TY - CONF A1 - Rabin, Ira T1 - Black writing inks: From Antiquity to the Middle Ages N2 - Tracing the transition from writing inks based on soot, common in Antiquity to the iron-gall inks commonly used in the Middle Ages builds a focus of our investigative work at the BAM and the Centre for the Studies of Manuscript Cultures (CSMC) [1-4]. With the aim of creating a detailed history of writing black inks, we worked out a non-invasive protocol to collect statistically relevant ink data from dated and localized manuscripts covering a large time span and different geographic areas. The first step of our protocol consists of the screening carried out by means of the NIR & IRR reflectography. The optical differences between carbon, tannin, and iron-gall inks are best recognized by comparing their response to the infrared light: carbon ink has a deep black color, iron-gall ink becomes transparent above 1400 nm, and tannin ink disappears at about 750 nm, we have simplified the analysis using a small USB microscope with built-in NIR (940 nm) and UV (395 nm) LED in addition to an external white light source [1]. Comparing the images under white and near infrared illumination, we determine the ink typology by observing the changes in the opacity of the ink. Here, carbon-based inks show no change in their opacity when illuminated with NIR wavelength, while the opacity of iron-gall inks changes considerably, and tannin inks become transparent. Our own recent finding that mixed carbon / iron-gall inks were quite popular in the late Antiquity and early Middle Ages suggested to return to the conventional IRR method. The presentation will show the panorama of historic inks and our attempt to follow up the transition of the inks from those based on soot to the iron-gall inks commonly used in the Middle Ages. T2 - Seminar University of Oslo CY - Oslo, Norway DA - 23.09.2022 KW - Ink KW - Historic ink PY - 2022 AN - OPUS4-61194 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Methoden und Erkenntnismöglichkeiten von Tintenanalysen N2 - Der Vortrag stellt die Palette der zerstörungsfreien analytischen Methoden, die zur Identifizierung und Vergleich der Tinten, Tuschen und Pigmente verwendet werden. T2 - Experten-Workshop CY - Hamburg, Germany DA - 06.10.2022 KW - Tinte KW - Tusche KW - Pigmente PY - 2022 AN - OPUS4-61195 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Authentic vs. inauthentic Dead Sea Scrolls from the point of view of material analysis N2 - The paper seeks to illuminate the problem of identifying forgeries among the Dead Sea Scrolls from the point of view of material analysis. It will present the sum of our technical knowledge of the skin-based material of the Dead Sea Scrolls, which includes the original treatment of the skins and the resulting typology as well as degradation effects due to their sojourn in caves and post-discovery interventions. We will try then to list the characteristic properties that must be found in the authentic material. We will supplement the presentation with a short description of the relevant methods of material analysis and their contribution to the secure identification of inauthentic Dead Sea Scrolls. T2 - Annual Meeting of the Siciety of Biblical Literature CY - Denver, CO, USA DA - 19.11.2022 KW - Dear Sea Scrolls KW - Forgery PY - 2022 AN - OPUS4-61196 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Beyond Chocolate and Apricot Using Scientific Techniques to Determine the Relationship of the Inks of Codex Vaticanus N2 - Codex Vaticanus was written by multiple scribes and annotated by over thirty different hands. In the past, scholars have speculated about the relationship between the inks using highly subjective observations. For example, The scholars spoke about “apricot” and “chocolate” distigmai, arguing for their respective origins based on their visual similarity to the original ink and that of the medieval reinker, respectively. In recent decades, micro X-ray fluorescence (µXRF) has revolutionized the study of ancient and medieval cultural artifacts, making it possible to examine them using objective criteria. The application of such objective scientific measurements to ancient and medieval manuscripts will be explained with examples of how color, hue, and appearance of ink can be highly misleading. T2 - Annual Meeting of the Siciety of Biblical Literature CY - San Antonio, TX, USA DA - 18.11.2023 KW - Codex B KW - Codex Vaticanus KW - Historic ink KW - Micro-XRF PY - 2023 AN - OPUS4-61200 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Unveiling the use of writing materials in Carolingian manuscripts N2 - After having been neglected for a long time, materiality is nowadays of great interest in the study of manuscripts. This allows us to explore the variety (and potential coexistence) of different inks and pigments in type and composition in their use over time and geographical area. In this presentation, we aim to contribute to their study through archaeometric analyses of black and red inks used in Carolingian manuscripts copied between the 8th and the 10th centuries. These analyses are based on an interdisciplinary strategy, bringing together knowledge from the humanities and natural sciences to understand the global use of black and red inks in the Carolingian Empire. In this regard, we adopted a non-invasive protocol that included near-infrared imaging and X-ray fluorescence spectroscopy for on-site measurements supported by historical and palaeographic analysis. The results have been collected in the framework of two projects at the University of Hamburg in close collaboration with the Bundesanstalt für Materialforschung und -prüfung, Berlin (BAM) and will be compared with several other archaeometric studies of contemporary manuscripts. T2 - Novel approaches to Digital Codicology CY - Tours, France DA - 10.05.2023 KW - Carolingian manuscripts KW - Historick inks KW - Pigments PY - 2023 AN - OPUS4-61199 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Imaging micro-XRF in studies of manuscripts N2 - Availability of mobile XRF-equipment with an interaction spot of ca. 100 µm produced a revolution in the studies of manuscripts. A protocol for the use of line-scans introduced in the beginning of 2000 permitted large scale and extremely successful investigations of the medieval iron-gall inks. Here, we usually focus on a comparison of the characteristic metallic components in the inks. In our work, we encountered cases that could be adequately addressed only using large area imaging XRF. However, conducting an M6 scan on a bound manuscript or on a scroll of huge dimensions is not a simple and easy matter. In our presentation, we want to share our experience by presenting a series of the case studies, in which many an original solution was found. T2 - M6 JETSTREAM European User Meeting CY - London, GB DA - 03.04.2023 KW - Micro-XRF KW - Manuscripts KW - Imaging PY - 2023 AN - OPUS4-61198 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Panorama of Black writing inks: From Antiquity to the Middle Ages N2 - Black writing inks in the period under consideration can be divided into three different classes: soot, tannin and iron-gall ink. The first one is a fine dispersion of carbon pigments in a water-soluble binding agent, the second one is a solution of plant extract from tree barks or gallnuts, while the third one contains both soluble and insoluble phases. This last ink is based on metal (iron) and is produced by a chemical reaction of soluble iron (II) with tannin in aqueous solution. Tracing the transition from writing inks based on carbon pigments (soot or charcoal), common in Antiquity to the iron-gall inks commonly used in the Middle Ages builds a focus of our investigative work at the BAM (Federal Institute of Material Analysis and Testing) [1-5]. With the aim of creating a detailed history of writing black inks, we worked out a non-invasive protocol to collect statistically relevant ink data from dated and localized manuscripts covering a large time span and different geographic areas. The first step of our protocol consists of the screening carried out by means of imaging in the near infrared region. The optical differences between carbon, tannin, and iron-gall inks are best recognized by comparing their response to the infrared light: carbon ink has a deep black colour, iron-gall ink becomes transparent above 1400 nm, and tannin ink disappears at about 750 nm, we have simplified the analysis using a small USB microscope with built-in NIR (940 nm) and UV (395 nm) LED in addition to an external white light source [1]. Comparing the images under white and near infrared illumination, we determine the ink typology by observing the changes in the opacity of the ink. Here, carbon-based inks show no change in their opacity when illuminated with near infrared light, while the opacity of iron-gall inks changes considerably, and tannin inks become transparent. Our own recent finding that mixed carbon / iron-gall inks were quite popular in the late Antiquity and early Middle Ages suggested to return to the conventional method using infrared light in the spectral region 1000 – 1400 nm. The presentation will show the panorama of historic inks and our attempt to follow up the transition of the inks from those based on soot to the iron-gall inks commonly used in the Middle Ages. T2 - Public lecture CY - Manchester, UK DA - 01.02.2024 KW - Ink KW - Historic ink PY - 2024 AN - OPUS4-61201 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Material analysis - results N2 - The presentations describes the results obtained by material analysis of the writing materials. Their relevance in the field of digital editing and publishing is discussed. T2 - Communicating Revealed Texts: Best Practices for Born-Digital Editions Using Enhanced Imaging CY - Iowa City, IA, USA DA - 29.06.2024 KW - Writing materials KW - Manuscripts KW - Material analysis PY - 2024 AN - OPUS4-61202 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Advances in Characterization of Written Heritage N2 - The session discusses three brances of teh work on the manuscripts: ink analysis, parchment analysis by proteomics (Matthew Collins) and lipids (Mélanie Roffet-Salque); revealing of hidden text using AI. The example of Vesuvium Challenge is presented and discussed by Bren Seales. T2 - Scientific Methods in Cultural Heritage Research Gordon Research Conference CY - Vaud, Switzerland DA - 07.07.2024 KW - Written Heritage KW - Vesuvius challenge KW - Proteomics KW - Lipids PY - 2024 AN - OPUS4-61203 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Charakterisierung historischer Schreibtinten: optische Eigenschaften und elementare Zusammensetzung N2 - Unsere Forschung zielt in erster Linie darauf ab, eine soziogeografische Geschichte von Tinte, Pergament und Papyrus zu rekonstruieren, und umfasst die Materialanalyse der Schreibtinten der Schriftrollen vom Toten Meer, der antiken und hellenistischen Papyri in Ägypten, sowie der Koptischen und Europäischen Tinten des Mittelalters. Zu diesem Zweck haben wir ein Protokoll für die zerstörungsfreie Tintenanalyse entwickelt. Es besteht aus einem ersten Screening mit Hilfe der VIS/NIR Fotografie, um die Art der Tinte zu bestimmen, und der anschließenden Analyse mit der Röntgenfluoreszenzanalyse (RFA). Letztere spielt eine wichtige Rolle bei der Identifizierung der Metalle in den Rußtuschen und der Bestimmung der charakteristischen Zusammensetzung metallhaltiger Tinten, um zwischen den verschiedenen Tinten zu unterscheiden. Der Vortrag bietet ein Panorama schwarzer historischer Schreibmittel und zeigt, dass die Materialanalyse einen wesentlichen Beitrag zur Beantwortung vieler kulturhistorischen Fragen leisten kann. T2 - Eingeladener Vortrag bei GStA CY - Berlin, Germany DA - 10.11.2025 KW - Tinte KW - Tusche PY - 2025 AN - OPUS4-64783 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -