer Schreibtinten: optische Eigenschaften und elementare Zusammensetzung N2 - Unsere Forschung zielt in erster Linie darauf ab, eine soziogeografische Geschichte von Tinte, Pergament und Papyrus zu rekonstruieren, und umfasst die Materialanalyse der Schreibtinten der Schriftrollen vom Toten Meer, der antiken und hellenistischen Papyri in Ägypten, sowie der Koptischen und Europäischen Tinten des Mittelalters. Zu diesem Zweck haben wir ein Protokoll für die zerstörungsfreie Tintenanalyse entwickelt. Es besteht aus einem ersten Screening mit Hilfe der VIS/NIR Fotografie, um die Art der Tinte zu bestimmen, und der anschließenden Analyse mit der Röntgenfluoreszenzanalyse (RFA). Letztere spielt eine wichtige Rolle bei der Identifizierung der Metalle in den Rußtuschen und der Bestimmung der charakteristischen Zusammensetzung metallhaltiger Tinten, um zwischen den verschiedenen Tinten zu unterscheiden. Der Vortrag bietet ein Panorama schwarzer historischer Schreibmittel und zeigt, dass die Materialanalyse einen wesentlichen Beitrag zur Beantwortung vieler kulturhistorischen Fragen leisten kann. T2 - Eingeladener Vortrag bei GStA CY - Berlin, Germany DA - 10.11.2025 KW - Tinte KW - Tusche PY - 2025 AN - OPUS4-64783 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Rabin, Ira ED - Binder, J. T1 - The marginal notes of Tosefta MS Erfurt N2 - Manuscript Erfurt 12 of the Tosefta (now Berlin, Staatsbibliothek, Ms. or. fol. 1220) is one of three major textual witnesses of the Tosefta. This manuscript has over 80 marginal notes which have not merited scholarly attention. This article presents a comprehensive analysis of all the marginal notes, including an evaluation of their ink composition, a palaeographic assessment of the scripts, as well as a philological assessment of their contents. Combining these methodologies differentiates between the glosses of the scribe and those added by later hands and identifies their provenance, allowing us to trace the history of the manuscript via the emendations that took place in the scholarly communities in which the manuscript was studied. One of the important outcomes of the research is an early dating of the manuscript to eleventh-century Italy, overturning the scholarly view which dates the manuscript to twelfth-century Rhineland KW - Hebrew Manuscripts KW - Ink KW - NIR KW - XRF PY - 2025 DO - https://doi.org/10.3828/jjs.2025.76.2.272 SN - 0022-2097 VL - 76 IS - 2 SP - 272 EP - 300 AN - OPUS4-64770 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Black ink from antiquity to the Middle Ages N2 - Il nostro lavoro di ricerca al BAM si concentra sul passaggio dagli inchiostri a base di fuliggine, comuni nell'antichità, agli inchiostri ferro-gallici, comunemente usati nel Medioevo. Con l'obiettivo di creare una storia dettagliata degli inchiostri neri, abbiamo elaborato un protocollo non invasivo per raccogliere dati statisticamente rilevanti sugli inchiostri da manoscritti datati e localizzati che coprono un ampio arco temporale e diverse aree geografiche. Il primo passo del nostro protocollo consiste nella selezione effettuata mediante riflettografia NIR e IRR. Le differenze ottiche tra gli inchiostri a base di carbonio, tannino e ferro-gallio sono meglio riconoscibili confrontando la loro risposta alla luce infrarossa: l'inchiostro a base di carbonio ha un colore nero intenso, l'inchiostro ferro-gallico diventa trasparente al di sopra dei 1400 nm e l'inchiostro a base di tannino scompare a circa 750 nm. abbiamo semplificato l'analisi utilizzando un piccolo microscopio USB con LED NIR (940 nm) e UV (395 nm) integrati, oltre a una fonte di luce bianca esterna. Confrontando le immagini sotto illuminazione bianca e nel vicino infrarosso, determiniamo la tipologia di inchiostro osservando i cambiamenti nell'opacità dell'inchiostro. In questo caso, gli inchiostri a base di carbonio non mostrano alcuna variazione di opacità quando illuminati con lunghezza d'onda NIR, mentre l'opacità degli inchiostri ferro-gallici cambia notevolmente e gli inchiostri tanninici diventano trasparenti. La nostra recente scoperta che gli inchiostri misti carbonio/ferro-gallici erano piuttosto diffusi nella tarda antichità e nell'alto Medioevo ci ha suggerito di tornare al metodo IRR convenzionale. Il secondo passo del protocollo prevede l'analisi micro-XRF per identificare i componenti inorganici dell'inchiostro. Nel caso degli inchiostri ferro-gallici, stabiliamo le impronte digitali, ovvero i rapporti caratteristici tra i componenti vitriolici dell'inchiostro e l'elemento principale, ferro. T2 - 1° SEMINARIO di studi dottorali CY - Benevento, Italy DA - 06.10.2025 KW - Ink KW - Historic ink PY - 2025 AN - OPUS4-64773 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Ink Analysis of Relic Texts N2 - The presentation will show the multitude of black writing inks in use during the late Antiquity and early Middle Ages in Europa and the Near East and our attempt to follow up the transition of the inks from those based on soot to the iron-gall inks commonly used in the Middle Ages. Black writing inks in the period under consideration can be divided into three different classes: soot, tannin and iron-gall ink. The first one is a fine dispersion of carbon pigments in a water-soluble binding agent, the second one is a solution of plant extract from tree barks or gallnuts, while the third one contains both soluble and insoluble phases. This last ink is based on metal (iron) and is produced by a chemical reaction of soluble iron (II) with tannin in aqueous solution. Tracing the transition from writing inks based on carbon pigments (soot or charcoal), common in Antiquity to the iron-gall inks commonly used in the Middle Ages builds a focus of our investigative work at the BAM (Federal Institute of Material Analysis and Testing). In this context, we will discuss the results of the ink analysis obtained within the project “Crafting documents”. T2 - Heritage Science and Manuscripts from Antiquity and the Middle Ages CY - Oxford, United Kingdom DA - 13.11.2025 KW - Ink KW - Historic ink PY - 2025 AN - OPUS4-64772 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Material analysis of afghanistan liturgical quire (ALQ) conducted at the BAM N2 - The lecture presents the results of the detailed material analysis of the inks and of the parchment of the Afghanistan Liturgical Quire (ALQ), conducted at the Bundesanstalt für Materialforschung und -Prüfung (BAM) in Berlin. Testing was conducted using the following techniques: 3-color photography, 3D-digital microscopy, scanning μ-X-ray fluorescence analysis (XRF), μ- Raman and FTIR spectroscopy. I will give a short explanation of the principles of the techniques and explain the choice of the instruments. The main task of our work at the BAM required characterization of the inks and comparison of the ink as well as the composition of parchment. For the ink characterization we have followed the protocol developed at the BAM. The standard protocol includes three non-invasive stages: a) near infrared photography (NIRR) to determine the ink type or its main component; b) X-ray fluorescence analysis (XRF) to determine a fingerprint for iron-gall inks or contaminants in carbon/plant inks; c) Raman spectroscopy if there is an indication that the inks are of a mixed type. For parchment characterization, we usually employ µ-XRF-mapping and FTIR to gain information on specific treatments experienced by the parchment during its preparation and history. T2 - 19th World Congress of Jewish Studies CY - Jerusalem, Israel DA - 04.08.2025 KW - Hebrew Manuscripts KW - Parchment KW - Ink KW - XRF KW - NIR PY - 2025 AN - OPUS4-64776 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Studies of the black writing inks N2 - In recent years, the interest in the composition of the inks in papyri documents grew exponentially. Different types of inks were found in the period 4th century BCE to 7th century CE. The paper will demonstrate a simple protocol based on comparison of the ink transparency in the near infrared light and X-ray fluorescence spectroscopy. The importance of including ink composition into new catalogues and possible formats of such data will be also presented and discussed. T2 - 31st International Congress of Papyrology CY - Cologne, Germany DA - 28.07.2025 KW - Ink KW - Historic ink KW - Papyrus PY - 2025 AN - OPUS4-64777 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Inks in Early Medieval Manuscripts from Chelles: a Scientific Study N2 - The talk will start with the overview of the ink types and the methods of their characterisation. After displaying XRF spectra of different Carolingian inks the talk will discuss Chelles collection and the labels attributed to Chelles. We will concentrate then on the study of the Chelles manuscripts preserved in Cologne, Vatican and Paris. We will show that there is a good degree of coincidence between the inks of the Chelles manuscripts and the labels attributed to Chelles. We observe unusually early use of vitriolic ink north of the Alps. T2 - Leeds International Medieval Congress (IMC 2025) CY - Leeds, United Kingdom DA - 07.07.2025 KW - Ink KW - Historic ink PY - 2025 AN - OPUS4-64778 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang T1 - Analytische Untersuchungen für Vitrinenbaumaterialien am Beispiel des BEMMA-Schemas N2 - BEMMA ist die Kurzbezeichnung für ein Verfahren zur Bewertung von Emissionen aus Materialien für Museumsausstattungen. Die Bewertung der Materialien erfolgt nach StAA-QMH-4.2-033. Mit diesem Verfahren lassen sich flüchtige organische Verbindungen aus modernen Werkstoffen, die in mittelbarem Kontakt mit historischen Materialien des Kunst- und Kulturgutes stehen, untersuchen und bewerten. Die Vitrinenbaumaterialien, nicht die Vitrine, werden im Hinblick auf ihre Emissionen bewertet. Die Ergebnisse der Messungen werden auch vor dem Hintergrund von realen Vitrinenmessungen eingeordnet und die Herausforderungen bei der Probenahme dargestellt. T2 - Klima- und Schadstoffmanagement in der passiven Vitrine Aktuelle Forschungsergebnisse CY - Berlin, Germany DA - 13.10.2025 KW - Emission KW - BEMMA KW - Vitrinen KW - VOC PY - 2025 AN - OPUS4-64529 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Helman-Wasny, Agnieszka ED - Martin, E. ED - Brox, T. ED - Lange, D. T1 - What makes ‘Tibetan paper’ Tibetan? Understanding the materiality of Tibetan paper N2 - Paper, as a writing support, is an integral element of the materiality of Tibetan books together with the technologies of their production. Analysis of the material features of the paper used in Tibetan written artefacts can help us to unravel their provenance, which is often unknown. First, however, we need a relatively clear understanding of the characteristic features of paper produced within particular book cultures and geographical regions at particular periods of time. This chapter offers a starting point by discussing the general characteristics of paper that originated in Tibet. Drawing on macro- and microscopic studies, it highlights the wide variety of paper types that have been used as writing supports in Tibetan written artefacts, before examining in more detail the raw materials, papermaking technologies and processes, and writing surface preparations that might justify the descriptor ‘Tibetan’ and thus grant Tibetan identity to paper. KW - Written artefacts KW - Paper KW - Tibet PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-649288 SN - 978-3-98887-016-2 DO - https://doi.org/10.11588/hasp.1522 SP - 113 EP - 146 PB - Heidelberg Asian Studies Publishing (HASP) CY - Heidelberg AN - OPUS4-64928 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Tintencharakterisierung: Optische Eigenschaften und elementare Zusammensetzung N2 - Die Präsentation beschreibt alle Typen der schwarzen Schreibmaterialien, die in der Antike und Mittelalter benutzt wurden. Weiterhin wir das bei der BAM entwickelte Untersuchungsprotokoll präsentiert, das aus zwei Stufen besteht: a) der Feststellung des Tintentyps anhand der optischen Eigenschaften; die Ausrechnung von den Fingerprints der Eisengallustinten anhand der elementaren Zusammensetzung. Die Arbeit wird durch Fallbeispiele illustriert. T2 - Schriftkulturen des Mittelalters in digitaler Perspektive CY - Berlin, Germany DA - 22.08.2025 KW - Tinte KW - Tusche PY - 2025 AN - OPUS4-64775 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - The Temple Scroll: Reconstructing an Ancient Manufacturing Practice N2 - The presentation shows the studies of ancient parchment and leather conducted by the authors within last 20 years. Presentation specifically focusses on poduction of the parchment of the Temple scroll. The practice unites the early production of modern parchment with the lost way of skin splitting. T2 - The Temple Scroll: A Research Colloquium CY - New York City, USA DA - 24.02.2025 KW - Dead Sea Scrolls KW - Parchment KW - Tanning PY - 2025 AN - OPUS4-64779 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Lange, D. A1 - Hahn, Oliver ED - Martin, E. ED - Brox, T. ED - Lange, D. T1 - Materials and materiality as keys to understanding a map of Mount Kailash N2 - While graphic and linguistic content is central to the identification of maps and can provide insights into the concepts and systems of rules, ideas and beliefs that led to their production, the materials that constitute maps may speak about manufacturing processes, the provenance of raw materials, the practical and technical knowledge of the mapmakers, and the use of the maps. This contribution underscores how the materials employed in Tibetan maps reveal aspects of their context and trajectory. Furthermore, materiality, conceptualized as a convergence of matter and imagination, can yield even more profound insights into artefacts like maps. Through a detailed case study of a map of Mount Kailash in the tangkha format and a specialized material-scientific analysis of the colourants employed in its creation, this contribution explores how a map can ‘talk’ through its materiality. With this case study it will show how Tibetan Studies can benefit from interdisciplinary collaboration. Crossing the field’s traditional boundaries and working with other disciplines, we argue, is absolutely essential for serious research. KW - Archaeometry KW - Non-destructive analysis KW - Cultural heritage PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-648625 SN - 978-3-98887-016-2 DO - https://doi.org/10.11588/hasp.1522 SP - 147 EP - 176 PB - Heidelberg Asian Studies Publishing (HASP) CY - Heidelberg AN - OPUS4-64862 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -