TY - CONF A1 - Rabin, Ira T1 - Evolution of writing black inks N2 - The evolution and socio-geographic distribution of writing inks from Late Antiquity to the Middle Ages are one of the foci of our investigative work at the Bundesanstalt für Materialforschung und -prüfung (BAM) in Berlin and the Centre for the Study of Manuscript Cultures, Hamburg University. This presentation will examine the inks used by Jews in the in different geographical zones try to correlate the results of the material analysis with written records and existing traditions. We will compare the inks proposed by Maimonides, who lived in 12th-century Egypt, with the considerations of Rashi, who lived in 11th-century northern France, and see that they both advocated use of the inks commonly known and produced in their respective regions. It is Maimonides who proposes to add tannins to the soot inks, but rejects the metallic salt, both of which were practices that were well attested in contemporary Arabic recipes for making ink. In contrast, Rashi was favourable to employing the plant inks in use in contemporary Northern Europe. T2 - Jewish-Christian Relations from the Mediterranean to the Indian Ocean: Evidence from Material Culture CY - Bochum, Germany DA - 26.03.2019 KW - Ink KW - Jewish cultures PY - 2019 AN - OPUS4-48136 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira T1 - Material analysis of manuscripts: methodological introduction N2 - Natural sciences play auxiliary role in the studies of manuscripts. The success of their contribution depends strongly on the formulation of the question and the choice of the methods to obtain the requested answer. Therefore, one should try to go beyond the understanding of the basic principles of the scientific analysis. We will start with a glance at the basic principles of the techniques used in the material science for determination of the elemental composition (X-ray emission) and molecular composition (FTIR & Raman). We will move then to the bench and mobile equipment commonly used in the field of cultural heritage. At the end we will choose a question to be answered and design an ideal experiment that will be modified according to the limitations dictated by on-site conditions. In the ateliers in the afternoon we will a) compare two XRF devices that differ in their spatial resolution; b) use a high resolution microscope (Keyence) to obtain a close look at writing surfaces and materials; c) we will learn to determine the type of the inks with the help of another microscope (DinoLite AD413T-12V), a usb microscope with visible, UV and NIR illumination; d) we will learn to use FTIR-ATR device for determination of the type of the writing surface; e) We will use mobile Raman device for identification of pigments. T2 - Summer School: Manusciences19 CY - Frejus, France DA - 10.03.2019 KW - Material science KW - Cultural heritage PY - 2019 AN - OPUS4-48137 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira ED - Ciner, P. ED - Nunez, A. T1 - Writing Materials of the Dead See Scrolls N2 - The first manuscripts from the Qumran caves were found in 1947. Within the following 10 years, clandestine and legal excavations revealed some 900 highly fragmented manuscripts from the late Second Temple period. This collection is generally known as Scrolls of the Judea Desert or Dead Sea Scrolls (DSS). For many years after their discovery, text analysis and fragmeents attribution were the main concern of the scholars dealing with the scrolls. The uncertain archaeological provenance of the larger part of the collection added an additional difficulty to the formidable task of sorting some 19000 fragments. After 60 years of scholar research the question of origin, archaeological provenance and correct attribution of the fragmenst are still hotly debated. To dtermine a possible contribution to the debate from the point of view of writing materials, we used otpical and electron microscopy, various X-ray based techniques as well as vibratiional sprectroscopy. We validated our approach with SY - based studies using the advantages of the synchroton radiation source with respect to the benchtop devices. Our laboratory studies showed that often production and storage locality could be distinguished thenks to the specific residues ("fingerprint") they left on the material. Moreover, we have diescovered that diferrent parchment production processses coexisted in the antiquity, and the resulting writing materials can readily be distinguished. T2 - 2nd International Conference on Patristic Studies CY - San Juan, Argentina DA - 28.03.2017 KW - Dead Sea Scrolls KW - Text analysis KW - Fragmented manuscripts KW - X-ray based techniques KW - Archaeological provenance PY - 2021 SN - 978-2-503-59149-0 DO - https://doi.org/10.1484/M.STR-EB.5.1211558 SN - 2566-073X VL - 0095/ 19 SP - 325 EP - 331 PB - Brepols CY - Turnhout, Belgium AN - OPUS4-54593 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Rabin, Ira ED - Raggetti, L. T1 - Material Studies of Historic Inks: Transition from Carbon to Iron-Gall Inks N2 - This chapter offers observations and considerations concerning black writing inks encountered in writing supports transmitting documentary and literary texts of the late Antiquity and early Middle Ages. It discusses different types of inks, the Methods of their detection and their use in different times and geographical areas. KW - Material analysis KW - Writing inks KW - Ink fingerprint PY - 2021 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-528057 DO - https://doi.org/10.1163/9789004444805_006 SP - 70 EP - 78 PB - Brill CY - Leiden AN - OPUS4-52805 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira ED - Russel, R.E. ED - Lange, A. T1 - Non-invasive Analytic Tools in Studies of Manuscripts N2 - Physico-chemical analyses of writing materials offer insight into various questions associated with historical, cultural, and conservational aspects of manuscript studies. The catalogue of questions that can be addressed with these methods includes authenticity, dating, the attribution of various parts of the text to different scribes and the relation between the primary and secondary texts. Similarly, preservation of the manuscripts requires knowledge of the composition of the original materials versus old repairs, identification of damage, as well as recognition of natural aging and degradation processes. The material sciences can contribute data about the chemical compositions of the writing materials, elucidation of the techniques of their production and the absolute age of organic components, as well as characterization of corrosion effects, evaluation of conservation treatment, and monitoring of the preservation state. KW - Material Analysis KW - Manuscripts PY - 2023 SN - 2468-3027 VL - 3D SP - 114 EP - 116 PB - Brill CY - Leiden / Boston AN - OPUS4-58912 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira ED - Russel, R.E. ED - Lange, A. T1 - Ancient Inks N2 - In the last decade scientists and scholars have accumulated more knowledge on black ink used for writing in Antiquity and the early Middle Ages. Ready availability of non-destructive testing instruments employed in interdisciplinary projects on historic manuscripts have made it possible to determine the composition of ink and to compare it with the extant records. KW - Writing Ink KW - Antiquity PY - 2023 SN - 2468-3027 VL - 3D SP - 117 EP - 120 PB - Brill CY - Leiden / Boston AN - OPUS4-58913 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Nöller, Renate A1 - Hahn, Oliver ED - Dora, C. ED - Fabian, C. ED - Knoche, M. ED - Linder, M. ED - Mittler, E. ED - Schmitz, W. T1 - VIS-Spectroscopy of Aztec colors. Possible application of a non-destructive analytical method N2 - VIS-spectrometry is a rapid, non- invasive, mobile method that offers a first overview of possible colorants used for painting. This is worked out in detail for European paintings and applied for artefacts and illuminated manuscripts. Manuscripts from Asia for example show colorful decoration identified to be mostly prepared with mineral pigments such as cinnabar, azurite, malachite or orpiment, which can be well confirmed by elemental analyses due to their color-giving metal ions. This is not the case for the colorants used in pictorial manuscripts from pre-Hispanic America, painted mainly with organic dyes from plants. The palette of colors used by the Aztecs is very rich due to their extensive empire and long- distance communication with vassal states liable to tributes including dyes of high quality. These include for example red cochineal, yellow zacatlaxcalli, tagetes, safflower, and achiotl, as well as blue indigo, or matlalli. T2 - Manuscripta Americana: Aufarbeitung einer Sammlung CY - Ibero-Amerikanisches-Institut, SPK DA - 14.02.2019 KW - Pigments KW - Dyes KW - Humboldt Codices KW - Non-destructive test PY - 2020 SN - 978-3-447-11511-7 SN - 0067-8236 VL - 53 SP - 35 EP - 57 PB - Harrassowitz Verlag CY - Wiesbaden AN - OPUS4-51934 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nöller, Renate A1 - Feldmann, Ines A1 - Kasztovszky, Z. A1 - Szőkefalvi-Nagy, Z. A1 - Kovács, I. T1 - Characteristic Features of Lapis Lazuli from Different Provenances, Revised by µXRF, ESEM, PGAA and PIXE N2 - The objective of this study is to find out, to what extent the geochemical characteristics of lapis lazuli can be utilized in respect to its provenance. A wide range of variables is taken into consideration depending on the quantity of samples analysed from a specific geological region and the methods applied. In order to provide evidence, a multi-technique analytical approach using µXRF, ESEM, PGAA and PIXE is applied to samples from the most famous deposits of lapis lazuli. Special elements determined as fingerprints are compared in relation to the forming conditions obvious in textural features. The results and statistical output allow a differentiation that enables an optimized local classification of the blue stone. An absolute requirement for all geo-tracing performed on blue colored cultural objects of unknown provenance is awareness of the limits of analysis. The possible sources of lapis lazuli are tested by analysing the blue pigment used as paint on murals and ink on manuscripts from the Silk Road. KW - Lapis lazuli KW - Micro-XRF KW - ESEM KW - PGAA KW - PIXE KW - Pigment analyses KW - Provenance studies PY - 2019 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-491181 DO - https://doi.org/10.17265/2328-2193/2019.02.003 SN - 2328-2193 VL - 7 IS - 2 SP - 57 EP - 69 PB - David CY - New York, NY AN - OPUS4-49118 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Nöller, Renate A1 - Danielewski, A. A1 - Giel, R. A1 - Overgaauw, E. A1 - Hahn, Oliver T1 - Material analysis of Aztec codices in Berlin. Assignment of small fragments compiled as cutouts on one plate in Humboldt’s “Atlas pittoresque du voyage” N2 - The collection Manuscripta Americana in Berlin consists of fragmented codices acquired by Alexander von Humboldt in Mexico. Some of these Humboldt Codices are published as hieroglyphic writings of the Aztecs in “Vues des Cordilleres et Monuments des Peuples indigènes de l’Amerique”. Starting from a special compilation of seven fragments on plate 36 in the “Atlas”, we investigated the corresponding original fragments using material analysis in order to clarify their historical relations. The analyses were carried out with X-ray fluorescence analysis, VIS spectroscopy, and infrared spectroscopy in diffuse reflection and revealed typical indigenous colors like cochineal, indigo, and organic yellows (e.g. mangrove and zacatlaxcalli). Four fragments under investigation show exactly the same material and thus must once have belonged together in one compendium. An additional manuscript from Mizquiahuala also shown on plate 36 can be matched to another one that is not published in the “Atlas”. KW - Manuscripts KW - Alexander von Humboldt KW - Non-destructiv testing KW - Colourants KW - Writing materials PY - 2019 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-498971 DO - https://doi.org/10.1080/20548923.2019.1682816 SN - 2054-8923 SP - 1 EP - 14 PB - Routledge, Taylor & Francis Group CY - London AN - OPUS4-49897 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Nöller, Renate T1 - Scientific analysis of the Humboldt fragments N2 - The presented Humboldt Codices are from the early colonial period of Mexico and originate from different localities 1. typical indigen colors and mixtures: cochineal (red), indigo (blue and green), carbon (black), mangle, zacatlaxcalli, organic (brown, yellow)- critical! 2. colonial influence: iron gall ink for writing 3. single fragments belong together: are cut (fragments IX-XII), from Mizquahuala distributed (VII, XIII, XIV, [XV]) (VII, XIII in Mexico, XIV in Paris) T2 - Workshop: Manuscripta Americana: Aufarbeitung einer Sammlung; Staatsbibliothek zu Berlin - PK CY - Berlin, Germany DA - 14. Februar 2019 KW - Humboldt Codices KW - XRF-, VIS- FTIR-spectroscopy KW - Dyes PY - 2019 AN - OPUS4-47589 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -