TY - GEN A1 - Hahn, Oliver A1 - Reiche, I. A1 - Stege, H. ED - Beckhoff, B. T1 - Application in arts and archaeology T2 - Handbook of practical X-ray fluorescence analysis KW - X-Ray Fluorescence KW - Archaeometry KW - Archaeology PY - 2006 SN - 3-540-28603-9 IS - Abschnitt 7.7 SP - 687 EP - 700 PB - Springer CY - Berlin AN - OPUS4-12631 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Denker, A. A1 - Hahn, Oliver A1 - Merchel, Silke A1 - Radtke, Martin A1 - Kanngießer, B. A1 - Malzer, W. A1 - Röhrs, S. A1 - Reiche, I. A1 - Stege, H. T1 - Röntgenanalytik für Kunstwerke und Kulturgüter JF - Nachrichten aus der Chemie N2 - Naturwissenschaftler arbeiten mit Archäologen, Kunsthistorikern und Restauratoren zusammen, um Materialinformationen über Kunstwerke mit den Erkenntnissen aus Altertumsforschung, Kunstgeschichte und Denkmalpflege zu verbinden. Röntgenfluoreszenz und Röntgenemission sind die Methoden der Wahl, wenn wertvolle und fragile Objekte zerstörungsfrei zu untersuchen sind. KW - Synchrotron KW - XRF analysis KW - Drawings KW - Paintings KW - Ink KW - Art objects KW - Archaeometry KW - Röntgenfluoreszenzanalyse (RFA) KW - Zeichnungen KW - Gemälde KW - Tinten KW - Kunstobjekte KW - Archäometrie PY - 2005 SN - 1439-9598 SN - 1521-3854 VL - 53 IS - 2 SP - 118 EP - 123 PB - Wiley-VCH Verl. CY - Weinheim AN - OPUS4-6898 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Steger, Simon A1 - Stege, H. A1 - Bretz, S. A1 - Hahn, Oliver ED - Tomasin, P. T1 - Disclosing glittering and sparkling effects in 20th-century reverse glass paintings: a study of metallic pigments and metal foils by means of in situ XRF and DRIFTS analysis JF - Journal of Cultural Heritage N2 - This work presents a spectroscopic study of metallic pigments and metal foils used in reverse glass paintings that were created between 1912 and 1954. Metallic pigments induce a notable sparkling effect by means of the lateral incidence of light, whereas metal foils enhance the gloss and create a glittering effect when the painting is viewed in reflected light. Both effects were desired features especially in modern reverse paintings on glass and applied by artists in manifold creative manner. The paper gives an overview on the composition of the metalfoils and metal pigments in 14 works as determined in situ by X-ray spectrometry. Metal foils made of tin, brass, aluminium and silver were found in nine paintings. Gold imitating Cu-Zn pigments in different hues and with various Cu/Zn net intensity ratios were recorded for six paintings. Silvery pigments were identified mainly as Al pigments, but also as Cu-Zn-Ni alloy in one case. Other uncommon metallic pigments were detected in Arlequin vindicatif (c. 1925) by Floris Jespers, who used not only Cu-Zn and Al pigments, but also brownish Cu and Cu-Zn-Sn pigments. Non-invasive diffuse reflectance infrared Fourier-transform spectroscopy (DRIFTS) was used to classify the binding media of the metallic pigments. Drying oil and natural resin probably mixed with oil were the most common binding media. A polysaccharide-based binder was found in the silvery Cu-Zn-Ni pigment of Ohne Titel (1954) by Marianne Uhlenhuth. KW - Archaeometry KW - Non-invasive analysis KW - Reverse paintings on glass PY - 2020 DO - https://doi.org/10.1016/j.culher.2020.11.008 SN - 1296-2074 VL - 48 SP - 196 EP - 204 PB - Elsevier Masson SAS CY - Amsterdam AN - OPUS4-54428 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -