TY - CONF A1 - Steger, Simon T1 - Spectroscopic analysis of colourants and binders of Chinese reverse glass paintings tracing a cultural dialogue N2 - Scientific analysis based on spectroscopic methods provide essential information on the composition of colourants and binders in paintings. These results can be set in a historical context and help to confirm art historical interpretations. Proofs of certain pigments can be used for dating purposes and may reveal if the artist used not only local but also imported materials. A pilot study of two Chinese reverse glass paintings from the late 19th (Yingying and Hongniang) and early 20th centuries (The Archer) was performed using a multi-analytical approach including X-ray fluorescence (XRF), diffuse reflectance infrared Fourier transform spectroscopy (DRIFTS) and Raman spectroscopy. This approach allowed the identification of the pigments and the classification of the binding media. The results reveal a combined use of traditional Chinese and imported European materials. Several pigments like cinnabar, lead white, orpiment, carbon black and copper-arsenic green (probably emerald green) were found in both paintings; red lead, artificial ultramarine blue, Prussian blue and ochre appear in at least one of the paintings. The proof of limewash (calcite and small amounts of portlandite) as a backing layer in “Yingying and Hongniang” indicates that clamshell white was also used for reverse glass paintings. Drying oil was classified as a binding media in most areas of both paintings. However, the orange background of The Archer yielded prominent bands of both proteinaceous and fatty binder. T2 - China and the West Reconsidering Chinese Reverse Glass Painting CY - Romont, Switzerland DA - 14.02.2020 KW - Reverse glass painting KW - DRIFTS KW - Raman spectroscopy PY - 2020 AN - OPUS4-50445 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Ketelsen, T. A1 - Hahn, Oliver A1 - Golle, U. T1 - Blindness and Insight. The Rhetoric of Connoisseurship and the Investigation of Materiality. N2 - The aim of the lecture is to present the productive interplay of connoisseurs and material analysis using the example of selected drawings from the Rembrandt collection of the Klassik Stiftung Weimar. We try to determine the point at which the question of the materiality of the drawings makes sense in the traditional discourse of connoisseurship. On the one hand, this involves the question of authorship – Rembrandt – or not? – and the locating of attributed drawings in the context of the work. On the other hand, it is about making drawing processes visible, characterizing ways of drawing and workshop practices as well as distinguishing different forms of reworking and copying within the Rembrandt workshop. The material analyses culminate in the question of whether Rembrandt’s inks can be distinguished at all. It becomes apparent that the newly gained knowledge about the materiality of the drawing no longer reveals itself to the “mere” view of the connoisseur. Rather, it is only generated by the digital image. The rhetoric of connoisseurs must therefore be contrasted with the necessity of a hermeneutics of the digital image. The envisaged “material turn” of drawing science is thus simultaneously able to take up the critique of the question of authorship, which has been growing ever more recently, and to transfer it to a more comprehensive perspective of aesthetics of production. T2 - Drawings by Rembrandt. Connecting art history, science and conservation CY - Amsterdam, Rijksmuseum, The Netherlands DA - 06.02.2020 KW - Rembrandt KW - Drawings KW - Non-destructive testing KW - Inks KW - Paper PY - 2020 AN - OPUS4-50384 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Horn, Wolfgang T1 - The BEMMA-Scheme helpful for low VOC inside display cases? N2 - Museums worldwide are equipped with different display cases. Exhibit display cases should protect cultural objects from dust as well as from mechanical and physical damage. To ensure a stable climate inside the display cases, a low air exchange rate is maintained. Typically, air exchange rates are often smaller than 0.1 d-1, which can result in rising concentrations of potential harmful VOC inside of the display cases due to emissions from materials. Especially organic acids, e. g. formic or acetic acid which can emit from e.g. sealing materials or wood-based materials, can produce damage of cultural objects. In 2012 BAM introduced a procedure which is called: BEMMA-Scheme (Bewertung von Emissionen aus Materialien für Museums¬ausstattungen) which stands for: “Assessment of Emissions from Materials for Museum Equipment”. Regarding the testing procedure only construction materials were evaluated, not the display cases their self. Micro chambers are used for VOC emission tests of display case construction materials, e.g. plastics, sealing materials, coatings, textiles and others. Each sampling procedure is carried out in duplicate. Emissions like formic acid, acetic acid, formaldehyde, piperidine-derivates and oximes are excluded and the sum of emissions of VVOCs, VOCs and SVOCs is limited. For a positive assessment all listed criteria must be fulfilled; otherwise the display construction material fails the BEMMA scheme. T2 - Indoor Air Quality in Heritage and Historic Environments CY - Online meeting DA - 12.10.2020 KW - Museum KW - VOC-emission KW - BEMMA KW - Display case PY - 2020 AN - OPUS4-51470 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Cohen, Zina T1 - Beyond the text: What writing materials of the Cairo Genizah tell us N2 - Results: - Four types of inks were measured iron gall (vitriolic and non vitriolic), carbonic, mixed and vegetable inks. - We need to start analyzing systematically the organic part of the inks. - Great variety in the composition of the inks. - No correlation between the type of ink used and any other criteria apart from a personal preference. - Inks purchased by (some) scribes. - Reconstruction of the chronology of writing and signing of certain legal documents. - Comparison with documents written by the Muslim court. T2 - Ink Workshop CY - Munich, Germany DA - 28.06.2022 KW - Ink analyses KW - Manuscript studies KW - X-Ray fluorescence analyses KW - Cairo Genizah KW - Middle Ages PY - 2022 UR - https://www.naher-osten.uni-muenchen.de/wasistlosaminstitut/veranstaltungsarchiv/veranstaltungen-2022/inkworkshop/index.html AN - OPUS4-58874 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Black writing inks: From Antiquity to the Middle Ages N2 - Tracing the transition from writing inks based on soot, common in Antiquity to the iron-gall inks commonly used in the Middle Ages builds a focus of our investigative work at the BAM and the Centre for the Studies of Manuscript Cultures (CSMC) [1-4]. With the aim of creating a detailed history of writing black inks, we worked out a non-invasive protocol to collect statistically relevant ink data from dated and localized manuscripts covering a large time span and different geographic areas. The first step of our protocol consists of the screening carried out by means of the NIR & IRR reflectography. The optical differences between carbon, tannin, and iron-gall inks are best recognized by comparing their response to the infrared light: carbon ink has a deep black color, iron-gall ink becomes transparent above 1400 nm, and tannin ink disappears at about 750 nm, we have simplified the analysis using a small USB microscope with built-in NIR (940 nm) and UV (395 nm) LED in addition to an external white light source [1]. Comparing the images under white and near infrared illumination, we determine the ink typology by observing the changes in the opacity of the ink. Here, carbon-based inks show no change in their opacity when illuminated with NIR wavelength, while the opacity of iron-gall inks changes considerably, and tannin inks become transparent. Our own recent finding that mixed carbon / iron-gall inks were quite popular in the late Antiquity and early Middle Ages suggested to return to the conventional IRR method. The presentation will show the panorama of historic inks and our attempt to follow up the transition of the inks from those based on soot to the iron-gall inks commonly used in the Middle Ages. T2 - Seminar University of Oslo CY - Oslo, Norway DA - 23.09.2022 KW - Ink KW - Historic ink PY - 2022 AN - OPUS4-61194 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Authentic vs. inauthentic Dead Sea Scrolls from the point of view of material analysis N2 - The paper seeks to illuminate the problem of identifying forgeries among the Dead Sea Scrolls from the point of view of material analysis. It will present the sum of our technical knowledge of the skin-based material of the Dead Sea Scrolls, which includes the original treatment of the skins and the resulting typology as well as degradation effects due to their sojourn in caves and post-discovery interventions. We will try then to list the characteristic properties that must be found in the authentic material. We will supplement the presentation with a short description of the relevant methods of material analysis and their contribution to the secure identification of inauthentic Dead Sea Scrolls. T2 - Annual Meeting of the Siciety of Biblical Literature CY - Denver, CO, USA DA - 19.11.2022 KW - Dear Sea Scrolls KW - Forgery PY - 2022 AN - OPUS4-61196 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Cohen, Zina T1 - Material Studies of Torah Scrolls at the Bundesanstalt für Materialforschung und -Prüfung N2 - In recent years the BAM has been focusing on the characterization of the writing materials of the medieval Torah scrolls. The challenge imposed by the study of this specific type of manuscript led to designing and building dedicated stages to ensure the safety of the scrolls during the analysis. Furthermore, the identification of multiple corrections executed in apparently identical inks required broadening the standard two-step protocol of near infrared reflectography and X-ray fluorescence to include multispectral imaging. This work has prepared the division to participate in the large collaborative project “To roll: Materialisierte Heiligkeit (Materialised Holiness)” based at the Free University, Berlin. The presentation will demonstrate the aims of the studies, preliminary results and the strategies adopted by the division 4.5 of the BAM. T2 - EAJS Congress Branching Out: Diversity of Jewish Studies CY - Frankfurt/Main, Germany DA - 16.07.2023 KW - Ink analyses KW - Manuscript studies KW - Torah Scrolls KW - X-Ray fluorescence KW - Middle Ages PY - 2023 AN - OPUS4-58881 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Richter, Matthias T1 - Metrological sound reference products for quality assurance and quality control measures in material emissions testing N2 - In industrialised countries more than 80% of the time is spent indoors. Products, such as building materials and furniture, emit volatile organic compounds (VOCs), which are therefore ubiquitous in indoor air. Different VOC combinations may, under certain environmental and occupational conditions, result in reported sensory irritation and health complaints. A healthy indoor environment can be achieved by controlling the sources and by eliminating or limiting the release of harmful substances into the air. One way is to use materials proven to be low emitting. Meanwhile, a worldwide network of professional commercial and non-commercial laboratories performing emission tests for the evaluation of products for interior use has been established. Therefore, comparability and metrological traceability of test results must be ensured. A laboratory’s proficiency can be proven by internal and external validation measures that both include the application of suitable reference materials. The emission test chamber procedure according to EN 16516 comprises several steps from sample preparation to sampling of test chamber air and chromatographic analysis. Quality assurance and quality control (QA/QC) must therefore be ensured. Currently, there is a lack of suitable reference products containing components relevant for the health-related evaluation of building products. The EU-funded EMPIR project 20NRM04 MetrIAQ (Metrology for the determination of emissions of dangerous substances from building materials into indoor air) aims to develop 1) gaseous primary reference materials (gPRM), which are used for the certification of gaseous (certified) reference materials (gCRM) and 2) emission reference materials (ERM). Most commercial gas standards of indoor-relevant compounds are not certified due to the lack of primary reference materials to which the project aims to contribute. The gPRM under development is a gas-phase standard containing trace levels of VOCs in nitrogen or air from the check standard according to EN 16516 (n-hexane, methyl isobutyl ketone, toluene, butyl acetate, cyclohexanone, o-xylene, phenol, 1,3,5-trimethylbenzene) with a target uncertainty of 5 %. The gPRM can be sampled into sorbent tubes to obtain transfer standards in the form of gCRM. The well characterised ERM represents a sample of a test specimen, e.g. building material, that is loaded into the emission test chamber for a period of several days and is used to evaluate the whole emission test chamber procedure. It shall have a reproducible and temporally constant compound release of less than 10 % variability over 14 days. Different approaches for retarded VOC release, such as the encapsulation of pure compounds and the impregnation of porous materials, are being tested to reach this aim. Furthermore, the design of the ERM is accompanied by the development of a numerical model for the prediction of the emissions for each of the target VOCs. The current progress of the work on both materials will be presented. T2 - CIM 2023 - 21st International Metrology Congress CY - Lyon, France DA - 07.03.2023 KW - Indoor air quality KW - VOC KW - Materials emissions testing KW - Emission reference material KW - Quality assurance/quality control PY - 2023 AN - OPUS4-57142 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Grimmer, Christoph T1 - Preparation of novel emission reference materials: μ-capsules & impregnated porous materials N2 - Volatile organic compounds (VOCs) emitted by furniture and building materials can cause health issues. For an improvement of indoor air quality low emitting materials should be used. Quality assurance and –control (QA/QC) measures require an emission reference material (ERM) with a predictable emission rate of VOCs. The idea is to use porous materials as ERM, which store the VOCs inside their pores and emit them constantly. T2 - WORKSHOP: METROLOGY FOR INDOOR AIR QUALITY CY - Mol, Belgium DA - 18.10.2023 KW - Emission reference materials KW - Indoor air quality KW - Materials emissions test KW - VOC PY - 2023 AN - OPUS4-59961 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Beyond Chocolate and Apricot Using Scientific Techniques to Determine the Relationship of the Inks of Codex Vaticanus N2 - Codex Vaticanus was written by multiple scribes and annotated by over thirty different hands. In the past, scholars have speculated about the relationship between the inks using highly subjective observations. For example, The scholars spoke about “apricot” and “chocolate” distigmai, arguing for their respective origins based on their visual similarity to the original ink and that of the medieval reinker, respectively. In recent decades, micro X-ray fluorescence (µXRF) has revolutionized the study of ancient and medieval cultural artifacts, making it possible to examine them using objective criteria. The application of such objective scientific measurements to ancient and medieval manuscripts will be explained with examples of how color, hue, and appearance of ink can be highly misleading. T2 - Annual Meeting of the Siciety of Biblical Literature CY - San Antonio, TX, USA DA - 18.11.2023 KW - Codex B KW - Codex Vaticanus KW - Historic ink KW - Micro-XRF PY - 2023 AN - OPUS4-61200 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -