TY - CONF A1 - Hahn, Oliver T1 - Paper: history, manufacture, properties N2 - The lecture traces the origins of paper, the manufacture and the spread from China to the Middle East and Europe. Though technological progress considerably affected each step of the manufacture of paper, the essence of the invention remains unchanged until today. The process of manufacturing handmade paper can be divided into a number of steps: - choosing the raw material (e.g. cellulose from wood, cotton, rags) - beating and grinding the fibres into small pieces - producing a liquid pulp of the desired texture - treating the pulp with various additives - filling the pulp suspension into a paper mould - draining the water - pressing and drying to get the actual sheet - various post-production treatments We will see how the manufacturing process is reflected in the properties of the paper and its degradation. A special attention will be paid to the instrumental analysis for identification of the paper types. Also watermark play an important role in the studies of the manuscripts. A short overview will be offered at the ends of the lecture. T2 - Summer School Manusciences 19 CY - Frejus, France DA - 10.03.2019 KW - Material science KW - Cultural heritage PY - 2019 AN - OPUS4-48140 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Bosch, S. A1 - Colini, C. A1 - Hahn, Oliver A1 - Janke, A. A1 - Shevchuk, I. ED - Friedrich, M. ED - Quenzer, J. ED - Wandrey, I. T1 - The Atri fragment revisited I: Multispectral imaging and ink identification N2 - This paper reports the outcome of an interdisciplinary team’s application of multispectral imaging techniques and material analysis to a music fragment from the first decades of the fifteenth century: Atri, Archivio Capitolare, Museo della Basilica Cattedrale, Biblioteca del Capitolo della Cattedrale, Frammento 17. This important parchment leaf has rarely been investigated since its discovery 45 years ago. Thanks to the applied techniques and methods (such as the evaluation of the data using the fingerprint model), it is now possible to discuss new evidence supporting conclusions regarding the fragment’s origin and afterlife. KW - Archaeometry KW - Cultural heritage KW - Non-destructiv testing PY - 2018 SN - 1867-9617 VL - 2018 IS - 11 SP - 141 EP - 156 PB - Universität Hamburg CY - Hamburg AN - OPUS4-45741 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Farke, M. A1 - Binetti, M. A1 - Hahn, Oliver T1 - Light damage to selected organic materials in display cases: A study of different light sources N2 - The protection of works of art and cultural assets against light-induced aging is vital when planning exhibitions. Newly developed lighting systems render the selection of suitable light sources more difficult, not least in the context of energy–economical systems. This study accordingly examines different lighting systems (fluorescent tubes, halogen lamps, low-voltage metal halide lamps, and LED lamps) in terms of the damage potential they hold for the materials concerned. The changes in color were evaluated using the CIEDE2000 color-difference formula. This study focuses on selected organic materials and shows that changes in color already occur after only a brief exposure time. The color changes induced by the fluorescent tubes were consistently more intense than those induced by the other light sources. The results obtained with the remaining lamps show that the color changes depend more on the material under investigation than on the source used. The changes determined after a relatively short exposure period (five months) vividly demonstrate that exposing sensitive materials to light for longer terms (as is the case during a permanent exhibition) is most definitely a non-viable option. KW - Light damage KW - Non-destructive testing KW - Cultural heritage KW - Preventive conservation PY - 2016 U6 - https://doi.org/10.1179/2047058414Y.0000000148 SN - 0039-3630 VL - 61 IS - Supplement 1 SP - S83 EP - S93 AN - OPUS4-39099 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CHAP A1 - Hahn, Oliver ED - Czichos, Horst T1 - Diagnostics in arts and culture N2 - Investigations of physical properties and chemical composition generate important data for answering cultural–historical questions that cannot be solved by historical and philological methods alone. In its individual materiality, each cultural asset is the result of a wide variety of influences (e.g. production, storage, restoration, preservation). Due to recent technological developments (e.g. miniaturization of structural units, enlargement of memory capacity), technical diagnostics in art and culture are becoming more and more coveted in such fields of trans-disciplinary research. KW - Cultural heritage KW - Technical diagnostics PY - 2013 SN - 978-3-642-25849-7 SN - 978-3-642-25850-3 U6 - https://doi.org/10.1007/978-3-642-25850-3_28 IS - Chapter 28 SP - 545 EP - 557 PB - Springer CY - Berlin Heidelberg AN - OPUS4-28288 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - CONF A1 - Rabin, Ira A1 - Hahn, Oliver A1 - Wolff, Timo A1 - Mantouvalou, I. A1 - Kanngießer, B. A1 - Weinberg, G. T1 - Material studies on the Dead Sea scrolls T2 - Conference "Preservation and access of monuments of culture and history: modern approaches" CY - Saint Petersburg, Russia DA - 2009-10-20 KW - Dead Sea scrolls KW - Archaeometry KW - Restoration and conservation science KW - Cultural heritage KW - Writing materials PY - 2009 SP - 122 EP - 129 AN - OPUS4-23177 LA - rus AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Hahn, Oliver T1 - Analyses of iron gall and carbon inks by means of X-ray fluorescence analysis: A non-destructive approach in the field of archaeometry and conservation science N2 - The qualitative and quantitative investigation of historical writing materials using micro-X-ray fluorescence analysis (micro-XRF) is a suitable method for obtaining information about the chemical composition of these materials. One the one hand these chemical composition fingerprints may answer some questions concerning the provenance of different materials, the chronology of their use, and give furthermore, the possibility to date unknown fragments in the lifework of an artist. On the other hand this method might be useful for the development and validation of conservation treatments. KW - XRF KW - Restoration and conservation science KW - Cultural heritage KW - Writing materials PY - 2010 U6 - https://doi.org/10.1515/rest.2010.003 SN - 0034-5806 SN - 1865-8431 VL - 31 IS - 1 SP - 41 EP - 64 PB - Saur CY - München AN - OPUS4-21183 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Mantouvalou, I. A1 - Lange, K. A1 - Wolff, Timo A1 - Grötzsch, D. A1 - Lühl, Lars A1 - Haschke, M. A1 - Hahn, Oliver A1 - Kanngießer, B. T1 - A compact 3D micro X-ray fluorescence spectrometer with X-ray tube excitation for archaeometric applications N2 - In this work, the applicability of a new 3D micro X-ray fluorescence (3D Micro-XRF) laboratory spectrometer for the investigation of historical glass objects is demonstrated. The non-destructiveness of the technique and the possibility to measure three-dimensionally resolved fluorescence renders this technique into a suitable tool for the analysis of cultural heritage objects. Although absorption and resolution effects complicate qualitative analysis of the data, layered structures can be distinguished from homogeneous samples without the need for full quantification. Different manufacturing techniques were studied in this work with the help of hand-made reference samples. With the gained knowledge it could be shown for the investigated historical glass object, that black enamel as a stained glass contour colour was used in a cold painting. The object was not fired after the application of the black enamel, but instead the adhesion of the paint was solely provided through organic binding agents and the backing with metal foils. Thus, for the manufacturing of the object, a mixture of cold painting technique with a stained glass color was used. Quantitative measurements with a 3D Micro-XRF setup at the Berlin synchrotron BESSY II confirm the assumptions drawn on the basis of the qualitative investigation with the 3D Micro-XRF spectrometer with X-ray tube excitation. KW - 3D micro XRF KW - Archaeometry KW - Non-destructive testing KW - Cultural heritage PY - 2010 U6 - https://doi.org/10.1039/b915912f SN - 0267-9477 SN - 1364-5544 VL - 25 SP - 554 EP - 561 PB - Royal Society of Chemistry CY - London AN - OPUS4-20878 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Hahn, Oliver A1 - Bretz, Simone A1 - Hagnau, Carola A1 - Ranz, Hans-Jörg A1 - Wolff, Timo T1 - Pigments, dyes, and black enamel - the colorants of reverse paintings on glass N2 - Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect, the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass. However, there is a crucial difference: in reverse paintings, the black enamel is not fired onto the glass but painted (cold painting). Additional analyses confirmed these findings. Based on these results, the art form "reverse painting on glass" has technically to be characterized as a mixture of "stained glass" and "panel painting" that nonetheless develops into a genre of its own. KW - Archaeometry KW - Cultural heritage KW - Non-destructive testing PY - 2009 U6 - https://doi.org/10.1007/s12520-009-0021-4 SN - 1866-9557 SN - 1866-9565 VL - 1 IS - 4 SP - 263 EP - 271 PB - Springer CY - Berlin ; Heidelberg AN - OPUS4-20877 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Wilke, M. A1 - Hahn, Oliver A1 - Woodland, A. B. A1 - Rickers, K. T1 - The oxidation state of iron determined by Fe K-edge XANES-application to iron gall ink in historical manuscripts N2 - Fe K-edge XANES measurements were performed to determine the oxidation state of iron in iron gall inks. These data are used to investigate the relationship between the Fe oxidation state and ink corrosion in historical manuscripts. The oxidation state is determined using the pre-edge based on a general variation trend that was derived from model compounds and validated here independently on a suite of samples with known oxidation state and Fe in octahedral coordination (i.e. similar to Fe in gall ink). As long as suitable references for the pure ferric and ferrous state of iron gall inks cannot be pointed out, the analysis of the pre-edge of the Fe K-edge represents the only way to acquire absolute values for the Fe oxidation state (Fe3+/Fetot) with spatial resolution for this usually non-crystalline compound. Fe3+/Fetot values for the ink samples vary between ca. 0.7 and 1.0. Spatially resolved analyses performed across ink strokes of various historical manuscripts as well as newly made samples did not reveal any systematic spatial dependence. On average, historical samples that were exposed to conservation treatments show a more oxidized state. However, the measurements demonstrate explicitly that the exposure to X-rays during the XANES acquisition affects the oxidation state of Fe in most iron gall inks. KW - Cultural heritage KW - Conservation science KW - Non-destructive testing KW - X-ray absorption spectroscopy PY - 2009 U6 - https://doi.org/10.1039/b904438h SN - 0267-9477 SN - 1364-5544 VL - 24 IS - - SP - 1364 EP - 1372 PB - Royal Society of Chemistry CY - London AN - OPUS4-19975 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER - TY - JOUR A1 - Beckhoff, B. A1 - Kolbe, M. A1 - Hahn, Oliver A1 - Karydas, A.G. A1 - Zarkadas, C. A1 - Sokaras, D. A1 - Mantler, M. T1 - Reference-free X-ray fluorescence analysis of an ancient Chinese ceramic N2 - The investigation of an ancient Chinese ceramic served to further develop and validate fundamental parameter-based quantitation procedures in reference-free x-ray fluorescence (XRF) analysis. The XRF measurements of this sample were performed at the four-crystal monochromator beamline of the Physikalisch-Technische Bundesanstalt (PTB) at the BESSY II synchrotron radiation facility employing different excitation energies. The parallel processing of the XRF spectra recorded at different excitation energies provides a means to simultaneously evaluate relevant fundamental parameters and secondary enhancement processes such as those induced by photoelectrons. Employing well-characterized and absolutely calibrated instrumentation, all experimental parameters involved in XRF are known for small relative uncertainties allowing for a completely reference-free quantitation. Apart from traces of rare earth elements, the analytical results of the Chinese ceramic achieved by reference-free XRF are in line with target values given within a proficiency test of the International Atomic Energy Agency (IAEA) involving atomic and nuclear methods. KW - XRF KW - Cultural heritage KW - Archaeometry PY - 2008 U6 - https://doi.org/10.1002/xrs.1073 SN - 0049-8246 VL - 37 SP - 462 EP - 465 PB - Wiley CY - Chichester AN - OPUS4-19095 LA - eng AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany ER -