TY - JOUR A1 - Hahn, Oliver A1 - Bretz, Simone A1 - Hagnau, Carola A1 - Ranz, Hans-Jörg A1 - Wolff, Timo T1 - Pigments, dyes, and black enamel - the colorants of reverse paintings on glass N2 - Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black enamel is not fired onto the glass but painted (cold painting). Additional analyses confirmed these findings. Based on these results, the art form "reverse painting on glass" has technically to be characterized as a mixture of "stained glass" and "panel painting" that nonetheless develops into a genre of its own. KW - Archaeometry KW - Cultural heritage KW - Non-destructive testing PY - 2009 DO - https://doi.org/10.1007/s12520-009-0021-4 SN - 1866-9557 SN - 1866-9565 VL - 1 IS - 4 SP - 263 EP - 271 PB - Springer CY - Berlin ; Heidelberg AN - OPUS4-20877 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Hahn, Oliver ED - Trost, V. ED - Pataki-Hundt, A. ED - Huhsmann, E. T1 - Die Farben und Tinten im Stuttgarter Psalter - Naturwissenschaftliche Untersuchungen N2 - Die Miniaturen des Stuttgarter Psalters bestechen nicht nur durch ihre Originalität, sondern auch durch ihre außerordentliche Farbigkeit. Seit Urzeiten benutzen die Menschen farbige Substanzen, um Bilder entstehen zu lassen. Von den zahlreichen Quellen, die von der Gewinnung und Herstellung von Farben handeln, soll hier nur kurz berichtet werden. Eine ausführliche Darstellung über antike und frühmittelalterliche Rezeptsammlungen findet sich an anderer Stelle in diesem Katalog. Bereits seit der Antike gibt es eine Tradition, Zubereitungs- und Verarbeitungsrezepturen zu sammeln. So berichtet Theophrast im 4. Jahrhundert n. Chr. über mineralische Farbmittel, zahlreiche Informationen lassen sich auch aus dem 25 V. Chr. entstandenen Architekturtraktat des Vitruv und der etwa achtzig Jahre jüngeren Naturgeschichte des Plinius gewinnen. Aus dem 3. Jahrhundert sind dann erstmals auf drei griechischen Papyri echte Rezepturen zur Farbherstellung überliefert. Die außerordentliche Rezeptsammlung der Mappae Clavimla und die Handschrift Lucca, eine Sammlung kunsttechnologischer Rezepte, sind vermutlich ebenso griechischen Ursprungs. Das wachsende Interesse an diesen Rezeptsammlungen dokumentiert sich in zahlreichen Kopien, die im weiteren Verlauf nicht nur in Latein sondern in der entsprechenden Volkssprache verfasst wurden (Fuchs und Oltrogge 1998). KW - Röntgenfluoreszenzanalyse KW - VIS-Spektroskopie KW - Zerstörungsfreie Prüfung PY - 2011 SN - 978-3-88282-072-0 SP - 111 EP - 121 CY - Stuttgart AN - OPUS4-23657 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Wolf, U. A1 - Hahn, Oliver A1 - Wolff, Timo ED - Wollny, P. T1 - Wer schrieb was? Röntgenfluoreszenzanalyse am Autograph von J.S. Bachs Messe in h-Moll BWV 232 KW - Kulturgut KW - Röntgenfluoreszenzanalyse PY - 2009 SN - 0084-7682 VL - 95 SP - 117 EP - 133 PB - Evang. Verl.-Anst. CY - Leipzig AN - OPUS4-20795 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Hahn, Oliver A1 - Kanngießer, Birgit A1 - Wilke, M. A1 - Malzer, W. A1 - Nekat, B. A1 - Wolff, Timo A1 - Erko, A. T1 - Influence of Restoration Treatments on Ink Corroded Manuscripts KW - X-ray fluorescence analysis KW - X-ray absorption analysis KW - Cultural heritage KW - Sustainability PY - 2007 UR - http://www.helmholtz-berlin.de/media/media/oea/web/pr_webseite/druckschriften/berichte/bessy/annual_report_2006.pdf#page=205 SN - 0179-4159 SP - 205 EP - 207 PB - Berliner Elektronenspeicherring-Gesellschaft für Synchrotronstrahlung CY - Berlin AN - OPUS4-14854 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Wolff, Timo A1 - Hahn, Oliver A1 - Kanngießer, B. T1 - Investigation of the genesis of historical paper- and parchment-manuscripts by means of portable micro XRF T2 - TECHNART 2007, Non-destructive and microanalytical techniques in art and cultural heritage research CY - Lisbon, Portugal DA - 2007-04-25 PY - 2007 AN - OPUS4-14835 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - High-Tech Analyses for the investigation of Cultural Assets T2 - BEYOND GALILEOS "O"; Max-Planck Institut for the History of Science CY - Berlin, Germany DA - 2012-03-19 PY - 2012 AN - OPUS4-25905 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Ketelsen, T. A1 - Wintermann, Carsten A1 - Melzer, C. A1 - Dietz, Georg A1 - Golle, U. A1 - Hahn, Oliver ED - Cole, M. ED - Dogramaci, B. ED - Lehmann, A.-S. ED - Sölch, B. ED - Wedekind, G. T1 - Connoisseurship and the Investigation of Materiality: Four “Rembrandt” Drawings in Weimar N2 - The aim of this paper is to present the productive interplay of connoisseurship and material analysis when dealing with drawings by Rembrandt – or previously attributed to him – in the collection of the Klassik Stiftung Weimar. This concerns the more precise determination of the drawing materials used and the reconstruction of the genesis of the drawings discussed. The material analysis allows us to decide whether and how Rembrandt’s inks can be used to determine authorship at all. The “material turn” in drawing studies thus intervenes in the discussion about authorship and opens up a broader production aesthetic perspective. No longer the “style” but rather the handeling becomes the decisive criterion for answering the question “Rembrandt, or not?” KW - Archaeometry KW - History of Art KW - Drawings KW - Rembrandt PY - 2021 SN - 0044-2992 VL - 84 IS - 4 SP - 483 EP - 518 PB - Deutscher Kunstverlag CY - Berlin/München AN - OPUS4-54342 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bodechtel, S. A1 - Fuhrmann, A. A1 - Henning, A. A1 - Hahn, Oliver A1 - Rabin, Ira A1 - Kreische, W. A1 - Mäder, M. T1 - The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History N2 - In an interdisciplinary collaboration, restorers, art historians, and scientists examined Guilio Romano’s The Madonna with the Wash-Basin of 1525 (Dresden State Art Collections). Insights into the painting technique along with art historical comparisons provided the opportunity for a better understanding of the painting’s genesis, in particular concerning an early reworking of the background by the artist. A recovery and reconstruction of the earlier version of the background is now possible. The discovery of zinc in distinct passages of the painting, as well as the grey-black pigment stibnite and glass particles used as a supplement in paint layers are of special interest. The technological investigation initiated a discussion about the circumstances of the revision, as well as the painting’s relation to Vasari’s Lives of Artists. KW - Giulio Romano KW - Holy Family KW - Basin KW - Reworking KW - Pentimenti KW - Portrayal of St Joseph KW - Sixteenth-century painting technique KW - Raphael school KW - Zinc KW - Antimony black (stibnite) KW - Vasari PY - 2022 DO - https://doi.org/10.1080/00393630.2022.2118302 VL - 2022 SP - 2 EP - 12 PB - Routledge Taylor & Francis Group CY - London, UK AN - OPUS4-55970 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Steger, Simon A1 - Stege, H. A1 - Bretz, S. A1 - Hahn, Oliver ED - Tomasin, P. T1 - Disclosing glittering and sparkling effects in 20th-century reverse glass paintings: a study of metallic pigments and metal foils by means of in situ XRF and DRIFTS analysis N2 - This work presents a spectroscopic study of metallic pigments and metal foils used in reverse glass paintings that were created between 1912 and 1954. Metallic pigments induce a notable sparkling effect by means of the lateral incidence of light, whereas metal foils enhance the gloss and create a glittering effect when the painting is viewed in reflected light. Both effects were desired features especially in modern reverse paintings on glass and applied by artists in manifold creative manner. The paper gives an overview on the composition of the metalfoils and metal pigments in 14 works as determined in situ by X-ray spectrometry. Metal foils made of tin, brass, aluminium and silver were found in nine paintings. Gold imitating Cu-Zn pigments in different hues and with various Cu/Zn net intensity ratios were recorded for six paintings. Silvery pigments were identified mainly as Al pigments, but also as Cu-Zn-Ni alloy in one case. Other uncommon metallic pigments were detected in Arlequin vindicatif (c. 1925) by Floris Jespers, who used not only Cu-Zn and Al pigments, but also brownish Cu and Cu-Zn-Sn pigments. Non-invasive diffuse reflectance infrared Fourier-transform spectroscopy (DRIFTS) was used to classify the binding media of the metallic pigments. Drying oil and natural resin probably mixed with oil were the most common binding media. A polysaccharide-based binder was found in the silvery Cu-Zn-Ni pigment of Ohne Titel (1954) by Marianne Uhlenhuth. KW - Archaeometry KW - Non-invasive analysis KW - Reverse paintings on glass PY - 2020 DO - https://doi.org/10.1016/j.culher.2020.11.008 SN - 1296-2074 VL - 48 SP - 196 EP - 204 PB - Elsevier Masson SAS CY - Amsterdam AN - OPUS4-54428 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - RPRT A1 - Hahn, Oliver A1 - Nehring, G. A1 - Freisitzer, R. A1 - Rabin, Ira T1 - A study on early european inks from St. Paul in lavanttal N2 - Typology of Inks Archives and museums around the world contain a vast number of manuscripts that were written in different inks: carbon inks, plant inks, iron-gall inks and mixed inks. Yet most archaeometric studies of manuscripts focus on the palette of pigments found in illuminated manuscripts whereas identification of the inks is still largely based on cultural-historical studies and visual inspections. One of the reasons of this disproportion in the studies can be explained by the properties of Raman spectroscopy, the technique of choice for identification of pigments. In contrast, this technique is only partially viable when dealing with organic colourants. Brown and Clark discuss these difficulties and the uncertainties of identification of iron-gall inks by Raman spectroscopy in their pioneering work on early medieval Anglo-Saxon manuscripts (K. Brown and R. Clark 2004). To facilitate instrumental analysis of inks, we have developed a protocol that starts with the identification of the inks type (Rabin et al. 2012) which doesn’t require complicated instrumentation and can be carried out by paleographers and codicologists. Three typological ink classes The black writing materials used in manuscript production in Antiquity und Middle Ages can be sorted in three typologically different ink classes: soot, plant and iron-gall. Soot ink is a fine dispersion of carbon pigments in a water soluble binding agent; plant-based ink consists of a solution of the tannins extracted from gallnuts or tree bark; iron-gall ink, is produced by mixing a soluble compound of iron (II) with gallic or tannic acid extracted from gallnuts or tree bark. Therefore, iron-gall ink presents a boundary case between solution and dispersion ink, in which a water-soluble preliminary stage oxidizes and evolves into a black, insoluble precipitate similar to the carbon pigments when the writing is exposed to air (Krekel 1999). The additional category of mixed inks, i.e. inks produced by addition of various metals to the soot inks or intentional mixing of iron-gall and soot - based inks started attracting scholarly attention only recently because their significance was established only a short while ago (Brun et al. 2016, Colini 2018, Nehring et al. 2021). We suggest that plant and mixed inks build a bridge from the carbon ink of Antiquity to the properly formulated iron-gall ink that became a standard black ink from the late Middle Ages to the 19th century when it gave way to modern inks. KW - Early european inks KW - Typology of Inks KW - Raman spectroscopy KW - Illuminated manuscripts KW - Archaeometric studies KW - Dispersion of carbon pigments PY - 2021 VL - 2021 SP - 56 EP - 75 PB - Gazette du livre médiéval CY - Paris AN - OPUS4-53844 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Dietz, Georg A1 - Golle, U. A1 - Hahn, Oliver A1 - Ketelsen, T. A1 - Melzer, C. A1 - Wintermann, Carsten ED - Semff, M. T1 - Der fabelhafte Möglichmacher N2 - Der Beitrag würdigt die Verdienste Wolfgang Hollers bei der Etablierung fächerübergreifender Kooperationen zwischen Natur- und Geisteswissenschaften innerhalb der Zeichnungsforschung. KW - Archäometrie PY - 2022 SN - 978-3-947641-20-8 SP - 370 EP - 371 PB - Sieveking Verlag CY - München AN - OPUS4-54355 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Cohen, Zina A1 - Hahn, Oliver A1 - Rabin, Ira ED - Lattuati-Derieux, Agnès ED - Ribeyrol, Charlotte ED - Heginbotham, Arlen T1 - Black Carolingian inks under examination. Part 1: recipes and literature survey N2 - Black writing materials of different types and compositions have varied in use over time and different geographical regions. With this paper, we would like to contribute to their study by listing and reviewing recipes for black writing inks that were in circulation in the Carolingian Empire as well as by referencing the archaeometric analyses of the black inks used in the manuscripts. The studies presented here that involved the humanities and natural sciences provide new insights into how the scholars of the early Medieval Ages organized manuscripts. N2 - L’emploi des differents types de materiaux d’ecriture noirs et leurs compositions ont varie selon les epoques et les regions. Nous souhaitons ici contribuer a leur etude en repertoriant et en analysant les recettes d’encres de calligraphie noires en circulation dans l’Empire carolingien, ainsi qu’en procedant au referencement des analyses archeometriques des encres noires utilisees dans les manuscrits. Faisant appel aux sciences humaines et aux sciences naturelles, ces analyses apportent un eclairage nouveau sur la maniere dont les savants du haut Moyen Age organisaient les manuscrits. KW - Ink KW - Manuscript KW - Middle Ages KW - Recipes KW - Ink analyses KW - Carolingian PY - 2023 SN - 1254-7867 VL - 2023 IS - 55 SP - 90 EP - 95 PB - Centre de Recherche et de Restauration des Musées de France CY - Paris AN - OPUS4-58839 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Materialität von Musikhandschriften N2 - Die Bezeichnung „Tinte auf Papier“ bietet einen guten Einstieg in die Beschreibung der Materialität von Musikhandschriften; so haben sich zahlreiche Manuskripte erhalten, die mit Eisengallustinte auf Hadernpapier verfasst wurden. Das Papier besteht aus Fasern meist pflanzlicher Herkunft und wird durch Entwässerung einer Fasersuspension auf einem Sieb gebildet. Der Abdruck des Schöpfsiebes (die Papierstruktur) und ein vorhandenes Wasserzeichen bieten Anhaltspunkte für Provenienz und Datierung; daneben erlaubt die Analyse der Fasern, der Füllstoffe und der Leimung eine weitere Charakterisierung des Schriftträgers. Spätestens seit dem Mittelalter sind es Eisengallustinten, die das schwarze bis bräunliche Erscheinungsbild vieler Manuskripte auf Papier hervorrufen. Daneben lassen sich auch schwarze Rußtuschen oder farbige Auszeichnungstuschen nachweisen. Eisengallustinten werden durch Mischung einer eisenhaltigen Komponente mit Gerbstoffen hergestellt. Eisensulfat ist die am häufigsten genannte Eisen liefernde Zutat, daneben sind aber auch eisenhaltige Minerale, Nägel oder Rost denkbar. Die Gallussäure leitet sich ab aus den Galläpfeln, der krankhaften Veränderung einzelner Planzenteile verschiedener Eichenarten. Diese werden durch die Eiablage von Schlupfwespen hervorgerufen. Wie schon beim Papier ermöglicht der materialanalytische Nachweis charakteristischer Beimischungen oder Verunreinigungen innerhalb der Tinten die Beantwortung kulturhistorischer Fragestellungen – gemeint sind hier die Unterscheidung von Original und Korrektur oder die Sichtbarmachung späterer Ergänzungen. T2 - DFG-Rundgespraech zur Thermographie-Digitalisierung von Wasserzeichen in Musikhandschriften CY - Vienna, Austria DA - 23.10.2023 KW - Thermographie KW - Manuskripte KW - Wasserzeichen KW - Papier PY - 2023 AN - OPUS4-58798 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - More than 25 years of ink analysis non-destructive testing of black writing materials N2 - Writing inks can be divided into soluble inks and dispersion inks. Soluble inks are based on plant or insect dyes forming a water solution. In the early European Middle Ages brown plant inks were usually produced from the blackthorn bark and wine. In contrast to these soluble brown inks, one of the oldest black writing materials was produced by mixing soot with gum arabic or animal glue dissolved in a small amount of water. From Pliny’s detailed account of the manufacture of various black carbon inks, we learn that producing pure soot of high quality was not an easy task in Antiquity. Iron gall inks are a borderline case between these two groups. They are produced from four basic ingredients: gallic acid, an iron-containing component, gum arabic as a binding media, and an aqueous medium such as wine, beer, or vinegar. By mixing gallic acid with soluble iron ions, a water-soluble ferrous gallate complex is formed. Exposure to oxygen leads to the formation of insoluble black ferric gallate pigment. Due to the variety of recipes and the natural origin of raw materials, there is a wide range of different components and impurities in writing inks. The Bundesanstalt für Materialforschung und -prüfung (BAM) together with the Centre for the Study of Manuscript Cultures in Hamburg (CSMC) has developed a protocol for ink analysis. It consists of a primary screening to determine the type of the ink and a subsequent in-depth analysis using several spectroscopic techniques (X-ray fluorescence analysis and vibrational spectroscopy). This contribution presents a qualitative and quantitative analysis of historical writing inks to characterize distinguishable inks in manuscripts, to determine the origin of manuscripts, and to assign unknown fragments to time and place. T2 - Beyond the reconstruction of an Urtext: “About the history of the early Qurʾānic text with regard to digital research tools” CY - Hesse, Germany DA - 07.07.2025 KW - Archaeometry KW - Non-destructive testing KW - Material analysis KW - Cultural heritage PY - 2025 AN - OPUS4-63906 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Hahn, Oliver A1 - Wolff, Timo A1 - Feistel, H.-O. A1 - Rabin, Ira A1 - Beit-Arié, M. T1 - The Erfurt Hebrew Giant Bible and the Experimental XRF Analysis of Ink and Plummet Composition KW - Cultural heritage KW - Archaeometry KW - Micro-XRF KW - Quantification KW - Iron gall ink KW - Parchment PY - 2007 SN - 0753-5015 IS - 51 SP - 16 EP - 29 PB - Gazette CY - Villejuif AN - OPUS4-17730 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Naturwissenschaftt für Geisteswissenschaft - Sonderforschungsbereich 950: "Manuskriptkultur in Asien, Afrika und Europa" T2 - Konservierungswissenschaft im Dialog 2015 CY - Berlin, Deutschland DA - 2015-09-29 PY - 2015 AN - OPUS4-34401 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Archaeometrical investigations using synchrotron infrared radiation T2 - Workshop: RICH - Reseaerch Infrastructures for Cultural Heritage CY - Trieste, Italy DA - 2005-12-12 PY - 2005 AN - OPUS4-10932 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Micro-X-ray Fluorescence Spectrometry in Art and Cultural Studies T2 - PRORA 2003 CY - Berlin, Germany DA - 2003-04-03 PY - 2003 AN - OPUS4-5419 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Dietz, Georg A1 - Brahms, I. A1 - Eser, T. A1 - Hahn, Oliver T1 - Dürer´s early master drawings - A technical analysis of his inks and papers N2 - A research project sponsored by tbe German Research Foundation (Deutsche Forschungsgemeinschaft, DFG) examined 47 of Albrecht Dürer 's early works on paper. These works, whicb baue posedprovocalive questions regarding their art bistorical Interpretation, were investigated with regard to tbe composition of tbe drawing media. In this study, early works refer to drawings that originated prior to tbe arlist's secondItalian journey (1505-07). Tbe tise of identical or uniformly composed drawing media as well as similar or identical paper could be demonstrated in drawings with closely relatedbistorical origins, like tbe series of ‘Costume' motifs. Otber early drawings with even greater Image uniformity revealed, on tbe otber band, several drawing media of either tbe Same type (different iron galt inks) or different types (iron galt ink as well as carbon black ink) and even apparent mixtures of tbetwo. Tbe 'vistial uniformity' ofa drawing does not in any way determine tbe use ofa single drawing media. On tbe otber band differences in colour tone in an iron galt ink drawing do not necessarily indicate inks ofvarying Chemical composition but can be a result of possible ageingpbenomena. Comprebensive comparisons between drawings of different collections are often difficult because of tbeir differing storage and Conservation bistories. Dating by watermark tbrougb reference to tbe ‘group representatives' establisbed by Meder and Strauss is, by today’s Standards, not reliable because such watermark groups often** mg togetber individual watermarks ranging over several decades. Tbe comparison of watermarks by Consulting current wa&mark databases sbould, in fact, be tbe basis of discussion. KW - Drawings iron KW - Gall inks KW - Carbon inks KW - Paper KW - X-ray fluorescence analysis PY - 2013 SN - 1868-0860 VL - 14 IS - 3 SP - 5 EP - 14 PB - Seidel CY - Stuttgart AN - OPUS4-29098 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Hahn, Oliver A1 - Kemmlein, Sabine A1 - Jann, Oliver A1 - Kalus, Sabine A1 - Stolle, Dirk T1 - Emissions of Flame Retardants from Selected Consumer Products and Building Materials T2 - 11th International Conference on Flame Retardants 2004 CY - London, England, UK DA - 2004-01-27 KW - Flame retardants KW - GC/MS KW - SVOC PY - 2004 SN - 0-9541216-2-7 SP - 27 EP - 36 PB - Interscience Communications CY - London AN - OPUS4-3060 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Rabin, Ira A1 - Hahn, Oliver ED - Michel, C. ED - Friedrich, M. T1 - Detection of Fakes: The Merits and Limits of Non-Invasive Materials Analysis N2 - This paper addresses the sensitive issue of authenticating unprovenanced manuscripts of high monetary value to certify they are genuine. Over the last decade, the popularity of material studies of manuscripts using non-destructive testing (NDT) has increased enormously. These studies are held in especially high esteem in the case of suspicious writings due to the methodological rigour they are reputed to contribute to debate. We would like to stress that materials analysis alone cannot prove that an object is genuine. Unfortunately, audiences with a humanities background often tend to disregard the technical details and treat any published interpretation of instrumental analysis as an objective finding. Four examples are outlined here to illustrate what questionable contributions the natural sciences can make in describing manuscripts that have actually been forged. KW - Fakes KW - Non-invasive analysis KW - Limitations PY - 2020 UR - https://nbn-resolving.org/urn:nbn:de:kobv:b43-517202 SN - 978-3-11-071422-7 DO - https://doi.org/10.1515/9783110714333 SN - 2365-9696 VL - 20 SP - 281 EP - 290 PB - Walter de Gruyter GmbH CY - Berlin/Boston AN - OPUS4-51720 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver A1 - Merchel, Silke T1 - Naturwissenschaftliche Untersuchungen von Zeichenmitteln T2 - Das Geheimnis des Jan van Eyck: Niederländische Kunst des 15. Jahrhunderts in Dresden -Gemeinschaftsausstellung der Gemäldegalerie Alte Meister und des Kupferstich-Kabinetts Residenzschloss CY - Dresden, Germany DA - 2005-08-13 PY - 2005 AN - OPUS4-22220 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Sychrotronbasierte Röntgenabsorptionsspektroskopie an Kupfergrünpigmenten T2 - Jahrestagung Archäometrie und Denkmalpflege 2006 CY - Stuttgart, Germany DA - 2006-03-22 PY - 2006 AN - OPUS4-12262 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Almogi, O. A1 - Kindzorra, Emanuel A1 - Hahn, Oliver A1 - Rabin, Ira T1 - Inks, pigments, paper: in quest of unveiling the history of the production of a tibetan buddhist manuscript collection from the tibetan-nepalese borderlands N2 - The Nepal-German Manuscript Preservation Project (NGMPP) microfilmed two sets of the rNying margyud 'bum: in 1989 the set stored in the National Archives in Kathmandu (NAK) and in 1992 another set during an expedition to Nubri, Samagaon. Both microfilming were carried out under the local director of the Nepal Research Centre (NRC) in Kathmandu, and who has also discussed the two (and other) rNying ma rgyud 'bum sets on several occasions.2 The NAK and Nubri rNying ma rgyud 'bum sets were extensively studied and catalogued (Almogi) within the framework of the Tibetology sub-project "The Manuscript Collections of supervision of Franz-Karl Ehrhard, who was at the time the the Ancient Tantras (rNying ma rgyud 'bum): An Examination of Variance," conducted at the Researcher Group "Manuscript Cultures in Asia and Africa," University of Hamburg (2008-2011). KW - Writing materials KW - Paper KW - XRF KW - Non-destructive testing PY - 2015 DO - https://doi.org/10.2143/JIABS.37.0.3132062 SN - 0193-600X VL - 36/37 SP - 93 EP - 118 PB - Dep. CY - Lausanne AN - OPUS4-34615 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Weber, Gert A1 - Bschorr, T. A1 - Cramer, H. A1 - Hahn, Oliver A1 - Rethmeier, Michael A1 - Thommes, H. ED - da Silva, L.F.M. ED - Altenbach, H. T1 - Hybrid bonding of advanced high strength steels in the lightweight body shell design for the automobile manufacturing N2 - In the lightweight body shell mass production of automobiles, the application of hybrid bonding techniques becomes more and more important. Especially the combination of adhesive bonding and resistance spot welding called weldbonding is of great importance. The target of this contribution is to show the influence of medium-viscosity and low-viscosity structural adhesives on the process reliability of the weldbonding process and the mechanical properties of the hybrid bonded joints. The given results are based on the application of an epoxy PUR-based, an epoxy resin-based and a rubber-based adhesive system for joining a mild and some different advanced high strength steels (AHSS). It will be shown that both the process reliability of the weldbonding process and the mechanical behaviour of the weldbonded joints are influenced by the combinations of the base metals, the applied adhesive systems and the choice of the joining parameters. The behaviour of the weldbonded joints will be studied under quasi-static and impact loads. The discussion of the metallurgical structure of the weldbonded joints depending on the joining parameters will be given, too. Furthermore, the fatigue behaviour of the weldbonded joints will be studied. KW - Advanced high strength steels KW - Hybrid bonding KW - Lightweight body shell design KW - Weldbonding process reliability KW - Weldbonded joint behaviour PY - 2010 SN - 978-3-642-12666-6 DO - https://doi.org/10.1007/978-3-642-12667-3_22 N1 - Serientitel: Advanced Structured Materials – Series title: Advanced Structured Materials VL - 3 SP - 343 EP - 372 PB - Springer AN - OPUS4-23150 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - RPRT A1 - Kemmlein, Sabine A1 - Hahn, Oliver A1 - Jann, Oliver T1 - Emissionen von Flammschutzmitteln aus Bauprodukten und Konsumgütern (Forschungsbericht 299 65 321 / UBA-FB 00,475) N2 - An verschiedenen Dämmstoffen, Montageschäumen, Computersystemen und Polstermöbeln sowie einer Matratze wurden mittels unterschiedlicher Emissionsprüfkammern und -zellen in Kombination mit geeigneten Probenahme- und Analyseverfahren Untersuchungen zur Emission polybromierter und phosphororganischer Flammschutzmittel (FSM) durchgeführt. Hierbei kamen Emissionsprüfkammern mit Volumina von 0,02 m3 und 1 m3 sowie 0.001 m3 - Emissionsprüfzellen zum Einsatz. Die hier untersuchten Substanzen zählen zu den SVOC und erfordern eine Luftprobenahme durch Adsorption an Polyurethanschaum. Die Aufarbeitung des Polyurethanschaums erfolgte mit Ultraschallbad- bzw. Soxhletextraktion, die Extrakte wurden aufkonzentriert und mit GC/MS oder HPLC/DAD vermessen. Die ursprünglich angestrebte Versuchsdauer von jeweils 28 Tagen musste auf mindestens 100 Tage verlängert werden, um einen für die Messung erforderlichen Gleichgewichtszustand zu erreichen. Mit den eingesetzten Verfahren läßt sich die Emission der phosphororganischen FSM qualitativ und quantitativ gut nachweisen, hierzu gehören insbesondere TCPP und TPP. Ausnahmen bilden z.B. RDP und BDP, hier wird die Emissionsmessung mittels Luftprobenahme durch den Einfluss von Senkeneffekte dominiert. Für die bromierten FSM ist eine gute Anwendbarkeit für Verbindungen mit bis zu sechs Bromatomen gegeben. Mit zunehmendem Bromierungsgrad und zunehmender Schwerflüchtigkeit verstärkt sich auch hier der Einfluss von Senkeneffekten und erschwert die Bestimmung der Emission. So konnte HBCD zwar auf den Kammerwandflächen jedoch, abgesehen von Spuren, nicht in der Emissionsprüfkammerluft nachgewiesen werden. Die Erkenntnisse reichen für eine umfassende Darstellung des Emissionsverhaltens der FSM und darauf aufbauender Expositionsbewertungen für den Gebrauch flammgeschützter Produkte noch nicht aus. Es bestehen weiterhin Kenntnislücken, um die z.T. hohen Gehalte an FSM z.B. in Hausstäuben erklären zu können. Gleichwohl bildet die Studie eine wesentliche Grundlage für weiterführende Untersuchungen. In Abhängigkeit vom Produkttyp betragen die ermittelten flächenspezifischen (SERa) Emissionsraten z.B. für TCPP zwischen 0,012 und 140 µg m-2 h-1. Nachgewiesene PBDEs zeigten je nach Produkttyp produktspezifische Emissionsraten (SERu) zwischen 0,1 und 14,2 ng Stück-1h-1 und SERa zwischen 0,2 und 6,6 ng m-2 h-1. Eine Ausweitung z.B. auf Langzeitmessungen, die Bestimmung des Einflusses der Materialalterung sowie unterschiedlicher Flammschutzmittelgehalte auf die Emission, die hier mangels hinreichender Information und entsprechenden Produkten nicht durchgeführt werden konnte, wäre wünschenswert. KW - Emission KW - Semi Volatile Organic Compounds (SVOC) KW - Polybromierte Flammschutzmittel KW - Phosphororganische Flammschutzmittel KW - Emissionsprüfkammer KW - Emissionsprüfzelle KW - Particulate Organic Matter (POM) KW - Dämmstoffe KW - Montageschäume KW - Leiterplatte KW - Polstermöbel KW - Matratze KW - Computer KW - Monitor KW - Drucker PY - 2003 UR - http://www.umweltbundesamt.de/publikationen/emissionen-von-flammschutzmitteln-aus-bauprodukten SN - 1862-4804 SN - 0722-186X IS - 55 SP - 1 EP - 188 PB - Umweltbundesamt CY - Dessau-Roßlau AN - OPUS4-2901 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Kemmlein, Sabine A1 - Hahn, Oliver A1 - Jann, Oliver T1 - Emissions of organophosphate and brominated flame retardants from selected consumer products and building materials N2 - The emissions of selected flame retardants were measured in 1- and 0.02-m3 emission test chambers and 0.001-m3 emission test cells. Four product groups were of interest: insulating materials, assembly foam, upholstery/mattresses, and electronics equipment. The experiments were performed under constant environmental conditions (23°C, 50% RH) using a fixed sample surface area and controlled air flow rates. Tris (2-chloro-isopropyl)phosphate (TCPP) was observed to be one of the most commonly emitted organophosphate flame retardants in polyurethane foam applications. Depending on the sample type, area-specific emission rates (SERa) of TCPP varied between 20 ng m-2 h-1 and 140 ?g m-2 h-1. The emissions from electronic devices were measured at 60°C to simulate operating conditions. Under these conditions, unit specific emission rates (SERu) of organophosphates were determined to be 10–85 ng unit-1 h-1. Increasing the temperature increased the emission of several flame retardants by up to a factor of 500. The results presented in this paper indicate that emissions of several brominated and organophosphate flame retardants are measurable. Polybrominated diphenylethers exhibited an SERa of between 0.2 and 6.6 ng m-2 h-1 and an SERu of between 0.6 and 14.2 ng unit-1 h-1. Because of sink effects, i.e., sorption to chamber components, the emission test chambers and cells used in this study have limited utility for substances low vapour pressures, especially the highly brominated compounds; hexabromocyclododecane had an SERa of between 0.1 and 29 ng m-2 h-1 and decabromodiphenylether was not detectable at all. T2 - 9th International Conference on Indoor Air Quality and Climate CY - Monterey, CA, USA DA - 2002-06-30 KW - SVOC KW - Organophosphates KW - Chamber study KW - Brominated flame retardants KW - Emission rates PY - 2003 DO - https://doi.org/10.1016/j.atmosenv.2003.09.025 SN - 0004-6981 SN - 1352-2310 VL - 37 IS - 39-40 SP - 5485 EP - 5493 PB - Elsevier CY - Amsterdam AN - OPUS4-3308 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver A1 - Goedicke, C. A1 - Fuchs, R. A1 - Horn, I. ED - Hahn, O. T1 - Archäometrie und Denkmalpflege 2003 T2 - Zusammenfassung der Vorträge und Poster der Jahrestagung 2003 im Ethnologischen Museum, Staatliche Museen zu Berlin CY - Berlin, Deutschland DA - 2003-03-12 PY - 2003 SN - 0949-4057 CY - Berlin AN - OPUS4-2383 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Hahn, Oliver A1 - Maurer-Zenck, C. T1 - Die Tinten des Zauberflöten-Autographs. Möglichkeiten und Grenzen neuer Analyseverfahren. Ein Nachtrag zur Chronologie und biographische Pointe PY - 2003 SN - 0001-6233 VL - 50 IS - 1/2 SP - 3 EP - 22 PB - Deutsche Mozart-Gesellschaft CY - Augsburg AN - OPUS4-2616 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Zerstörungsfreie Materialanalyse an Kunst- und Kulturgut – Möglichkeiten und Grenzen N2 - Naturwissenschaftliche Verfahren sind zunehmend von Bedeutung bei der Untersuchung von Kunst- und Kulturgut und der Entwicklung von Konservierungskonzepten. Neben bildgebenden Verfahren sind materialanalytische Methoden von großer Wichtigkeit. Mobilen, zerstörungsfreien Verfahren ist grundsätzlich den Vorzug zu geben. Es ist jedoch zu konstatieren, dass Probenentnahmen unumgänglich sind, wenn spezielle Fragen an die Materialanalyse gestellt werden. T2 - Ringvorlesung Materialkunde, Technologie, Denkmalpflege und Kulturwissenschaften CY - Cologne Institute of Conservation Sciences, TH Köln DA - 06.11.2017 KW - Zerstörungsfreie Prüfung KW - Archäometrie KW - Kunst- und Kulturgut PY - 2017 AN - OPUS4-43424 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira A1 - Hahn, Oliver ED - Hahn, Oliver ED - Breiding, Sonja ED - Doil, Thorsten T1 - Röntgenfluoreszenzanalyse als bildgebendes Verfahren - Die Visualisierung von Materialität N2 - Naturwissenschaftliche Verfahren sind inzwischen fester Bestandteil bei der materialwissenschaftlichen Untersuchung von Kunst- und Kulturgut und bei der Entwicklung von Konservierungskonzepten zum Erhalt des kulturellen Erbes. Insbesondere werden zunehmend bildgebenden Verfahren wie die Computertomographie, die Radiographie oder die Multispektralanalyse verwendet, um die für das menschliche Auge nicht sichtbare Inhalte wie Vorzeichnungen, Pentimenti oder innere Strukturen zu visualisieren. Die entstehenden „neuen Bilder“ verändern jedoch die Sichtweise auf das kulturelle Artefakt, da sie tiefere Einblicke in den Herstellungsprozess, den Aufbau oder den Erhaltungszustand geben können. Weiterhin dokumentieren sie Veränderungen, denen ein Objekt unterworfen wurde. Anhand der Untersuchung von zwei Objekten mit dem Röntgenfluoreszenzportalscanner Jet Stream soll das Verhältnis Original – Digitalisat – Rekonstruktion diskutiert werden. T2 - 8. N.i.Ke.-Workshop: Materialität - Das Objektverständnis der vielfältigen Disziplinen im Bereich von Kunst- und Kulturgut CY - Berlin, Germany DA - 26.11.2015 KW - Röntgenfluoreszenzanalyse KW - Zerstörungsfreie Prüfung KW - Archäometrie PY - 2017 SN - 2567-1251 SP - 68 EP - 73 PB - Druckerei G. Bohm CY - Berlin AN - OPUS4-43484 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Delhey, M. A1 - Kindzorra, Emanuel A1 - Hahn, Oliver A1 - Rabin, Ira T1 - Material analysis of sanskrit palm-leaf manuscripts preserved in Nepal N2 - This article presents the findings resulting from the material analysis of several Sanskrit palm-leaf manuscripts from a corpus partly preserved in Nepal, viz. in the National Archives, Kathmandu (NAK), and in the Kaiser Library (KL), which is likewise situated in Kathmandu. The analysis was undertaken in March 2013. The colleagues of the NAK allocated a room in their precincts to us, where we could set up our mobile laboratory, and gave us access to the required manuscripts from their holdings. The officials of the KL, in turn, allowed us to take some of their valuable and ancient manuscripts to the NAK. In this way, we were enabled to conduct multi-instrumental studies on writing materials of great antiquity and interest. KW - Writing materials KW - Paper KW - XRF KW - Non-destructive testing PY - 2015 SN - 0193-600X VL - 36/37 SP - 119 EP - 152 PB - Dep. CY - Lausanne AN - OPUS4-34616 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Durkin-Meisterernst, D. A1 - Friedrich, M. A1 - Helman-Wazny, A. A1 - Nöller, R. A1 - Raschmann, S.-Ch. A1 - Hahn, Oliver T1 - Scientific methods for philological scholarship: Pigment and paper analyses in the field of manuscriptology N2 - In this paper, members of three research teams, namely the Turfan Project of the Berlin BrandenburgAcademy of Sciences and Humanities, the Berlin-based research project on pigments in Central Asianpaper manuscripts, and the Hamburg-based project on the history and typology of Central Asian papermanuscripts, present some of the results of their cooperation. The investigated manuscripts belong tothe Berlin Turfan Collection. On the basis of different examples the contribution of scientific methods tophilological scholarship within a multidisciplinary approach is demonstrated. KW - Turfan manuscripts KW - Material analysis KW - Paper KW - Ink KW - Turfan Manuskripte KW - Materialanalyse KW - Papier KW - Tinte PY - 2016 DO - https://doi.org/http://dx.doi.org/10.1016/j.culher.2015.06.004 SN - 1296-2074 VL - 17 SP - 7 EP - 13 PB - Elsevier, München AN - OPUS4-35551 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Farbe auf Papier - Materialwissenschaftliche Aspekte des Buchdrucks N2 - Der Vortrag beschäftigt sich mit den materialwissenschaftlichen Aspekten des Buchdrucks. Hierbei geht es weniger um die Darstellung und Erklärung der unterschiedlichen Druckverfahren (Hochdruck, Tiefdruck, Flachdruck und Durchdruck), diese werden nur am Rande gestreift, um die Vielfalt der unterschiedlichen Drucktechniken darzulegen. Vielmehr beschäftigt sich der Vortrag mit den Materialien, d.h. Druckfarben, die sich dann tatsächlich auf dem Schriftträger analysieren lassen. Unterschiedliche Drucktechniken (und Effekte) erfordern unterschiedliche Materialzusammensetzungen - diese werden innerhalb des Vortrags diskutiert. T2 - Transformationen des Buchdrucks, Konferenz des Basisprojekts "Matter of Typography" CY - Berlin, Germany DA - 09.06.2016 KW - Buchdruck KW - Material KW - Farbmittel PY - 2016 AN - OPUS4-36565 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Hahn, Oliver T1 - Zerstörungsfreie Materialanalyse N2 - Naturwissenschaftliche Verfahren gewinnen zunehmend an Bedeutung bei der Untersuchung von Kunst und Kulturgut und bei der Entwicklung von Konservierungskonzepten zum Erhalt des kulturellen Erbes. Neben bildgebenden Verfahren wie der Computertomographie oder der Radiographie sind materialanalytische Verfahren von großer Wichtigkeit. Durch die Miniaturisierung elektronischer Bauteile kommen immer mehr mobile Untersuchungstechniken auf den Markt, so dass Kulturgüter vor Ort im musealen Kontext untersucht werden können. KW - Zerstörungsfreie Prüfung KW - Materialanalyse KW - Kunst- und Kulturgut PY - 2015 SN - 978-3-8062-3253-0 SP - 186 EP - 187 PB - LVR-LandesMuseum Bonn CY - Bonn AN - OPUS4-34614 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver A1 - Brüning, G. T1 - Kombination von philologischen und materialanalytischen Verfahren bei der Datierung von Schreibvorgängen - Eine Fallstudie: Ergebnisse der Röntgenfluoreszenzanalyse an "Faust"-Handschrift im Goethe- und Schiller- Archiv T2 - 22. Jahrestagung der ITUG (international tustep user group) CY - Weimar, Deutschland DA - 2015-10-07 PY - 2015 AN - OPUS4-34602 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Scientific Investigations of the Painted Architectural Elements T2 - Medieval Pre-Islamic Architecture in Qoco: Architectural, Archaeological, Art-Historical and Scientific Evaluation of a Collection of Wooden Architectural Elements in the Museum für Asiatische Kunst CY - Berlin, Deutschland DA - 2015-05-28 PY - 2015 AN - OPUS4-33723 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Steger, Simon A1 - Stege, H. A1 - Bretz, S. A1 - Hahn, Oliver T1 - Capabilities and limitations of handheld Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for the analysis of colourants and binders in 20th-century reverse paintings on glass N2 - A non-invasivemethod has been carried out to show the capabilities and limitations of Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for identifying of colourants and binders in modern reverse glass paintings. For this purpose, the reverse glass paintings “Zwei Frauen am Tisch” (1920–22), “Bäume” (1946) (both by Heinrich Campendonk), “Lofoten” (1933) (Edith Campendonk-van Leckwyck) and “Ohne Titel” (1954) (Marianne Uhlenhuth), were measured. In contrast to other techniques (e.g. panel and mural painting), the paint layers are applied in reverse succession. In multi-layered paint systems, the front paint layer may no longer be accessible. The work points out the different spectral appearance of a given substance (gypsum, basic lead white) in reverse glass paintings. However, inverted bands, band overlapping and derivative-shaped spectral features can be interpreted by comparing the spectra fromthe paintingswith spectra frompure powders and pigment/linseed oil mock-ups. Moreover, the work focuses on this method's capabilities in identifying synthetic organic pigments (SOP). Reference spectra of three common SOP (PG7, PY1, PR83) were obtained from powders and historical colour charts.We identified PR83 and PY1 in two reverse glass paintings, using the measured reference spectra. The recorded DRIFTS spectra of pure linseed oil, gum Arabic, mastic, polyvinyl acetate resin and bees wax can be used to classify the binding media of the measured paintings. KW - DRIFTS KW - Painting KW - Non-invasive KW - Pigment PY - 2018 DO - https://doi.org/10.1016/j.saa.2018.01.057 SN - 1873-3557 VL - 195 SP - 103 EP - 112 PB - Elsevier B.V. AN - OPUS4-44023 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Brüning, Gerrit A1 - Hahn, Oliver ED - Nutt-Kofoth, Rüdiger ED - Plachta, Bodo T1 - Goethes Helena-Dichtung in ursprünglicher Gestalt. Zum methodischen Verhältnis von Materialanalyse und Textkritik N2 - Seit 2009 entsteht die historisch-kritische Hybridediton von Goethes „Faust“. Im Januar 2013 ist im Rahmen dieses editorischen Unternehmens die Röntgenfluoreszenzanalyse (RFA) zum Einsatz gekommen, um auf der Grundlage der Zusammensetzung der verwendeten Eisengallustinten entstehungsgeschichtliche Erkenntnisse über das handschriftliche Material zu gewinnen. Im Mittelpunkt stand neben der zeitlichen Einordnung von Handschriften vor allem die Identifikation von unterscheidbaren Bearbeitungsschichten innerhalb der jeweiligen Handschrift. Besonderes Interesse kommt dabei denjenigen Handschriften zu, von denen sicher ist oder angenommen wird, dass Goethe sie über längere Zeit hinweg oder sogar in sehr großen Abständen bearbeitet hat. Die von der traditionellen Philologie in Anschlag gebrachten äußeren und inneren Gründe und die darauf gestützten Hypothesen haben nicht ausgedient. Hypothesen zur Datierung von Handschriften Goethes lassen sich in der Regel gut anhand bestehender materieller Zusammenhänge (wie der Zuordnung des Papiers in Kombination mit der Bestimmung der Schreiberhand) verifizieren. Dagegen ermöglicht materialwissenschaftliche Charakterisierung der Eisengallustinten alleine zunächst noch keine vergleichbar genauen Datierungen. Eine Kombination der beiden Zugänge und Verfahren kann jedoch dort Erkenntnisse zutage fördern, wo die traditionellen philologischen Mittel ausgeschöpft sind. Dies wird exemplarisch innerhalb der Publikation gezeigt werden. KW - Materialanalyse KW - Eisengallustinten KW - Germanistik PY - 2017 DO - https://doi.org/10.1515/editio-2017-0009 SN - 0931-3079 SN - 1865-9446 VL - 31 SP - 145 EP - 172 PB - Walter de Gruyter GmbH CY - Berlin AN - OPUS4-43849 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Hahn, Oliver T1 - Inks and Pigments N2 - The writing materials used in various cultures and epochs can be divided into two groups. The first comprises materials that write themselves, producing script by rubbing their own material off onto the writing surface. It includes charcoal, graphite, chalk, raddle, and metal styluses. Depending on the material and consistency, these are cut or pressed to make styluses and then used for writing. The second group comprises all coloring liquids that are applied to the writing surface with a quill, pen, or printing block. It includes inks made from dye solutions (for example, tannin inks) and those made from pigment dispersions (for example, sepia, soot, and bister inks). The latter are sometimes also rubbed as pastes into letters incised into the writing surface, where they increase visual contrast. Due to the variety of recipes and the natural origin of raw materials, there is a wide range of different components and impurities in writing materials. Soluble inks (Tinten) Soluble inks are based mainly on dyes forming a water solution. Colored inks were manufactured with different plant or insect dyes (e.g. Brazil wood, kermes). To stabilize the volatile material, the dyes were mixed with a mordant (e.g., alum). Brown plant inks – best-known as blackthorn or Theophilus’ inks – are usually produced from the blackthorn bark and wine. In the early European Middle Ages, inks of this kind were widely used in the production of manuscripts in monasteries. Usually, they are light brown, so sometimes small amounts of iron sulfate were added, which led to what was called an “imperfect” iron gall ink. The difference between “classic” iron gall ink and such imperfect ink is therefore not clear: the distinction is not possible, especially with the naked eye. Dispersion inks (Tuschen) According to its generic recipe, one of the oldest black writing materials is produced by mixing soot with a binder dissolved in a small amount of water. Thus, along with soot, binders such as gum arabic (ancient Egypt) or animal glue (China) are among the main components of soot inks. From Pliny’s detailed account of the manufacture of various soot-based inks, we learn that, despite its seeming simplicity, producing pure soot of high quality was not an easy task in Antiquity. Therefore, we expect to find various detectable additives that might be indicative of the time and place of production. One such carbon ink requires the addition of copper sulfate . The experimental discovery of this ink in 1990 led to a misleading expression “metal ink” that is sometimes found in the literature. Colored dispersion inks based on pigments such as orpiment, cinnabar, or azurite have been known since Antiquity. Natural or artificially produced minerals are finely ground and dispersed in a binding medium. As in soot inks, water-soluble binders such as gum arabic or egg white were used. Iron gall ink (Eisengallustinten) Iron gall inks are a borderline case between these two groups. They are produced from four basic ingredients: galls, vitriol as the main source of iron, gum arabic as a binding media, and an aqueous medium such as wine, beer, or vinegar. By mixing gallic acid with iron sulfate, a water-soluble ferrous gallate complex is formed; this product belongs to the type “soluble inks”. Due to its solubility, the ink penetrates the writing support’s surface, making it difficult to erase. Exposure to oxygen leads to the formation of insoluble black ferric gallate pigment, i.e., “dispersion ink”. Natural vitriol consists of a varying mixture of metal sulfates. Since for ink making it was obtained from different mines and by various techniques, inks contain many other metals, like copper, aluminum, zinc, and manganese, in addition to the iron sulfate. These metals do not contribute to color formation in the ink solution, but possibly change the chemical properties of the inks. T2 - Manusciences 17 CY - Frejus, France DA - 10.9.2017 KW - Medieval ink KW - Medieval pigment KW - Material analysis PY - 2017 AN - OPUS4-43556 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bosch, S. A1 - Colini, C. A1 - Hahn, Oliver A1 - Janke, A. A1 - Shevchuk, I. ED - Friedrich, M. ED - Quenzer, J. ED - Wandrey, I. T1 - The Atri fragment revisited I: Multispectral imaging and ink identification N2 - This paper reports the outcome of an interdisciplinary team’s application of multispectral imaging techniques and material analysis to a music fragment from the first decades of the fifteenth century: Atri, Archivio Capitolare, Museo della Basilica Cattedrale, Biblioteca del Capitolo della Cattedrale, Frammento 17. This important parchment leaf has rarely been investigated since its discovery 45 years ago. Thanks to the applied techniques and methods (such as the evaluation of the data using the fingerprint model), it is now possible to discuss new evidence supporting conclusions regarding the fragment’s origin and afterlife. KW - Archaeometry KW - Cultural heritage KW - Non-destructiv testing PY - 2018 SN - 1867-9617 VL - 2018 IS - 11 SP - 141 EP - 156 PB - Universität Hamburg CY - Hamburg AN - OPUS4-45741 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Colini, C. A1 - Hahn, Oliver A1 - Bonnerot, Olivier A1 - Steger, Simon A1 - Cohen, Zina A1 - Ghigo, Tea A1 - Christiansen, T. A1 - Bicchieri, M. A1 - Biocca, P. A1 - Krutzsch, M. A1 - Rabin, Ira ED - Friedrich, M. ED - Quenzer, J. ED - Wandrey, I. T1 - The quest for the mixed inks N2 - In this article, we would like to share our observations concerning the inks produced by intentionally mixing soot or charcoal with tannin extracts or iron-gall ink. Aside from Zerdoun’s mention in her outstanding review of written sources, “Les encres noires au Moyen-Âge”, this ink category has received little if any attention from scholars and scientists. And yet, if analytically attested, the use of such inks could serve as an additional category to classify and distinguish the writing inks on the historical socio-geographic map of the writing inks we are trying to build. KW - Archaeometry KW - Non-destructive testing KW - Inks PY - 2018 SN - 1867-9617 VL - 2018 IS - 11 SP - 41 EP - 48 PB - Universität Hamburg CY - Hamburg AN - OPUS4-45784 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Heiles, M. A1 - Rabin, Ira A1 - Hahn, Oliver ED - Friedrich, M. ED - Quenzer, J. ED - Wandrey, I. T1 - Palaeography and X-ray fluorescence spectroscopy: Manuscript production and censorship of the fifteenth century German manuscript Cod. germ. 1 of the Staats- und Universitätsbibliothek Hamburg N2 - The manuscript Codex germanicus 1 (Cod. germ. 1) of the Staats- und Universitätsbibliothek Hamburg is a fifteenth-century German-language manuscript. It comprises two codicological units and has an especially complex developmental history. To trace this developmental history, neglected until now in the research literature, the manuscript was investigated, for the first time not solely with classical codicological and palaeographical methods, but also with the aid of X-ray fluorescence spectroscopy, in order to determine the composition of the writing materials. These methods made it possible, first, to support and check palaeographic findings and, second, to gain information about the stratigraphy of the manuscript where palaeographic methods find their limits – in regard to short entries, rubrications, and non-alphabetical signs. KW - Archaeometry KW - Non-destructive testing KW - Inks PY - 2018 SN - 1867-9617 VL - 2018 IS - 11 SP - 109 EP - 132 PB - Universität Hamburg CY - Hamburg AN - OPUS4-45818 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Geissbühler, M. A1 - Dietz, G. A1 - Hahn, Oliver A1 - Rabin, Ira ED - Friedrich, M. ED - Quenzer, J. ED - Wandrey, I. T1 - Advanced codicological studies of Cod. germ. 6 (Hamburg, Staats- und Universitätsbibliothek): Part 2 N2 - The work presented here follows the article Combining Codicology and X-Ray Spectrometry to Unveil the History of Production of Codex germanicus 6 (Staats- und Universitätsbibliothek Hamburg), published in 2014.1 It confirms the main result of the previous article: the Artusnotiz, the fourth text in the bound manuscript, must have been introduced as the last one. This paper offers further details of the codex production, based on the composition of the black and red inks collected in four measurement campaigns. Furthermore, using imaging μ-XRF, we succeeded in understanding the strong variation of the composition of the red inks in the initials of all the texts except for Parzival and Jeanne d’Arc. KW - Archaeometry KW - Non-destructive testing KW - Inks PY - 2018 SN - 1867-9617 VL - 2018 IS - 11 SP - 133 EP - 139 PB - Universität Hamburg CY - Hamburg AN - OPUS4-45816 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Ghigo, Tea A1 - Bonnerot, Olivier A1 - Buzi, P. A1 - Krutzsch, M. A1 - Hahn, Oliver A1 - Rabin, Ira ED - Friedrich, M. ED - Quenzer, J. ED - Wandrey, I. T1 - An Attempt at a Systematic study of inks from Coptic manuscripts N2 - It is well documented that throughout Antiquity, ancient Egyptians used mostly carbon inks as a writing material. In Late Antiquity, some metals started to be added to carbon based inks. We have records of five manuscripts from the Dead Sea Scrolls collection whose carbon inks were found to contain copper Also, lead was recently found as an additive in carbon inks on a charred fragment from Herculaneum. Furthermore, the earliest evidence of iron-gall ink was found in the Book of Proverbs (Codex Ms. Berol. orient. oct. 987) dating to the third fourth centuries ce. It has been suggested that along with carbon and iron-gall inks, there is no reason to think that purely tannin inks were not also in use in Egypt. However, so far, we just have evidence of a copper-tannin ink identified in a number of documents from Egypt in the first third centuries bce. In an attempt to fill this gap in this extremely fragmented scenario during our studies of the socio-geographic history of inks, we arrived at the conclusion that the continuous production of Coptic manuscripts from Late Antiquity to the Middle Ages offers a unique opportunity for the historical study of inks across a large geographic area. KW - Archaeometry KW - Non-destructive testing KW - Inks PY - 2018 SN - 1867-9617 VL - 2018 IS - 11 SP - 157 EP - 163 PB - Universität Hamburg CY - Hamburg AN - OPUS4-45817 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Cohen, Zina A1 - Kindzorra, Emmanuel A1 - Hahn, Oliver A1 - Glaser, L. A1 - Łojewski, T. A1 - Rabin, Ira T1 - Composition of the primary inks in medieval palimpsests – effects of ink removal N2 - The qualitative and quantitative investigations of historical iron-gall inks by use of μ-XRF spectrometry is a common method for analyzing the diff erences in their composition. When a fingerprint is established, it is possible to characterize the distinguishable inks used in the production of medieval manuscripts, and, in turn assist in the reconstruction of the manuscript’s history.The characterization of the primary inks in palimpsests, i.e. manuscripts written on re-used parchment, presents a serious problem as the effect of the partial removal on the inks fi ngerprint is yet known. In this paper we explore our preliminary results concerning the effects of two removal techniques on the fingerprint of iron-gall inks on parchment. KW - Palimpsests KW - Iron-gall ink KW - XRF PY - 2015 DO - https://doi.org/10.4467/20843852.OM.15.007.5385 SN - 0239-9989 VL - 23 SP - 75 EP - 82 AN - OPUS4-46130 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Krug, Sonja A1 - Lang, A. A1 - Zimmer, J. A1 - Homolka, M. A1 - Hahn, Oliver T1 - Folgen der historischen Schädlingsbekämpfung in Archiven und Museen. Risikoabschätzung - Gefahr für Mensch und Umwelt T2 - Jahrestagung im Deutschen Bergbau-Museum - Archäometrie und Denkmalpflege 2010 CY - Bochum, Germany DA - 2010-09-15 PY - 2010 SN - 0947-6229 VL - 3 SP - 268 EP - 270 PB - Dt. Bergbau-Museum CY - Bochum AN - OPUS4-27536 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - GEN A1 - Stege, Heike A1 - Hahn, Oliver ED - Geiger, Gisela ED - Bretz, Simone T1 - Möglichkeiten moderner Materialanalytik für die Untersuchung von Hinterglasbildern N2 - Materialanalytische Verfahren gewinnen zunehmend an Bedeutung bei der Beantwortung kulturhistorischer Fragestellungen, etwa nach Werkstatt, Alter, Künstler oder Provenienz eines Artefakts. Auch die Entwicklung geeigneter Restaurierungs- und Konservierungskonzepte bedarf dieser Grundlage ebenso wie die Beurteilung hinsichtlich der Frage nach Fälschung oder Kopie. Dem kunsttechnologisch orientierten Analytiker steht heute eine eindrucksvolle Bandbreite instrumenteller Methoden zur Verfügung, um die beiden Hauptkomponenten verwendeter Malfarben zu identifizieren, d.h. Farb- und Bindemittel. Der nachfolgende Aufsatz enthält eine kurze Zusammenstellung geeigneter Analyseverfahren, die üblicherweise bei der Untersuchung von Gemälden Verwendung finden. KW - Hinterglasmalerei KW - Kunsttechnologie KW - Kunst- und Kulturgut PY - 2017 SN - 978-3-86832-320-7 SP - 74 EP - 77 PB - Wienand Verlag CY - Köln AN - OPUS4-39324 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bretz, Simone A1 - Hagnau, C. A1 - Hahn, Oliver A1 - Ranz, Hans-Jörg T1 - 'Allerhand Loth zu machen' - Das Schwarzlot in der Hinterglasmalerei N2 - Die Befunde eines Forschungsprojektes zur Hinterglasmalerei werfen ein neues Licht auf die gegenseitige Einflussnahme von Glas-, Hinterglas- und Tafelmalerei. Die Autoren veranschaulichen die Forschungsergebnisse, die darauf hinweisen, dass sich vor allem Glasmaler der Hinterglasmalerei annahmen. Zudem zeigen ihre Untersuchungen, dass in der Renaissance und im Mittelalter innerhalb der verschiedenen Malerhandwerke ein enger Austausch existierte. KW - Archäometrie KW - Zerstörungsfreie Prüfung KW - Kunst- und Kulturgut PY - 2011 SN - 0933-4017 VL - 8 SP - 27 EP - 39 PB - Callwey CY - München AN - OPUS4-25419 LA - deu AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Wolff, Timo A1 - Rabin, Ira A1 - Montouvalou, I. A1 - Kanngießer, B. A1 - Malzer, W. A1 - Kindzorra, Emanuel A1 - Hahn, Oliver T1 - Provenance studies on Dead Sea scrolls parchment by means of quantitative micro-XRF N2 - In this study, we address the question of the provenance and origin of the Dead Sea Scrolls manuscripts. A characteristic low ratio of chlorine to bromine, corresponding to that of the Dead Sea water, may serve as an indicator for local production. For this aim we developed a non-destructive procedure to determine the Cl/Br ratio in the parchment of these manuscripts. Micro-X-ray fluorescence (µ-XRF) measurements of a large number of parchment and leather fragments from the Dead Sea Scrolls were analyzed with a routine we developed based on fundamental parameter quantification. This routine takes into account the absorption of the collagen matrix and the influence of the different sample thicknesses. To calculate the representative Cl/Br ratio for each fragment, we investigated the lateral homogeneity and determined the total mass deposition using the intensity of the inelastically scattered, characteristic tube radiation. The distribution of the Cl/Br ratios thus obtained from the µ-XRF measurements make it possible to distinguish fragments whose origin lies within the Dead Sea region from those produced in other locations. KW - Fundamental parameter quantification KW - Samples of intermediated thickness KW - Chlorine to bromine ratio KW - Scatter peak evaluation KW - Dark matrix KW - Inorganic traces KW - Archaeometry KW - Fine arts KW - Inorganic compounds KW - Trace elements KW - X-ray spectroscopy PY - 2012 DO - https://doi.org/10.1007/s00216-011-5270-2 SN - 1618-2642 SN - 1618-2650 VL - 402 IS - 4 SP - 1493 EP - 1503 PB - Springer CY - Berlin AN - OPUS4-25511 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -