TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Graphic Instruments for Visualizing Hypotheses T2 - Technoheritage 2019, IV International Congress, Book of Abstracts N2 - Within the last decade we have developed a new digital graphic instrument for knowledge mediation and knowledge development of archaeological hypotheses concerning architectural topoi. The key feature of archaeological hypotheses is the varying degree of certainty ranging from undoubtful findings over most probably deductions to vague yet scientifically based assumptions. Mediations, towards the scientific community, as well as towards the public is usually based on scientific, written text accompanied by imagery that – on its turn – tends to be perceived even preferentially. KW - Virtual Reconstruction, Graphic Instruments, Visualizing Hypotheses Y1 - 2019 SN - 978-84-09-08757-0 SP - 79 EP - 79 CY - Seville ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualisierungen - Lengyel Toulouse N2 - Es handelt sich um digitale Rekonstruktionen antiker Bauten anhand archäologischer Hypothesen. Die Sammlung enthält virtuelle Modelle und virtuelle Fotografien folgender Serien: Pergamon, Palatin, Ktesiphon, Kölner Dom, Bauphasen Kölner Dom, Lüneburger Platz am Sande, Naga, Julius Echter. KW - Virtuelle Rekonstruktion Y1 - 2015 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Kuroczynski, Piotr ED - Bell, Peter ED - Dieckmann, Lisa T1 - Visualisierung von Hypothesen – Zur Gestaltung von Abstraktion bei der Darstellung unscharfen Wissens in Archäologie, Bauforschung und Kunstgeschichte T2 - Computing art reader : Einführung in die digitale Kunstgeschichte N2 - Die Darstellung von Unschärfe ist eine von den Autoren entwickelte Methode zur visuellen Repräsentation räumlicher Hypothesen. Unscharfes Wissen ist ein wesentlicher Bestandteil von Wissenschaft. Stellt man die Wissenschaftlichkeit bei der Visualisierung einer Hypothese in den Vordergrund, bietet es sich an, das Hypothetische selbst zum Gegenstand der Visualisierung zu machen. Damit entsteht ein Bild von Architektur - das Bild eines architektonischen Gedankens -, aber keine Simulation einer fiktiven Wirklichkeit. Indem die unscharfe Darstellung beim Betrachter eine räumliche Vorstellung erzeugt, die so weit wie möglich der wissenschaftlichen Hypothese entspricht, zugleich jedoch deren hypothetischen Charakter offenlegt, verfolgt sie das Ziel, dem Betrachter durch die Reflexion des gesamten Wahrnehmungsprozesses Wissen über Archäologie im Speziellen, aber auch Wissenschaftlichkeit im Allgemeinen zu vermitteln. Über die London Charter hinaus geht es bei der hier vorgestellten Methode um die Notwendigkeit gestalterischer Kompetenz. Die Begriffspaare Gestaltung und Wissenschaft und Darstellung und Unschärfe beschreiben den Anspruch, unterschiedliche künstlerische und wissenschaftliche Bereiche aus der Architektur und Archäologie mit dem Ziel der Erkenntnisförderung zusammenzuführen. Dieser Beitrag will zeigen, dass Gestaltung einen wesentlichen Anteil bei der Erzeugung neuer visueller Artefakte haben sollte. Die Autoren haben zahlreiche Projekte mit Archäologen, historischen Bauforschern und Kunstwissenschaftlern durchgeführt, anhand derer sie die Methoden der Darstellung von Unschärfe entwickelt haben. KW - Architektur, Archäologie, Kunstgeschichte, Wissen, Unschärfe, Gestaltung, Visualisierung, Abstraktion, Fotografie, Modell, Virtuelle Realität, Raum, Visuelle Sprache Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bsz:•16-ahn-artbook-413-0 UR - https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwjKq4qq6NflAhVC16QKHSpqB7gQFjACegQIAhAC&url=http%3A%2F%2Fbooks.ub.uni-heidelberg.de%2Farthistoricum%2Freader%2Fdownload%2F413%2F413-16-83460-2-10-20181210.pdf&usg=AOvVaw3tGUL6_n0WSgbknUtoozr5 SN - 978-3-947449-15-6 PB - arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Horvatinćič, Sanja T1 - Visualising Hypotheses as the Method Used to Approach Achaeological Research Questions T2 - International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb KW - Visualising Hypotheses, Achaeological Research Y1 - 2019 UR - https://www.art-net-hrzz.org/abstracs SN - 978-953-7875-68-8 SP - 16 EP - 16 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Rodrigues, Nuno Faleiro T1 - Europe’s Architectural Identity. A visualisation method of ideas T2 - Notes on Europe. The dogmatic sleep KW - visualisation method, Visualising Hypotheses Y1 - 2019 UR - https://ceaa-europa.weebly.com/program.html SN - 978-972-8784-88-1 SP - 28 EP - 28 PB - Peninsular Papelaria & Atres Gráficas CY - Porto ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Artificial Imagination Induced by Visualised Hypotheses in Archaeology T2 - Proceedings of EVA London 2020 (EVA 2020) : 6th July – 9th July 2020 N2 - This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universität and Humboldt-Universität Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum Würzburg (visualising Archbishop Julius von Echter’s ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry. Y1 - 2020 UR - https://www.scienceopen.com/document?vid=f58b1e7f-ae83-4a75-ade1-765aac223cb0 U6 - https://doi.org/10.14236/ewic/EVA2020.8 SP - 50 EP - 57 PB - British Computer Society CY - London ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Obradović, Marija T1 - The building phases of Cologne Cathedral and its predecessors (with a special on inner choir 1856) T2 - Dimensions reflected 2020 N2 - The two films show the current research results on the building phases of Cologne Cathedrals and its predecessors. From a water basin in a Roman garden, several churches have been built for about two thousand years, until the Gothic choir was started in mid-13th century. Completed at the end of the 19th century, the cathedral was given a new access structure ten years ago, which serves as an entrance to the tower ascent as well as to the archaeological zone, and in which the film about the construction phases is since exhibited. It was only in the middle of the 19th century that the wall that had closed off the Gothic choir to the west since the 14th century was removed. From this period numerous images of the interior have been preserved, but none of them show the central interior. The 150th anniversary of the cathedral chorus provided the opportunity to recapture this. Both visualizations translate scientific hypotheses. They have only been supplemented in those places where it was necessary to complete the architectural impression. As a result, the buildings appear abstract and only in the imaginative power of the observer do they become architecture again. Y1 - 2020 UR - https://grafar.grf.bg.ac.rs/handle/123456789/2205 SN - 978-86-6060-049-5 SP - 21 EP - 21 PB - Faculty of Mechanical Engineering, University of Belgrade CY - Belgrad ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Levaj, Katarina Horvat T1 - From archaelogy to a visual architectural terminology T2 - OTKRIVANJE DALMACIJE V Y1 - 2019 SN - 978-953-7875-65-7 SP - 59 EP - 60 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Heinrich, Florian T1 - Architecture Transformed - Architectural Processes in the Digital Image Space T2 - International Journal for Digital Art History N2 - The production and conception of architecture are not only shaped by the technical-constructive aspect but also by their visual representation. Since the 1980s, with the advent of digital technologies for the design and visual representation of architecture (computer-aided design), far-reaching changes have occurred, resulting in fundamentally new possibilities for linking technical design and visual reproduction (computer rendering to virtual photography). This cooperative project undertakes an investigation of these essentially process-related relationships outlined here in design and visualization during the transition phase from analogue to digital planning and display format methods from 1980 to the present. In exemplary studies on the use and application of the new tools and their visual products (images), the aim is to determine how the ‘digital image’ has changed the concept and production of architecture from the perspective of art history and media criticism on the one hand, and the production aesthetic point of view of architectural and architectural image production on the other. KW - architecture KW - Computer-Aided-Design (CAD) KW - interdisciplinary collaboration KW - digital image KW - visualization Y1 - 2021 UR - https://journals.ub.uni-heidelberg.de/index.php/dah/article/view/83928 U6 - https://doi.org/10.11588/dah.2021.E1.83928 SN - 2363-5398 IS - E1 2021 SP - 66 EP - 81 ER - TY - CHAP A1 - Laufer, Eric A1 - Lengyel, Dominik A1 - Pirson, Felix A1 - Stappmanns, Verena A1 - Toulouse, Catherine ED - Scholl, Andreas ED - Schwarzmaier, Agnes T1 - Die Wiederentstehung Pergamons als virtuelles Stadtmodell T2 - Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin Y1 - 2018 SN - 978-3-7319-0793-0 SP - 36 EP - 41 PB - Michael Imhof Verlag CY - Berlin ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Muga, Henrique ED - Silva, M. F. Costa ED - Sousa, Isolino T1 - Narratives by poetic architecture on analytic humanities T2 - On Cinema 2022 Y1 - 2022 UR - http://hdl.handle.net/10400.26/41498 SN - 978-972-8784-97-3 PB - Busilis da Comunicacao, Lda CY - Porto, Portugal ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Sekelj, Sanja T1 - Uncertainty in the hypothesis on an unrealized planning of the Berne Minster T2 - Digital Art History – Methods, Practices, Epistemologies : Book Of Abstracts & Conference Programme Y1 - 2021 UR - https://urn.nsk.hr/urn:nbn:hr:254:252820 SN - 978-953-7875-93-0 SP - 58 EP - 62 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The amphitheatre of Dyrrachium T2 - ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti Y1 - 2022 UR - https://www.researchgate.net/publication/363640205_ARCHITECTURE_HERITAGE_and_DESIGN_Mercanti_Vie_Le_dei SN - 978-88-492-4529-5 SP - 538 EP - 542 PB - Gangemi Editore spa CY - Rom, Italien ER - TY - BOOK A1 - Lengyel, Dominik A1 - Locher, Hubert A1 - Henrich, Florian A1 - Toulouse, Catherine T1 - Architecture Transformed - The Digital Image in Architecture 1980–2020 N2 - Das digitale Bild in der Architektur Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur über vier Jahrzehnte – im Prozess der Digitalisierung von Wissen in Theorie und Praxis – sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung über die Fotomontage bis zum Computerrendering, um die medienspezifische Prägung der Architektur durch digitale Methoden zu verdeutlichen. Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums für Kunstgeschichte – Bildarchiv Foto Marburg mit dem Lehrstuhl für Architektur und Visualisierung der Brandenburgischen Technischen Universität Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild“. KW - Architektur KW - Architekturgeschichte KW - Bildwissenschaft KW - Visualisierung KW - Entwurf KW - Architekturfotografie KW - Renderings KW - Computer-Aided Design Y1 - 2024 UR - https://birkhauser.com/de/books/9783035628777 SN - 978-3-0356-2448-9 PB - Birkhäuser Verlag GmbH CY - Basel ET - 1. Auflage ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - A Political Narrative in the Relationship between Artwork and Recipient T2 - Izkustvovedski Četenija = Art Readings N2 - Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory. KW - Visualisation KW - Architecture KW - Design KW - Abstraction KW - Knowledge KW - Uncertainty KW - 3D Y1 - 2024 UR - https://www.ceeol.com/search/journal-detail?id=308 SN - 1313-2342 VL - 2023 IS - 1 SP - 71 EP - 86 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture T2 - Monumental Computations: digital archaeology of large urban and underground infrastructures Y1 - 2021 SN - 978-3-948465-98-8 U6 - https://doi.org/10.11588/propylaeum.747.c11848 SP - 555 EP - 559 PB - Propylaeum CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Architectonic Design for Technological Devices T2 - Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија Y1 - 2022 SN - 978-86-80245-45-4 U6 - https://doi.org/10.18485/smartart.2022.2.ch15 SP - 277 EP - 294 PB - Faculty of Philology, University of Belgrade CY - Belgrad ER - TY - GEN A1 - Glaser, Manuela A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schwan, Stephan T1 - How Do We Deal with Uncertain Information? Effects of Verbal and Visual Expressions of Uncertainty on Learning T2 - Educational Psychology Review N2 - AbstractBased on the knowledge generation model for visual analytics including uncertainty propagation and human trust building (Sacha et al. 2016), the cognitive theory of multimedia learning (Mayer, 2014), the multimedia principle (Butcher, 2014), and previous studies on the effects of different uncertainty visualization styles, an integrated theoretical approach is proposed to examine the influence of different degrees of information uncertainty and different uncertainty visualization styles on processing pictures of two archeological reconstructions with accompanying audio explanations presented in a multimedia learning environment. A 4 × 3 design with condition (without uncertainty visualization vs. stop light colors vs. geometric contrast vs. both uncertainty visualizations) as the between-subjects factor and uncertainty value (uncertain vs. medium vs. certain) as the within-subject factor was used. The results showed that appearance of certain content, its uncertainty values, and their verbal scientific justifications were remembered better than uncertain ones. Furthermore, stop light colors enhanced the memory of uncertainty values compared to no uncertainty visualization and were better understood, discriminated, and transferred than geometric contrast. Geometric contrast decreased the memory of the appearance of uncertain architectural elements compared to no uncertainty visualization and was better than stop light colors regarding the memory of the appearance of certain architectural elements. The study integrates and extends existing theories by showing that certain contents are processed with higher priority than uncertain contents and that the multimedia effect is also valid for metainformation such as the uncertainties of contents. Finally, recommendations for designing learning material including uncertainty visualizations are given. Y1 - 2022 U6 - https://doi.org/10.1007/s10648-022-09659-4 SN - 1040-726X VL - 34 IS - 2 SP - 1097 EP - 1131 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Zur Visualisierung archäologischer Hypothesen T2 - Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert Y1 - 2021 SN - 9783110538915 U6 - https://doi.org/10.1515/9783110538915-029 SP - 605 EP - 615 PB - De Gruyter CY - Berlin ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - How to communicate complex spatial Itineraries: a balancing act between diagram and simulation T2 - Electronic Workshops in Computing N2 - This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durrës, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view. Y1 - 2022 U6 - https://doi.org/10.14236/ewic/EVA2022.17 SN - 1477-9358 SP - 75 EP - 80 PB - BCS Learning & Development ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - On the Visualisation of Archaeological Hypotheses T2 - Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities Y1 - 2021 SN - 9783110538915 U6 - https://doi.org/10.1515/9783110538915-030 SP - 616 EP - 648 PB - De Gruyter ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Faleiro Rodrigues, Nuno Ricardo T1 - Europe's Architectural Identity – a visualisation method of ideas T2 - Notes on Europe : the dogmatic sleep N2 - Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe’s architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe’s history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today’s needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin). KW - Architecture, Design, Visualisation, Uncertainty, Knowledge Y1 - 2020 UR - http://hdl.handle.net/10400.26/31889 SN - 978-972-8784-96-6 U6 - https://doi.org/10.48618/CEAA-2020-CZD5-ZY27 SP - 126 EP - 137 PB - CEAA/ESAP-CESAP CY - Porto ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Lehre der digitalen Visualisierung am Beispiel der Architektur T2 - DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als fächerübergreifendes Forschungsparadigma : Konferenzabstracts : Universität Leipzig 7. bis 12. März 2016 Y1 - 2016 SN - 978-3-941379-05-3 SP - 183 EP - 186 PB - nisaba verlag CY - Duisburg ER - TY - GEN A1 - Glaser, Manuela A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schwan, Stephan T1 - Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention T2 - Eurographics Workshop on Intelligent Cinematography and Editing N2 - Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients. Y1 - 2015 SN - 978-3-905674-79-8 U6 - https://doi.org/10.2312/wiced.20151070 SN - 2411-9733 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualisierung und Abstraktion T2 - Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung Y1 - 2023 SN - 978-3-447-12135-4 U6 - https://doi.org/10.34780/diey-y643 SP - 221 EP - 226 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Nicolai, Bernd ED - Schweizer, Jürg T1 - Zum Erscheinungsbild der Visualisierungen des Berner Münsters T2 - Das Berner Münster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528) Y1 - 2019 SN - 978-3-7954-3428-1 SP - 218 EP - 230 PB - Schnell & Steiner CY - Regensburg ET - 1. Auflage ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The Enhancement of the Spatial Impression Through Simulated Natural Movement T2 - EVA 2022 Florence 6 June 2022 Y1 - 2022 UR - https://www.torrossa.com/de/resources/an/5248529# SN - 978-88-596-2269-7 SP - 53 EP - 58 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Experiencing Architectonic Design Processes Through Interactive Virtual Reality Applications T2 - EVA 2021 Florence 14 June 2021 Y1 - 2021 UR - https://www.torrossa.com/de/resources/an/4899363 SN - 978-88-596-2159-1 SP - 110 EP - 117 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Landscapes in visualisations of architectonic hypotheses T2 - Abitare la Terra : una rivista per una nuova alleanza tra l'uomo e l'ambiente Y1 - 2022 SN - 1592-8608 IS - 59 SP - 6 EP - 8 PB - Gangemi CY - Roma ER - TY - CHAP A1 - Locher, Hubert A1 - Lengyel, Dominik A1 - Heinrich, Florian A1 - Toulouse, Catherine ED - Florian, Heinrich ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Architecture Transformed. Der Anteil des digitalen Bildes T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109215-0 UR - https://epub.ub.uni-muenchen.de/109215/ SN - 978-3-99165-386-8 SP - 4 EP - 23 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Seminararbeiten – zum Produktionsprozess des digitalen Bildes T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109216-6 UR - https://epub.ub.uni-muenchen.de/109216/ SN - 978-3-99165-386-8 SP - 24 EP - 25 PB - Open Publishing LMU CY - Müchen / Wien ER - TY - CHAP A1 - Heinrich, Florian A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Florian, Heinrich ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Bildessay – das digitale Bild in der Architektur 1980–2020 T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109217-1 UR - https://epub.ub.uni-muenchen.de/109217/ SN - 978-3-99165-386-8 SP - 26 EP - 27 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Digital Natives – Plädoyer für eine strukturierte Lehre der Visualisierung in der Architektur T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109219-6 UR - https://epub.ub.uni-muenchen.de/109219/ SN - 978-3-99165-386-8 SP - 55 EP - 73 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Locher, Hubert A1 - Lengyel, Dominik A1 - Heinrich, Florian A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Architecture Transformed - zehn Thesen zum digitalen Architekturbild T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109221-2 UR - https://epub.ub.uni-muenchen.de/109221/ SN - 978-3-99152-386-8 SP - 93 EP - 98 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - An architect's view on antique vases and their painting T2 - Myths, Gods & Heroes | Greek Vases in Portugal Y1 - 2022 SN - 978-989-8183-25-5 SP - 292 EP - 305 PB - Museu Convento dos Lóios CY - Santa Maria da Feira ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualising Alvarelhos T2 - O Castro de Alvarelhos. Projecto CAESAR de Alvarelhos (Trofa) Estudo Cientifico do Registo Arqueológico Y1 - 2023 SN - 978-989-53285-1-2 SP - 74 EP - 76 PB - Câmara Municipal CY - Trofa ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Gestaltete Abstraktion als Vermittlung glaubwürdiger Authentizität T2 - EVA Berlin 2019 : elektronische Medien&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Y1 - 2019 SN - 978-3-948466-21-3 U6 - https://doi.org/10.11588/arthistoricum.645 SP - 152 EP - 154 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bienert, Andreas T1 - Multisensorische Vermittlung unterstützt durch digitale 3D-Technologien T2 - EVA Berlin 2018 : elektronische Medien & Kunst, Kultur und Historie : Konferenzband : 25. Berliner Veranstaltung der internationalen EVA-Serie, 7.-9. November 2018, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Y1 - 2018 SN - 978-3-88609-817-0 SP - 188 EP - 189 PB - Staatliche Museen zu Berlin - Preußischer Kulturbesitz CY - Berlin ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The new physical model about the ancient city of Pergamon for the Pergamon Museum Berlin T2 - Abitare la Terra Quaderni 10 - Supplemento alla Rivista di geoarchitettura Y1 - 2024 UR - https://gangemi.com/prodotto/abitare-la-terra-quaderni-10/?srsltid=AfmBOoqPuB4lOu3I68ZtZRWo8iQ9alwOt31MmpT44HWT8V_ekjOQFZ73 SN - 9788849251371 SP - 30 EP - 32 PB - Gangemi Editore S.p.A. CY - Rom (Italien) ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Shobeiri, Ali ED - Westgeest, Helen T1 - Virtual photography as a visual method of communicating scientific hypotheses about architecture T2 - Virtual Photography - Artificial Intelligence, In-game, and Extended Reality Y1 - 2024 UR - https://www.transcript-publishing.com/978-3-8376-7203-9/virtual-photography/?c=413000000 SN - 978-3-8376-7203-9 SN - 978-3-8394-7203-3 U6 - https://doi.org/10.14361/9783839472033 SP - 203 EP - 219 PB - transcript Verlag CY - Bielefeld ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Fonseca, Sofia ED - Thomas, Ben ED - Basterrachea, Aurélia T1 - Design for science: a cross-disciplinary approach to disseminate archaeology online T2 - New Ways of Communicating Archaeology in a Digital World. Interdisciplinary Contributions to Archaeology N2 - Archaeology has a lot in common with architecture. Both disciplines deal with the unknown and the uncertain—archaeology because it seeks to create knowledge about an unknown past and architecture because it gives form to ideas and proposals that have no physical form. Both disciplines argue with abstraction, archaeology primarily through verbal expression and architecture through visual expression. By its very nature, architecture is focused on public communication—architectural representation is designed to meet the public’s needs. Our approach adapts methods of architectural design and visualization to the needs of archaeological dissemination and sustainability. As both disciplines evolve in the digital world, the necessity for online approaches to content management is obvious. The growing availability and acceptance of VR experiences, especially, allow for a spatial impression that is equaled only by on-site visits accompanied by guidance and the strong ability of vivid imagination. VR experiences can raise knowledge, awareness, responsibility, and inspiration for heritage education, research, and design work respectively. Y1 - 2024 UR - https://link.springer.com/chapter/10.1007/978-3-031-71276-0_11 SN - 978-3-031-71275-3 SN - 978-3-031-71276-0 U6 - https://doi.org/10.1007/978-3-031-71276-0_11 SP - 195 EP - 211 PB - Springer CY - Cham ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Archaeology as Study of the Future T2 - The European Archaeologist Y1 - 2023 UR - https://www.e-a-a.org/EAA/Publications/Tea/Tea_75/EAA/Navigation_Publications/TEA_75.aspx SN - 1022–0135 IS - 75 SP - 26 EP - 33 ER - TY - CHAP A1 - Burwitz, Henning A1 - Grellert, Marc A1 - Henze, Frank A1 - Kröber, Cindy A1 - Kuroczyński, Piotr A1 - Lengyel, Dominik A1 - Münster, Sander A1 - Pfarr-Harfst, Mieke A1 - Prechtel, Nikolas A1 - Schelbert, Georg A1 - Toulouse, Catherine A1 - Wacker, Markus ED - Münster, Sander ED - Pfarr-Harfst, Mieke ED - Kuroczynski, Piotr T1 - Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion T2 - Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung Y1 - 2019 SN - 978–3–947449–68–2 SN - 978–3–947449–69–9 SN - 978–3–947449–70–5 U6 - https://doi.org/10.11588/arthistoricum.515 SP - 21 EP - 28 PB - arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Horvat Levay, Katarina ED - Bosnic, Tomislav T1 - Creating reality to be interpreted through the photography of abstraction T2 - Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts Y1 - 2022 SN - 978-953-373-014-1 SP - 24 EP - 25 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Capellini, Vito T1 - How to cut a virtual model into comprehensible sections T2 - Electronic imaging & the visual arts : EVA 2023 Florence, 5 June 2023 Y1 - 2023 UR - https://www.torrossa.com/de/resources/an/5487007# SN - 978-88-596-2355-7 SP - 144 EP - 149 PB - Leonardo Libri srl CY - Florence ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan P. ED - Weinel, Jon ED - Diprose, Graham T1 - How Physical Models Complete Virtual Multimediality T2 - Proceedings of EVA London 2023 N2 - This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions. Y1 - 2023 UR - https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.7 U6 - https://doi.org/10.14236/ewic/EVA2023.7 SP - 47 EP - 52 CY - London ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bonnefoit, Régine ED - Rérat, Melissa ED - Schellenberg, Samuel T1 - New Media for the Visualization of Architecture T2 - New Media in Art History - Tensions, Exchanges, Situations Y1 - 2023 SN - 978-3-11-118600-9 U6 - https://doi.org/10.1515/9783111186009-009 SP - 116 EP - 134 PB - De Gruyter CY - Berlin, Boston ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The design in the visualization of uncertainty, abstract modelling and virtual photography T2 - Imaginations: Journal of Cross-Cultural Image Studies Y1 - 2024 UR - https://imaginationsjournal.ca/index.php/imaginations/article/view/29710 U6 - https://doi.org/10.17742/IMAGE29710 SN - 1918-8439 VL - 15 IS - 1 SP - 145 EP - 204 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Dally, Ortwin ED - Zimmermann, Norbert T1 - Visualization [DL/CT] T2 - The House of the Two Skeletons at Morgantina KW - Archaeology Y1 - 2023 SN - 978-3-447-11846-0 SP - 405 EP - 406 PB - Harrassowitz Verlag CY - Wiesbaden ET - 1 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Cappellini, Vito T1 - The design of the tactile model of Pergamon T2 - Electronic Media & the Visual Arts 27 May 2024 Edited by Vito Cappellini KW - Archaeology Y1 - 2024 UR - http://digital.casalini.it/9788859624240 SN - 9788859624240 SP - 88 EP - 93 PB - Edizione Polistampa CY - Florenz ET - 1 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan T1 - The challenges of a tactile model with scientific uncertainty T2 - EVA London 2024 Proceedings KW - Archaeology Y1 - 2024 U6 - https://doi.org/10.14236/ewic/EVA2024.8 VL - 2024 SP - 39 EP - 44 PB - BCS The Chartered Institute for IT CY - London ER -