TY - CHAP A1 - Ghigo, Tea A1 - Torallas, S. T1 - Between Literary and Documentary Practices: The Montserrat Codex Miscellaneus (Inv. Nos. 126‐178, 292, 338) and the Material Investigation of Its Inks N2 - The Montserrat Codex Miscellaneus (TM 59453/LDAB 552) has been the subject of numerous studies since the publication of ist first text by its owner, father Ramon Roca-Puig. Scholars have dealt with the content of its texts, as well as interrogated its origin and materiality. It is a fourth-century papyrus single quire codex, which contains texts in both Latin and Greek. It has been argued that it belonged to the Bodmer library, connected to a Pachomian library in the Thebaid. In this paper we want to contribute to the material study of the codex by presenting the first results of an archaeometric analysis performed upon the inks. The Analysis was carried out within the framework of the ‘PAThs’ project based at Sapienza University of Rome, and executed with the close cooperation of DVCTVS, a team of scholars who curate the Roca-Puig collection. The results obtained have not only cast light on the history of production of the codex, but also, and perhaps most importantly, point out that a meaningful interpretation of the analytical data is only possible through an interdisciplinary collaboration between the humanities and the natural sciences. KW - Interdisciplinary approach KW - Codex Miscellaneus KW - Palaeography KW - Book production KW - Archaeometry KW - Ink analysis PY - 2020 SP - 101 EP - 114 AN - OPUS4-51004 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Steger, Simon T1 - Spectroscopic analysis of colourants and binders of Chinese reverse glass paintings tracing a cultural dialogue N2 - Scientific analysis based on spectroscopic methods provide essential information on the composition of colourants and binders in paintings. These results can be set in a historical context and help to confirm art historical interpretations. Proofs of certain pigments can be used for dating purposes and may reveal if the artist used not only local but also imported materials. A pilot study of two Chinese reverse glass paintings from the late 19th (Yingying and Hongniang) and early 20th centuries (The Archer) was performed using a multi-analytical approach including X-ray fluorescence (XRF), diffuse reflectance infrared Fourier transform spectroscopy (DRIFTS) and Raman spectroscopy. This approach allowed the identification of the pigments and the classification of the binding media. The results reveal a combined use of traditional Chinese and imported European materials. Several pigments like cinnabar, lead white, orpiment, carbon black and copper-arsenic green (probably emerald green) were found in both paintings; red lead, artificial ultramarine blue, Prussian blue and ochre appear in at least one of the paintings. The proof of limewash (calcite and small amounts of portlandite) as a backing layer in “Yingying and Hongniang” indicates that clamshell white was also used for reverse glass paintings. Drying oil was classified as a binding media in most areas of both paintings. However, the orange background of The Archer yielded prominent bands of both proteinaceous and fatty binder. T2 - China and the West Reconsidering Chinese Reverse Glass Painting CY - Romont, Switzerland DA - 14.02.2020 KW - Reverse glass painting KW - DRIFTS KW - Raman spectroscopy PY - 2020 AN - OPUS4-50445 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Colini, Claudia ED - Michel, C. ED - Friedrich, M. T1 - La invencíon del Sacromonte: How and Why Scholars Debated about the Lead Books of Granada for Two Hundred Years N2 - At the end of the sixteenth century, a number of relics and artefacts were discovered in Granada, Spain. They included what became known as the Lead Books of the Sacromonte, twenty-one written artefacts made of circular lead leaves engraved in archaic Arabic characters. The authorship was attributed to some Arab disciples of St James the Greater considered to be the first evangelisers of the Iberian Peninsula. The texts, the materiality and the circumstances of the discoveries fuelled a debate surrounding their authenticity that lasted more than two centuries, a debate so fierce and controversial that not even papal condemnation in 1682 was able to stop it. Soon after the discoveries were made public, scholars highlighted the many contradictions and errors of a historical, linguistic and theological nature present in the texts, identifying members of the local Morisco community as possible forgers. This article focuses on how the scholarly community of the sixteenth and seventeenth centuries handled these findings and looks at the methods employed by the scholars to evaluate the authenticity of the artefacts. It will also look at how the particular interests of the various authorities involved influenced the acceptance or dismissal of relevant academic results. KW - Forgery KW - Moriscos KW - Parchment KW - Lead books PY - 2020 UR - https://www.degruyter.com/view/title/590832 DO - https://doi.org/10.1515/9783110714333-011 VL - Studies in Manuscript Cultures 20 SP - 209 EP - 262 PB - De Gruyter CY - Berlin/Boston AN - OPUS4-51936 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - BOOK A1 - Cohen, Zina T1 - Composition Analysis of Writing Materials in Cairo Genizah Documents N2 - Through the application of scientific methods of analysis to a corpus of medieval manuscripts found in the Cairo Genizah, this work aims to gain a better understanding of the writing materials used by Jewish communities at that time, shedding new light not only on the production of manuscripts in the Middle Ages, but also on the life of those Jewish communities. KW - Ink analyses KW - Cairo Genizah KW - X-Ray fluorescence analyses KW - Reflectography KW - Middle Ages PY - 2022 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-588642 UR - https://brill.com/display/title/59331 SN - 978-90-04-44887-2 SN - 978-90-04-46935-8 SP - 1 EP - 192 PB - Brill CY - Leiden & Boston AN - OPUS4-58864 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Cohen, Zina T1 - Beyond the text: What writing materials of the Cairo Genizah tell us N2 - Results: - Four types of inks were measured iron gall (vitriolic and non vitriolic), carbonic, mixed and vegetable inks. - We need to start analyzing systematically the organic part of the inks. - Great variety in the composition of the inks. - No correlation between the type of ink used and any other criteria apart from a personal preference. - Inks purchased by (some) scribes. - Reconstruction of the chronology of writing and signing of certain legal documents. - Comparison with documents written by the Muslim court. T2 - Ink Workshop CY - Munich, Germany DA - 28.06.2022 KW - Ink analyses KW - Manuscript studies KW - X-Ray fluorescence analyses KW - Cairo Genizah KW - Middle Ages PY - 2022 UR - https://www.naher-osten.uni-muenchen.de/wasistlosaminstitut/veranstaltungsarchiv/veranstaltungen-2022/inkworkshop/index.html AN - OPUS4-58874 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Schuehle, Florian T1 - Quality assured uptake rates for passive sampling of indoor air VOCs N2 - Generation of experimental uptake rates (UR) for > 70 VOCs (7d /100 μg m-3) Application in German Environmental Survey – VOC exposure assessment Assurance of transparency concerning UR generation and uncertainty creates basis for decision making and comparability of measurement results. Exemplarily the uncertainty u(UR) of toluene UR was modelled and determined statistically with own laboratory data (relative standard deviation of actively sampled test gas atmosphere – RSDa and n = 5 exposed passive samplers – RSDp) in line with EN 838 as well as from variation of literature UR – RSD UR,lit. T2 - Airmon 2022, 10th International Symposium on modern principles of air monitoring and biomonitoring CY - Bristol, UK DA - 06.11.2022 KW - IAQ KW - VOC KW - Diffusive sampling KW - Uptake rate PY - 2022 AN - OPUS4-56583 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang T1 - VOC-Sampling inside display cases with focus on BEMMA evaluation N2 - Museum display cases aim to protect art and cultural goods not only from theft and vandalism, but also from dirt and dust. An often-heard argument within a call for tender of new display cases is that there should be no emission inside of the display case. This is nearly impossible for new ones especially when they must also fulfill the requirement of an air change rate of less than 0.1 per day. For example, constructions or decorations in exhibition spaces, storage containers in depot rooms, and exhibition display cases release volatile substances that might lead to irreversible changes or, under certain circumstances, damage to the stored or displayed objects. In Germany beneath the well-established Oddy-test also the BEMMA procedure is used to evaluate the construction materials. For larger amounts of display cases control measurements of VOCs at the end of construction or buildup is quite common. However, what is necessary to measure the air inside of display cases. What are the circumstances when the display cases were closed before the test period? Is it possible to organize a clean environment for reliable measurements. How comparable are the resulting VOCs with results from BEMMA test and control measurement at the end. The BEMMA procedure should include a further VOC-test at 60 °C. What are the benefits of this enlargement. Mainly materials that have a high potential to store VOCs inside of the material in combination with a less permeable surface should be evaluated stricter than others. T2 - IAQ 2024 The International Conference on Indoor Air Quality in Heritage and Historic Environments CY - New York, USA DA - 18.11.2024 KW - Emission KW - Air quality KW - Display cases KW - VOC PY - 2024 AN - OPUS4-61967 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Klein, Luise T1 - Miniaturization Options in VOC Emissions Assessments of Consumer Products: Comparison of Test Chambers and Dynamic Headspace Extraction Systems N2 - Different emission testing devices were compared to measure reliable initial indoor air concen-trations of volatile organic compounds (VOC) emitting from consumer products. Compared to conventional medium- or large-scale test chambers, smaller devices including micro chambers and dynamic headspace extraction systems offer options for increased sample throughput, automation as well as reduced costs, which could facilitate their application in routine analysis of consumer product-related VOC emissions. T2 - Indoor Air 2024 CY - Honolulu, Hawaii, USA DA - 07.07.2024 KW - VOC KW - Emissions KW - Consumer product KW - Indoor air PY - 2024 AN - OPUS4-62098 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Willms, Thomas A1 - Kryk, Holger A1 - Hampel, Uwe T1 - An improved method for the analysis of the reaction products of the partial isobutane oxidation by gas chromatography using a green solvent N2 - In the present work, an improved GC/MS method for the analysis of the reaction products of the non-catalytic partial oxidation of isobutane at a starting temperature of 25°C has been developed and compared to a previously published method. Two green GC-solvents (dimethyl carbonate (DMC), diethyl carbonate (DEC)) and several internal standards (hexane, benzene, toluene, DEC) have been tested. The separation of the products at low retention times (methanol, isobutane, isobutene) could be significantly improved. For the liquid main products t-butyl hydroperoxide (TBHP), di-t-butyl peroxide (DTBP), t-butanol (TBA), propanone and most trace products (isopropanol, isobutanal, methyl formate, isopropyl formate, t-butyl formate and some acetates – 24 compounds in total), a coefficient of determination CoD > 0.999 has been achieved. For all weighing and GC/MS measurements uncertainties have been calculated. The peaks of the peak pair t-butyl formate (CoD >0.999) and isobutanol (CoD >0.99), have been simulated and used for calibrations. DEC gave a decomposition of TBHP on the column. With DMC, a problem of peak purity of TBHP appeared but could be resolved. The use of the green solvent DMC, compared to also studied traditional solvents like heptane and toluene, proved to be very beneficial, since it also permitted to determine polar compounds, e. g. carbon dioxide and formic acid. KW - GC/MS KW - Green solvent KW - Method development KW - Peroxide KW - Measurement uncertainties KW - Oxidation products KW - Simulation PY - 2025 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-632026 DO - https://doi.org/10.1016/j.chroma.2025.465892 SN - 0021-9673 VL - 1753 SP - 1 EP - 16 PB - Elsevier CY - Amsterdam AN - OPUS4-63202 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Tang, Chi-Long T1 - Sub-4 nm particles from FFF-3D printing measured with the TSI 1 nm CPC and the Airmodus A11 nCNC N2 - Concerns have been raised as Fused Filament Fabrication (FFF) desktop 3D printer emits harmful ultrafine particles (dP < 100 nm) during operation in indoor spaces. However, the vast majority of previous emission studies have neglected the possible occurrence of sub-4 nm particles by using conventional condensation particle counter (CPC) for detection. Thus, the total particle emission could be systematically underestimated. This study has compared two diethylene glycol (DEG) based instruments to evaluate their suitability for measuring organic FFF particles in the sub-4 nm size range either as particle counter or as a particle size spectrometer. T2 - European Aerosol Conference 2024 CY - Tampere, Finland DA - 25.08.2024 KW - Air pollution KW - Emission testing KW - FFF-3D printing KW - Sub-4nm particles KW - Ultrafine particles PY - 2024 AN - OPUS4-60930 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Ketelsen, T. A1 - Wintermann, Carsten A1 - Melzer, C. A1 - Dietz, Georg A1 - Golle, U. A1 - Hahn, Oliver ED - Cole, M. ED - Dogramaci, B. ED - Lehmann, A.-S. ED - Sölch, B. ED - Wedekind, G. T1 - Connoisseurship and the Investigation of Materiality: Four “Rembrandt” Drawings in Weimar N2 - The aim of this paper is to present the productive interplay of connoisseurship and material analysis when dealing with drawings by Rembrandt – or previously attributed to him – in the collection of the Klassik Stiftung Weimar. This concerns the more precise determination of the drawing materials used and the reconstruction of the genesis of the drawings discussed. The material analysis allows us to decide whether and how Rembrandt’s inks can be used to determine authorship at all. The “material turn” in drawing studies thus intervenes in the discussion about authorship and opens up a broader production aesthetic perspective. No longer the “style” but rather the handeling becomes the decisive criterion for answering the question “Rembrandt, or not?” KW - Archaeometry KW - History of Art KW - Drawings KW - Rembrandt PY - 2021 SN - 0044-2992 VL - 84 IS - 4 SP - 483 EP - 518 PB - Deutscher Kunstverlag CY - Berlin/München AN - OPUS4-54342 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bodechtel, S. A1 - Fuhrmann, A. A1 - Henning, A. A1 - Hahn, Oliver A1 - Rabin, Ira A1 - Kreische, W. A1 - Mäder, M. T1 - The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History N2 - In an interdisciplinary collaboration, restorers, art historians, and scientists examined Guilio Romano’s The Madonna with the Wash-Basin of 1525 (Dresden State Art Collections). Insights into the painting technique along with art historical comparisons provided the opportunity for a better understanding of the painting’s genesis, in particular concerning an early reworking of the background by the artist. A recovery and reconstruction of the earlier version of the background is now possible. The discovery of zinc in distinct passages of the painting, as well as the grey-black pigment stibnite and glass particles used as a supplement in paint layers are of special interest. The technological investigation initiated a discussion about the circumstances of the revision, as well as the painting’s relation to Vasari’s Lives of Artists. KW - Giulio Romano KW - Holy Family KW - Basin KW - Reworking KW - Pentimenti KW - Portrayal of St Joseph KW - Sixteenth-century painting technique KW - Raphael school KW - Zinc KW - Antimony black (stibnite) KW - Vasari PY - 2022 DO - https://doi.org/10.1080/00393630.2022.2118302 VL - 2022 SP - 2 EP - 12 PB - Routledge Taylor & Francis Group CY - London, UK AN - OPUS4-55970 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN ED - Hahn, Oliver ED - Danielewski, A. ED - Nöller, Renate ED - Doil, Thorsten T1 - Manuscripta americana - Fragments of the Aztec legacy - An exhibition at Kulturwerk in the Staatsbibliothek zu Berlin - December 07, 2022 until February 26, 2023 N2 - This publication, which accompanies the exhibition Manuscripta americana - On the traces of the Aztecs, concerns a unique collection of Mexican and South American manuscripts. The collection was established at the beginning of the 19th century, when Alexander von Humboldt donated fragments of 16th century indigenous Mexican pictorial manuscripts to the Royal Library in Berlin. Today these are also known as the Humboldt fragments and represent the most significant part of a collection that was augmented over the years by the purchase of various types of Mesoamerican manuscripts, mainly in indigenous languages with Latin script. During the two year period from April 2017 to March 2019, the Berlin State Library (SBB - SPK) and the Bundesanstalt für Materialforschung und -prüfung (BAM) carried out a joint scientific project funded by the Deutsche Forschungsgemeinschaft (DFG) entitled "Material-analytical and cultural-historical examinations of colonial-period manuscripts from Mexico in Berlin and Cracow." The main objectives of the project were to determine the provenance of the Manuscripta americana and, since they exhibit a high degree of fragmentation, to examine how they are related to each other and to objects outside the collection. The investigation combined ethnocultural-historical and materials science methods of analysis. Thanks to the constructive partnership with the Jagiellonian Library, we were able to see and study the Manuscripta americana in both Kraków and Berlin and to carry out scientific measurements on them. T2 - Manuscripta Americana - Fragments of the Aztec Legacy - An Exhibition at Kulturwerk in the Staatsbibliothek zu Berlin CY - Berlin, Germany DA - 07.12.2022 KW - Amate KW - Archaeometry KW - Manuscripts KW - Nondestructive testing PY - 2022 SN - 2567-1251 N1 - Es gibt parallele Sprachausgaben (deutsch und spanisch), Links befinden sich im Feld zugehöriger Identifikator - There are parallel language editions (German and Spanish), links are in the field related identifier VL - 4 SP - 1 EP - 120 PB - Bundesanstalt für Materialforschung und -prüfung (BAM) CY - Berlin AN - OPUS4-62419 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Steger, Simon A1 - Stege, H. A1 - Bretz, S. A1 - Hahn, Oliver ED - Tomasin, P. T1 - Disclosing glittering and sparkling effects in 20th-century reverse glass paintings: a study of metallic pigments and metal foils by means of in situ XRF and DRIFTS analysis N2 - This work presents a spectroscopic study of metallic pigments and metal foils used in reverse glass paintings that were created between 1912 and 1954. Metallic pigments induce a notable sparkling effect by means of the lateral incidence of light, whereas metal foils enhance the gloss and create a glittering effect when the painting is viewed in reflected light. Both effects were desired features especially in modern reverse paintings on glass and applied by artists in manifold creative manner. The paper gives an overview on the composition of the metalfoils and metal pigments in 14 works as determined in situ by X-ray spectrometry. Metal foils made of tin, brass, aluminium and silver were found in nine paintings. Gold imitating Cu-Zn pigments in different hues and with various Cu/Zn net intensity ratios were recorded for six paintings. Silvery pigments were identified mainly as Al pigments, but also as Cu-Zn-Ni alloy in one case. Other uncommon metallic pigments were detected in Arlequin vindicatif (c. 1925) by Floris Jespers, who used not only Cu-Zn and Al pigments, but also brownish Cu and Cu-Zn-Sn pigments. Non-invasive diffuse reflectance infrared Fourier-transform spectroscopy (DRIFTS) was used to classify the binding media of the metallic pigments. Drying oil and natural resin probably mixed with oil were the most common binding media. A polysaccharide-based binder was found in the silvery Cu-Zn-Ni pigment of Ohne Titel (1954) by Marianne Uhlenhuth. KW - Archaeometry KW - Non-invasive analysis KW - Reverse paintings on glass PY - 2020 DO - https://doi.org/10.1016/j.culher.2020.11.008 SN - 1296-2074 VL - 48 SP - 196 EP - 204 PB - Elsevier Masson SAS CY - Amsterdam AN - OPUS4-54428 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - RPRT A1 - Hahn, Oliver A1 - Nehring, G. A1 - Freisitzer, R. A1 - Rabin, Ira T1 - A study on early european inks from St. Paul in lavanttal N2 - Typology of Inks Archives and museums around the world contain a vast number of manuscripts that were written in different inks: carbon inks, plant inks, iron-gall inks and mixed inks. Yet most archaeometric studies of manuscripts focus on the palette of pigments found in illuminated manuscripts whereas identification of the inks is still largely based on cultural-historical studies and visual inspections. One of the reasons of this disproportion in the studies can be explained by the properties of Raman spectroscopy, the technique of choice for identification of pigments. In contrast, this technique is only partially viable when dealing with organic colourants. Brown and Clark discuss these difficulties and the uncertainties of identification of iron-gall inks by Raman spectroscopy in their pioneering work on early medieval Anglo-Saxon manuscripts (K. Brown and R. Clark 2004). To facilitate instrumental analysis of inks, we have developed a protocol that starts with the identification of the inks type (Rabin et al. 2012) which doesn’t require complicated instrumentation and can be carried out by paleographers and codicologists. Three typological ink classes The black writing materials used in manuscript production in Antiquity und Middle Ages can be sorted in three typologically different ink classes: soot, plant and iron-gall. Soot ink is a fine dispersion of carbon pigments in a water soluble binding agent; plant-based ink consists of a solution of the tannins extracted from gallnuts or tree bark; iron-gall ink, is produced by mixing a soluble compound of iron (II) with gallic or tannic acid extracted from gallnuts or tree bark. Therefore, iron-gall ink presents a boundary case between solution and dispersion ink, in which a water-soluble preliminary stage oxidizes and evolves into a black, insoluble precipitate similar to the carbon pigments when the writing is exposed to air (Krekel 1999). The additional category of mixed inks, i.e. inks produced by addition of various metals to the soot inks or intentional mixing of iron-gall and soot - based inks started attracting scholarly attention only recently because their significance was established only a short while ago (Brun et al. 2016, Colini 2018, Nehring et al. 2021). We suggest that plant and mixed inks build a bridge from the carbon ink of Antiquity to the properly formulated iron-gall ink that became a standard black ink from the late Middle Ages to the 19th century when it gave way to modern inks. KW - Early european inks KW - Typology of Inks KW - Raman spectroscopy KW - Illuminated manuscripts KW - Archaeometric studies KW - Dispersion of carbon pigments PY - 2021 VL - 2021 SP - 56 EP - 75 PB - Gazette du livre médiéval CY - Paris AN - OPUS4-53844 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Cohen, Zina A1 - Hahn, Oliver A1 - Rabin, Ira ED - Lattuati-Derieux, Agnès ED - Ribeyrol, Charlotte ED - Heginbotham, Arlen T1 - Black Carolingian inks under examination. Part 1: recipes and literature survey N2 - Black writing materials of different types and compositions have varied in use over time and different geographical regions. With this paper, we would like to contribute to their study by listing and reviewing recipes for black writing inks that were in circulation in the Carolingian Empire as well as by referencing the archaeometric analyses of the black inks used in the manuscripts. The studies presented here that involved the humanities and natural sciences provide new insights into how the scholars of the early Medieval Ages organized manuscripts. N2 - L’emploi des differents types de materiaux d’ecriture noirs et leurs compositions ont varie selon les epoques et les regions. Nous souhaitons ici contribuer a leur etude en repertoriant et en analysant les recettes d’encres de calligraphie noires en circulation dans l’Empire carolingien, ainsi qu’en procedant au referencement des analyses archeometriques des encres noires utilisees dans les manuscrits. Faisant appel aux sciences humaines et aux sciences naturelles, ces analyses apportent un eclairage nouveau sur la maniere dont les savants du haut Moyen Age organisaient les manuscrits. KW - Ink KW - Manuscript KW - Middle Ages KW - Recipes KW - Ink analyses KW - Carolingian PY - 2023 SN - 1254-7867 VL - 2023 IS - 55 SP - 90 EP - 95 PB - Centre de Recherche et de Restauration des Musées de France CY - Paris AN - OPUS4-58839 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Cohen, Zina T1 - Material Studies of Torah Scrolls at the Bundesanstalt für Materialforschung und -Prüfung N2 - In recent years the BAM has been focusing on the characterization of the writing materials of the medieval Torah scrolls. The challenge imposed by the study of this specific type of manuscript led to designing and building dedicated stages to ensure the safety of the scrolls during the analysis. Furthermore, the identification of multiple corrections executed in apparently identical inks required broadening the standard two-step protocol of near infrared reflectography and X-ray fluorescence to include multispectral imaging. This work has prepared the division to participate in the large collaborative project “To roll: Materialisierte Heiligkeit (Materialised Holiness)” based at the Free University, Berlin. The presentation will demonstrate the aims of the studies, preliminary results and the strategies adopted by the division 4.5 of the BAM. T2 - EAJS Congress Branching Out: Diversity of Jewish Studies CY - Frankfurt/Main, Germany DA - 16.07.2023 KW - Ink analyses KW - Manuscript studies KW - Torah Scrolls KW - X-Ray fluorescence KW - Middle Ages PY - 2023 AN - OPUS4-58881 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - More than 25 years of ink analysis non-destructive testing of black writing materials N2 - Writing inks can be divided into soluble inks and dispersion inks. Soluble inks are based on plant or insect dyes forming a water solution. In the early European Middle Ages brown plant inks were usually produced from the blackthorn bark and wine. In contrast to these soluble brown inks, one of the oldest black writing materials was produced by mixing soot with gum arabic or animal glue dissolved in a small amount of water. From Pliny’s detailed account of the manufacture of various black carbon inks, we learn that producing pure soot of high quality was not an easy task in Antiquity. Iron gall inks are a borderline case between these two groups. They are produced from four basic ingredients: gallic acid, an iron-containing component, gum arabic as a binding media, and an aqueous medium such as wine, beer, or vinegar. By mixing gallic acid with soluble iron ions, a water-soluble ferrous gallate complex is formed. Exposure to oxygen leads to the formation of insoluble black ferric gallate pigment. Due to the variety of recipes and the natural origin of raw materials, there is a wide range of different components and impurities in writing inks. The Bundesanstalt für Materialforschung und -prüfung (BAM) together with the Centre for the Study of Manuscript Cultures in Hamburg (CSMC) has developed a protocol for ink analysis. It consists of a primary screening to determine the type of the ink and a subsequent in-depth analysis using several spectroscopic techniques (X-ray fluorescence analysis and vibrational spectroscopy). This contribution presents a qualitative and quantitative analysis of historical writing inks to characterize distinguishable inks in manuscripts, to determine the origin of manuscripts, and to assign unknown fragments to time and place. T2 - Beyond the reconstruction of an Urtext: “About the history of the early Qurʾānic text with regard to digital research tools” CY - Hesse, Germany DA - 07.07.2025 KW - Archaeometry KW - Non-destructive testing KW - Material analysis KW - Cultural heritage PY - 2025 AN - OPUS4-63906 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Wilke, Olaf A1 - Poelke, Birte A1 - Klein, Luise A1 - Rohloff, Alexander A1 - Hoffmann, Holger T1 - Initial VOC Emissions from Consumer Products Determined in Micro-Scale Test Chambers: Results of a Round Robin Test N2 - Emissions of volatile organic compounds (VOCs) from consumer products may have a negative impact on indoor air quality, potentially also affecting human wellbeing. Since consumers may be exposed to these VOCs immediately after e.g. unwrapping of newly purchased products, reliable analytical methods are needed to determine air concentration profiles in the early phase of VOC emissions. Concerning typical sample sizes of consumer products, micro-scale test chambers (μ-chambers) were considered suitable for this purpose. In addition, compared to medium- or large-scale test chambers, μ-chambers require lower initial investment and operational costs, and offer options for emissions screenings where higher sample throughput is essential. For these reasons, a μ-chamber-based method to determine initial concentrations of VOCs emitting within the first hours of simulated product use was developed. The chamber air was frequently sampled on desorption tubes loaded with Tenax® TA, followed by quantification of emitted VOCs via thermal desorption gas chromatography mass spectrometry (TD-GC-MS). The method was assessed in a round robin test involving eight participating laboratories from 2 countries. Pieces of a rain poncho (sample area A: 2.01·10-4 m2) emitting cyclohexanone, phenol, 2-ethylhexanol, naphthalene and isophorone in significant concentrations were distributed as sample material. Each laboratory conducted triplicate emission tests over a period of 48 h in μ-chambers with volumes of 44 or 114 mL. The loading factors L of 4.57 m2·m-3 (44 mL) or 1.76 m2·m-3 (114 mL) and air flow rates of 24 mL·min-1 resulted in area-specific air flow rates q of 7.17 m3·m-2·h-1 in both chamber types. The temperature was set to 23°C and, if possible, relative humidity was set to approx. 50%. The chamber air was sampled after 0.5, 1, 2, 4, 24 and 48 hours. In addition, to assess the analytical performance, each participating laboratory received two analyte-spiked Tenax® TA-loaded desorption tubes for quality control (QC). Very low relative standard deviations (11–17%) were obtained for the QC test. The results of the emissions tests in the early phase (0.5–4 h) were also adequate, with acceptable z scores (|z|≤2.00) received by six to seven participating laboratories. All eight laboratories obtained acceptable z scores after the longer sampling periods (24 and 48 h). Hence, the inter-laboratory comparability of the results obtained with the developed μ-chamber method was successfully confirmed. T2 - Healthy Buildings Europe 2025 CY - Reykjavik, Iceland DA - 08.06.2025 KW - VOC Emissions KW - Consumer Product KW - Test Chamber KW - Round Robin Test PY - 2025 AN - OPUS4-63706 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Grimmer, Christoph T1 - Development, application and measurement uncertainty of emission reference materials N2 - Volatile organic compounds (VOCs) emitted by furniture and building materials can cause health issues. For an improvement of indoor air quality low emitting materials should be used. Quality assurance and –control (QA/QC) measures require an emission reference material (ERM) with a predictable emission rate of VOCs. The idea is to use porous materials as ERM, which store the VOCs inside their pores and emit them constantly. T2 - Webinar Metrology for Indoor Air Quality Reference materials for QA/QC of the emission test chamber procedure CY - Online meeting DA - 11.04.2024 KW - Emission reference materials KW - Indoor air quality KW - Materials emissions test KW - VOC PY - 2024 AN - OPUS4-59963 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -