TY - CHAP A1 - Klimczak, Peter A1 - Petersen, Christer ED - Klimczak, Peter ED - Petersen, Christer T1 - Der Papst und die Medien: Zur Entstehung der Anthologie T2 - Popestar. Der Papst und die Medien KW - Papst KW - Medien Y1 - 2017 SN - 978-3-86599-254-3 SP - 9 EP - 13 PB - Kadmos CY - Berlin ER - TY - CHAP A1 - Klimczak, Peter ED - Klimczak, Peter ED - Petersen, Christer T1 - »Zu dumm, um beleidigend zu sein?« Die Skandalserie Popetown T2 - Popestar. Der Papst und die Medien KW - Papst KW - Medien Y1 - 2017 SN - 978-3-86599-254-3 SP - 223 EP - 236 PB - Kadmos CY - Berlin ER - TY - CHAP A1 - Klimczak, Peter A1 - Wirsching, Günther A1 - Wolff, Matthias ED - Klimczak, Peter ED - Petersen, Christer T1 - Kondome verschlimmern nur das Problem: Eine formale Semantik-Analyse T2 - Popestar. Der Papst und die Medien KW - Papst KW - Medien Y1 - 2017 SN - 978-3-86599-254-3 SP - 295 EP - 312 PB - Kadmos CY - Berlin ER - TY - CHAP A1 - Klimczak, Peter ED - Klimczak, Peter ED - Zoglauer, Thomas T1 - Logik in den Kulturwissenschaften - Spielräume der Gender Studies T2 - Logik in den Wissenschaften KW - Logik KW - formale Logik KW - Wissenschaftstheorie KW - Methodologie KW - Methoden KW - Tool KW - Heuristik Y1 - 2017 SN - 978-3-95743-108-0 SP - 199 EP - 223 PB - Mentis Verlag CY - Münster ER - TY - VIDEO A1 - Klimczak, Peter A1 - Wirsching, Günther A1 - Wolff, Matthias ED - Barbato, Mariano ED - Löffler, Johannes T1 - Condoms Just Make the Problem Worse: A Formal Semantic Analysis of the AIDS-Discourse Surrounding Pope Benedict N2 - “[…] the scourge [of AIDS] cannot be overcome by the distribution of condoms: on the contrary, they increase it.” The statement above by Pope Benedict XVI, at the beginning of his visit to Africa in March 2009, provoked a strong media reaction. It shall be at the centre of our project to apply a technical method for the analysis of dialogue semantics of spoken utterances, already proven in electronic speech signal processing, to communication between the pope and the press. In doing so, the meaning of an utterance beyond the utterance itself is to be found and affixed to subjective relations to reality, which we call “semantic anchors”. The application of such a method stands to reason in the case of cognitive machines whose 'subjective' realities are fully represented in memory contents; an application to the communication between pope and media appears at first glance less obvious, because it is initially not clear to what extent the media can at all be regarded as a “person” with independent cognitive structures. However, we will show in the following that formal methods can be used successfully even in this context, once the appropriate semantic anchors have been established. In doing so, we can also show that the subjective meanings of the pope's statement cited above are, due to the pope’s and press’s completely different discursive realities and the worlds of thought underlying the utterances, incompatible and thus cannot be squared with each other. KW - media KW - Pope KW - modal logic KW - radical behaviorism KW - cognitive systems Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?rtmp://live.uni-muenster.de/ImperiaVideo/_definst_/imperiavideo/religion_und_moderne/30_popes_on_the_rise___klimczak_wirsching_wolff_.mp4 UR - https://www.uni-muenster.de/Religion-und-Moderne/aktuelles/forschung/videos.html PB - Centrum für Religion und Moderne, Universität Münster CY - Münster ER - TY - GEN ED - May, Reinhard ED - Schulz, Annette K. ED - Steinborn, Anke T1 - PANTA RHEI. Wie’s fließt, bestimme ich N2 - In welcher Weise nähert man sich einem so liebenswert Schauendem wie spitzbübig Lächelndem, einem Maître, dessen OEuvre zumeist ein Schmunzeln, oft ein Grinsen oder Lächeln, jedoch ab und an auch ein im Halse stecken bleibendes Lachen hervorruft? Geht der/die Lesende, der/die (Film) Zuschauende fehl, seinem offenen, wissenden Blick zu vertrauen? Sind wir uneins, ob seines großen Verständnisses der sogenannten »Norm menschlichen Verhaltens«, die an den Schwellen zuweilen anstehender Identitäts- wie Rückversicherungsstrategien immer wieder neu beantwortet werden sollte. Kann man diesen massenhaften Suchvorgängen wohl mit seinem Schalk folgen bzw. mit seinen humorvollen wie ironischen Seitenhieben auf »seine« Niederländer frönen? KW - Film KW - Niederlande KW - Filmwissenschaft KW - Kulturwissenschaft KW - retrospektive Bert Haanstra Y1 - 2018 SN - 978-3-8305-3826-4 PB - Berliner Wissenschafts-Verlag CY - Berlin ER - TY - CHAP A1 - Steinborn, Anke ED - May, Reinhard ED - Schulz, Annette K. ED - Steinborn, Anke T1 - PANTA RHEI - Alles fließt. Zur Ästhetik des ewigen Flusses T2 - PANTA RHEI. Wie’s fließt, bestimme ich KW - Film KW - Niederlande KW - Filmwissenschaft KW - Kulturwissenschaft KW - retrospektive Bert Haanstra Y1 - 2018 SN - 978-3-8305-3826-4 N1 - referierter Beitrag SP - 123 EP - 146 PB - Berliner Wissenschafts-Verlag CY - Berlin ER - TY - GEN A1 - Newiak, Denis T1 - Future Cities of Loneliness: Dysfunctional Urbanities on Filmic Mars T2 - Journal of Language and Communication N2 - This article discusses cinematic Mars fictions with a hermeneutic approach in their relation to the real-world urban challenges encrypted in these art works. Science fiction movies have long created a collective consciousness of specific imaginations of how city life might look and sound like in the future, condensing our real life beyond the cinematic world, our wishes, hopes and fears into works of art. However, almost all ‘earthly’ sceneries are burdened with connotations. That is why so many filmic future narratives are located in the blank vastness of foreign worlds and their temporarily inexhaustible freedom for speculation – in particular on Mars. Against the historic background of the development of Mars fiction as a movie genre, this paper distinguishes three phases of Mars cinema movies and examines the forms and ideas of urbanity thoses films create, the societal and urban issues that are preferred by those cinematic scenarios, and how these filmic future ‘cities’ can be understood as critical comments on current and forthcoming questions of urbanity. Starting from Nietzsche’s thought of post-moral mankind as a ‘lonely’ species, it demonstrates, on the basis of selected examples, such as the film Total Recall (1990), how Mars science fiction movies deal with dysfunctional communities and the resulting loneliness of the urban human of the future. That makes filmic Mars cities aesthetic projections of ‘earthly’ sociopolitical challenges of urbanization that have been dynamicly changing in the course of history since the beginning of 20th century. KW - Science Fiction KW - Film KW - Mars KW - Loneliness Y1 - 2018 UR - http://www.fcsh.unl.pt/rcl/index.php/rcl/article/view/14 SN - 2183-7198 VL - 48 SP - 208 EP - 221 ER - TY - CHAP A1 - Newiak, Denis ED - Lessenich, Stephan T1 - Aktuelle filmtheoretische Methoden zu Kinematographien der Vergemeinschaftung im Zeitalter der Einsamkeit T2 - Geschlossene Gesellschaften, Verhandlungen des 38. Kongresses der Deutschen Gesellschaft für Soziologie in Bamberg 2016 N2 - Der Vortrag gibt einen Überblick über Fragestellung und Vorüberlegungen zu einem an der BTU Cottbus-Senftenberg angesiedelten Dissertationsvorhaben zur diskursanalytischen Untersuchung und Systematisierung zeitgenössischer Filmtheorien in Hinblick auf die von ihnen entwickelten Gemeinschaftskonzeptionen. Dabei wird davon ausgegangen, dass die „Frage der Gemeinschaft“ – etwa nach jenen Gemeinschaften der Rezeption, der Produktion und insbesondere der Gemeinschaft von filmischer und nicht-filmischer Erfahrung – zuletzt zu einem Hauptanliegen der Filmtheorie geworden ist. Zugleich lässt sich die Filmgeschichte als eine Geschichte von Inszenierungen und Narrationen ständiger Ent- und Vergemeinschaftungen erzählen. Lässt sich eine Methodologie der Gemeinschaftskonzeptionen solcher „Filmtheorien der Interdependenz“ entwickeln? Und wenn ja, lässt sie sich in Bezug auf kinematographische Einsamkeitsbilder und -erzählungen befragen? Enthalten jene Antworten auch implizite Aussagen über die Beschaffenheit der filmhervorbringenden ‚sozialen Realität‘? KW - Gemeinschaft KW - Einsamkeit KW - Vergemeinschaftung KW - Vereinsamung KW - Filmsoziologie KW - Diskurs KW - Genre KW - Kult KW - Auteur KW - Interdependenztheorie KW - Filmanalyse KW - Kino KW - Populär Y1 - 2017 UR - http://publikationen.soziologie.de/index.php/kongressband_2016/article/view/544 PB - DGS, Deutsche Gesellschaft für Soziologie CY - Bamberg ER - TY - CHAP A1 - Newiak, Denis ED - Hangartner, Selina T1 - Der Mars als Leinwand – Filmische Zukunftsszenarien vor roter Kulisse T2 - Zukunft KW - Zukunft KW - Filmgeschichte KW - ästhetische, filmgeschichtliche, genretypische, genderspezifische und technologische Kategorien Y1 - 2018 UR - https://www.schueren-verlag.de/programm/titel/568-zukunft.html SN - 978-3-89472-614-0 SP - 137 EP - 151 PB - Schüren CY - Marburg ER - TY - GEN A1 - Nowack, Kati T1 - Unfinished sympathies: Influence of individual temporal orientation on music preferences T2 - Psychology of Music N2 - Temporal aspects have been studied extensively within the context of music perception but insufficiently within the context of music preference. In this online questionnaire study, I investigated the impact of chronotype (morningness, eveningness) and time perspective (present, future) on music preferences. Participants (n = 258) completed the Short Test of Music Preferences for 26 music genres, the Zimbardo Time Perspective Inventory and the Munich Chronotype Questionnaire. Principal component analysis replicated a six-component structure of music preference. Whilst preference scores were highest for intense music for all participants, I found significant effects of chronotype and time perspective on music preferences. In particular, present-oriented evening types and future-oriented morning types differed in their preferences for various music genres. Consistent with a matching hypothesis, present-oriented evening types (fast life histories) showed greater preferences for contemporary (i.e., high rhythmic complexity), sophisticated (i.e., high complexity) and electronic music (i.e., fast tempo) compared to future-oriented morning types (slow life histories; greater difficulties with temporal irregularities). Consistent with a self-regulation hypothesis, present-oriented evening types showed greater preferences than future-oriented morning types for campestral music (i.e., slow tempo and low complexity). KW - Musical taste KW - Genre KW - Time perspective KW - Chronotype KW - Morningness/eveningness KW - Time duration KW - time succession Y1 - 2019 UR - http://journals.sagepub.com/doi/full/10.1177/0305735618775200 U6 - https://doi.org/10.1177/0305735618775200 SN - 1741-3087 VL - 47 IS - 5 SP - 736 EP - 746 ER - TY - GEN A1 - Huber, Markus A1 - Wolff, Matthias A1 - Meyer, Werner A1 - Jokisch, Oliver A1 - Nowack, Kati T1 - Some Design Aspects of a Cognitive User Interface T2 - Online Journal of Applied Knowledge Management N2 - We report on research conducted as part of the Universal Cognitive User Interface (UCUI) project, which aims at developing a universal, autarkic module for intuitive interaction with technical devices. First, we present an empirical study of image schemas as basic building blocks of human knowledge. Image schemas have been studied extensively in cognitive linguistics, but insufficiently in the context of human-computer-interaction (HCI). Some image schemas are developed early at pre-verbal stages (e.g., up-down) and may, thus, exert greater influence on human knowledge than later developed image schemas (e.g., centre-periphery). To investigate this for HCI contexts, we applied a speech interaction task using a Wizard of Oz paradigm. Our results show that users apply early image schemas more frequently than late image schemas. They should, therefore, be given preference in interface designs. In the second part of this contribution we therefore focus on the appropriate representation and processing of semantics. We introduce novel theoretical work including feature-values-relations and Petri net transducers, and discuss their impact on behaviour control of cognitive systems. In addition, we illustrate some details of the implementation regarding learning strategies and the graphical user interface. N2 - ucuikt2015 KW - Cognitive system KW - intuitive interaction KW - image schema theory KW - feature-valuesrelation KW - Petri net transducer and behaviour control Y1 - 2018 UR - http://www.iiakm.org/ojakm/articles/2018/volume6_1.php SN - 2325-4688 N1 - Best Research Paper Award VL - 6 IS - 1 SP - 15 EP - 29 ER -