TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - How to communicate complex spatial Itineraries: a balancing act between diagram and simulation T2 - Electronic Workshops in Computing N2 - This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durrës, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view. Y1 - 2022 U6 - https://doi.org/10.14236/ewic/EVA2022.17 SN - 1477-9358 SP - 75 EP - 80 PB - BCS Learning & Development ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Faleiro Rodrigues, Nuno Ricardo T1 - Europe's Architectural Identity – a visualisation method of ideas T2 - Notes on Europe : the dogmatic sleep N2 - Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe’s architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe’s history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today’s needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin). KW - Architecture, Design, Visualisation, Uncertainty, Knowledge Y1 - 2020 UR - http://hdl.handle.net/10400.26/31889 SN - 978-972-8784-96-6 U6 - https://doi.org/10.48618/CEAA-2020-CZD5-ZY27 SP - 126 EP - 137 PB - CEAA/ESAP-CESAP CY - Porto ER - TY - GEN A1 - Glaser, Manuela A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schwan, Stephan T1 - Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention T2 - Eurographics Workshop on Intelligent Cinematography and Editing N2 - Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients. Y1 - 2015 SN - 978-3-905674-79-8 U6 - https://doi.org/10.2312/wiced.20151070 SN - 2411-9733 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualisierung und Abstraktion T2 - Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung Y1 - 2023 SN - 978-3-447-12135-4 U6 - https://doi.org/10.34780/diey-y643 SP - 221 EP - 226 ER - TY - CHAP A1 - Locher, Hubert A1 - Lengyel, Dominik A1 - Heinrich, Florian A1 - Toulouse, Catherine ED - Florian, Heinrich ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Architecture Transformed. Der Anteil des digitalen Bildes T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109215-0 UR - https://epub.ub.uni-muenchen.de/109215/ SN - 978-3-99165-386-8 SP - 4 EP - 23 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Seminararbeiten – zum Produktionsprozess des digitalen Bildes T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109216-6 UR - https://epub.ub.uni-muenchen.de/109216/ SN - 978-3-99165-386-8 SP - 24 EP - 25 PB - Open Publishing LMU CY - Müchen / Wien ER - TY - CHAP A1 - Heinrich, Florian A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Florian, Heinrich ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Bildessay – das digitale Bild in der Architektur 1980–2020 T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109217-1 UR - https://epub.ub.uni-muenchen.de/109217/ SN - 978-3-99165-386-8 SP - 26 EP - 27 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Digital Natives – Plädoyer für eine strukturierte Lehre der Visualisierung in der Architektur T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109219-6 UR - https://epub.ub.uni-muenchen.de/109219/ SN - 978-3-99165-386-8 SP - 55 EP - 73 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Locher, Hubert A1 - Lengyel, Dominik A1 - Heinrich, Florian A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Architecture Transformed - zehn Thesen zum digitalen Architekturbild T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109221-2 UR - https://epub.ub.uni-muenchen.de/109221/ SN - 978-3-99152-386-8 SP - 93 EP - 98 PB - Open Publishing LMU CY - München / Wien ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Gestaltete Abstraktion als Vermittlung glaubwürdiger Authentizität T2 - EVA Berlin 2019 : elektronische Medien&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Y1 - 2019 SN - 978-3-948466-21-3 U6 - https://doi.org/10.11588/arthistoricum.645 SP - 152 EP - 154 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Shobeiri, Ali ED - Westgeest, Helen T1 - Virtual photography as a visual method of communicating scientific hypotheses about architecture T2 - Virtual Photography - Artificial Intelligence, In-game, and Extended Reality Y1 - 2024 UR - https://www.transcript-publishing.com/978-3-8376-7203-9/virtual-photography/?c=413000000 SN - 978-3-8376-7203-9 SN - 978-3-8394-7203-3 U6 - https://doi.org/10.14361/9783839472033 SP - 203 EP - 219 PB - transcript Verlag CY - Bielefeld ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Archaeology as Study of the Future T2 - The European Archaeologist Y1 - 2023 UR - https://www.e-a-a.org/EAA/Publications/Tea/Tea_75/EAA/Navigation_Publications/TEA_75.aspx SN - 1022–0135 IS - 75 SP - 26 EP - 33 ER - TY - CHAP A1 - Burwitz, Henning A1 - Grellert, Marc A1 - Henze, Frank A1 - Kröber, Cindy A1 - Kuroczyński, Piotr A1 - Lengyel, Dominik A1 - Münster, Sander A1 - Pfarr-Harfst, Mieke A1 - Prechtel, Nikolas A1 - Schelbert, Georg A1 - Toulouse, Catherine A1 - Wacker, Markus ED - Münster, Sander ED - Pfarr-Harfst, Mieke ED - Kuroczynski, Piotr T1 - Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion T2 - Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung Y1 - 2019 SN - 978–3–947449–68–2 SN - 978–3–947449–69–9 SN - 978–3–947449–70–5 U6 - https://doi.org/10.11588/arthistoricum.515 SP - 21 EP - 28 PB - arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan P. ED - Weinel, Jon ED - Diprose, Graham T1 - How Physical Models Complete Virtual Multimediality T2 - Proceedings of EVA London 2023 N2 - This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions. Y1 - 2023 UR - https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.7 U6 - https://doi.org/10.14236/ewic/EVA2023.7 SP - 47 EP - 52 CY - London ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The design in the visualization of uncertainty, abstract modelling and virtual photography T2 - Imaginations: Journal of Cross-Cultural Image Studies Y1 - 2024 UR - https://imaginationsjournal.ca/index.php/imaginations/article/view/29710 U6 - https://doi.org/10.17742/IMAGE29710 SN - 1918-8439 VL - 15 IS - 1 SP - 145 EP - 204 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan T1 - The challenges of a tactile model with scientific uncertainty T2 - EVA London 2024 Proceedings KW - Archaeology Y1 - 2024 U6 - https://doi.org/10.14236/ewic/EVA2024.8 VL - 2024 SP - 39 EP - 44 PB - BCS The Chartered Institute for IT CY - London ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Locher, Hubert A1 - Henrich, Florian ED - Lengyel, Dominik ED - Toulouse, Catherine ED - Locher, Hubert ED - Henrich, Florian T1 - Architecture Transformed : das Forschungsprojekt T2 - Architecture Transformed : das digitale Bild in der Architektur 1980–2020 Y1 - 2023 SN - 978-3-98501-162-9 U6 - https://doi.org/10.11588/arthistoricum.1156.c15953 SP - 9 EP - 12 PB - arthistoricum.net CY - Heidelberg ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Lengyel, Dominik ED - Toulouse, Catherine ED - Locher, Hubert ED - Henrich, Florian T1 - Der Produktionsprozess des digitalen Bildes in der Architektur T2 - Architecture Transformed : das digitale Bild in der Architektur 1980–2020 Y1 - 2023 U6 - https://doi.org/10.11588/arthistoricum.1156.c15954 SP - 13 EP - 20 PB - arthistoricum.net CY - Heidelberg ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Henrich, Florian ED - Lengyel, Dominik ED - Toulouse, Catherine ED - Locher, Hubert ED - Henrich, Florian T1 - Die Evolution des digitalen Bildes : das digitale Bild in der Architektur 1980–2020 T2 - Architecture Transformed : das digitale Bild in der Architektur 1980–2020 Y1 - 2023 SN - 978-3-98501-162-9 U6 - https://doi.org/10.11588/arthistoricum.1156.c15956 PB - arthistoricum.net CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Krizič Roban, Sandra ED - Kovač, Leonida ED - Šeparović, Ana ED - Kuhar, Martin T1 - The construction of knowledge through virtual photography of Abstract Geometry T2 - FORMATS OF (NON)SEEING N2 - Photography is a position. It is the conscious composition of images in interaction with the scene in front of the camera and the technical options of its projection. The underlying relationship to photography in this paper is precisely this ideal one, since it is the same attitude, though under technically quite different conditions, namely the application of the methods of classical photography in virtual space. This method, called “virtual photography” by the authors, treats virtual space just as if it were physical reality. The aim of this self-restriction is the referentiality of the images thus created, trusting that their reception will thereby follow in the tradition of the reception of classical photography and that the images will thus be received as naturally as possible. This, in turn, is intended to ensure that the content of the images is the focus of perception. For the pictures are about complex spatial facts, not about imitating physical reality. This will be explained in the following. KW - Archaeology Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:hr:254:851635 SN - 9789533730424 SP - 334 EP - 347 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visual Mediation of Unique Construction and Access Principles of the Amphitheatre of Durrës T2 - Electronic Workshops in Computing Y1 - 2021 U6 - https://doi.org/10.14236/ewic/EVA2021.8 SN - 1477-9358 PB - BCS Learning & Development ER -