TY - CHAP A1 - Golle, U. A1 - Hahn, Oliver A1 - Wintermann, C. ED - Brahms, I. T1 - Rötel und Eisengallustinte als Farbeffekte in der Zeichnung N2 - Eine Vielzahl unterschiedlicher Materialien findet für die farbliche Gestaltung von Zeichnungen Verwendung. Einige Pigmente und Farbstoffe, d.h. Tinten, Stifte oder Kreiden, waren nur für den Gebrauch als Zeichenmittel vorgesehen – andere wiederum finden sich auch in der Tafel- oder Fassmalerei. Ausgehend von schwarzen Zeichenmaterialien soll zunächst eine allgemeine Typologie der Farbmittel entwickelt werden, um den Kosmos dieser Vielfältigkeit zu illustrieren. In einem zweiten Teil werden farbige Elemente am Beispiel von Rötel in Zeichnungen hinterfragt, deren Funktion und Bedeutung sich aus der Betrachtung heraus nicht unbedingt sofort erschließt. So diente die Farbe hier weder der naturgetreuen Nachahmung, noch wurde sie für eine nachträgliche Wertsteigerung eingesetzt. Der dritte Teil dieses Exkurses widmet sich schließlich solchen „farbigen“ Elementen, deren Konnotationen sich aus den Zeichnungen nicht ermitteln lassen und die daher zunächst irritieren. Diese vermeintliche Farbigkeit war aber ursprünglich vielleicht gar nicht intendiert, sondern ist vielmehr auf Alterungs- und Korrosionsprozesse zurückzuführen. KW - Zeichenmaterialien KW - Eisengallustinte KW - Rötel KW - Zerstörungsfreie Prüfung PY - 2020 SN - 978-3-7319-0772-5 SP - 152 EP - 159 PB - Michael Imhof Verlag CY - Petersberg AN - OPUS4-51404 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Hahn, Oliver A1 - Golle, U. A1 - Wintermann, Carsten A1 - Laurenza, D. ED - Quenzer, J. B. T1 - Scientific Analysis of Leonardo’s Manuscript with Anatomic Drawings and Notes N2 - In this paper, we discuss the importance of scientifically investigating cultural artefacts in a non-invasive way. Taking as test case Leonardo da Vinci’s Manuscript with anatomic drawings and notes, which is stored in Weimar, we clarify fundamental steps in the chronology of this folio. By means of microscopy, infrared reflectography, UV photography, and X-ray fluorescence analysis, we were able to identify various types of sketching material and several varieties of iron gall ink. For his sketches, Leonardo used two different sketching tools, a lead pencil and a graphite pencil, as well as several types of ink for developing these sketches into drawings. With regard to ink, it is important to observe that there is no difference between the ink Leonardo used for drawing and the ink he used for writing text. Based on the materials analysed, we suggest a chronology for the creation of this unique folio. KW - Archaeometry KW - Non-invasive analysis KW - Drawings KW - Leonardo da Vinci PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-543460 SN - 978-3-11-074545-0 DO - https://doi.org/10.1515/9783110753301-011 VL - 25 SP - 213 EP - 228 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-54346 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira A1 - Caldararo, N. A1 - Rimon, H. ED - Russel, R.E. ED - Lange, A. T1 - The Role of DNA Analysis in the Study of the Biblical Manuscripts N2 - Interest in the type of skin used in scriptural materials and preparation methods increased from the nineteenth into the twentieth century. This was due partly to the number of newly discovered fragments and to the invention of new instruments and scientific procedures to identify animal skins and produce qualitative means to demonstrate specific preparation reagents and techniques. The invention of various means of analyzing the DNA of organic materials brought about a revolution in archaeology and in conservation. Difficulties in overcoming contamination of archaeological samples resulted in a number of controversies but also produced advances and improvement in the techniques of ancient DNA analysis and interpretation of results. KW - DNA KW - Dead Sea Scrolls KW - Parchment PY - 2023 SN - 2468-3027 VL - 3D SP - 120 EP - 123 PB - Brill CY - Leiden / Boston AN - OPUS4-58914 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Colini, Claudia A1 - Shevchuk, I. A1 - Huskin, K. A. A1 - Rabin, Ira A1 - Hahn, Oliver ED - Quenzer, J. B. T1 - A New Standard Protocol for Identification of Writing Media N2 - Our standard protocol for the characterisation of writing materials within advanced manuscript studies has been successfully used to investigate manuscripts written with a pure ink on a homogeneous writing surface. However, this protocol is inadequate for analysing documents penned in mixed inks. We present here the advantages and limitations of the improved version of the protocol, which now includes imaging further into the infrared region (1100−1700 nm). KW - Archaeometry KW - Manuscripts KW - Non-destructive testing PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-543454 SN - 978-3-11-074545-0 DO - https://doi.org/10.1515/9783110753301-009 VL - 25 SP - 161 EP - 182 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-54345 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Hahn, Oliver ED - Ackermann, U. ED - Golle, U. ED - Hahn, Oliver ED - Wintermann, Carsten T1 - Die Farben des frühen Bauhauses N2 - Der Beitrag beschäftigt sich mit zerstörungsfreien Untersuchungen an den Farbmitteln früher Bauhauszeichnungen. Mit welchen Farbmitteln wurden diese Zeichnungen gestaltet? Wurden hier neueste Zubereitungen genutzt, von denen viele im ersten Drittel des 20. Jahrhunderts gerade auf den Markt kamen, oder fanden – der ebenfalls am Bauhaus propagierten Materialökonomie folgend – althergebrachte Materialien Verwendung, die günstiger zu beschaffen waren? Weitere Fragen widmen sich dem Themenkomplex Original, Kopie und Nachahmung sowie der Auffindung von Fälschungen. Restauratorische, konservatorische und kuratorische Fragestellungen und Entscheidungen sind grundsätzlich damit verknüpft. Zwölf exemplarisch vorgestellte Zeichnungen ermöglichen einen guten Über blick über die verwendeten Farbmittel des frühen Bauhauses von 1919 bis 1925. Trotz der Vielfalt der betrachteten Studien, Entwürfen und Arbeitsblättern, ergibt sich ein homogenes Gesamtbild. Bis auf wenige Ausnahmen dominieren anorganische Pigmente die Farbmittelpalette. Dieser Befund wird durch eine weitaus größere Stichprobe materialtechnologisch untersuchter Zeichnungen aus dem Bestand des Bauhaus-Museums Weimar bestätigt KW - Archäometrie KW - Bauhaus Weimar KW - Zerstörungsfreie Prüfung KW - Zeichenmaterialien PY - 2022 SN - 978-3-7443-0424-5 SP - 18 EP - 31 AN - OPUS4-56730 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rimon, Hasia A1 - Rabin, Ira ED - Fuller, R.E. ED - Lange, A. T1 - Conservation of the Dead Sea Scrolls N2 - The current state of preservation of the DSS results from the synergetic effect of various factors such as great age, post-discovery treatments, poor storage conditions, environmental influences and exhibitions. With rare exceptions, neither the initial state nor a list of the treatments performed on each DSS fragment is known. Reconstruction of the individual fragment history will have to rely upon advanced analytical techniques to identify the treatments and their effects. Management of the scrolls may be divided roughly into three periods: a) the scholarly archiving period, from 1948 to the mid-1960s; b) first attempts at conservation, from the mid-1960s to late-1980s; c) Israel Antiquities Authority Scrolls Lab, from 1991 onwards. KW - Preservation KW - Dead Sea Scrolls PY - 2023 SN - 2468-3027 VL - 3D SP - 102 EP - 105 PB - Brill CY - Leiden / Boston AN - OPUS4-58910 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira ED - Russel, R.E. ED - Lange, A. T1 - Ancient Inks N2 - In the last decade scientists and scholars have accumulated more knowledge on black ink used for writing in Antiquity and the early Middle Ages. Ready availability of non-destructive testing instruments employed in interdisciplinary projects on historic manuscripts have made it possible to determine the composition of ink and to compare it with the extant records. KW - Writing Ink KW - Antiquity PY - 2023 SN - 2468-3027 VL - 3D SP - 117 EP - 120 PB - Brill CY - Leiden / Boston AN - OPUS4-58913 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira ED - Russel, R.E. ED - Lange, A. T1 - Non-invasive Analytic Tools in Studies of Manuscripts N2 - Physico-chemical analyses of writing materials offer insight into various questions associated with historical, cultural, and conservational aspects of manuscript studies. The catalogue of questions that can be addressed with these methods includes authenticity, dating, the attribution of various parts of the text to different scribes and the relation between the primary and secondary texts. Similarly, preservation of the manuscripts requires knowledge of the composition of the original materials versus old repairs, identification of damage, as well as recognition of natural aging and degradation processes. The material sciences can contribute data about the chemical compositions of the writing materials, elucidation of the techniques of their production and the absolute age of organic components, as well as characterization of corrosion effects, evaluation of conservation treatment, and monitoring of the preservation state. KW - Material Analysis KW - Manuscripts PY - 2023 SN - 2468-3027 VL - 3D SP - 114 EP - 116 PB - Brill CY - Leiden / Boston AN - OPUS4-58912 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Helman-Wasny, Agnieszka ED - Martin, E. ED - Brox, T. ED - Lange, D. T1 - What makes ‘Tibetan paper’ Tibetan? Understanding the materiality of Tibetan paper N2 - Paper, as a writing support, is an integral element of the materiality of Tibetan books together with the technologies of their production. Analysis of the material features of the paper used in Tibetan written artefacts can help us to unravel their provenance, which is often unknown. First, however, we need a relatively clear understanding of the characteristic features of paper produced within particular book cultures and geographical regions at particular periods of time. This chapter offers a starting point by discussing the general characteristics of paper that originated in Tibet. Drawing on macro- and microscopic studies, it highlights the wide variety of paper types that have been used as writing supports in Tibetan written artefacts, before examining in more detail the raw materials, papermaking technologies and processes, and writing surface preparations that might justify the descriptor ‘Tibetan’ and thus grant Tibetan identity to paper. KW - Written artefacts KW - Paper KW - Tibet PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-649288 SN - 978-3-98887-016-2 DO - https://doi.org/10.11588/hasp.1522 SP - 113 EP - 146 PB - Heidelberg Asian Studies Publishing (HASP) CY - Heidelberg AN - OPUS4-64928 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Lange, D. A1 - Hahn, Oliver ED - Martin, E. ED - Brox, T. ED - Lange, D. T1 - Materials and materiality as keys to understanding a map of Mount Kailash N2 - While graphic and linguistic content is central to the identification of maps and can provide insights into the concepts and systems of rules, ideas and beliefs that led to their production, the materials that constitute maps may speak about manufacturing processes, the provenance of raw materials, the practical and technical knowledge of the mapmakers, and the use of the maps. This contribution underscores how the materials employed in Tibetan maps reveal aspects of their context and trajectory. Furthermore, materiality, conceptualized as a convergence of matter and imagination, can yield even more profound insights into artefacts like maps. Through a detailed case study of a map of Mount Kailash in the tangkha format and a specialized material-scientific analysis of the colourants employed in its creation, this contribution explores how a map can ‘talk’ through its materiality. With this case study it will show how Tibetan Studies can benefit from interdisciplinary collaboration. Crossing the field’s traditional boundaries and working with other disciplines, we argue, is absolutely essential for serious research. KW - Archaeometry KW - Non-destructive analysis KW - Cultural heritage PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-648625 SN - 978-3-98887-016-2 DO - https://doi.org/10.11588/hasp.1522 SP - 147 EP - 176 PB - Heidelberg Asian Studies Publishing (HASP) CY - Heidelberg AN - OPUS4-64862 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira A1 - Cohen, Zina ED - Corazzol, Giacomo ED - Fargeon, Sarah T1 - Black inks in medieval Jewish manuscripts N2 - Our aim was to obtain information about the use of different black inks in medieval Hebrew manuscripts, focusing on the question of possible preferences in the use of certain inks by different scribes. We present here an overview of the inks detected in a selection of Hebrew documents penned in the Middle East in the period from the 11th century to the 13th century. KW - Historic ink KW - Ink KW - Hebrew manuscripts KW - XRF KW - NIR PY - 2025 UR - https://books.openedition.org/ephe/2673?lang=en DO - https://doi.org/10.4000/13sug SP - 13 EP - 30 CY - Paris AN - OPUS4-65349 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Hahn, Oliver ED - Corbach, A. ED - Suchenwirth, R. H. R. T1 - Arsen im Papier - Materialwissenschaftliche Untersuchungen von Bibliotheksgut N2 - Materialwissenschaftliche Analysen werden an Bibliotheksgut durchgeführt, um kulturhistorische, restauratorische oder konservatorische Fragestellungen zu beantworten. Sie ermöglichen somit auch die Bestimmung von Art und Zusammensetzung arsenhaltiger Komponenten und erlauben Rückschlüsse darüber, ob diese durch Alterung und Korrosion freigesetzt werden können. Hier kann jedoch nur eine erste Einschätzung des Gefährdungspotenzials erfolgen; genaue Rückschlüsse auf die Konzentrationen in Raumluft oder Staub sind nur durch weiterführende Untersuchungen möglich. Es besteht ein Unterschied zwischen der Feststellung arsenhaltiger Substanzen in Bibliotheksgut und der Frage, ob diese auch tatsächlich freigesetzt werden. Dies wird am Beispiel der beiden Pigmente Smalte und Auripigment diskutiert. KW - Bibliotheksgut KW - Arsen KW - Zerstörungsfreie Prüfung PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-652376 SN - 978-3-447-12463-8 DO - https://doi.org/10.13173/WIF.6.037 VL - 6 SP - 37 EP - 45 PB - Harrassowitz CY - Wiesbaden AN - OPUS4-65237 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Lessovaia, S.N. A1 - Gerrits, Ruben A1 - Gorbushina, Anna A1 - Polekhovsky, Y.S. A1 - Dultz, S. A1 - Kopitsa, G.G. ED - Frank-Kamenetskaya, O.V. ED - Vlasov, D. ED - Panova, E.G. ED - Lessovaia, S.N. T1 - Modeling Biogenic Weathering of Rocks from Soils of Cold Environments N2 - Morphologically simple and microbially dominated ecosystems termed “biofilms” have existed on Earth for a long period of biosphere evolution. A model biofilm combining one heterotroph and one phototroph component was used in a laboratory experiment to simulate biogenic weathering with two different specimens of basic rock samples from the soil profiles. The rocks fragments from the regions of cold environments of Eurasia,where abiotic physical processes, including rock disintegration initiated by freezing–thawing cycles, represent the most probable Scenario of rock weathering, were subjected to biological colonization. The rock Fragments were represented by dolerite and metagabbro amphibolites. Polished sections of the rock samples were inoculated with the model microbiological consortium of the oligotrophic fungus and the phototrophic cyanobacteria (biofilm). After 3 month runtime of the experiment the progress of rock weathering was derived from the growth of the biofilm on the rock surfaces. The model biofilm visualization on the rock surface of polished sections illustrated their stronger development namely on dolerite in comparison with metagabbro amphibolite. The findings confirmed the higher sensitivity of dolerite to biogenic weathering due to (i) mineral association, in which quartz was absent and (ii) porosity providing higher specific surface area for biotic—abiotic interaction influenced by the occurrence of micro-porosity in the rock. KW - Biogenic weathering KW - Rock leaching KW - Fractal structure KW - Biofilm formation KW - Internal pores PY - 2020 DO - https://doi.org/10.1007/978-3-030-21614-6_27 SP - 501 EP - 515 PB - Springer AN - OPUS4-51442 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Schumacher, Julia ED - Scott, B. ED - Mesarich, C. T1 - Role of light in the life cycle of Botrytis cinerea N2 - The fungus Botrytis cinerea (Botryotinia fuckeliana) infects more than 500 plant species and causes a wide range of symptoms: soft rots, accompanied by collapse and water-soaking of tissues followed by the appearance of gray masses of conidia on leaves and soft fruits (gray mold), and spots that may turn brown to full-scale soft rotting on flower petals (Botrytis blight). In general, B. cinerea is responsible for severe economic losses that are either due to the damage of growing plants in the field or the rot of harvested fruits, flowers, and vegetables during storage under cold and humid conditions. B. cinerea has adapted to the plant host and its environment by evolving strategies to use plant tissues for proliferation in terms of a necrotrophic lifestyle, and to survive biotic stresses (host responses) as well as abiotic factors of the host’s environment such as sunlight and concomitant stresses. B. cinerea maintains a complex regulatory network of light-sensitive proteins and signal transduction pathways to use light for coordinating stress responses, virulence, and reproduction. Different light-controlled reproduction cycles enable B. cinerea to live in moderate climate zones by infecting and propagating in summer and resting in winter when green host tissues are unavailable. KW - Gray mold fungus KW - Plant pathogen KW - Light KW - Photoreceptors KW - Development PY - 2023 DO - https://doi.org/10.1007/978-3-031-16503-0_14 VL - 5 SP - 329 EP - 346 PB - Springer, Cham AN - OPUS4-56724 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -