TY - JOUR A1 - Ketelsen, T. A1 - Wintermann, Carsten A1 - Melzer, C. A1 - Dietz, Georg A1 - Golle, U. A1 - Hahn, Oliver A2 - Cole, M. A2 - Dogramaci, B. A2 - Lehmann, A.-S. A2 - Sölch, B. A2 - Wedekind, G. T1 - Connoisseurship and the Investigation of Materiality: Four “Rembrandt” Drawings in Weimar T2 - Zeitschrift für Kunstgeschichte N2 - The aim of this paper is to present the productive interplay of connoisseurship and material analysis when dealing with drawings by Rembrandt – or previously attributed to him – in the collection of the Klassik Stiftung Weimar. This concerns the more precise determination of the drawing materials used and the reconstruction of the genesis of the drawings discussed. The material analysis allows us to decide whether and how Rembrandt’s inks can be used to determine authorship at all. The “material turn” in drawing studies thus intervenes in the discussion about authorship and opens up a broader production aesthetic perspective. No longer the “style” but rather the handeling becomes the decisive criterion for answering the question “Rembrandt, or not?” PB - Deutscher Kunstverlag CY - Berlin/München KW - Archaeometry KW - History of Art KW - Drawings KW - Rembrandt PY - 2021 UR - https://opus4.kobv.de/opus4-bam/frontdoor/index/index/docId/54342 AN - OPUS4-54342 SN - 0044-2992 VL - 84 IS - 4 SP - 483 EP - 518 AD - Bundesanstalt fuer Materialforschung und -pruefung (BAM), Berlin, Germany