TY - GEN A1 - Menrath, Stefanie Kiwi A1 - Aktaş, Ulaş A1 - Ari, Mehtap A1 - Konyali, Ali A1 - Honnens, Johann A1 - Naqshband, Saboura A1 - Osman, Shanti Suki A1 - Stafe, Timm ED - Frey-Konrad, Ute ED - Hofbauer, Viola Cäcilia ED - Blanchard, Olivier ED - Bugiel, Lukas T1 - Bericht zum Forum "Rassismuskritische Musikpädagogik und Perspektiven ihrer institutionellen Verankerung" des Arbeitskreises Rassismuskritische Musikpädagogik T2 - 46. Jahresband des Arbeitskreises Musikpädagogische Forschung T2 - 46th Yearbook of the German Association for Research in Music Education N2 - Bericht zum Forum "Rassismuskritische Musikpädagogik und Perspektiven ihrer institutionellen Verankerung" des Arbeitskreises Rassismuskritische Musikpädagogik auf der AMPF-Tagung 2024 KW - Rassismuskritik, Musikpädagogik Y1 - 2025 SN - 978-3-8188-0071-0 U6 - https://doi.org/10.31244/9783818850715.25 SP - 343 EP - 346 PB - Waxmann CY - Münster ; New York ER - TY - GEN ED - Menrath, Stefanie Kiwi ED - Laurie, Young ED - Kiran, Kumar T1 - Imaginary archives N2 - Imaginary Archives is a collection of documents that enlist imagination as an instrument to question and rearrange archival practices. In archives, documents are identified and contextualized, while at the same time it is this very process of cataloging that constitutes documents in the first place. The collaborative box-set Imaginary Archives relates to this dynamic quality in three parts: “Letters to V,” expands the processes of handling and criteria for organizing an archive to an active participating user. Understanding the multi-sensory human body as an archive in dance spectatorship and beyond can dissolve ideologically confined categories of such practices. Archives are conventionally implicated in imperialistic forms of knowledge production, perhaps most exemplified in cartography from the time of European maritime expansion. In “Phantom Islands” the erroneous remnants of such colonial documents are used as an entry point for a critical reopening of the European imaginary. By intersecting practices of writing and dancing from the Indian Ocean rim, “Postcards from the Peacock Islands” unpacks layers of stories and histories embedded within living traditions. Here, an entanglement of epic, myth, and fiction opens up the archive to varied ways of storytelling. Interweaving the three themes of dance spectatorship, coloniality of archives, and speculative philology, each contribution of Imaginary Archives is composed of disparate materials. This content offers readers the possibility to work through these themes and materials hands-on to further investigate possibilities of the serendipitous in archival encounters. You are welcome to read “Letters to V,” “Phantom Islands,” and “Postcards from the Peacock Islands” as individual works, or to rearrange, file, order, display the pieces to uncover how these materials might collide, confuse, and cohere within the world of the imaginary archive. KW - Ethnography KW - Archive KW - Artistic research Y1 - 2022 UR - https://kverlag.com/products/imaginary-archives SN - 978-3-947858-07-1 PB - K. Verlag CY - Berlin ER - TY - CHAP A1 - Menrath, Stefanie Kiwi ED - Menrath, Stefanie Kiwi ED - Young, Laurie ED - Kumar, Kiran T1 - Phantom Islands : imaginary ethnography between art and anthropology T2 - Imaginary archives KW - Anthropology KW - Art KW - Imaginary Ethnography Y1 - 2022 SN - 978-3-947858-07-1 SP - 1 EP - 12 PB - K. Verlag CY - Berlin ER -