TY - JOUR A1 - Grzegorz, Nehring A1 - Krutzsch, M. A1 - Rabin, Ira T1 - Tuschenanalyse im P 11702 T1 - Ink Analysis in P 11702 N2 - Near-inframed reflectography and imaging X-Ray flourescence analysis reveal that carbon inks of two different compositions were used in the papyrus manuscript Berlin P 11702. in contrast with the writing ink, one of the carbon drawing inks contained a significant addition of iron. This result emphasises the need for routine instrumental ink analysis. KW - Papyrus KW - Ink analysis KW - X-Ray flourescence spectroscopy KW - Near-infrared refelctography PY - 2021 DO - https://doi.org/10.1515/apf-2021-0026 SN - 1867-1551 VL - 67 IS - 2 SP - 277 EP - 282 PB - De Gruyter AN - OPUS4-53942 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bodechtel, S. A1 - Fuhrmann, A. A1 - Henning, A. A1 - Hahn, Oliver A1 - Rabin, Ira A1 - Kreische, W. A1 - Mäder, M. T1 - The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History N2 - In an interdisciplinary collaboration, restorers, art historians, and scientists examined Guilio Romano’s The Madonna with the Wash-Basin of 1525 (Dresden State Art Collections). Insights into the painting technique along with art historical comparisons provided the opportunity for a better understanding of the painting’s genesis, in particular concerning an early reworking of the background by the artist. A recovery and reconstruction of the earlier version of the background is now possible. The discovery of zinc in distinct passages of the painting, as well as the grey-black pigment stibnite and glass particles used as a supplement in paint layers are of special interest. The technological investigation initiated a discussion about the circumstances of the revision, as well as the painting’s relation to Vasari’s Lives of Artists. KW - Giulio Romano KW - Holy Family KW - Basin KW - Reworking KW - Pentimenti KW - Portrayal of St Joseph KW - Sixteenth-century painting technique KW - Raphael school KW - Zinc KW - Antimony black (stibnite) KW - Vasari PY - 2022 DO - https://doi.org/10.1080/00393630.2022.2118302 VL - 2022 SP - 2 EP - 12 PB - Routledge Taylor & Francis Group CY - London, UK AN - OPUS4-55970 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - RPRT A1 - Hahn, Oliver A1 - Nehring, G. A1 - Freisitzer, R. A1 - Rabin, Ira T1 - A study on early european inks from St. Paul in lavanttal N2 - Typology of Inks Archives and museums around the world contain a vast number of manuscripts that were written in different inks: carbon inks, plant inks, iron-gall inks and mixed inks. Yet most archaeometric studies of manuscripts focus on the palette of pigments found in illuminated manuscripts whereas identification of the inks is still largely based on cultural-historical studies and visual inspections. One of the reasons of this disproportion in the studies can be explained by the properties of Raman spectroscopy, the technique of choice for identification of pigments. In contrast, this technique is only partially viable when dealing with organic colourants. Brown and Clark discuss these difficulties and the uncertainties of identification of iron-gall inks by Raman spectroscopy in their pioneering work on early medieval Anglo-Saxon manuscripts (K. Brown and R. Clark 2004). To facilitate instrumental analysis of inks, we have developed a protocol that starts with the identification of the inks type (Rabin et al. 2012) which doesn’t require complicated instrumentation and can be carried out by paleographers and codicologists. Three typological ink classes The black writing materials used in manuscript production in Antiquity und Middle Ages can be sorted in three typologically different ink classes: soot, plant and iron-gall. Soot ink is a fine dispersion of carbon pigments in a water soluble binding agent; plant-based ink consists of a solution of the tannins extracted from gallnuts or tree bark; iron-gall ink, is produced by mixing a soluble compound of iron (II) with gallic or tannic acid extracted from gallnuts or tree bark. Therefore, iron-gall ink presents a boundary case between solution and dispersion ink, in which a water-soluble preliminary stage oxidizes and evolves into a black, insoluble precipitate similar to the carbon pigments when the writing is exposed to air (Krekel 1999). The additional category of mixed inks, i.e. inks produced by addition of various metals to the soot inks or intentional mixing of iron-gall and soot - based inks started attracting scholarly attention only recently because their significance was established only a short while ago (Brun et al. 2016, Colini 2018, Nehring et al. 2021). We suggest that plant and mixed inks build a bridge from the carbon ink of Antiquity to the properly formulated iron-gall ink that became a standard black ink from the late Middle Ages to the 19th century when it gave way to modern inks. KW - Early european inks KW - Typology of Inks KW - Raman spectroscopy KW - Illuminated manuscripts KW - Archaeometric studies KW - Dispersion of carbon pigments PY - 2021 VL - 2021 SP - 56 EP - 75 PB - Gazette du livre médiéval CY - Paris AN - OPUS4-53844 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Rabin, Ira ED - D'Angelo, M. ED - Essler, H. ED - Nikolardi, F. T1 - Tracing the same Path T1 - Tradizione e innovazione nella papirologia ercolanese tra Germania e Italia T1 - Tradition und Fortschritt in der herkulanischen Papyrologie zwischen Deutschland und Italien N2 - While studying the socio-geographic history of inks, division 4.5 of the BAM (Bundesanstalt für Materialforschung und Prüfung) together with the Centre for the Study of Manuscript Cultures in Hamburg has developed a protocol for ink analysis. It consists of a primary screening to determine the type of the ink, and a subsequent in-depth analysis using several spectroscopic techniques. The XRF elemental analysis aims primarily at identifying and characterizing metallic components of inks. Besides the instrumental methods, the paper presents an overview of historic inks in the period of transition from carbon inks of the Antiquity to iron-gall inks commonly used in the Middle Ages. KW - Carbon ink KW - Mixed ink KW - Iron-gall ink KW - Instrumental analysis of ink KW - Optical properties of ink PY - 2021 SN - 0391-1535 VL - 2021 IS - 228 SP - 175 EP - 180 PB - Centro Internazionale per lo Studio dei Papiri Ercolanesi ‘Marcello Gigante’ CY - Napoli, Italy AN - OPUS4-53975 LA - ita AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Cohen, Zina A1 - Hahn, Oliver A1 - Rabin, Ira ED - Lattuati-Derieux, Agnès ED - Ribeyrol, Charlotte ED - Heginbotham, Arlen T1 - Black Carolingian inks under examination. Part 1: recipes and literature survey N2 - Black writing materials of different types and compositions have varied in use over time and different geographical regions. With this paper, we would like to contribute to their study by listing and reviewing recipes for black writing inks that were in circulation in the Carolingian Empire as well as by referencing the archaeometric analyses of the black inks used in the manuscripts. The studies presented here that involved the humanities and natural sciences provide new insights into how the scholars of the early Medieval Ages organized manuscripts. N2 - L’emploi des differents types de materiaux d’ecriture noirs et leurs compositions ont varie selon les epoques et les regions. Nous souhaitons ici contribuer a leur etude en repertoriant et en analysant les recettes d’encres de calligraphie noires en circulation dans l’Empire carolingien, ainsi qu’en procedant au referencement des analyses archeometriques des encres noires utilisees dans les manuscrits. Faisant appel aux sciences humaines et aux sciences naturelles, ces analyses apportent un eclairage nouveau sur la maniere dont les savants du haut Moyen Age organisaient les manuscrits. KW - Ink KW - Manuscript KW - Middle Ages KW - Recipes KW - Ink analyses KW - Carolingian PY - 2023 SN - 1254-7867 VL - 2023 IS - 55 SP - 90 EP - 95 PB - Centre de Recherche et de Restauration des Musées de France CY - Paris AN - OPUS4-58839 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Berkes, L. A1 - Nehring, Grzegorz A1 - Bonnerot, O. A1 - Krutzsch, M. A1 - Rabin, Ira A1 - Richter, T. S. T1 - Mixed Inks in Two Coptic Documents from the Hermopolite Region Relating to Lease Business N2 - In this article, we present two Coptic papyri, P 11934 and P 11935 from the Berlin collection excavated in Ashmunein (ancient Hermopolis) by Otto Rubensohn in 1906. We employ a multi-disciplinary approach that takes into account both their materiality – writing support as well as ink – and their content, as has become ‘best practice’. 1 Material aspects of written documents have traditionally been the purview of papyrologists. Recently developed methods of scientific analysis generate sets of archaeometric data with the potential to improve understanding of the materiality of ancient document production, as well as to yield new evidence for genuine papyrological research questions. To achieve this, a large corpus of comparative data needs to be built. Our contribution offers a first step in this direction. We aim at presenting the papyri, which were selected because of the ink corrosion during conservation work at the Berlin collection, in a format that is exhaustive both for material and textual aspects. The inks from both papyri were analysed using a combination of techniques, contributing to our better understanding of the development of ink technology in Late Antiquity. KW - Coptic papyri KW - Methods of scientific analysis KW - Sets of archaeometric data KW - Mixed Inks KW - Ink corrosion KW - Ancient document production PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-579948 DO - https://doi.org/10.48631/pylon.2023.3.98234 SN - 2751-4722 VL - 2023/3 IS - 3 SP - 1 EP - 18 PB - Ceative Commons Attribution ShareAlike CY - Heidelberg, Germany AN - OPUS4-57994 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Ghigo, Tea A1 - Rabin, Ira A1 - Buzi, P. T1 - Black Egyptian inks in Late Antiquity: new insights on their manufacture and use N2 - We present here our methodological approach applied to the study of Egyptian inks in Late Antiquity. It is based on an interdisciplinary strategy, bringing together a variety of disciplines from humanities and natural sciences, and it aims at systematically collecting a statistically relevant amount of data regarding the composition of the inks. The application of a wellestablished, non-invasive protocol that includes near-infrared imaging and X-ray fluorescence spectroscopy for in situ measurements enables the identification and characterisation of inks dating from the end of Late Antiquity onwards. However, sometimes this method limits our understanding when characterising more ancient inks. Trying to overcome these limitations, the potential of a new device for the characterisation of organic compounds is here explored by conducting preliminary tests on mock samples. In this work, we present the results from 77 codicological units that include some of the earliest manuscripts of our corpus that presently lists 159 units. KW - Ink KW - Archaeometry KW - Manuscripts KW - Coptic KW - Egypt PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-503893 DO - https://doi.org/10.1007/s12520-019-00977-3 VL - 12 IS - 3 SP - 1 EP - 14 PB - Springer AN - OPUS4-50389 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Bonnerot, Olivier A1 - Gordon, N. A1 - Rabin, Ira T1 - Writing and Correcting a Torah Scroll in Germany of the Thirteenth and Fourteenth Centuries N2 - Scientific material analysis of the elemental composition of inks from different strata of a manuscript has the potential to complement scholarly observations using palaeography and philology in reconstructing the history of the manuscript’s production, correction and repair. There are three typologically different classes of black writing inks: soot inks consist of carbon particles. KW - Manuscript studies KW - Hebrew studies KW - Ink analysis PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-540658 DO - https://doi.org/10.25592/uhhfdm.9749 VL - Comparative Oriental Manuscript Studies Bulletin 7, 2021 IS - 7 SP - 2 EP - 20 PB - Centre for the study of manuscript cultures CY - Hamburg AN - OPUS4-54065 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Girard, Solène A1 - Rabin, Ira T1 - Conservation and Technical Evaluation of an Early Medieval Papyrus Codex N2 - In 2005, a team of Polish archaeologists discovered three Coptic codices, two on papyrus and one on parchment, in the rubbish dump of a hermitage at Sheik Abd el-Gurna, Egypt. While the parchment codex and the remains of the bindings of the papyrus ones have been conserved, the text blocks of the papyrus codices were opened and disassembled and after being disinfected remained untouched for nearly 15 years, until the current project started. Currently, all three books are stored in the collection of the Coptic Museum in Cairo. Our team undertook the conservation of and archaeometric research on the papyrus codices. The first of the books contains the Canons of Pseudo-Basil, while the second is an Encomium of St. Pisenthios. Both codices have been palaeographically dated to the seventh-eighth centuries CE. In this paper, we describe our project and present the results of the work carried out on the Canons of Pseudo-Basil. Our work involved photography in transmitted light, measurements of the thickness of the papyrus leaves, and digital microscopy under three-light illumination. These measurements allowed us to determine the types of the inks and characterize the papyrus writing substrate. For conservation, we used a novel method developed in the Egyptian Museum in Berlin that comprises suspending papyrus folios on a translucent, extremely thin Japanese paper inside glass frames without the use of adhesives.In 2005, a team of Polish archaeologists discovered three Coptic codices, two on papyrus and one on parchment, in the rubbish dump of a hermitage at Sheik Abd el-Gurna, Egypt. While the parchment codex and the remains of the bindings of the papyrus ones have been conserved, the text blocks of the papyrus codices were opened and disassembled and after being disinfected remained untouched for nearly 15 years, until the current project started. Currently, all three books are stored in the collection of the Coptic Museum in Cairo. Our team undertook the conservation of and archaeometric research on the papyrus codices. The first of the books contains the Canons of Pseudo-Basil, while the second is an Encomium of St. Pisenthios. Both codices have been palaeographically dated to the seventh-eighth centuries CE. In this paper, we describe our project and present the results of the work carried out on the Canons of Pseudo-Basil. Our work involved photography in transmitted light, measurements of the thickness of the papyrus leaves, and digital microscopy under three-light illumination. These measurements allowed us to determine the types of the inks and characterize the papyrus writing substrate. For conservation, we used a novel method developed in the Egyptian Museum in Berlin that comprises suspending papyrus folios on a translucent, extremely thin Japanese paper inside glass frames without the use of adhesives. KW - Papyrus KW - Codex KW - Conservation KW - Iron gall ink KW - Coptic PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-570998 DO - https://doi.org/10.1080/00393630.2023.2183554 SN - 0039-3630 SP - 1 EP - 12 PB - Taylor & Francis AN - OPUS4-57099 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Bonnerot, Olivier A1 - Gerhardt, M. A1 - Krutzsch, M. A1 - Rabin, Ira T1 - Looking for the missing link in the evolution of black inks N2 - In the transition from carbon to iron-gall inks, the two documents from the Egyptian Museum and Papyrus Collection in Berlin with shelfmarks P 13500 and P 13501 discussed in this work present an important case. Their inks appear brownish, although they date back to the fourth and third century BCE, when carbon inks are believed to have been commonly if not exclusively used. Using imaging micro-X-ray fluorescence and infrared reflectography, we discovered that the inks in both documents contain a significant amount of copper in addition to carbon. Comparing the extant recipes for black writing inks and the experimental evidence, we suggest that these inks are a transition between the pure carbon and the iron-gall inks. Such inks may have been quite common before the production of iron-gall ink was clearly understood and established. KW - Black writing ink KW - Hellenistic KW - Papyrus KW - XRF imaging KW - NIR imaging PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-523708 DO - https://doi.org/10.1007/s12520-021-01320-5 VL - 13 IS - 4 SP - Article 71 PB - Springer AN - OPUS4-52370 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Gordon, Nehemia A1 - Rabin, Ira T1 - Distinguishing between seemingly identical inks using scanning μXRF and heat maps N2 - This study will present a new approach to distinguishing writing inks that have the same elemental compositions and visual appearances. The approach is based on displaying the intensity of elemental distributions as heat maps that represent data recorded with a scanning μX-ray fluorescence spectrometer. The heat maps present the data so as to facilitate digitally identifying and distinguishing between inks used to produce, correct, and reink two medieval Torah scrolls. As ritual objects, Torah scrolls had to be written in accordance with exacting standards that evolved over time. This requirement led to successive stages of modifications, sometimes over centuries. Both vitriolic and non-vitriolic inks used to modify Torah scrolls can be visually identical to each other. Furthermore, different non-vitriolic inks usually have an identical elemental composition. The solid material analysis evidence and its presentation as heat maps made it possible to discriminate between original and altered portions of text that in some cases would have been impossible. Our interdisciplinary work brought together conservation, material science, paleog-raphy, and philology to enable the identification of complex stratigraphy in multiple stages of production, correction, and reinking. ©2 0 2 2 Published by Elsevier Masson SAS. KW - Spectroscopy KW - Scanning micro-X-ray fluorescence KW - Vitriolic iron-gall inks KW - Non-vitriolic iron-gall inks KW - Heat maps KW - Torah scrolls KW - Scribal corrections PY - 2022 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-557271 DO - https://doi.org/10.1016/j.culher.2022.07.007 SN - 1296-2074 VL - 57 SP - 142 EP - 148 PB - Elsevier Masson SAS AN - OPUS4-55727 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Boaretto, E. A1 - Newman, H. A1 - Shevchuk, I. A1 - Breterniz, S. A1 - Rabin, Ira T1 - Date, Materiality and Historical Significance of P.Köln Inv. 5941 N2 - The paper presents the results of the radiocarbon dating and ink analysis of a leather fragment bearing an important liturgical text in Hebrew from the early centuries of the common era. The work initiated by the scholarly interest in the text stresses the importance of the date and materiality of the manuscripts and closes with an appeal to the curators of manuscript collections. KW - Mixed ink KW - Radiocarbon KW - Leather PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-528063 DO - https://doi.org/10.25592/uhhfdm.8471 VL - 6/2 SP - 173 EP - 186 AN - OPUS4-52806 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Rabin, Ira ED - Raggetti, L. T1 - Material Studies of Historic Inks: Transition from Carbon to Iron-Gall Inks N2 - This chapter offers observations and considerations concerning black writing inks encountered in writing supports transmitting documentary and literary texts of the late Antiquity and early Middle Ages. It discusses different types of inks, the Methods of their detection and their use in different times and geographical areas. KW - Material analysis KW - Writing inks KW - Ink fingerprint PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-528057 DO - https://doi.org/10.1163/9789004444805_006 SP - 70 EP - 78 PB - Brill CY - Leiden AN - OPUS4-52805 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira A1 - Hahn, Oliver ED - Michel, C. ED - Friedrich, M. T1 - Detection of Fakes: The Merits and Limits of Non-Invasive Materials Analysis N2 - This paper addresses the sensitive issue of authenticating unprovenanced manuscripts of high monetary value to certify they are genuine. Over the last decade, the popularity of material studies of manuscripts using non-destructive testing (NDT) has increased enormously. These studies are held in especially high esteem in the case of suspicious writings due to the methodological rigour they are reputed to contribute to debate. We would like to stress that materials analysis alone cannot prove that an object is genuine. Unfortunately, audiences with a humanities background often tend to disregard the technical details and treat any published interpretation of instrumental analysis as an objective finding. Four examples are outlined here to illustrate what questionable contributions the natural sciences can make in describing manuscripts that have actually been forged. KW - Fakes KW - Non-invasive analysis KW - Limitations PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-517202 SN - 978-3-11-071422-7 DO - https://doi.org/10.1515/9783110714333 SN - 2365-9696 VL - 20 SP - 281 EP - 290 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-51720 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira ED - Ciner, P. ED - Nunez, A. T1 - Writing Materials of the Dead See Scrolls N2 - The first manuscripts from the Qumran caves were found in 1947. Within the following 10 years, clandestine and legal excavations revealed some 900 highly fragmented manuscripts from the late Second Temple period. This collection is generally known as Scrolls of the Judea Desert or Dead Sea Scrolls (DSS). For many years after their discovery, text analysis and fragmeents attribution were the main concern of the scholars dealing with the scrolls. The uncertain archaeological provenance of the larger part of the collection added an additional difficulty to the formidable task of sorting some 19000 fragments. After 60 years of scholar research the question of origin, archaeological provenance and correct attribution of the fragmenst are still hotly debated. To dtermine a possible contribution to the debate from the point of view of writing materials, we used otpical and electron microscopy, various X-ray based techniques as well as vibratiional sprectroscopy. We validated our approach with SY - based studies using the advantages of the synchroton radiation source with respect to the benchtop devices. Our laboratory studies showed that often production and storage locality could be distinguished thenks to the specific residues ("fingerprint") they left on the material. Moreover, we have diescovered that diferrent parchment production processses coexisted in the antiquity, and the resulting writing materials can readily be distinguished. T2 - 2nd International Conference on Patristic Studies CY - San Juan, Argentina DA - 28.03.2017 KW - Dead Sea Scrolls KW - Text analysis KW - Fragmented manuscripts KW - X-ray based techniques KW - Archaeological provenance PY - 2021 SN - 978-2-503-59149-0 DO - https://doi.org/10.1484/M.STR-EB.5.1211558 SN - 2566-073X VL - 0095/ 19 SP - 325 EP - 331 PB - Brepols CY - Turnhout, Belgium AN - OPUS4-54593 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Rabin, Ira A1 - Gordon, Nehemia A1 - Calvillo, Nelson T1 - Coloured Ruling Lines in a Fourteenth-Century Ashkenazi Torah Scroll N2 - Rabbinic halakhah required that Torah scrolls be written with relief ruling, horizontal and vertical lines scored into the writing surface. Coloured ruling with plummet or ink would make a Torah scroll invalid for liturgical use. Ruling lines on some leather fragments of early Oriental Torah scrolls give the impression of being produced with plummet or ink but may be the result of dust in the furrows of relief ruling. Erfurt 9, a fourteenth-century Ashkenazi Torah scroll, has coloured ruling, which is partial secondary re-ruling, on 13 of the 34 surviving sheets, perhaps added when the original relief ruling was difficult to see. The coloured ruling in Erfurt 9 is brown, giving it the visual appearance of iron-gall ink. However, XRF tests showed that the only meaningful metallic component in the coloured ruling was lead (Pb). Lead plummet ruling tends to have a greyish appearance. Black specks under near infrared light are consistent with minium, a lead-based red ink that can turn brown when it degrades. Partial secondary re-ruling added with minium to the original relief ruling comes as a surprise as it would have rendered Erfurt 9 unfit for liturgical use. KW - Hebrew Manuscripts KW - Ruling Lines KW - Coloured Ink PY - 2024 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-628531 DO - https://doi.org/10.25592/uhhfdm.17169 SN - 2410-0951 VL - 10 SP - 9 EP - 32 AN - OPUS4-62853 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Glaser, L. A1 - Shevchuk, I. A1 - Tolkiehn, M. A1 - Rabin, Ira A1 - Hahn, Oliver T1 - Improving Iron Gall Ink Palimpsest X-ray Fluorescence Element Mapping Analysis N2 - In the recent years multispectral imaging and X-ray Fluorescence element mapping have established themselves as a well working two step approach, when dealing with faded, erased or overwritten text in iron gall ink. During the last years a lot was done to improve the mere technical side of the techniques. Especially in the case of XRF mapping experiments the acquisition speed needed to be increased to allow mapping in the high resolution demanded by the challenges at hand. High resolution in moderate times can now be achieved, but with the price of proportionally increased amount of data that needs to be processed ideally in parallel to the measurement. The classical approach in XRF spectroscopy of elemental fitting of the spectral data does not even come close to fulfill any on the fly processing time constraints and will consume too much processing time in the foreseeable future. In this paper we will discuss the applicability of modern statistical data processing methods to XRF mapping of iron gall ink palimpsests. We will present a comparison of a new approach based on principle and independent component analysis (PCA and ICA) and the standard element mapping method. We will show that a reduction in processing time of almost two orders of magnitude can easily be achieved. T2 - Kongress Visual Heritage, CHNT 23 CY - Vienna, Austria DA - 15.11.2018 KW - Palimpsest KW - Iron-gall ink PY - 2020 SP - 1.1 EP - 1.9 AN - OPUS4-50243 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira A1 - Hahn, Oliver A1 - Kaska, K. ED - Uhlirz, T1 - Why Do We Need to Study Inks? N2 - While studying the socio-geographic history of inks, division 4.5 (Analysis of cultural artefacts and assets) of the BAM (Bundesanstalt für Materialforschung und -prüfung) in Berlin together with the Centre for the Study of Manuscript Cultures in Hamburg has developed a protocol for ink analysis. It consists of a primary screening to determine the type of the ink, and a subsequent in-depth analysis using several spectroscopic techniques. Using this protocol, scientists can assist scholars in addressing a rather broad range of historical questions that cannot be answered unequivocally through scholarly research alone. Among these are investigations on collaboration between scribes and scriptoria, on the usage and annotation of manuscripts and on their path through time and space in general. This research can thus help to reconstruct the circumstances of the production of written heritage as well as their history and transmission. To facilitate the dialogue between the scholars and the scientists a simple optical tool was developed to allow the scholars to perform preliminary ink analysis required for formulation of the question that in turn can be answered by scientific in-depth investigations. In this paper, ink types and their identification method is accompanied by examples of the recent work conducted on parchment manuscripts in the Austrian National Library. T2 - Congress Visual Heritage, CHNT 23 CY - Vienna, Austria DA - 15.12.2018 KW - Ink KW - Parchment PY - 2020 SP - 1.1 EP - 1.9 CY - Wien AN - OPUS4-50242 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Ghigo, Tea A1 - Rabin, Ira T1 - Gaining Perspective into the Materiality of Manuscripts: The Contribution of Archaeometry to the Study of the Inks of the White Monastery Codices N2 - An interdisciplinary approach to the study of manuscript traditions is here applied to the analysis of the leaves from the White Monastery, one of the greatest centres of literary production in Late Antique Egypt. In the framework of the ‘PAThs’ project, archaeometric analyses complement the information pieced together by a range of disciplines in the field of humanities. The use of different complementary analytical techniques provides information on the type of ink used and its elemental composition, unveiling interesting details regarding the materials and methodology of manufacturing of writing media. Moreover, this contribution takes a step forward and discusses the possible existence of a regional arrangement in the elemental composition revealed in the inks studied. KW - Manuscript making KW - Archaeometry KW - Ink analysis KW - Interdisciplinary approach KW - Coptic studies PY - 2020 SP - 273 EP - 282 AN - OPUS4-51003 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bonnerot, Olivier A1 - Del Mastro, G. A1 - Hammerstaedt, J. A1 - Mocella, V. A1 - Rabin, Ira T1 - XRF ink Analysis of some Herculaneum papyri N2 - Recent research has suggested that some of the inks used in Herculaneum papyri do not consist of pure carbon. Starting from this finding, in June 2018 a preliminary campaign of analysis by means of X-Ray fluorescence (XRF) of external portions removed mechanically from their original rolls in the eighteenth century (the so-called scorze) took place at the Biblioteca Nazionale at Naples. Also in this case, the aim of the survey was to investigate the ink composition in order to detect possible traces of metal. This article sums up the results of this survey. KW - Herculaneum papyri KW - Ink KW - XRF PY - 2020 SP - 50 EP - 52 AN - OPUS4-51193 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -