TY - BOOK A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schock-Werner, Barbara T1 - Die Bauphasen des Kölner Doms und seiner Vorgängerbauten T1 - Cologne Cathedral and Preceding Buildings Y1 - 2011 SN - 978-3-922442-68-4 PB - Verlag Kölner Dom e.V. CY - Köln ET - 1. Auflage ER - TY - CHAP A1 - Laufer, Eric A1 - Lengyel, Dominik A1 - Pirson, Felix A1 - Stappmanns, Verena A1 - Toulouse, Catherine T1 - Die Wiederentstehung Pergamons als virtuelles Stadtmodell T2 - Pergamon : Panorama der antiken Metropole Y1 - 2011 SN - 978-3-86568-693-0 SP - 82 EP - 86 PB - Verlag Imhof CY - Petersberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Gestaltung der Vision Naga T1 - Designing Naga's Vision T2 - Königsstadt Naga : Grabungen in der Wüste des Sudan Y1 - 2011 SN - 978-3-9814386-0-4 SP - 163 EP - 176 PB - Staatliches Museum Ägyptischer Kunst CY - München ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Ein Stadtmodell von Pergamon : Unschärfe als Methode für Darstellung und Rekonstruktion antiker Architektur T2 - Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast Y1 - 2011 SN - 978-3-86206-088-7 SP - 23 EP - 28 PB - Kettler CY - Bönen ER - TY - CHAP A1 - Lengyel, Dominik A1 - Ristow, Sebastian A1 - Toulouse, Catherine T1 - Rekonstruktionen zur Baugeschichte des Kölner Domes T2 - Fundgeschichten : Archäologie in Nordrhein-Westfalen Y1 - 2010 SN - 978-3-8053-4204-9 SP - S. 546 PB - von Zabern CY - Mainz am Rhein ER - TY - VIDEO A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Bauphasen des Kölner Doms Y1 - 2010 UR - www.lisa.gerda-henkel-stiftung.de ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Bauphasen des Kölner Domes und seiner Vorgängerbauten: Gestaltung zwischen Architektur und Diagrammatik T2 - Diagrammatik der Architektur, Kölner Tagung im Januar 2011 Y1 - 2013 SN - 978-3-7705-5520-8 SP - 327 EP - 352 PB - Verlag Wilhelm Fink CY - München ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heine, Katja ED - Rheidt, Klaus ED - Henze, Frank ED - Riedel, Alexandra T1 - Darstellung von unscharfem Wissen in der Rekonstruktion historischer Bauten T2 - Von Handaufmaß bis High Tech III : Erfassen, modellieren, visualisieren Y1 - 2011 SN - 978-3-8053-4332-9 SP - 182 EP - 186 PB - Verlag Philipp von Zabern CY - Darmstadt [u.a.] ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The Presentation is the Project T2 - Evaluation in progress, strategies for environmental research and implementation, abstracts, 18th Conference of the International Association for People-Environment Studies, Vienna University of Technology (Austria) 7 - 9 July, 2004 Y1 - 2004 SN - 3-85437-263-9 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Dechêne, Sigrun ED - Walz, Manfred T1 - Simultaneous visions T2 - Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005 Y1 - 2006 SN - 978-3-00-019070-4 SP - 187 EP - 195 PB - Fachhochschule Dortmund, Fachbereich Architektur CY - Dortmund ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Kardos, Peter ED - Urland, Andrea T1 - Spatial Imagination in Practice and Teaching T2 - Spatial Simulation and Evaluation, 6th international EAEA conference proceedings Y1 - 2004 SN - 80-227-2088-7 PB - Slovak University of Technology CY - Bratislava ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Living Clay T2 - Virtual Environment and Experience, 8th international eaea conference Y1 - 2007 PB - Moscow Architectural Institute CY - Moskau ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Designing the Construction Phases of Cologne Cathedral and its Preceding Buildings T2 - Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011 Y1 - 2011 SN - 978-9-0526-9400-9 PB - Faculty of Architecture, Delft University of Technology CY - Delft ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bienert, Andreas ED - Hemsley, James ED - Santos, Pedro T1 - 3D-Scans für die Rekontextualisierung antiker Skulptur T2 - EVA 2014 Berlin: Elektronische Medien & Kunst, Kultur, Historie, Konferenzband Y1 - 2014 SN - 978-3-88609-755-5 PB - Fraunhofer-Institut für Graphische Datenverarbeitung [u.a.] CY - Darmstadt ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Glaser, Manuela A1 - Schwan, Stephan T1 - Designing computer-based learning contents: influence of digital zoom on attention T2 - Educational Technology Research and Development N2 - In the present study, we investigated the role of digital zoom as a tool for directing attention while looking at visual learning material. In particular, we analyzed whether minimal digital zoom functions similarly to a rhetorical device by cueing mental zooming of attention accordingly. Participants were presented either static film clips, film clips with minimal zoom-ins, or film clips with minimal zoom-outs while eye movements were recorded. We hypothesized that minimal zoom-ins should lead to more gaze coherence, to longer dwell times as an indicator of more elaborative processing, and to fewer transitions as an indicator of less mental integration. Zoom-outs, on the other hand, were expected to have opposite effects. Results showed that zoom-ins increase gaze coherence and dwell times on the center parts of the depictions while decreasing transitions of pictorial elements from the center and the context areas. In contrast, patterns of results from zoom-outs and static presentations were similar to a large degree, indicating that zoom-ins and zoom-outs do not operate in a complementary fashion. Theoretical and practical implications of the present results are discussed. KW - Visualisation Y1 - 2017 U6 - https://doi.org/10.1007/s11423-016-9495-9 SN - 1042-1629 SN - 1556-6501 VL - 65 IS - 5 SP - 1135 EP - 1151 ER - TY - GEN A1 - Fless, Friederike A1 - Graf, Bernhard A1 - Dally, Ortwin A1 - Franke, Ute A1 - Gerbich, Christine A1 - Lengyel, Dominik A1 - Knaut, Matthias A1 - Näser, Claudia A1 - Savoy, Bénédicte A1 - Steinmüller, Laura Katharina A1 - Steudtner, Katharina A1 - Taschner, Moritz A1 - Toulouse, Catherine A1 - Weber, Stefan T1 - Authenticity and Communication T2 - eTOPOI Journal for Ancient Studies N2 - Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments “in the full richness of their authenticity” has turned into an abundance of vibrant action and decision-making. KW - Visualisation Y1 - 2016 UR - http://journal.topoi.org/index.php/etopoi/article/view/263 SN - 2192-2608 VL - 6 SP - 479 EP - 524 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bertocci, Stefano ED - Bini, Marco T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - Le ragioni del disegno N2 - In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design – abstract virtual modeling and virtual photography – are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists’ hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects’ hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral’s permanent installation. KW - Visualizzazione Y1 - 2016 SN - 978-88-492-3295-0 SP - 403 EP - 408 PB - Gangemi Editore CY - Firenze ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die digitale Visualisierung von Architektur T2 - Blickpunkt Archäologie N2 - Der Beitrag widmet sich der digitalen Visualisierung von archäologischen Baubefunden und den damit verbundenen grundlegenden Möglichkeiten und Problemen. Was kann die digitale Visualisierung von Architektur im Kontext der 3D-Digitalisierung in der Archäologie leisten? Die Frage ist vor allem deshalb nicht leicht zu beantworten, weil viele Begriffe nicht eindeutig verwendet werden und vor allem in dieser Konstellation unterschiedlichste Assoziationen auslösen. Es geht schließlich nicht um Archäologie oder Architektur als Ganzes, sondern eben um die Schnittstelle im Kontext der allumfassenden Digitalisierung. KW - Visualisierung Y1 - 2016 SN - 2364-4796 IS - 2 SP - 91 EP - 98 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Börner, Wolfgang ED - Uhlirz, Susanne T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - International Conference on Cultural Heritage and New Technologies, Vienna, 2015 N2 - The paper describes the necessity of architectural design in the process of creating abstract geometry as representation of archaeological hypoth eses in opposition to pretended reconstructions. Methodology: How were the objectives reached? Which methods were used? Knowledge in archaeology, building or art history is generally of largely different certainty including contradictions and multivalencies, which unambiguou sly excludes true reconstructions in the sense that the reconstruction equals its origin. Instead there is a number of hypotheses that approximate the historic state. The visualisation of hypotheses with a special regard on uncertain knowledge, i. e. respecting and explicitely showing this uncertainty, is a counter position towards pretended reconstructions. Results: What are the results of the work? A number of projects e.g. in cooperation with the German Archaeological Institute DAI, the State’s Museums in Berlin SMB (e.g. the first scientific 3D model of Pergamon and the Palatine palace in Rom, both presented in the Pergamon Museum Berlin), the Museum for Islamic Art Berlin (e. g. the Sasanian metropole Ktesiphon), funded by the German Research Foundation DFG and as part of the DFG Excellence Cluster TOPOI (mainly hosted by the universities FU Berlin and HU Berlin) that successfully visually mediated the state of science and its scientific characteristics among the scientists as well as to the public. Innovations: What is new and significant about your ideas, methods, and results? The visualisation of hypotheses has a higher scientific impact incorporating uncertain knowledge as in evitable characteristic of science. One way of visually expressing different possible states in one image is the use of abstract geometry. This implies a highly qualified handling of abstract geometry (model making) and imagery architectural photography) being a creative act of design with effect on the inner-scientific and public perception of the historic topic. So qualified architectural design makes the difference. KW - Visualisation Y1 - 2016 UR - http://www.chnt.at/wp-content/uploads/eBook_CHNT20_Lengyel_Toulouse_2015.pdf SN - 978-3-200-04698-6 SP - 1 EP - 16 PB - Museen der Stadt Wien – Stadtarchäologie CY - Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bertocci, Stefano ED - Bini, Marco T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - Le ragioni del Disegno: Pensiero, Forma e Modello nella Gestione della Complessità, Atti del 38° convegno internazionale dei Docenti della Rappresentazione N2 - In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design – abstract virtual modeling and virtual photography – are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists’ hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects’ hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral’s permanent installation. KW - Visualisation Y1 - 2017 SN - 978-88-492-8295-5 SP - 403 EP - 408 PB - Gangemi Editore spa CY - Rom ER -