TY - CHAP A1 - Ghigo, Tea A1 - Torallas, S. T1 - Between Literary and Documentary Practices: The Montserrat Codex Miscellaneus (Inv. Nos. 126‐178, 292, 338) and the Material Investigation of Its Inks N2 - The Montserrat Codex Miscellaneus (TM 59453/LDAB 552) has been the subject of numerous studies since the publication of ist first text by its owner, father Ramon Roca-Puig. Scholars have dealt with the content of its texts, as well as interrogated its origin and materiality. It is a fourth-century papyrus single quire codex, which contains texts in both Latin and Greek. It has been argued that it belonged to the Bodmer library, connected to a Pachomian library in the Thebaid. In this paper we want to contribute to the material study of the codex by presenting the first results of an archaeometric analysis performed upon the inks. The Analysis was carried out within the framework of the ‘PAThs’ project based at Sapienza University of Rome, and executed with the close cooperation of DVCTVS, a team of scholars who curate the Roca-Puig collection. The results obtained have not only cast light on the history of production of the codex, but also, and perhaps most importantly, point out that a meaningful interpretation of the analytical data is only possible through an interdisciplinary collaboration between the humanities and the natural sciences. KW - Interdisciplinary approach KW - Codex Miscellaneus KW - Palaeography KW - Book production KW - Archaeometry KW - Ink analysis PY - 2020 SP - 101 EP - 114 AN - OPUS4-51004 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Steger, Simon T1 - Spectroscopic analysis of colourants and binders of Chinese reverse glass paintings tracing a cultural dialogue N2 - Scientific analysis based on spectroscopic methods provide essential information on the composition of colourants and binders in paintings. These results can be set in a historical context and help to confirm art historical interpretations. Proofs of certain pigments can be used for dating purposes and may reveal if the artist used not only local but also imported materials. A pilot study of two Chinese reverse glass paintings from the late 19th (Yingying and Hongniang) and early 20th centuries (The Archer) was performed using a multi-analytical approach including X-ray fluorescence (XRF), diffuse reflectance infrared Fourier transform spectroscopy (DRIFTS) and Raman spectroscopy. This approach allowed the identification of the pigments and the classification of the binding media. The results reveal a combined use of traditional Chinese and imported European materials. Several pigments like cinnabar, lead white, orpiment, carbon black and copper-arsenic green (probably emerald green) were found in both paintings; red lead, artificial ultramarine blue, Prussian blue and ochre appear in at least one of the paintings. The proof of limewash (calcite and small amounts of portlandite) as a backing layer in “Yingying and Hongniang” indicates that clamshell white was also used for reverse glass paintings. Drying oil was classified as a binding media in most areas of both paintings. However, the orange background of The Archer yielded prominent bands of both proteinaceous and fatty binder. T2 - China and the West Reconsidering Chinese Reverse Glass Painting CY - Romont, Switzerland DA - 14.02.2020 KW - Reverse glass painting KW - DRIFTS KW - Raman spectroscopy PY - 2020 AN - OPUS4-50445 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Colini, Claudia ED - Michel, C. ED - Friedrich, M. T1 - La invencíon del Sacromonte: How and Why Scholars Debated about the Lead Books of Granada for Two Hundred Years N2 - At the end of the sixteenth century, a number of relics and artefacts were discovered in Granada, Spain. They included what became known as the Lead Books of the Sacromonte, twenty-one written artefacts made of circular lead leaves engraved in archaic Arabic characters. The authorship was attributed to some Arab disciples of St James the Greater considered to be the first evangelisers of the Iberian Peninsula. The texts, the materiality and the circumstances of the discoveries fuelled a debate surrounding their authenticity that lasted more than two centuries, a debate so fierce and controversial that not even papal condemnation in 1682 was able to stop it. Soon after the discoveries were made public, scholars highlighted the many contradictions and errors of a historical, linguistic and theological nature present in the texts, identifying members of the local Morisco community as possible forgers. This article focuses on how the scholarly community of the sixteenth and seventeenth centuries handled these findings and looks at the methods employed by the scholars to evaluate the authenticity of the artefacts. It will also look at how the particular interests of the various authorities involved influenced the acceptance or dismissal of relevant academic results. KW - Forgery KW - Moriscos KW - Parchment KW - Lead books PY - 2020 UR - https://www.degruyter.com/view/title/590832 DO - https://doi.org/10.1515/9783110714333-011 VL - Studies in Manuscript Cultures 20 SP - 209 EP - 262 PB - De Gruyter CY - Berlin/Boston AN - OPUS4-51936 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - BOOK A1 - Cohen, Zina T1 - Composition Analysis of Writing Materials in Cairo Genizah Documents N2 - Through the application of scientific methods of analysis to a corpus of medieval manuscripts found in the Cairo Genizah, this work aims to gain a better understanding of the writing materials used by Jewish communities at that time, shedding new light not only on the production of manuscripts in the Middle Ages, but also on the life of those Jewish communities. KW - Ink analyses KW - Cairo Genizah KW - X-Ray fluorescence analyses KW - Reflectography KW - Middle Ages PY - 2022 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-588642 UR - https://brill.com/display/title/59331 SN - 978-90-04-44887-2 SN - 978-90-04-46935-8 SP - 1 EP - 192 PB - Brill CY - Leiden & Boston AN - OPUS4-58864 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Cohen, Zina T1 - Beyond the text: What writing materials of the Cairo Genizah tell us N2 - Results: - Four types of inks were measured iron gall (vitriolic and non vitriolic), carbonic, mixed and vegetable inks. - We need to start analyzing systematically the organic part of the inks. - Great variety in the composition of the inks. - No correlation between the type of ink used and any other criteria apart from a personal preference. - Inks purchased by (some) scribes. - Reconstruction of the chronology of writing and signing of certain legal documents. - Comparison with documents written by the Muslim court. T2 - Ink Workshop CY - Munich, Germany DA - 28.06.2022 KW - Ink analyses KW - Manuscript studies KW - X-Ray fluorescence analyses KW - Cairo Genizah KW - Middle Ages PY - 2022 UR - https://www.naher-osten.uni-muenchen.de/wasistlosaminstitut/veranstaltungsarchiv/veranstaltungen-2022/inkworkshop/index.html AN - OPUS4-58874 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Schuehle, Florian T1 - Quality assured uptake rates for passive sampling of indoor air VOCs N2 - Generation of experimental uptake rates (UR) for > 70 VOCs (7d /100 μg m-3) Application in German Environmental Survey – VOC exposure assessment Assurance of transparency concerning UR generation and uncertainty creates basis for decision making and comparability of measurement results. Exemplarily the uncertainty u(UR) of toluene UR was modelled and determined statistically with own laboratory data (relative standard deviation of actively sampled test gas atmosphere – RSDa and n = 5 exposed passive samplers – RSDp) in line with EN 838 as well as from variation of literature UR – RSD UR,lit. T2 - Airmon 2022, 10th International Symposium on modern principles of air monitoring and biomonitoring CY - Bristol, UK DA - 06.11.2022 KW - IAQ KW - VOC KW - Diffusive sampling KW - Uptake rate PY - 2022 AN - OPUS4-56583 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang T1 - VOC-Sampling inside display cases with focus on BEMMA evaluation N2 - Museum display cases aim to protect art and cultural goods not only from theft and vandalism, but also from dirt and dust. An often-heard argument within a call for tender of new display cases is that there should be no emission inside of the display case. This is nearly impossible for new ones especially when they must also fulfill the requirement of an air change rate of less than 0.1 per day. For example, constructions or decorations in exhibition spaces, storage containers in depot rooms, and exhibition display cases release volatile substances that might lead to irreversible changes or, under certain circumstances, damage to the stored or displayed objects. In Germany beneath the well-established Oddy-test also the BEMMA procedure is used to evaluate the construction materials. For larger amounts of display cases control measurements of VOCs at the end of construction or buildup is quite common. However, what is necessary to measure the air inside of display cases. What are the circumstances when the display cases were closed before the test period? Is it possible to organize a clean environment for reliable measurements. How comparable are the resulting VOCs with results from BEMMA test and control measurement at the end. The BEMMA procedure should include a further VOC-test at 60 °C. What are the benefits of this enlargement. Mainly materials that have a high potential to store VOCs inside of the material in combination with a less permeable surface should be evaluated stricter than others. T2 - IAQ 2024 The International Conference on Indoor Air Quality in Heritage and Historic Environments CY - New York, USA DA - 18.11.2024 KW - Emission KW - Air quality KW - Display cases KW - VOC PY - 2024 AN - OPUS4-61967 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Klein, Luise T1 - Miniaturization Options in VOC Emissions Assessments of Consumer Products: Comparison of Test Chambers and Dynamic Headspace Extraction Systems N2 - Different emission testing devices were compared to measure reliable initial indoor air concen-trations of volatile organic compounds (VOC) emitting from consumer products. Compared to conventional medium- or large-scale test chambers, smaller devices including micro chambers and dynamic headspace extraction systems offer options for increased sample throughput, automation as well as reduced costs, which could facilitate their application in routine analysis of consumer product-related VOC emissions. T2 - Indoor Air 2024 CY - Honolulu, Hawaii, USA DA - 07.07.2024 KW - VOC KW - Emissions KW - Consumer product KW - Indoor air PY - 2024 AN - OPUS4-62098 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Willms, Thomas A1 - Kryk, Holger A1 - Hampel, Uwe T1 - An improved method for the analysis of the reaction products of the partial isobutane oxidation by gas chromatography using a green solvent N2 - In the present work, an improved GC/MS method for the analysis of the reaction products of the non-catalytic partial oxidation of isobutane at a starting temperature of 25°C has been developed and compared to a previously published method. Two green GC-solvents (dimethyl carbonate (DMC), diethyl carbonate (DEC)) and several internal standards (hexane, benzene, toluene, DEC) have been tested. The separation of the products at low retention times (methanol, isobutane, isobutene) could be significantly improved. For the liquid main products t-butyl hydroperoxide (TBHP), di-t-butyl peroxide (DTBP), t-butanol (TBA), propanone and most trace products (isopropanol, isobutanal, methyl formate, isopropyl formate, t-butyl formate and some acetates – 24 compounds in total), a coefficient of determination CoD > 0.999 has been achieved. For all weighing and GC/MS measurements uncertainties have been calculated. The peaks of the peak pair t-butyl formate (CoD >0.999) and isobutanol (CoD >0.99), have been simulated and used for calibrations. DEC gave a decomposition of TBHP on the column. With DMC, a problem of peak purity of TBHP appeared but could be resolved. The use of the green solvent DMC, compared to also studied traditional solvents like heptane and toluene, proved to be very beneficial, since it also permitted to determine polar compounds, e. g. carbon dioxide and formic acid. KW - GC/MS KW - Green solvent KW - Method development KW - Peroxide KW - Measurement uncertainties KW - Oxidation products KW - Simulation PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-632026 DO - https://doi.org/10.1016/j.chroma.2025.465892 SN - 0021-9673 VL - 1753 SP - 1 EP - 16 PB - Elsevier CY - Amsterdam AN - OPUS4-63202 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Tang, Chi-Long T1 - Sub-4 nm particles from FFF-3D printing measured with the TSI 1 nm CPC and the Airmodus A11 nCNC N2 - Concerns have been raised as Fused Filament Fabrication (FFF) desktop 3D printer emits harmful ultrafine particles (dP < 100 nm) during operation in indoor spaces. However, the vast majority of previous emission studies have neglected the possible occurrence of sub-4 nm particles by using conventional condensation particle counter (CPC) for detection. Thus, the total particle emission could be systematically underestimated. This study has compared two diethylene glycol (DEG) based instruments to evaluate their suitability for measuring organic FFF particles in the sub-4 nm size range either as particle counter or as a particle size spectrometer. T2 - European Aerosol Conference 2024 CY - Tampere, Finland DA - 25.08.2024 KW - Air pollution KW - Emission testing KW - FFF-3D printing KW - Sub-4nm particles KW - Ultrafine particles PY - 2024 AN - OPUS4-60930 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Ketelsen, T. A1 - Wintermann, Carsten A1 - Melzer, C. A1 - Dietz, Georg A1 - Golle, U. A1 - Hahn, Oliver ED - Cole, M. ED - Dogramaci, B. ED - Lehmann, A.-S. ED - Sölch, B. ED - Wedekind, G. T1 - Connoisseurship and the Investigation of Materiality: Four “Rembrandt” Drawings in Weimar N2 - The aim of this paper is to present the productive interplay of connoisseurship and material analysis when dealing with drawings by Rembrandt – or previously attributed to him – in the collection of the Klassik Stiftung Weimar. This concerns the more precise determination of the drawing materials used and the reconstruction of the genesis of the drawings discussed. The material analysis allows us to decide whether and how Rembrandt’s inks can be used to determine authorship at all. The “material turn” in drawing studies thus intervenes in the discussion about authorship and opens up a broader production aesthetic perspective. No longer the “style” but rather the handeling becomes the decisive criterion for answering the question “Rembrandt, or not?” KW - Archaeometry KW - History of Art KW - Drawings KW - Rembrandt PY - 2021 SN - 0044-2992 VL - 84 IS - 4 SP - 483 EP - 518 PB - Deutscher Kunstverlag CY - Berlin/München AN - OPUS4-54342 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bodechtel, S. A1 - Fuhrmann, A. A1 - Henning, A. A1 - Hahn, Oliver A1 - Rabin, Ira A1 - Kreische, W. A1 - Mäder, M. T1 - The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History N2 - In an interdisciplinary collaboration, restorers, art historians, and scientists examined Guilio Romano’s The Madonna with the Wash-Basin of 1525 (Dresden State Art Collections). Insights into the painting technique along with art historical comparisons provided the opportunity for a better understanding of the painting’s genesis, in particular concerning an early reworking of the background by the artist. A recovery and reconstruction of the earlier version of the background is now possible. The discovery of zinc in distinct passages of the painting, as well as the grey-black pigment stibnite and glass particles used as a supplement in paint layers are of special interest. The technological investigation initiated a discussion about the circumstances of the revision, as well as the painting’s relation to Vasari’s Lives of Artists. KW - Giulio Romano KW - Holy Family KW - Basin KW - Reworking KW - Pentimenti KW - Portrayal of St Joseph KW - Sixteenth-century painting technique KW - Raphael school KW - Zinc KW - Antimony black (stibnite) KW - Vasari PY - 2022 DO - https://doi.org/10.1080/00393630.2022.2118302 VL - 2022 SP - 2 EP - 12 PB - Routledge Taylor & Francis Group CY - London, UK AN - OPUS4-55970 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN ED - Hahn, Oliver ED - Danielewski, A. ED - Nöller, Renate ED - Doil, Thorsten T1 - Manuscripta americana - Fragments of the Aztec legacy - An exhibition at Kulturwerk in the Staatsbibliothek zu Berlin - December 07, 2022 until February 26, 2023 N2 - This publication, which accompanies the exhibition Manuscripta americana - On the traces of the Aztecs, concerns a unique collection of Mexican and South American manuscripts. The collection was established at the beginning of the 19th century, when Alexander von Humboldt donated fragments of 16th century indigenous Mexican pictorial manuscripts to the Royal Library in Berlin. Today these are also known as the Humboldt fragments and represent the most significant part of a collection that was augmented over the years by the purchase of various types of Mesoamerican manuscripts, mainly in indigenous languages with Latin script. During the two year period from April 2017 to March 2019, the Berlin State Library (SBB - SPK) and the Bundesanstalt für Materialforschung und -prüfung (BAM) carried out a joint scientific project funded by the Deutsche Forschungsgemeinschaft (DFG) entitled "Material-analytical and cultural-historical examinations of colonial-period manuscripts from Mexico in Berlin and Cracow." The main objectives of the project were to determine the provenance of the Manuscripta americana and, since they exhibit a high degree of fragmentation, to examine how they are related to each other and to objects outside the collection. The investigation combined ethnocultural-historical and materials science methods of analysis. Thanks to the constructive partnership with the Jagiellonian Library, we were able to see and study the Manuscripta americana in both Kraków and Berlin and to carry out scientific measurements on them. T2 - Manuscripta Americana - Fragments of the Aztec Legacy - An Exhibition at Kulturwerk in the Staatsbibliothek zu Berlin CY - Berlin, Germany DA - 07.12.2022 KW - Amate KW - Archaeometry KW - Manuscripts KW - Nondestructive testing PY - 2022 SN - 2567-1251 N1 - Es gibt parallele Sprachausgaben (deutsch und spanisch), Links befinden sich im Feld zugehöriger Identifikator - There are parallel language editions (German and Spanish), links are in the field related identifier VL - 4 SP - 1 EP - 120 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-62419 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Steger, Simon A1 - Stege, H. A1 - Bretz, S. A1 - Hahn, Oliver ED - Tomasin, P. T1 - Disclosing glittering and sparkling effects in 20th-century reverse glass paintings: a study of metallic pigments and metal foils by means of in situ XRF and DRIFTS analysis N2 - This work presents a spectroscopic study of metallic pigments and metal foils used in reverse glass paintings that were created between 1912 and 1954. Metallic pigments induce a notable sparkling effect by means of the lateral incidence of light, whereas metal foils enhance the gloss and create a glittering effect when the painting is viewed in reflected light. Both effects were desired features especially in modern reverse paintings on glass and applied by artists in manifold creative manner. The paper gives an overview on the composition of the metalfoils and metal pigments in 14 works as determined in situ by X-ray spectrometry. Metal foils made of tin, brass, aluminium and silver were found in nine paintings. Gold imitating Cu-Zn pigments in different hues and with various Cu/Zn net intensity ratios were recorded for six paintings. Silvery pigments were identified mainly as Al pigments, but also as Cu-Zn-Ni alloy in one case. Other uncommon metallic pigments were detected in Arlequin vindicatif (c. 1925) by Floris Jespers, who used not only Cu-Zn and Al pigments, but also brownish Cu and Cu-Zn-Sn pigments. Non-invasive diffuse reflectance infrared Fourier-transform spectroscopy (DRIFTS) was used to classify the binding media of the metallic pigments. Drying oil and natural resin probably mixed with oil were the most common binding media. A polysaccharide-based binder was found in the silvery Cu-Zn-Ni pigment of Ohne Titel (1954) by Marianne Uhlenhuth. KW - Archaeometry KW - Non-invasive analysis KW - Reverse paintings on glass PY - 2020 DO - https://doi.org/10.1016/j.culher.2020.11.008 SN - 1296-2074 VL - 48 SP - 196 EP - 204 PB - Elsevier Masson SAS CY - Amsterdam AN - OPUS4-54428 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - RPRT A1 - Hahn, Oliver A1 - Nehring, G. A1 - Freisitzer, R. A1 - Rabin, Ira T1 - A study on early european inks from St. Paul in lavanttal N2 - Typology of Inks Archives and museums around the world contain a vast number of manuscripts that were written in different inks: carbon inks, plant inks, iron-gall inks and mixed inks. Yet most archaeometric studies of manuscripts focus on the palette of pigments found in illuminated manuscripts whereas identification of the inks is still largely based on cultural-historical studies and visual inspections. One of the reasons of this disproportion in the studies can be explained by the properties of Raman spectroscopy, the technique of choice for identification of pigments. In contrast, this technique is only partially viable when dealing with organic colourants. Brown and Clark discuss these difficulties and the uncertainties of identification of iron-gall inks by Raman spectroscopy in their pioneering work on early medieval Anglo-Saxon manuscripts (K. Brown and R. Clark 2004). To facilitate instrumental analysis of inks, we have developed a protocol that starts with the identification of the inks type (Rabin et al. 2012) which doesn’t require complicated instrumentation and can be carried out by paleographers and codicologists. Three typological ink classes The black writing materials used in manuscript production in Antiquity und Middle Ages can be sorted in three typologically different ink classes: soot, plant and iron-gall. Soot ink is a fine dispersion of carbon pigments in a water soluble binding agent; plant-based ink consists of a solution of the tannins extracted from gallnuts or tree bark; iron-gall ink, is produced by mixing a soluble compound of iron (II) with gallic or tannic acid extracted from gallnuts or tree bark. Therefore, iron-gall ink presents a boundary case between solution and dispersion ink, in which a water-soluble preliminary stage oxidizes and evolves into a black, insoluble precipitate similar to the carbon pigments when the writing is exposed to air (Krekel 1999). The additional category of mixed inks, i.e. inks produced by addition of various metals to the soot inks or intentional mixing of iron-gall and soot - based inks started attracting scholarly attention only recently because their significance was established only a short while ago (Brun et al. 2016, Colini 2018, Nehring et al. 2021). We suggest that plant and mixed inks build a bridge from the carbon ink of Antiquity to the properly formulated iron-gall ink that became a standard black ink from the late Middle Ages to the 19th century when it gave way to modern inks. KW - Early european inks KW - Typology of Inks KW - Raman spectroscopy KW - Illuminated manuscripts KW - Archaeometric studies KW - Dispersion of carbon pigments PY - 2021 VL - 2021 SP - 56 EP - 75 PB - Gazette du livre médiéval CY - Paris AN - OPUS4-53844 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Cohen, Zina A1 - Hahn, Oliver A1 - Rabin, Ira ED - Lattuati-Derieux, Agnès ED - Ribeyrol, Charlotte ED - Heginbotham, Arlen T1 - Black Carolingian inks under examination. Part 1: recipes and literature survey N2 - Black writing materials of different types and compositions have varied in use over time and different geographical regions. With this paper, we would like to contribute to their study by listing and reviewing recipes for black writing inks that were in circulation in the Carolingian Empire as well as by referencing the archaeometric analyses of the black inks used in the manuscripts. The studies presented here that involved the humanities and natural sciences provide new insights into how the scholars of the early Medieval Ages organized manuscripts. N2 - L’emploi des differents types de materiaux d’ecriture noirs et leurs compositions ont varie selon les epoques et les regions. Nous souhaitons ici contribuer a leur etude en repertoriant et en analysant les recettes d’encres de calligraphie noires en circulation dans l’Empire carolingien, ainsi qu’en procedant au referencement des analyses archeometriques des encres noires utilisees dans les manuscrits. Faisant appel aux sciences humaines et aux sciences naturelles, ces analyses apportent un eclairage nouveau sur la maniere dont les savants du haut Moyen Age organisaient les manuscrits. KW - Ink KW - Manuscript KW - Middle Ages KW - Recipes KW - Ink analyses KW - Carolingian PY - 2023 SN - 1254-7867 VL - 2023 IS - 55 SP - 90 EP - 95 PB - Centre de Recherche et de Restauration des Musées de France CY - Paris AN - OPUS4-58839 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Cohen, Zina T1 - Material Studies of Torah Scrolls at the Bundesanstalt für Materialforschung und -Prüfung N2 - In recent years the BAM has been focusing on the characterization of the writing materials of the medieval Torah scrolls. The challenge imposed by the study of this specific type of manuscript led to designing and building dedicated stages to ensure the safety of the scrolls during the analysis. Furthermore, the identification of multiple corrections executed in apparently identical inks required broadening the standard two-step protocol of near infrared reflectography and X-ray fluorescence to include multispectral imaging. This work has prepared the division to participate in the large collaborative project “To roll: Materialisierte Heiligkeit (Materialised Holiness)” based at the Free University, Berlin. The presentation will demonstrate the aims of the studies, preliminary results and the strategies adopted by the division 4.5 of the BAM. T2 - EAJS Congress Branching Out: Diversity of Jewish Studies CY - Frankfurt/Main, Germany DA - 16.07.2023 KW - Ink analyses KW - Manuscript studies KW - Torah Scrolls KW - X-Ray fluorescence KW - Middle Ages PY - 2023 AN - OPUS4-58881 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - More than 25 years of ink analysis non-destructive testing of black writing materials N2 - Writing inks can be divided into soluble inks and dispersion inks. Soluble inks are based on plant or insect dyes forming a water solution. In the early European Middle Ages brown plant inks were usually produced from the blackthorn bark and wine. In contrast to these soluble brown inks, one of the oldest black writing materials was produced by mixing soot with gum arabic or animal glue dissolved in a small amount of water. From Pliny’s detailed account of the manufacture of various black carbon inks, we learn that producing pure soot of high quality was not an easy task in Antiquity. Iron gall inks are a borderline case between these two groups. They are produced from four basic ingredients: gallic acid, an iron-containing component, gum arabic as a binding media, and an aqueous medium such as wine, beer, or vinegar. By mixing gallic acid with soluble iron ions, a water-soluble ferrous gallate complex is formed. Exposure to oxygen leads to the formation of insoluble black ferric gallate pigment. Due to the variety of recipes and the natural origin of raw materials, there is a wide range of different components and impurities in writing inks. The Bundesanstalt für Materialforschung und -prüfung (BAM) together with the Centre for the Study of Manuscript Cultures in Hamburg (CSMC) has developed a protocol for ink analysis. It consists of a primary screening to determine the type of the ink and a subsequent in-depth analysis using several spectroscopic techniques (X-ray fluorescence analysis and vibrational spectroscopy). This contribution presents a qualitative and quantitative analysis of historical writing inks to characterize distinguishable inks in manuscripts, to determine the origin of manuscripts, and to assign unknown fragments to time and place. T2 - Beyond the reconstruction of an Urtext: “About the history of the early Qurʾānic text with regard to digital research tools” CY - Hesse, Germany DA - 07.07.2025 KW - Archaeometry KW - Non-destructive testing KW - Material analysis KW - Cultural heritage PY - 2025 AN - OPUS4-63906 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Wilke, Olaf A1 - Poelke, Birte A1 - Klein, Luise A1 - Rohloff, Alexander A1 - Hoffmann, Holger T1 - Initial VOC Emissions from Consumer Products Determined in Micro-Scale Test Chambers: Results of a Round Robin Test N2 - Emissions of volatile organic compounds (VOCs) from consumer products may have a negative impact on indoor air quality, potentially also affecting human wellbeing. Since consumers may be exposed to these VOCs immediately after e.g. unwrapping of newly purchased products, reliable analytical methods are needed to determine air concentration profiles in the early phase of VOC emissions. Concerning typical sample sizes of consumer products, micro-scale test chambers (μ-chambers) were considered suitable for this purpose. In addition, compared to medium- or large-scale test chambers, μ-chambers require lower initial investment and operational costs, and offer options for emissions screenings where higher sample throughput is essential. For these reasons, a μ-chamber-based method to determine initial concentrations of VOCs emitting within the first hours of simulated product use was developed. The chamber air was frequently sampled on desorption tubes loaded with Tenax® TA, followed by quantification of emitted VOCs via thermal desorption gas chromatography mass spectrometry (TD-GC-MS). The method was assessed in a round robin test involving eight participating laboratories from 2 countries. Pieces of a rain poncho (sample area A: 2.01·10-4 m2) emitting cyclohexanone, phenol, 2-ethylhexanol, naphthalene and isophorone in significant concentrations were distributed as sample material. Each laboratory conducted triplicate emission tests over a period of 48 h in μ-chambers with volumes of 44 or 114 mL. The loading factors L of 4.57 m2·m-3 (44 mL) or 1.76 m2·m-3 (114 mL) and air flow rates of 24 mL·min-1 resulted in area-specific air flow rates q of 7.17 m3·m-2·h-1 in both chamber types. The temperature was set to 23°C and, if possible, relative humidity was set to approx. 50%. The chamber air was sampled after 0.5, 1, 2, 4, 24 and 48 hours. In addition, to assess the analytical performance, each participating laboratory received two analyte-spiked Tenax® TA-loaded desorption tubes for quality control (QC). Very low relative standard deviations (11–17%) were obtained for the QC test. The results of the emissions tests in the early phase (0.5–4 h) were also adequate, with acceptable z scores (|z|≤2.00) received by six to seven participating laboratories. All eight laboratories obtained acceptable z scores after the longer sampling periods (24 and 48 h). Hence, the inter-laboratory comparability of the results obtained with the developed μ-chamber method was successfully confirmed. T2 - Healthy Buildings Europe 2025 CY - Reykjavik, Iceland DA - 08.06.2025 KW - VOC Emissions KW - Consumer Product KW - Test Chamber KW - Round Robin Test PY - 2025 AN - OPUS4-63706 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Grimmer, Christoph T1 - Development, application and measurement uncertainty of emission reference materials N2 - Volatile organic compounds (VOCs) emitted by furniture and building materials can cause health issues. For an improvement of indoor air quality low emitting materials should be used. Quality assurance and –control (QA/QC) measures require an emission reference material (ERM) with a predictable emission rate of VOCs. The idea is to use porous materials as ERM, which store the VOCs inside their pores and emit them constantly. T2 - Webinar Metrology for Indoor Air Quality Reference materials for QA/QC of the emission test chamber procedure CY - Online meeting DA - 11.04.2024 KW - Emission reference materials KW - Indoor air quality KW - Materials emissions test KW - VOC PY - 2024 AN - OPUS4-59963 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Richter, Matthias T1 - Metrological sound reference products for quality assurance and quality control measures in material emissions testing N2 - In industrialised countries more than 80% of the time is spent indoors. Products, such as building materials and furniture, emit volatile organic compounds (VOCs), which are therefore ubiquitous in indoor air. Different VOC combinations may, under certain environmental and occupational conditions, result in reported sensory irritation and health complaints. A healthy indoor environment can be achieved by controlling the sources and by eliminating or limiting the release of harmful substances into the air. One way is to use materials proven to be low emitting. Meanwhile, a worldwide network of professional commercial and non-commercial laboratories performing emission tests for the evaluation of products for interior use has been established. Therefore, comparability and metrological traceability of test results must be ensured. A laboratory’s proficiency can be proven by internal and external validation measures that both include the application of suitable reference materials. The emission test chamber procedure according to EN 16516 comprises several steps from sample preparation to sampling of test chamber air and chromatographic analysis. Quality assurance and quality control (QA/QC) must therefore be ensured. Currently, there is a lack of suitable reference products containing components relevant for the health-related evaluation of building products. The EU-funded EMPIR project 20NRM04 MetrIAQ (Metrology for the determination of emissions of dangerous substances from building materials into indoor air) aims to develop 1) gaseous primary reference materials (gPRM), which are used for the certification of gaseous (certified) reference materials (gCRM) and 2) emission reference materials (ERM). Most commercial gas standards of indoor-relevant compounds are not certified due to the lack of primary reference materials to which the project aims to contribute. The gPRM under development is a gas-phase standard containing trace levels of VOCs in nitrogen or air from the check standard according to EN 16516 (n-hexane, methyl isobutyl ketone, toluene, butyl acetate, cyclohexanone, o-xylene, phenol, 1,3,5-trimethylbenzene) with a target uncertainty of 5 %. The gPRM can be sampled into sorbent tubes to obtain transfer standards in the form of gCRM. The well characterised ERM represents a sample of a test specimen, e.g. building material, that is loaded into the emission test chamber for a period of several days and is used to evaluate the whole emission test chamber procedure. It shall have a reproducible and temporally constant compound release of less than 10 % variability over 14 days. Different approaches for retarded VOC release, such as the encapsulation of pure compounds and the impregnation of porous materials, are being tested to reach this aim. Furthermore, the design of the ERM is accompanied by the development of a numerical model for the prediction of the emissions for each of the target VOCs. The current progress of the work on both materials will be presented. T2 - CIM 2023 - 21st International Metrology Congress CY - Lyon, France DA - 07.03.2023 KW - Indoor air quality KW - VOC KW - Materials emissions testing KW - Emission reference material KW - Quality assurance/quality control PY - 2023 AN - OPUS4-57142 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Grimmer, Christoph T1 - Preparation of novel emission reference materials: μ-capsules & impregnated porous materials N2 - Volatile organic compounds (VOCs) emitted by furniture and building materials can cause health issues. For an improvement of indoor air quality low emitting materials should be used. Quality assurance and –control (QA/QC) measures require an emission reference material (ERM) with a predictable emission rate of VOCs. The idea is to use porous materials as ERM, which store the VOCs inside their pores and emit them constantly. T2 - WORKSHOP: METROLOGY FOR INDOOR AIR QUALITY CY - Mol, Belgium DA - 18.10.2023 KW - Emission reference materials KW - Indoor air quality KW - Materials emissions test KW - VOC PY - 2023 AN - OPUS4-59961 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Richter, Matthias T1 - Emission reference materials for indoor air measurements N2 - In industrialised countries more than 80% of the time is spent indoors. Products, such as building materials and furniture, emit volatile organic compounds (VOCs), which are therefore ubiquitous in indoor air. VOC in combination may, under certain environmental and occupational conditions, result in reported sensory irritation and health complaints. Emission concentrations can become further elevated in new or refurbished buildings where the rate of air exchange with fresh ambient air may be limited due to improved energy saving aspects. A healthy indoor environment can be achieved by controlling the sources and by eliminating or limiting the release of harmful substances into the air. One way is to use (building) materials proved to be low emitting. Meanwhile, a worldwide network of professional commercial and non-commercial laboratories performing emission tests for the evaluation of products for interior use has been established. Therefore, comparability of test results must be ensured. A laboratory’s proficiency can be proven by internal and external validation measures that both include the application of suitable emission reference materials (ERM). For the emission test chamber procedure according to EN 16516, no artificial ERM is commercially available. The EU-funded EMPIR project MetrIAQ aims to fill this gap by developing new and improved ERMs. The goal is to obtain a material with a reproducible and temporally constant compound release (less than 10 % variability over 14 days). Two approaches were tested: the impregnation of porous materials with VOC, and the encapsulation of VOC in polymer microcapsules. Impregnation is performed with help of an autoclave and supercritical CO2. The encapsulation is done by interfacial polymerisation on VOC droplets. For both approaches, synthesis and/or material parameters were varied to obtain an optimal ERM. Findings about the optimisation of ERM generation, as well as performance of the best emission reference materials, will be presented. T2 - GAS Analysis 2024 CY - Paris, France DA - 30.01.2024 KW - Emission reference materials KW - Materials emissions test KW - VOC KW - Indoor air quality PY - 2024 AN - OPUS4-59506 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Berkes, L. A1 - Nehring, Grzegorz A1 - Bonnerot, O. A1 - Krutzsch, M. A1 - Rabin, Ira A1 - Richter, T. S. T1 - Mixed Inks in Two Coptic Documents from the Hermopolite Region Relating to Lease Business N2 - In this article, we present two Coptic papyri, P 11934 and P 11935 from the Berlin collection excavated in Ashmunein (ancient Hermopolis) by Otto Rubensohn in 1906. We employ a multi-disciplinary approach that takes into account both their materiality – writing support as well as ink – and their content, as has become ‘best practice’. 1 Material aspects of written documents have traditionally been the purview of papyrologists. Recently developed methods of scientific analysis generate sets of archaeometric data with the potential to improve understanding of the materiality of ancient document production, as well as to yield new evidence for genuine papyrological research questions. To achieve this, a large corpus of comparative data needs to be built. Our contribution offers a first step in this direction. We aim at presenting the papyri, which were selected because of the ink corrosion during conservation work at the Berlin collection, in a format that is exhaustive both for material and textual aspects. The inks from both papyri were analysed using a combination of techniques, contributing to our better understanding of the development of ink technology in Late Antiquity. KW - Coptic papyri KW - Methods of scientific analysis KW - Sets of archaeometric data KW - Mixed Inks KW - Ink corrosion KW - Ancient document production PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-579948 DO - https://doi.org/10.48631/pylon.2023.3.98234 SN - 2751-4722 VL - 2023/3 IS - 3 SP - 1 EP - 18 PB - Ceative Commons Attribution ShareAlike CY - Heidelberg, Germany AN - OPUS4-57994 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Ghigo, Tea A1 - Rabin, Ira A1 - Buzi, P. T1 - Black Egyptian inks in Late Antiquity: new insights on their manufacture and use N2 - We present here our methodological approach applied to the study of Egyptian inks in Late Antiquity. It is based on an interdisciplinary strategy, bringing together a variety of disciplines from humanities and natural sciences, and it aims at systematically collecting a statistically relevant amount of data regarding the composition of the inks. The application of a wellestablished, non-invasive protocol that includes near-infrared imaging and X-ray fluorescence spectroscopy for in situ measurements enables the identification and characterisation of inks dating from the end of Late Antiquity onwards. However, sometimes this method limits our understanding when characterising more ancient inks. Trying to overcome these limitations, the potential of a new device for the characterisation of organic compounds is here explored by conducting preliminary tests on mock samples. In this work, we present the results from 77 codicological units that include some of the earliest manuscripts of our corpus that presently lists 159 units. KW - Ink KW - Archaeometry KW - Manuscripts KW - Coptic KW - Egypt PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-503893 DO - https://doi.org/10.1007/s12520-019-00977-3 VL - 12 IS - 3 SP - 1 EP - 14 PB - Springer AN - OPUS4-50389 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Bonnerot, Olivier A1 - Gordon, N. A1 - Rabin, Ira T1 - Writing and Correcting a Torah Scroll in Germany of the Thirteenth and Fourteenth Centuries N2 - Scientific material analysis of the elemental composition of inks from different strata of a manuscript has the potential to complement scholarly observations using palaeography and philology in reconstructing the history of the manuscript’s production, correction and repair. There are three typologically different classes of black writing inks: soot inks consist of carbon particles. KW - Manuscript studies KW - Hebrew studies KW - Ink analysis PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-540658 DO - https://doi.org/10.25592/uhhfdm.9749 VL - Comparative Oriental Manuscript Studies Bulletin 7, 2021 IS - 7 SP - 2 EP - 20 PB - Centre for the study of manuscript cultures CY - Hamburg AN - OPUS4-54065 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Girard, Solène A1 - Rabin, Ira T1 - Conservation and Technical Evaluation of an Early Medieval Papyrus Codex N2 - In 2005, a team of Polish archaeologists discovered three Coptic codices, two on papyrus and one on parchment, in the rubbish dump of a hermitage at Sheik Abd el-Gurna, Egypt. While the parchment codex and the remains of the bindings of the papyrus ones have been conserved, the text blocks of the papyrus codices were opened and disassembled and after being disinfected remained untouched for nearly 15 years, until the current project started. Currently, all three books are stored in the collection of the Coptic Museum in Cairo. Our team undertook the conservation of and archaeometric research on the papyrus codices. The first of the books contains the Canons of Pseudo-Basil, while the second is an Encomium of St. Pisenthios. Both codices have been palaeographically dated to the seventh-eighth centuries CE. In this paper, we describe our project and present the results of the work carried out on the Canons of Pseudo-Basil. Our work involved photography in transmitted light, measurements of the thickness of the papyrus leaves, and digital microscopy under three-light illumination. These measurements allowed us to determine the types of the inks and characterize the papyrus writing substrate. For conservation, we used a novel method developed in the Egyptian Museum in Berlin that comprises suspending papyrus folios on a translucent, extremely thin Japanese paper inside glass frames without the use of adhesives.In 2005, a team of Polish archaeologists discovered three Coptic codices, two on papyrus and one on parchment, in the rubbish dump of a hermitage at Sheik Abd el-Gurna, Egypt. While the parchment codex and the remains of the bindings of the papyrus ones have been conserved, the text blocks of the papyrus codices were opened and disassembled and after being disinfected remained untouched for nearly 15 years, until the current project started. Currently, all three books are stored in the collection of the Coptic Museum in Cairo. Our team undertook the conservation of and archaeometric research on the papyrus codices. The first of the books contains the Canons of Pseudo-Basil, while the second is an Encomium of St. Pisenthios. Both codices have been palaeographically dated to the seventh-eighth centuries CE. In this paper, we describe our project and present the results of the work carried out on the Canons of Pseudo-Basil. Our work involved photography in transmitted light, measurements of the thickness of the papyrus leaves, and digital microscopy under three-light illumination. These measurements allowed us to determine the types of the inks and characterize the papyrus writing substrate. For conservation, we used a novel method developed in the Egyptian Museum in Berlin that comprises suspending papyrus folios on a translucent, extremely thin Japanese paper inside glass frames without the use of adhesives. KW - Papyrus KW - Codex KW - Conservation KW - Iron gall ink KW - Coptic PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-570998 DO - https://doi.org/10.1080/00393630.2023.2183554 SN - 0039-3630 SP - 1 EP - 12 PB - Taylor & Francis AN - OPUS4-57099 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Bonnerot, Olivier A1 - Gerhardt, M. A1 - Krutzsch, M. A1 - Rabin, Ira T1 - Looking for the missing link in the evolution of black inks N2 - In the transition from carbon to iron-gall inks, the two documents from the Egyptian Museum and Papyrus Collection in Berlin with shelfmarks P 13500 and P 13501 discussed in this work present an important case. Their inks appear brownish, although they date back to the fourth and third century BCE, when carbon inks are believed to have been commonly if not exclusively used. Using imaging micro-X-ray fluorescence and infrared reflectography, we discovered that the inks in both documents contain a significant amount of copper in addition to carbon. Comparing the extant recipes for black writing inks and the experimental evidence, we suggest that these inks are a transition between the pure carbon and the iron-gall inks. Such inks may have been quite common before the production of iron-gall ink was clearly understood and established. KW - Black writing ink KW - Hellenistic KW - Papyrus KW - XRF imaging KW - NIR imaging PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-523708 DO - https://doi.org/10.1007/s12520-021-01320-5 VL - 13 IS - 4 SP - Article 71 PB - Springer AN - OPUS4-52370 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nehring, Grzegorz A1 - Gordon, Nehemia A1 - Rabin, Ira T1 - Distinguishing between seemingly identical inks using scanning μXRF and heat maps N2 - This study will present a new approach to distinguishing writing inks that have the same elemental compositions and visual appearances. The approach is based on displaying the intensity of elemental distributions as heat maps that represent data recorded with a scanning μX-ray fluorescence spectrometer. The heat maps present the data so as to facilitate digitally identifying and distinguishing between inks used to produce, correct, and reink two medieval Torah scrolls. As ritual objects, Torah scrolls had to be written in accordance with exacting standards that evolved over time. This requirement led to successive stages of modifications, sometimes over centuries. Both vitriolic and non-vitriolic inks used to modify Torah scrolls can be visually identical to each other. Furthermore, different non-vitriolic inks usually have an identical elemental composition. The solid material analysis evidence and its presentation as heat maps made it possible to discriminate between original and altered portions of text that in some cases would have been impossible. Our interdisciplinary work brought together conservation, material science, paleog-raphy, and philology to enable the identification of complex stratigraphy in multiple stages of production, correction, and reinking. ©2 0 2 2 Published by Elsevier Masson SAS. KW - Spectroscopy KW - Scanning micro-X-ray fluorescence KW - Vitriolic iron-gall inks KW - Non-vitriolic iron-gall inks KW - Heat maps KW - Torah scrolls KW - Scribal corrections PY - 2022 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-557271 DO - https://doi.org/10.1016/j.culher.2022.07.007 SN - 1296-2074 VL - 57 SP - 142 EP - 148 PB - Elsevier Masson SAS AN - OPUS4-55727 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Boaretto, E. A1 - Newman, H. A1 - Shevchuk, I. A1 - Breterniz, S. A1 - Rabin, Ira T1 - Date, Materiality and Historical Significance of P.Köln Inv. 5941 N2 - The paper presents the results of the radiocarbon dating and ink analysis of a leather fragment bearing an important liturgical text in Hebrew from the early centuries of the common era. The work initiated by the scholarly interest in the text stresses the importance of the date and materiality of the manuscripts and closes with an appeal to the curators of manuscript collections. KW - Mixed ink KW - Radiocarbon KW - Leather PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-528063 DO - https://doi.org/10.25592/uhhfdm.8471 VL - 6/2 SP - 173 EP - 186 AN - OPUS4-52806 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Rabin, Ira ED - Raggetti, L. T1 - Material Studies of Historic Inks: Transition from Carbon to Iron-Gall Inks N2 - This chapter offers observations and considerations concerning black writing inks encountered in writing supports transmitting documentary and literary texts of the late Antiquity and early Middle Ages. It discusses different types of inks, the Methods of their detection and their use in different times and geographical areas. KW - Material analysis KW - Writing inks KW - Ink fingerprint PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-528057 DO - https://doi.org/10.1163/9789004444805_006 SP - 70 EP - 78 PB - Brill CY - Leiden AN - OPUS4-52805 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira A1 - Hahn, Oliver ED - Michel, C. ED - Friedrich, M. T1 - Detection of Fakes: The Merits and Limits of Non-Invasive Materials Analysis N2 - This paper addresses the sensitive issue of authenticating unprovenanced manuscripts of high monetary value to certify they are genuine. Over the last decade, the popularity of material studies of manuscripts using non-destructive testing (NDT) has increased enormously. These studies are held in especially high esteem in the case of suspicious writings due to the methodological rigour they are reputed to contribute to debate. We would like to stress that materials analysis alone cannot prove that an object is genuine. Unfortunately, audiences with a humanities background often tend to disregard the technical details and treat any published interpretation of instrumental analysis as an objective finding. Four examples are outlined here to illustrate what questionable contributions the natural sciences can make in describing manuscripts that have actually been forged. KW - Fakes KW - Non-invasive analysis KW - Limitations PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-517202 SN - 978-3-11-071422-7 DO - https://doi.org/10.1515/9783110714333 SN - 2365-9696 VL - 20 SP - 281 EP - 290 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-51720 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira ED - Ciner, P. ED - Nunez, A. T1 - Writing Materials of the Dead See Scrolls N2 - The first manuscripts from the Qumran caves were found in 1947. Within the following 10 years, clandestine and legal excavations revealed some 900 highly fragmented manuscripts from the late Second Temple period. This collection is generally known as Scrolls of the Judea Desert or Dead Sea Scrolls (DSS). For many years after their discovery, text analysis and fragmeents attribution were the main concern of the scholars dealing with the scrolls. The uncertain archaeological provenance of the larger part of the collection added an additional difficulty to the formidable task of sorting some 19000 fragments. After 60 years of scholar research the question of origin, archaeological provenance and correct attribution of the fragmenst are still hotly debated. To dtermine a possible contribution to the debate from the point of view of writing materials, we used otpical and electron microscopy, various X-ray based techniques as well as vibratiional sprectroscopy. We validated our approach with SY - based studies using the advantages of the synchroton radiation source with respect to the benchtop devices. Our laboratory studies showed that often production and storage locality could be distinguished thenks to the specific residues ("fingerprint") they left on the material. Moreover, we have diescovered that diferrent parchment production processses coexisted in the antiquity, and the resulting writing materials can readily be distinguished. T2 - 2nd International Conference on Patristic Studies CY - San Juan, Argentina DA - 28.03.2017 KW - Dead Sea Scrolls KW - Text analysis KW - Fragmented manuscripts KW - X-ray based techniques KW - Archaeological provenance PY - 2021 SN - 978-2-503-59149-0 DO - https://doi.org/10.1484/M.STR-EB.5.1211558 SN - 2566-073X VL - 0095/ 19 SP - 325 EP - 331 PB - Brepols CY - Turnhout, Belgium AN - OPUS4-54593 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Rabin, Ira A1 - Gordon, Nehemia A1 - Calvillo, Nelson T1 - Coloured Ruling Lines in a Fourteenth-Century Ashkenazi Torah Scroll N2 - Rabbinic halakhah required that Torah scrolls be written with relief ruling, horizontal and vertical lines scored into the writing surface. Coloured ruling with plummet or ink would make a Torah scroll invalid for liturgical use. Ruling lines on some leather fragments of early Oriental Torah scrolls give the impression of being produced with plummet or ink but may be the result of dust in the furrows of relief ruling. Erfurt 9, a fourteenth-century Ashkenazi Torah scroll, has coloured ruling, which is partial secondary re-ruling, on 13 of the 34 surviving sheets, perhaps added when the original relief ruling was difficult to see. The coloured ruling in Erfurt 9 is brown, giving it the visual appearance of iron-gall ink. However, XRF tests showed that the only meaningful metallic component in the coloured ruling was lead (Pb). Lead plummet ruling tends to have a greyish appearance. Black specks under near infrared light are consistent with minium, a lead-based red ink that can turn brown when it degrades. Partial secondary re-ruling added with minium to the original relief ruling comes as a surprise as it would have rendered Erfurt 9 unfit for liturgical use. KW - Hebrew Manuscripts KW - Ruling Lines KW - Coloured Ink PY - 2024 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-628531 DO - https://doi.org/10.25592/uhhfdm.17169 SN - 2410-0951 VL - 10 SP - 9 EP - 32 AN - OPUS4-62853 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Glaser, L. A1 - Shevchuk, I. A1 - Tolkiehn, M. A1 - Rabin, Ira A1 - Hahn, Oliver T1 - Improving Iron Gall Ink Palimpsest X-ray Fluorescence Element Mapping Analysis N2 - In the recent years multispectral imaging and X-ray Fluorescence element mapping have established themselves as a well working two step approach, when dealing with faded, erased or overwritten text in iron gall ink. During the last years a lot was done to improve the mere technical side of the techniques. Especially in the case of XRF mapping experiments the acquisition speed needed to be increased to allow mapping in the high resolution demanded by the challenges at hand. High resolution in moderate times can now be achieved, but with the price of proportionally increased amount of data that needs to be processed ideally in parallel to the measurement. The classical approach in XRF spectroscopy of elemental fitting of the spectral data does not even come close to fulfill any on the fly processing time constraints and will consume too much processing time in the foreseeable future. In this paper we will discuss the applicability of modern statistical data processing methods to XRF mapping of iron gall ink palimpsests. We will present a comparison of a new approach based on principle and independent component analysis (PCA and ICA) and the standard element mapping method. We will show that a reduction in processing time of almost two orders of magnitude can easily be achieved. T2 - Kongress Visual Heritage, CHNT 23 CY - Vienna, Austria DA - 15.11.2018 KW - Palimpsest KW - Iron-gall ink PY - 2020 SP - 1.1 EP - 1.9 AN - OPUS4-50243 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira A1 - Hahn, Oliver A1 - Kaska, K. ED - Uhlirz, T1 - Why Do We Need to Study Inks? N2 - While studying the socio-geographic history of inks, division 4.5 (Analysis of cultural artefacts and assets) of the BAM (Bundesanstalt für Materialforschung und -prüfung) in Berlin together with the Centre for the Study of Manuscript Cultures in Hamburg has developed a protocol for ink analysis. It consists of a primary screening to determine the type of the ink, and a subsequent in-depth analysis using several spectroscopic techniques. Using this protocol, scientists can assist scholars in addressing a rather broad range of historical questions that cannot be answered unequivocally through scholarly research alone. Among these are investigations on collaboration between scribes and scriptoria, on the usage and annotation of manuscripts and on their path through time and space in general. This research can thus help to reconstruct the circumstances of the production of written heritage as well as their history and transmission. To facilitate the dialogue between the scholars and the scientists a simple optical tool was developed to allow the scholars to perform preliminary ink analysis required for formulation of the question that in turn can be answered by scientific in-depth investigations. In this paper, ink types and their identification method is accompanied by examples of the recent work conducted on parchment manuscripts in the Austrian National Library. T2 - Congress Visual Heritage, CHNT 23 CY - Vienna, Austria DA - 15.12.2018 KW - Ink KW - Parchment PY - 2020 SP - 1.1 EP - 1.9 CY - Wien AN - OPUS4-50242 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - THES A1 - Steger, Simon T1 - Non-invasive spectroscopic investigation of cultural artefacts: shedding light on modern reverse glass paintings N2 - This thesis addresses the development of a methodological approach for the non-invasive identification of colourants and for the classification of binding media in reverse glass paintings from the early 20th century. For this purpose, mobile and miniaturized devices were used to measure the paintings in situ. The methodology includes X-ray fluorescence (XRF), VIS spectroscopy (VIS), Raman spectroscopy and diffuse reflectance infrared Fourier transform spectroscopy (DRIFTS). In a first step the capabilities of DRIFTS for binding media classification and pigment identification were tested. DRIFTS enables, besides Raman spectroscopy, the collection of molecular information of a substance that can be used as characteristic fingerprint spectrum. However, the simultaneous collection of both specular (surface) and diffuse (volume) reflection leads to complicated mixed DRIFT spectra, that can vary strongly for one substance depending on the dominant fraction of reflected light. Specular reflection causes several spectral distortions like inverted bands, band shifts and derivative-like features whereas pure diffuse reflections leads to an intensity enhancement of combination bands and overtones. Both specular and diffuse reflection cannot be optically separated, and their proportion depends on material properties like the absorption coefficient and the refractive index as well as on Parameters like surface roughness, porosity, grain size and angle of incidence and detection. A direct comparison of DRIFT spectra with IR spectra of other methods (e.g. transmission, ATR) is not possible, hence the creation of DRIFTS databases was needed. The next step was the complimentary utilization of Raman spectroscopy and DRIFTS for the dentification of synthetic organic colourants. Such colourants are in the further chapters called synthetic organic pigments (SOP) even when it’s not always entirely clear if they are soluble dyes or pigments that are practically insoluble in the medium in which they are incorporated. Raman spectroscopy is generally the method of choice when dealing with SOP, but fluorescence can hamper the Raman spectrum severely, inhibiting the proper identification of the pigment. DRIFTS was successfully applied and several SOP like synthetic alizarin (PR83), the yellow azo pigments (e.g. PY1) or the red and orange β-naphthol pigments (e.g. PR3) could be identified in the paintings solely by means of DRIFTS. The holistic methodological sequence was defined after the successful establishment of DRIFTS as serious analytical alternative. As the time is always the most limiting factor for in situ measurement campaigns in museums, the 9 sequence needs to be time saving but also efficient. The methodology starts with quick measurements by XRF and VIS to get a first idea of the pigment composition, followed by the validation of the results with the vibrational spectroscopies for selected points. Measurements of reverse glass paintings by Carlo Mense and Wassily Kandinsky were conducted to test the entire procedure. A high number of pigments could be identified, including several rare ones like strontium white (SrSO4), PR60 and PB52. The binding media were classified using the previously recorded references. The results were set in the art historian context and were discussed in a multidisciplinary way. The influence of Asian art, especially of Chinese reverse glass paintings as source of inspiration for artists of the “Blauer Reiter” collective (e.g. Wassily Kandinsky, Gabriele Münter, Franz Marc und Heinrich Campendonk) is shown. Non-invasive measurements of two Chinese reverse glass paintings from the late 19th and early 20th century were conducted, enabling a comparison of the palettes of Chinese and European painters. The Chinese palette includes heavy use of red lead and orpiment, pigments that were hardly sed in Europe anymore. More modern pigments like zinc white, cadmium yellow, viridian, chromates, cobalt blues or SOP were not found at all in the Chinese paintings. KW - Reverse glass painting KW - Raman spectroscopy KW - DRIFTS KW - Non invasive analysis PY - 2020 SP - 12 EP - 104 CY - Hamburg AN - OPUS4-51160 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Ghigo, Tea A1 - Rabin, Ira T1 - Gaining Perspective into the Materiality of Manuscripts: The Contribution of Archaeometry to the Study of the Inks of the White Monastery Codices N2 - An interdisciplinary approach to the study of manuscript traditions is here applied to the analysis of the leaves from the White Monastery, one of the greatest centres of literary production in Late Antique Egypt. In the framework of the ‘PAThs’ project, archaeometric analyses complement the information pieced together by a range of disciplines in the field of humanities. The use of different complementary analytical techniques provides information on the type of ink used and its elemental composition, unveiling interesting details regarding the materials and methodology of manufacturing of writing media. Moreover, this contribution takes a step forward and discusses the possible existence of a regional arrangement in the elemental composition revealed in the inks studied. KW - Manuscript making KW - Archaeometry KW - Ink analysis KW - Interdisciplinary approach KW - Coptic studies PY - 2020 SP - 273 EP - 282 AN - OPUS4-51003 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bonnerot, Olivier A1 - Del Mastro, G. A1 - Hammerstaedt, J. A1 - Mocella, V. A1 - Rabin, Ira T1 - XRF ink Analysis of some Herculaneum papyri N2 - Recent research has suggested that some of the inks used in Herculaneum papyri do not consist of pure carbon. Starting from this finding, in June 2018 a preliminary campaign of analysis by means of X-Ray fluorescence (XRF) of external portions removed mechanically from their original rolls in the eighteenth century (the so-called scorze) took place at the Biblioteca Nazionale at Naples. Also in this case, the aim of the survey was to investigate the ink composition in order to detect possible traces of metal. This article sums up the results of this survey. KW - Herculaneum papyri KW - Ink KW - XRF PY - 2020 SP - 50 EP - 52 AN - OPUS4-51193 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Bonnerot, Olivier T1 - Are X-rays safe for manuscripts’ materials? N2 - In the last decade, applications of X-rays to the study of manuscripts significantly spread in both diversity and extent. They range from writing material analysis, mostly with X-ray fluorescence (XRF), permitting non-invasive characterization of inks and pigments used, to the investigation of the origin of writing supports. In addition, XRF mapping has proved to be an invaluable tool for recovering erased text. Finally, computed-tomography (CT) has shown potential in virtually unrolling rolls, making text readable without using-damaging mechanical methods. Despite their growing use, little attention has been paid to the side effects of such analytical tools. We observed irreversible parchment colour changes during some experiments on dead-sea scrolls with synchrotron radiation sources. Furthermore, partial photo-reduction of iron under high intensity beam during X-ray absorption near edge structure spectroscopy (XANES) measurements of iron-gall ink on paper has been reported several times [5,6]. Such phenomena have mostly been overlooked so far, although there is an increasing awareness of the necessity to study them. We conducted experiments at the Deutsches Elektronen-Synchrotron (DESY) facilities to investigate X-ray induced structural alteration of paper and parchment to see whether the presence of absorption centres (ink and pigments) has an impact. In addition to better understanding degradation processes, we are aiming to define an appropriate methodology of analysis of manuscripts with a tolerable risk of damage. The first results concerning X-ray induced damage of cellulose materials have already been presented at the Synchrotron Radiation and Neutrons in Art and Archaeology (SR2A). We are focusing here on the results on parchment materials. T2 - Cultural and Natural Heritage Workshop CY - Grenoble, France DA - 22.01.2020 KW - X-rays KW - Manuscripts KW - Parchment KW - Synchrotron PY - 2020 AN - OPUS4-50305 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Ketelsen, T. A1 - Hahn, Oliver A1 - Golle, U. T1 - Blindness and Insight. The Rhetoric of Connoisseurship and the Investigation of Materiality. N2 - The aim of the lecture is to present the productive interplay of connoisseurs and material analysis using the example of selected drawings from the Rembrandt collection of the Klassik Stiftung Weimar. We try to determine the point at which the question of the materiality of the drawings makes sense in the traditional discourse of connoisseurship. On the one hand, this involves the question of authorship – Rembrandt – or not? – and the locating of attributed drawings in the context of the work. On the other hand, it is about making drawing processes visible, characterizing ways of drawing and workshop practices as well as distinguishing different forms of reworking and copying within the Rembrandt workshop. The material analyses culminate in the question of whether Rembrandt’s inks can be distinguished at all. It becomes apparent that the newly gained knowledge about the materiality of the drawing no longer reveals itself to the “mere” view of the connoisseur. Rather, it is only generated by the digital image. The rhetoric of connoisseurs must therefore be contrasted with the necessity of a hermeneutics of the digital image. The envisaged “material turn” of drawing science is thus simultaneously able to take up the critique of the question of authorship, which has been growing ever more recently, and to transfer it to a more comprehensive perspective of aesthetics of production. T2 - Drawings by Rembrandt. Connecting art history, science and conservation CY - Amsterdam, Rijksmuseum, The Netherlands DA - 06.02.2020 KW - Rembrandt KW - Drawings KW - Non-destructive testing KW - Inks KW - Paper PY - 2020 AN - OPUS4-50384 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Maltomini, F. A1 - Ghigo, T. A1 - Hahn, Oliver A1 - Rabin, Ira ED - Fournet, J.-L. ED - Kramer, B. ED - Luppe, W. ED - Maehler, H. ED - McGing, B. ED - Poethke, G. ED - Reiter, F. ED - Richter, S. T1 - Florentine papyri under examination: The material study of the inks used at the beginning of the Common Era in the "Family of Kôm Kâssûm" Archive (Hermopolis) N2 - Carbon inks with metallic admixtures are found on some papyri of the 2nd century CE from a family archive in Hermopolis. The great diversity of inks found in a single household within a short period of time suggests that inks were purchased rather than self-made. KW - Carbon ink KW - Iron-gall ink KW - Mixed ink KW - XRF ink analysis KW - Family archives KW - Hermopolis PY - 2021 DO - https://doi.org/10.1515/apf-2021-0010 SN - 0066-6459 SN - 1867-1551 VL - 67 IS - 1 SP - 146 EP - 165 PB - De Gruyter CY - Berlin AN - OPUS4-53160 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Beyond Chocolate and Apricot Using Scientific Techniques to Determine the Relationship of the Inks of Codex Vaticanus N2 - Codex Vaticanus was written by multiple scribes and annotated by over thirty different hands. In the past, scholars have speculated about the relationship between the inks using highly subjective observations. For example, The scholars spoke about “apricot” and “chocolate” distigmai, arguing for their respective origins based on their visual similarity to the original ink and that of the medieval reinker, respectively. In recent decades, micro X-ray fluorescence (µXRF) has revolutionized the study of ancient and medieval cultural artifacts, making it possible to examine them using objective criteria. The application of such objective scientific measurements to ancient and medieval manuscripts will be explained with examples of how color, hue, and appearance of ink can be highly misleading. T2 - Annual Meeting of the Siciety of Biblical Literature CY - San Antonio, TX, USA DA - 18.11.2023 KW - Codex B KW - Codex Vaticanus KW - Historic ink KW - Micro-XRF PY - 2023 AN - OPUS4-61200 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Gordon, N. A1 - Bonnerot, Olivier A1 - Rabin, Ira ED - Friedrich, M. ED - Quenzer, J. T1 - Inks Used to Write the Divine Name in a Thirteenth-Century Ashkenazic Torah Scroll: Erfurt 7 (Staatsbibliothek zu Berlin, Ms. or. fol. 1216) N2 - The scribe of ‘Erfurt 7’, a thirteenth-century Torah scroll now kept in Berlin, initially left blank spaces for the divine appellations Elohim ( אלהים ) and YHWH Elohim ( ,(יהוה אלהים which were filled in during a second stage of writing. The appearance of the ink employed to write the appellations was significantly darker than that of the surrounding ink. X-ray fluorescence analysis (XRF) has shown that the light and dark brown inks had similar elemental compositions, but contained different ratios of iron to potassium, which could be explained by the use of different batches of ink. According to some medieval sources, the divine appellations were sometimes filled in during a second stage of writing in the presence of ten men from the Jewish community. In Erfurt 7, the two-stage procedure was only performed in the first 1.5 columns of the original sheets, suggesting it may have been part of a public ceremony inaugurating the writing of the divine names in the scroll. Erfurt 7 emerges from this study not only as a ritual object used for liturgy, but as a rallying point for the Jews of Erfurt to come together as a community to express their reverence for the written form of God’s name. The divine name YHWH ( יהוה ) was written in a smaller script than the surrounding text on three replacement sheets using the same two-stage procedure. The ink used on the replacement sheets contained zinc, which is characteristic of other Erfurt manuscripts as well. This suggests that Erfurt was the place where the scroll was used, cherished and eventually repaired. KW - Torah KW - Ink KW - Erfurt KW - 13th century PY - 2020 SN - 1867–9617 VL - 15 SP - 163 EP - 184 AN - OPUS4-52965 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Nöller, Renate A1 - Hahn, Oliver ED - Dora, C. ED - Fabian, C. ED - Knoche, M. ED - Linder, M. ED - Mittler, E. ED - Schmitz, W. T1 - VIS-Spectroscopy of Aztec colors. Possible application of a non-destructive analytical method N2 - VIS-spectrometry is a rapid, non- invasive, mobile method that offers a first overview of possible colorants used for painting. This is worked out in detail for European paintings and applied for artefacts and illuminated manuscripts. Manuscripts from Asia for example show colorful decoration identified to be mostly prepared with mineral pigments such as cinnabar, azurite, malachite or orpiment, which can be well confirmed by elemental analyses due to their color-giving metal ions. This is not the case for the colorants used in pictorial manuscripts from pre-Hispanic America, painted mainly with organic dyes from plants. The palette of colors used by the Aztecs is very rich due to their extensive empire and long- distance communication with vassal states liable to tributes including dyes of high quality. These include for example red cochineal, yellow zacatlaxcalli, tagetes, safflower, and achiotl, as well as blue indigo, or matlalli. T2 - Manuscripta Americana: Aufarbeitung einer Sammlung CY - Ibero-Amerikanisches-Institut, SPK DA - 14.02.2019 KW - Pigments KW - Dyes KW - Humboldt Codices KW - Non-destructive test PY - 2020 SN - 978-3-447-11511-7 SN - 0067-8236 VL - 53 SP - 35 EP - 57 PB - Harrassowitz Verlag CY - Wiesbaden AN - OPUS4-51934 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver A1 - Nöller, Renate ED - Dora, C. ED - Fabian, C. ED - Knoche, M. ED - Linder, M. ED - Mittler, E. ED - Schmitz, W. T1 - Writing inks in the Manuscripta Americana – a pilot study N2 - The manuscripts – which have been inventoried as Manuscripta Americana in the State Library of Berlin and the Biblioteka Jagellońska in Krakow with the signatures Ms. Americ. 1-15 – are codices mainly from the colonial times of the 16th to 18th centuries. They uniquely reflect the relationships between indigenous culture and Spanish colonial masters. This study focusses on the scientific investigation of three manuscripts (Manuscripta Americana 3, 8, and 10) that are kept today in Krakow. It is assumed that these three parts belong together in a certain way, so various material analyses were carried out to prove this assumption. The scientific investigation focusses on the different black and brown writing inks. T2 - Manuscripta Americana: Aufarbeitung einer Sammlung CY - Ibero-Amerikanisches-Institut, SPK DA - 14.02.2019 KW - Humboldt Codices KW - Writing inks KW - Non-destructive testing PY - 2020 SN - 978-3-447-11511-7 SN - 0067-8236 VL - 53 SP - 21 EP - 32 PB - Harrassowitz Verlag CY - Wiesbaden AN - OPUS4-51935 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang T1 - The BEMMA-Scheme helpful for low VOC inside display cases? N2 - Museums worldwide are equipped with different display cases. Exhibit display cases should protect cultural objects from dust as well as from mechanical and physical damage. To ensure a stable climate inside the display cases, a low air exchange rate is maintained. Typically, air exchange rates are often smaller than 0.1 d-1, which can result in rising concentrations of potential harmful VOC inside of the display cases due to emissions from materials. Especially organic acids, e. g. formic or acetic acid which can emit from e.g. sealing materials or wood-based materials, can produce damage of cultural objects. In 2012 BAM introduced a procedure which is called: BEMMA-Scheme (Bewertung von Emissionen aus Materialien für Museums¬ausstattungen) which stands for: “Assessment of Emissions from Materials for Museum Equipment”. Regarding the testing procedure only construction materials were evaluated, not the display cases their self. Micro chambers are used for VOC emission tests of display case construction materials, e.g. plastics, sealing materials, coatings, textiles and others. Each sampling procedure is carried out in duplicate. Emissions like formic acid, acetic acid, formaldehyde, piperidine-derivates and oximes are excluded and the sum of emissions of VVOCs, VOCs and SVOCs is limited. For a positive assessment all listed criteria must be fulfilled; otherwise the display construction material fails the BEMMA scheme. T2 - Indoor Air Quality in Heritage and Historic Environments CY - Online meeting DA - 12.10.2020 KW - Museum KW - VOC-emission KW - BEMMA KW - Display case PY - 2020 AN - OPUS4-51470 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Klinge, A. T1 - upMIN 100 – upcycling of mineral construction and demolition waste to substitute natural aggregates in earthen building materials N2 - The construction sector is one of the most resource-intensive sectors in Germany and is responsible for 40 % of CO2 emissions. emissions. Around 517 million tons of mineral raw materials are required annually for the construction of buildings in Germany. At the same time, mineral construction waste was the largest material flow at 229.3 million tons (2020). The rates of building material recycling have increased since 2000, especially for mineral waste. Nevertheless, the majority of recycled aggregates are used in technically largely unregulated applications (e.g. road construction). This downcycling leads to a loss of valuable resources for technically and economically valuable uses. The upMIN100 research project is investigating the question of whether and to what extent recycled mineral construction and demolition waste is suitable as an additive in earthen building materials such as earth plasters and earth blocks. The focus is placed on grain sizes < 2 mm, which are currently predominantly landfilled, as there are currently no regulations for their use in building products. In order to enable the use of construction and demolition waste, the technical feasibility must be ensured, quality requirements for source materials (e.g. limit values for pollutants in terms of health and environmental environmental compatibility and hazardous substances) and permissible proportions of recycled aggregates must be defined. To avoid negative impact on building occupants, the developed building materials have been tested in terms of harmful substances included in the mineral waste as well as emissions into the ambient air. Furthermore, the earthen building products, manufactured from mineral waste, should be free from pollutants to enable a return into the environment. According to the Substitute Building Materials Ordinance (EBV) this corresponds to criterion BM-0. Two different building material developments were used to test the technical feasibility and the pollutant content of the recycled aggregate. T2 - Sustainable Built Environment Conference 2025 CY - Zurich, Switzerland DA - 25.06.2025 KW - Mineral waste KW - Upcycling KW - Earthen building product KW - Circular construction PY - 2025 AN - OPUS4-63552 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Even, Morgane A1 - Juritsch, Elevtheria A1 - Richter, Matthias T1 - On the use of Carbograph 5TD as an adsorbent for sampling VVOCs: validation of an analytical method N2 - A standardised method for the analysis of very volatile organic compounds (VVOCs) in indoor air is still missing. This study evaluates the use of Carbograph 5TD as an adsorbent for 60 compounds (47 VVOCs + 13 VOCs) by comparing their recoveries with different spiking modes. The influence of the spiking of the tubes in dry nitrogen, humidified air or along the whole flushing duration mimicking real sampling was investigated. 49 substances (36 VVOCs from C1 to C6) had recoveries over 70% on the adsorbent in humidified air and were validated. The linearity of the calibration curves was verified for every spiking mode and the limits of detection (LOD) and quantification (LOQ) were determined. The LOQs were lower than the existing indoor air guideline values. The robustness of the method was considered by studying the influence of the sampling volume, the sampling flow rate, the humidity level and the storage of the tubes. In general, the most volatile or polar substances were the less robust ones. The combined measurement uncertainty was calculated and lies below 35% for a vast majority of the substances. An example of an emission chamber test using polyurethane foam is shown: Carbograph 5TD performs much better than Tenax® TA for VVOCs and emissions from n-butane were quantified with combined measurement uncertainty. KW - VVOC KW - Gas chromatography KW - Thermal desorption KW - Air sampling PY - 2023 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-581113 DO - https://doi.org/10.1039/D3AY00677H VL - 15 IS - 31 SP - 3810 EP - 3821 AN - OPUS4-58111 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Musyanovych, A. A1 - Grimmer, Christoph A1 - Sadak, A. E. A1 - Heßling, L. A1 - Lüdicke, M. A1 - Bilsel, M. A1 - Horn, Wolfgang A1 - Richter, Matthias T1 - Polymer Capsules with Volatile Organic Compounds as Reference Materials for Controlled Emission N2 - Encapsulation of volatile organic compounds (VOCs) that could evaporate at a defined rate is of immense interest for application in emission reference materials (ERMs). Polyurethane/polyurea microcapsules with various VOC active ingredients (limonene, pinene, and toluene) were successfully produced by interfacial polymerization with Shirasu porous glass membrane emulsification in a size range between 10 and 50 μm. The effect of surfactant, VOC, monomer(s) type, and ratio has a great effect on the formulation process and morphology of capsules. The type of VOC played a significant role in the encapsulation efficiency. Due to the difference in vapor pressure and VOC/water interfacial tension, the formulation for encapsulation was optimized for each individual VOC. Furthermore, to achieve effective stability of the large droplets/capsules, a combination of ionic and nonionic surfactants was used. Optical and scanning electron microscopy, Fourier transform infrared spectroscopy (FTIR), and thermogravimetric analysis (TGA), were used to characterize the optimized microcapsules. The results showed that the obtained microcapsules exhibited a spherical shape and core–shell morphology and featured characteristic urethane-urea bonds. The amount of encapsulated VOC ranges between 54 and 7 wt %. The emission tests were performed with the help of the emission test chamber procedure (EN 16516). The limonene-loaded polyurethane/polyurea microcapsules show a change in emission rate of less than 10% within 14 days and can be considered as a potential candidate for use as an ERM. KW - Polymer microcapsules KW - Membrane emulsification KW - Polyaddition KW - Volatile organic compound (VOC) KW - Emission testing PY - 2024 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-619227 DO - https://doi.org/10.1021/acsami.4c12826 SN - 1944-8252 VL - 16 IS - 50 SP - 69999 EP - 70009 PB - ACS AN - OPUS4-61922 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -