TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Börner, Wolfgang ED - Uhlirz, Susanne T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - International Conference on Cultural Heritage and New Technologies, Vienna, 2015 N2 - The paper describes the necessity of architectural design in the process of creating abstract geometry as representation of archaeological hypoth eses in opposition to pretended reconstructions. Methodology: How were the objectives reached? Which methods were used? Knowledge in archaeology, building or art history is generally of largely different certainty including contradictions and multivalencies, which unambiguou sly excludes true reconstructions in the sense that the reconstruction equals its origin. Instead there is a number of hypotheses that approximate the historic state. The visualisation of hypotheses with a special regard on uncertain knowledge, i. e. respecting and explicitely showing this uncertainty, is a counter position towards pretended reconstructions. Results: What are the results of the work? A number of projects e.g. in cooperation with the German Archaeological Institute DAI, the State’s Museums in Berlin SMB (e.g. the first scientific 3D model of Pergamon and the Palatine palace in Rom, both presented in the Pergamon Museum Berlin), the Museum for Islamic Art Berlin (e. g. the Sasanian metropole Ktesiphon), funded by the German Research Foundation DFG and as part of the DFG Excellence Cluster TOPOI (mainly hosted by the universities FU Berlin and HU Berlin) that successfully visually mediated the state of science and its scientific characteristics among the scientists as well as to the public. Innovations: What is new and significant about your ideas, methods, and results? The visualisation of hypotheses has a higher scientific impact incorporating uncertain knowledge as in evitable characteristic of science. One way of visually expressing different possible states in one image is the use of abstract geometry. This implies a highly qualified handling of abstract geometry (model making) and imagery architectural photography) being a creative act of design with effect on the inner-scientific and public perception of the historic topic. So qualified architectural design makes the difference. KW - Visualisation Y1 - 2016 UR - http://www.chnt.at/wp-content/uploads/eBook_CHNT20_Lengyel_Toulouse_2015.pdf SN - 978-3-200-04698-6 SP - 1 EP - 16 PB - Museen der Stadt Wien – Stadtarchäologie CY - Wien ER - TY - GEN A1 - Lengyel, Dominik T1 - Die Unschärfe in der Visualisierung von Ktesiphon T2 - Bericht über die 49. Tagung für Ausgrabungswissenschaft und Bauforschung vom 4. bis 8. Mai 2016 in Innsbruck KW - Ktesiphon Y1 - 2017 SN - 978-3-945363-75-1 SP - 173 EP - 179 PB - Koldewey Gesellschaft CY - Stuttgart ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bienert, Andreas ED - Börner, Anko ED - Emenlauer-Blömers, Eva ED - Hemsley, James T1 - Interaktive Virtual Reality zum begreifenden Verstehen eines architektonischen Prinzips T2 - EVA Berlin 2017 - Elektronische Medien & Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017 N2 - Architektonische Konzepte sind abstrakte Ideen, die während des Bauprozesses in Gebäude umgesetzt werden. Üblicherweise weichen Gebäude von ihrer ursprünglichen Konzeption ab. Das reale Erfahren gebauter Architektur ist nur möglich, solange das Gebäude noch steht. Das Nachvollziehen der ursprünglichen Fassung eines Gebäudes hängt vom Umfang der Umbauten, Renovierungen und Abnutzungen ab. Das Nachvollziehen des ursprünglichen Konzeptes hingegen bedarf der Vorstellungskraft. Diese wird unterstützt durch zusätzliche Erläuterungen aufgrund von Hypothesen aus der historischen Bauforschung oder der Archäologie. Der hier vorgestellte Ansatz verbindet das Erleben eines hypothetischen Konzeptes für eine Reihe von Kirchenbauten mit der Möglichkeit, auch nicht physischen Raum mithilfe von Virtual Reality erlebbar zu machen. Er nutzt dabei die aktuell verfügbaren Mittel der immersiven stereoskopischen Projektion mithilfe einer 3D-Brille, die abgesehen von ihrem eingeschränkten Blickfeld und der im Vergleich zum Auge geringeren Auflösung dem natürlichen Sehen nahekommt, sowie der durch spezielle Controller möglichen Interaktion mit Objekten im virtuellen Raum, die das Greifen und Verschieben simulieren. KW - Echtersche Idealkirche Y1 - 2017 SN - 978-3-88609-801-9 SP - 104 EP - 113 PB - Staatliche Museen zu Berlin - Preußischer Kulturbesitz CY - Berlin ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unschärfe am Beispiel von Ktesiphon und weiteren archäologischen Stätten T2 - DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria N2 - Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unschärfe am Beispiel von Ktesiphon und weiteren archäologischen Stätten. Das interdisziplinär angelegte, von der Deutschen Forschungsgemeinschaft (DFG) geförderte Excellence Cluster TOPOI (The Formation and Transformation of Space and Knowledge in Ancient Civilizations) beinhaltet im zweiten Fünfjahreszeitraum ein Forschungsprojekt, das eine Best Practice Methode für die Kooperation zwischen Wissenschaft und Museen anhand einer exemplarischen archäologischen Stätte erarbeiten soll. Ruinen im außermusealen Kontext, aber auch Funde im musealen Kontext sowie Ergänzungen in Form von Zeichnungen, Modellen in unterschiedlichen Maßstäben vom städtebaulichen Überblick bis zum Nachbau im Originalmaßstab, aber auch virtuelle 3D-Rekonstruktionen, prägen die Perzeption und damit das Wissen über die historischen Orte. Während TOPOI die Formation und Transformation von Raum und Wissen in der Antike behandelt, untersucht dieses Forschungsprojekt insbesondere die Perzeption und Repräsentation im Museum. KW - Visualisierung KW - Unschärfe Y1 - 2015 UR - http://gams.uni-graz.at/o:dhd2015.abstracts-gesamt PB - DHd CY - Hamburg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Capellini, Vito T1 - Architectonic Design for mediating cultural Hertitage T2 - EVA 2019 Florence : electronic imaging & the visual arts, 8-9 May 2019 N2 - At the intersection of research and visual arts we have developed a method for visualizing archaeological hypotheses that explicitly preserves the scientific content excluding any unintentional content. It consists of virtual modeling and virtual photography. Other than usual we do not consider the spatial model as the decisive core but as an integral part of the visual mediation, and its complementary counterpart, the virtual photography, as equally important. Contrasting the usual way to reconstruct architecture in a hyper-realistic way as in the movie industries, we consider our approach a unique 3D Development and Application in the Cultural Heritage Area. KW - Virtuelle Rekonstruktion, Visualisierung, Unschärfe Y1 - 2019 UR - https://www.fupress.com/catalogo/electronic-imaging-e-the-visual-arts--eva-2019-florence/3941 SN - 978-88-6453-868-6 SP - 108 EP - 115 PB - Firenze University Press CY - Firenze ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualized Hypotheses - Architectural Ideas as Intellectual Legacy T2 - Abitare le Terra - Dwelling on Earth KW - Visualisierung, Unschärfe, Virtuelle Rekonstruktion Y1 - 2018 SN - 9788849237689 SN - 9788849237573 IS - 49 = 1 von "Abitare la Terra: Quaderni" SP - 16 EP - 17 PB - Gangemi Editore S.p.A. CY - Rom ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Ciambrone, Alessandro T1 - Visualized Hypotheses - Architectural Ideas as Intellectual T2 - Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum KW - Visualisierung, Unschärfe, Virtuelle Rekonstruktion Y1 - 2019 SN - 978-88-492-3751-1 SP - 98 EP - 98 PB - Gangemi Editore S.p.A. CY - Rom ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Graphic Instruments for Visualizing Hypotheses T2 - Technoheritage 2019, IV International Congress, Book of Abstracts N2 - Within the last decade we have developed a new digital graphic instrument for knowledge mediation and knowledge development of archaeological hypotheses concerning architectural topoi. The key feature of archaeological hypotheses is the varying degree of certainty ranging from undoubtful findings over most probably deductions to vague yet scientifically based assumptions. Mediations, towards the scientific community, as well as towards the public is usually based on scientific, written text accompanied by imagery that – on its turn – tends to be perceived even preferentially. KW - Virtual Reconstruction, Graphic Instruments, Visualizing Hypotheses Y1 - 2019 SN - 978-84-09-08757-0 SP - 79 EP - 79 CY - Seville ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Horvatinćič, Sanja T1 - Visualising Hypotheses as the Method Used to Approach Achaeological Research Questions T2 - International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb KW - Visualising Hypotheses, Achaeological Research Y1 - 2019 UR - https://www.art-net-hrzz.org/abstracs SN - 978-953-7875-68-8 SP - 16 EP - 16 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Rodrigues, Nuno Faleiro T1 - Europe’s Architectural Identity. A visualisation method of ideas T2 - Notes on Europe. The dogmatic sleep KW - visualisation method, Visualising Hypotheses Y1 - 2019 UR - https://ceaa-europa.weebly.com/program.html SN - 978-972-8784-88-1 SP - 28 EP - 28 PB - Peninsular Papelaria & Atres Gráficas CY - Porto ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Artificial Imagination Induced by Visualised Hypotheses in Archaeology T2 - Proceedings of EVA London 2020 (EVA 2020) : 6th July – 9th July 2020 N2 - This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universität and Humboldt-Universität Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum Würzburg (visualising Archbishop Julius von Echter’s ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry. Y1 - 2020 UR - https://www.scienceopen.com/document?vid=f58b1e7f-ae83-4a75-ade1-765aac223cb0 U6 - https://doi.org/10.14236/ewic/EVA2020.8 SP - 50 EP - 57 PB - British Computer Society CY - London ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Obradović, Marija T1 - The building phases of Cologne Cathedral and its predecessors (with a special on inner choir 1856) T2 - Dimensions reflected 2020 N2 - The two films show the current research results on the building phases of Cologne Cathedrals and its predecessors. From a water basin in a Roman garden, several churches have been built for about two thousand years, until the Gothic choir was started in mid-13th century. Completed at the end of the 19th century, the cathedral was given a new access structure ten years ago, which serves as an entrance to the tower ascent as well as to the archaeological zone, and in which the film about the construction phases is since exhibited. It was only in the middle of the 19th century that the wall that had closed off the Gothic choir to the west since the 14th century was removed. From this period numerous images of the interior have been preserved, but none of them show the central interior. The 150th anniversary of the cathedral chorus provided the opportunity to recapture this. Both visualizations translate scientific hypotheses. They have only been supplemented in those places where it was necessary to complete the architectural impression. As a result, the buildings appear abstract and only in the imaginative power of the observer do they become architecture again. Y1 - 2020 UR - https://grafar.grf.bg.ac.rs/handle/123456789/2205 SN - 978-86-6060-049-5 SP - 21 EP - 21 PB - Faculty of Mechanical Engineering, University of Belgrade CY - Belgrad ER -