TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Faleiro Rodrigues, Nuno Ricardo T1 - Europe's Architectural Identity – a visualisation method of ideas T2 - Notes on Europe : the dogmatic sleep N2 - Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe’s architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe’s history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today’s needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin). KW - Architecture, Design, Visualisation, Uncertainty, Knowledge Y1 - 2020 UR - http://hdl.handle.net/10400.26/31889 SN - 978-972-8784-96-6 U6 - https://doi.org/10.48618/CEAA-2020-CZD5-ZY27 SP - 126 EP - 137 PB - CEAA/ESAP-CESAP CY - Porto ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Lehre der digitalen Visualisierung am Beispiel der Architektur T2 - DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als fächerübergreifendes Forschungsparadigma : Konferenzabstracts : Universität Leipzig 7. bis 12. März 2016 Y1 - 2016 SN - 978-3-941379-05-3 SP - 183 EP - 186 PB - nisaba verlag CY - Duisburg ER - TY - GEN A1 - Glaser, Manuela A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schwan, Stephan T1 - Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention T2 - Eurographics Workshop on Intelligent Cinematography and Editing N2 - Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients. Y1 - 2015 SN - 978-3-905674-79-8 U6 - https://doi.org/10.2312/wiced.20151070 SN - 2411-9733 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualisierung und Abstraktion T2 - Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung Y1 - 2023 SN - 978-3-447-12135-4 U6 - https://doi.org/10.34780/diey-y643 SP - 221 EP - 226 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Schaerer, Philipp ED - Hovestadt, Ludger ED - Hirschberg, Urs ED - Fritz, Oliver T1 - Visualisation T2 - Atlas of Digital Architecture : Terminology, Concepts, Methods, Tools, Examples, Phenomena Y1 - 2020 SN - 978-3-0356-2011-5 U6 - https://doi.org/10.1515/9783035620115 SP - 285 EP - 323 PB - Birkhäuser CY - Basel ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Nicolai, Bernd ED - Schweizer, Jürg T1 - Zum Erscheinungsbild der Visualisierungen des Berner Münsters T2 - Das Berner Münster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528) Y1 - 2019 SN - 978-3-7954-3428-1 SP - 218 EP - 230 PB - Schnell & Steiner CY - Regensburg ET - 1. Auflage ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The Enhancement of the Spatial Impression Through Simulated Natural Movement T2 - EVA 2022 Florence 6 June 2022 Y1 - 2022 UR - https://www.torrossa.com/de/resources/an/5248529# SN - 978-88-596-2269-7 SP - 53 EP - 58 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Experiencing Architectonic Design Processes Through Interactive Virtual Reality Applications T2 - EVA 2021 Florence 14 June 2021 Y1 - 2021 UR - https://www.torrossa.com/de/resources/an/4899363 SN - 978-88-596-2159-1 SP - 110 EP - 117 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Landscapes in visualisations of architectonic hypotheses T2 - Abitare la Terra : una rivista per una nuova alleanza tra l'uomo e l'ambiente Y1 - 2022 SN - 1592-8608 IS - 59 SP - 6 EP - 8 PB - Gangemi CY - Roma ER - TY - CHAP A1 - Locher, Hubert A1 - Lengyel, Dominik A1 - Heinrich, Florian A1 - Toulouse, Catherine ED - Florian, Heinrich ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Architecture Transformed. Der Anteil des digitalen Bildes T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109215-0 UR - https://epub.ub.uni-muenchen.de/109215/ SN - 978-3-99165-386-8 SP - 4 EP - 23 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Seminararbeiten – zum Produktionsprozess des digitalen Bildes T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109216-6 UR - https://epub.ub.uni-muenchen.de/109216/ SN - 978-3-99165-386-8 SP - 24 EP - 25 PB - Open Publishing LMU CY - Müchen / Wien ER - TY - CHAP A1 - Heinrich, Florian A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Florian, Heinrich ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Bildessay – das digitale Bild in der Architektur 1980–2020 T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109217-1 UR - https://epub.ub.uni-muenchen.de/109217/ SN - 978-3-99165-386-8 SP - 26 EP - 27 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Digital Natives – Plädoyer für eine strukturierte Lehre der Visualisierung in der Architektur T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109219-6 UR - https://epub.ub.uni-muenchen.de/109219/ SN - 978-3-99165-386-8 SP - 55 EP - 73 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Locher, Hubert A1 - Lengyel, Dominik A1 - Heinrich, Florian A1 - Toulouse, Catherine ED - Heinrich, Florian ED - Lengyel, Dominik ED - Locher, Hubert ED - Toulouse, Catherine T1 - Architecture Transformed - zehn Thesen zum digitalen Architekturbild T2 - Rendering/Visualisierung Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bvb:19-epub-109221-2 UR - https://epub.ub.uni-muenchen.de/109221/ SN - 978-3-99152-386-8 SP - 93 EP - 98 PB - Open Publishing LMU CY - München / Wien ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - An architect's view on antique vases and their painting T2 - Myths, Gods & Heroes | Greek Vases in Portugal Y1 - 2022 SN - 978-989-8183-25-5 SP - 292 EP - 305 PB - Museu Convento dos Lóios CY - Santa Maria da Feira ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualising Alvarelhos T2 - O Castro de Alvarelhos. Projecto CAESAR de Alvarelhos (Trofa) Estudo Cientifico do Registo Arqueológico Y1 - 2023 SN - 978-989-53285-1-2 SP - 74 EP - 76 PB - Câmara Municipal CY - Trofa ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Gestaltete Abstraktion als Vermittlung glaubwürdiger Authentizität T2 - EVA Berlin 2019 : elektronische Medien&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Y1 - 2019 SN - 978-3-948466-21-3 U6 - https://doi.org/10.11588/arthistoricum.645 SP - 152 EP - 154 ER - TY - GEN A1 - Lengyel, Dominik A1 - Spinelli, Jacopo A1 - Dimova, Lyubov T1 - New Scale Model of the City of Pergamon T2 - EVA Berlin 2023 Conference, 30. November – 01. Dezember 2023, Kunstgewerbemuseum (Museum of Decorative Arts) Y1 - 2023 UR - https://eva-berlin-conference.de/wp-content/uploads/2024/01/EVA_2023_Konferenzband.pdf SP - 141 EP - 148 CY - Berlin ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bienert, Andreas T1 - Multisensorische Vermittlung unterstützt durch digitale 3D-Technologien T2 - EVA Berlin 2018 : elektronische Medien & Kunst, Kultur und Historie : Konferenzband : 25. Berliner Veranstaltung der internationalen EVA-Serie, 7.-9. November 2018, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Y1 - 2018 SN - 978-3-88609-817-0 SP - 188 EP - 189 PB - Staatliche Museen zu Berlin - Preußischer Kulturbesitz CY - Berlin ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The new physical model about the ancient city of Pergamon for the Pergamon Museum Berlin T2 - Abitare la Terra Quaderni 10 - Supplemento alla Rivista di geoarchitettura Y1 - 2024 UR - https://gangemi.com/prodotto/abitare-la-terra-quaderni-10/?srsltid=AfmBOoqPuB4lOu3I68ZtZRWo8iQ9alwOt31MmpT44HWT8V_ekjOQFZ73 SN - 9788849251371 SP - 30 EP - 32 PB - Gangemi Editore S.p.A. CY - Rom (Italien) ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Shobeiri, Ali ED - Westgeest, Helen T1 - Virtual photography as a visual method of communicating scientific hypotheses about architecture T2 - Virtual Photography - Artificial Intelligence, In-game, and Extended Reality Y1 - 2024 UR - https://www.transcript-publishing.com/978-3-8376-7203-9/virtual-photography/?c=413000000 SN - 978-3-8376-7203-9 SN - 978-3-8394-7203-3 U6 - https://doi.org/10.14361/9783839472033 SP - 203 EP - 219 PB - transcript Verlag CY - Bielefeld ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Fonseca, Sofia ED - Thomas, Ben ED - Basterrachea, Aurélia T1 - Design for science: a cross-disciplinary approach to disseminate archaeology online T2 - New Ways of Communicating Archaeology in a Digital World. Interdisciplinary Contributions to Archaeology N2 - Archaeology has a lot in common with architecture. Both disciplines deal with the unknown and the uncertain—archaeology because it seeks to create knowledge about an unknown past and architecture because it gives form to ideas and proposals that have no physical form. Both disciplines argue with abstraction, archaeology primarily through verbal expression and architecture through visual expression. By its very nature, architecture is focused on public communication—architectural representation is designed to meet the public’s needs. Our approach adapts methods of architectural design and visualization to the needs of archaeological dissemination and sustainability. As both disciplines evolve in the digital world, the necessity for online approaches to content management is obvious. The growing availability and acceptance of VR experiences, especially, allow for a spatial impression that is equaled only by on-site visits accompanied by guidance and the strong ability of vivid imagination. VR experiences can raise knowledge, awareness, responsibility, and inspiration for heritage education, research, and design work respectively. Y1 - 2024 UR - https://link.springer.com/chapter/10.1007/978-3-031-71276-0_11 SN - 978-3-031-71275-3 SN - 978-3-031-71276-0 U6 - https://doi.org/10.1007/978-3-031-71276-0_11 SP - 195 EP - 211 PB - Springer CY - Cham ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Archaeology as Study of the Future T2 - The European Archaeologist Y1 - 2023 UR - https://www.e-a-a.org/EAA/Publications/Tea/Tea_75/EAA/Navigation_Publications/TEA_75.aspx SN - 1022–0135 IS - 75 SP - 26 EP - 33 ER - TY - CHAP A1 - Burwitz, Henning A1 - Grellert, Marc A1 - Henze, Frank A1 - Kröber, Cindy A1 - Kuroczyński, Piotr A1 - Lengyel, Dominik A1 - Münster, Sander A1 - Pfarr-Harfst, Mieke A1 - Prechtel, Nikolas A1 - Schelbert, Georg A1 - Toulouse, Catherine A1 - Wacker, Markus ED - Münster, Sander ED - Pfarr-Harfst, Mieke ED - Kuroczynski, Piotr T1 - Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion T2 - Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung Y1 - 2019 SN - 978–3–947449–68–2 SN - 978–3–947449–69–9 SN - 978–3–947449–70–5 U6 - https://doi.org/10.11588/arthistoricum.515 SP - 21 EP - 28 PB - arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Horvat Levay, Katarina ED - Bosnic, Tomislav T1 - Creating reality to be interpreted through the photography of abstraction T2 - Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts Y1 - 2022 SN - 978-953-373-014-1 SP - 24 EP - 25 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Capellini, Vito T1 - How to cut a virtual model into comprehensible sections T2 - Electronic imaging & the visual arts : EVA 2023 Florence, 5 June 2023 Y1 - 2023 UR - https://www.torrossa.com/de/resources/an/5487007# SN - 978-88-596-2355-7 SP - 144 EP - 149 PB - Leonardo Libri srl CY - Florence ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan P. ED - Weinel, Jon ED - Diprose, Graham T1 - How Physical Models Complete Virtual Multimediality T2 - Proceedings of EVA London 2023 N2 - This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions. Y1 - 2023 UR - https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.7 U6 - https://doi.org/10.14236/ewic/EVA2023.7 SP - 47 EP - 52 CY - London ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bonnefoit, Régine ED - Rérat, Melissa ED - Schellenberg, Samuel T1 - New Media for the Visualization of Architecture T2 - New Media in Art History - Tensions, Exchanges, Situations Y1 - 2023 SN - 978-3-11-118600-9 U6 - https://doi.org/10.1515/9783111186009-009 SP - 116 EP - 134 PB - De Gruyter CY - Berlin, Boston ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The design in the visualization of uncertainty, abstract modelling and virtual photography T2 - Imaginations: Journal of Cross-Cultural Image Studies Y1 - 2024 UR - https://imaginationsjournal.ca/index.php/imaginations/article/view/29710 U6 - https://doi.org/10.17742/IMAGE29710 SN - 1918-8439 VL - 15 IS - 1 SP - 145 EP - 204 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Dally, Ortwin ED - Zimmermann, Norbert T1 - Visualization [DL/CT] T2 - The House of the Two Skeletons at Morgantina KW - Archaeology Y1 - 2023 SN - 978-3-447-11846-0 SP - 405 EP - 406 PB - Harrassowitz Verlag CY - Wiesbaden ET - 1 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Cappellini, Vito T1 - The design of the tactile model of Pergamon T2 - Electronic Media & the Visual Arts 27 May 2024 Edited by Vito Cappellini KW - Archaeology Y1 - 2024 UR - http://digital.casalini.it/9788859624240 SN - 9788859624240 SP - 88 EP - 93 PB - Edizione Polistampa CY - Florenz ET - 1 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan T1 - The challenges of a tactile model with scientific uncertainty T2 - EVA London 2024 Proceedings KW - Archaeology Y1 - 2024 U6 - https://doi.org/10.14236/ewic/EVA2024.8 VL - 2024 SP - 39 EP - 44 PB - BCS The Chartered Institute for IT CY - London ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Morais, Rui ED - Centeno, Rui M. ED - Ferreira, Daniela T1 - An architect's view on antique vases and their paiting T2 - Myths, gods & heroes : Greek vases in Portugal = Mitos, deuses & heróis : vasos Gregos em Portuga KW - Archaeololgy Y1 - 2022 SN - 978-989-8183-25-5 SP - 292 EP - 305 PB - Imprensa da Universidade de Coimbra [u.a.] CY - Porto [u.a.] ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Kelly, Benjamin ED - Kelly, Benjamin ED - Hug, Angela T1 - Virtual Photography: Computer Visualizations as Architectural Hypotheses T2 - The Roman Emperor and his Court c. 30 BC–c. AD 300 KW - Archaeology Y1 - 2022 SN - 9781009063814 U6 - https://doi.org/10.1017/9781009063814 SP - 33 EP - 34 PB - Cambridge University Press CY - Cambridge ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Locher, Hubert A1 - Henrich, Florian ED - Lengyel, Dominik ED - Toulouse, Catherine ED - Locher, Hubert ED - Henrich, Florian T1 - Architecture Transformed : das Forschungsprojekt T2 - Architecture Transformed : das digitale Bild in der Architektur 1980–2020 Y1 - 2023 SN - 978-3-98501-162-9 U6 - https://doi.org/10.11588/arthistoricum.1156.c15953 SP - 9 EP - 12 PB - arthistoricum.net CY - Heidelberg ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Lengyel, Dominik ED - Toulouse, Catherine ED - Locher, Hubert ED - Henrich, Florian T1 - Der Produktionsprozess des digitalen Bildes in der Architektur T2 - Architecture Transformed : das digitale Bild in der Architektur 1980–2020 Y1 - 2023 U6 - https://doi.org/10.11588/arthistoricum.1156.c15954 SP - 13 EP - 20 PB - arthistoricum.net CY - Heidelberg ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Henrich, Florian ED - Lengyel, Dominik ED - Toulouse, Catherine ED - Locher, Hubert ED - Henrich, Florian T1 - Die Evolution des digitalen Bildes : das digitale Bild in der Architektur 1980–2020 T2 - Architecture Transformed : das digitale Bild in der Architektur 1980–2020 Y1 - 2023 SN - 978-3-98501-162-9 U6 - https://doi.org/10.11588/arthistoricum.1156.c15956 PB - arthistoricum.net CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Krizič Roban, Sandra ED - Kovač, Leonida ED - Šeparović, Ana ED - Kuhar, Martin T1 - The construction of knowledge through virtual photography of Abstract Geometry T2 - FORMATS OF (NON)SEEING N2 - Photography is a position. It is the conscious composition of images in interaction with the scene in front of the camera and the technical options of its projection. The underlying relationship to photography in this paper is precisely this ideal one, since it is the same attitude, though under technically quite different conditions, namely the application of the methods of classical photography in virtual space. This method, called “virtual photography” by the authors, treats virtual space just as if it were physical reality. The aim of this self-restriction is the referentiality of the images thus created, trusting that their reception will thereby follow in the tradition of the reception of classical photography and that the images will thus be received as naturally as possible. This, in turn, is intended to ensure that the content of the images is the focus of perception. For the pictures are about complex spatial facts, not about imitating physical reality. This will be explained in the following. KW - Archaeology Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:hr:254:851635 SN - 9789533730424 SP - 334 EP - 347 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Börner, Wolfgang ED - Rohland, Hendrik ED - Kral-Börner, Christina ED - Karner, Lisa T1 - The Visualisation of Unseen Planning States : The Planning and Building States of Early Bern Minster in Visual Comparison T2 - Artificial Intelligence : New Pathways Towards Cultural Heritage Y1 - 2022 U6 - https://doi.org/10.11588/propylaeum.1045.c14497 VL - 2022 SP - 173 EP - 182 PB - Propylaeum CY - 1 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Franco, Francesca ED - Burbano, Andres T1 - Media Art as a Mediator of Scientific Uncertainty T2 - RE:SOURCE - The 10th International Conference on the Histories of Media Art, Science and Technology - Proceedings N2 - Art changes perception, and just as it is difficult to grasp the concept of art, it is equally difficult to exclude adjacent fields. Design is such a term, and when it comes to architecture, traditionally commonly referred to as a discipline between art and science, but in fact at least as much between applied technology and engineering, the transitions become increasingly fluid. In the case presented here, we are dealing with an expansion of the term design into the interdisciplinary area between the architecture that conceives and finds form and the humanities disciplines of archaeology, historical building research and art history. The fact that the results of these highly fruitful collaborations are essentially concretised through the use of new media, and that they neither correspond to the mainstream nor can be adequately received without some degree of openness to abstract art as well, makes them appear as media art in this respect. The key to archaeology, however, lies in its scientific nature: not only is archaeological knowledge fragmentary, but here this becomes particularly evident. The interpretation of finds in the sense of a spatial hypothesis of an architectural structure on the basis of a few fragments is a generation of knowledge that is inevitably based on conclusions of varying firmness and on analogies. These are hypothetical, but precisely scientifically based and by no means merely speculative. Generally formulated verbally, entire cities that have long since disappeared are described in this way within the limits of what is scientifically justifiable, but just usually only described, not illustrated. It is often conceded that too little is known to visualise it. The misconception lies in the practice that archaeological hypotheses are often visualised in a form familiar to the film or games industry, namely photorealistically and thus highly speculative. But if the objective of visualisation is to visualise the actual scientific hypothesis, to translate the verbal hypothesis as faithfully as possible from the text into the image, then visual translation cannot avoid translating those abstractions that are completely natural in language into the image as well. But this act, the creation of visual artefacts, abstract in form and content, is a creative act of design, as is inherent in all formally creative disciplines from architecture to design to art. It is perhaps more of an applied art, but this term is also already occupied and falls short here. In the end, the visualisation of scientifically based hypotheses of archaeology is a phenomenon that the authors call visualisation and uncertainty, a kind of media art whose content is a transferred, if not subtle, mediation of architectural intentions. This initiates a development that opens up a new field of activity for media art and thus contributes to the creation of future memories. The paper illustrates this method by means of selected projects that have been created in close collaboration with research and cultural institutions and have been exhibited in renowned museums, including Cologne Cathedral, Bern Minster, the Palatine in Rome, Pompeii, Pergamon, Jerusalem and more. KW - knowledge KW - uncertainty KW - archaeology KW - architecture KW - design KW - abstraction KW - virtual photography Y1 - 2024 UR - https://drive.google.com/file/d/1-tTEKj5ZVbrU3Btq_FZu9orn1iaf_L5x/view SN - 979-12-210-6571-8 N1 - Nur Abstract. Das PDF zu den Proceedings kann gern per Mail bereitgestellt werden. Autor SP - 658 EP - 659 CY - Venezita, Italy ER - TY - CHAP A1 - Lengyel, Dominik ED - Shehi, Eduard T1 - On the particularity of the visualisations of the amphitheatre T2 - A Short History of Durrës Y1 - 2023 SN - 9789928811042 N1 - Das Buch kann derzeit nur in der albanischen Nationalbibliothek in Tirana nachgewiesen werden. 6.5.2025 SP - 98 EP - 99 PB - Jozef Publishing CY - Durrës ET - 1 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualized Hypotheses – Architectural Ideas as Intellectual Legacy T2 - World heritage and legacy: culture, creativity, contamination : le vie dei mercanti, 17 / Carmine Gambardella Y1 - 2019 SN - 978-88-492-3751-1 N1 - Konferenzband kann nur in Biblioteca Nazionale Centrale di Roma nachgewiesen werden. 29.1.25 SP - 98 EP - 98 PB - Gangemi CY - Roma ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The Cultural Heritage of Roman Baths from an Architectural Perspective T2 - World heritage and design for health : Le vie dei mercanti : 19. International forum / Carmine Gambardella Y1 - 2021 SN - 978-88-492-4088-7 N1 - Titel zur Zeit nur in Biblioteca Nazionale Centrale di Roma nachweisbar. 28.1.25 SP - 88 EP - 88 PB - Gangemi CY - Roma ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Abstract architectural design for the contamination by cultural ideas T2 - Le Vie dei Mercanti, XVIII International Forum, World Heritage and Contamination / Carmine Gambardella Y1 - 2020 SN - 978-88-492-3937-9 N1 - Das angegebenen Dokument mit der ISBN 978-88-492-3937-9 kann derzeit noch in keiner Bibliothek nachgewiesen werden. 28.1.25 SP - 102 EP - 102 CY - Napoli ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Landscapes in visualisations of architectonic hypotheses T2 - XXI International Forum Le vie dei Mercanti World Heritage and Dwelling on Earth Y1 - 2023 SN - 978-88-492-4646-9 N1 - Das Dokument mit der angegebenen ISBN 978-88-492-4646-9 kann zur Zeit noch in keiner Bibliothek nachgewiesen werden 28.1.25 CY - Napoli ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visual abstraction as key competence for critical thinking T2 - Inżynieria Mineralna N2 - Abstraction is a fundamental intellectual competence that enables the human mind to analyse and comprehend concepts in order to creatively develop new solutions. The ability to translate abstract spatial concepts into equally abstract sculptural artefacts, which is acquired in the context of architectural design and needs to be practised throughout life, can also be transferred to contexts outside of architectural practice. With this main objective in mind, intellectual hypotheses from the humanities, for example from archaeology, can also be represented visually without abandoning their scientific content. The way often practised in the games and film industry of subverting such content with lifelike fantasy worlds is not without alternative. On the contrary, by means of abstraction, the critical thinking of science can also be transferred to the artistic artefact. The methods used to achieve this goal will be presented using samples of visualisations of a number of important heritage sites, developed in close collaboration with major cultural institutions such as the German Archaeological Institute (DAI), Cologne Cathedral administration or Bern Minster Foundation. Essentially, the scientific hypothesis is translated through the two skills adopted from traditional architecture: modelling and photography. Firstly, genuinely new, abstract forms are designed. In the second step, these are projected as if the abstract forms were built architecture. This essential second step can therefore be termed virtual photography. In conclusion, artistic creativity promotes competencies and skills to cope with the uncertainties of the 21st century by practising imagination and critical thinking conceptually and visually through art, as effectively taught in our architectural courses. KW - Design KW - Composition KW - Modelling KW - Perspective KW - Projection KW - Photography Y1 - 2025 U6 - https://doi.org/10.29227/IM-2025-02-02-073 SN - 1640-4920 VL - 2 IS - 2 SP - 1 EP - 6 PB - Polish Mineral Engineering Society CY - Kraków ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visual Mediation of Unique Construction and Access Principles of the Amphitheatre of Durrës T2 - Electronic Workshops in Computing Y1 - 2021 U6 - https://doi.org/10.14236/ewic/EVA2021.8 SN - 1477-9358 PB - BCS Learning & Development ER - TY - GEN A1 - Spinelli, Jacopo A1 - Lengyel, Dominik ED - Bienert, Andreas ED - Emenlauer-Blömers, Eva ED - Lengyel, Dominik T1 - The visual identity of a conference between science, art, museums and technology T2 - EVA Berlin 2025 : Electronic Media and Visual Arts : 28th Issue of the EVA Berlin Conference N2 - The rise of digital tools is resulting in disruptive changes in the fields of culture, media, and visual arts. On this premise, the EVA conference network, including the Berlin edition, was originally established, and provides to this day a significant contribution in the field of digital tools applications in the arts. This study, conducted at the Chair of Architecture and Visualisation at Brandenburg University of Technology (BTU), whose field of expertise is the influence of digital tools on the creative process, builds upon the foundations offered by the EVA conference network and aims to expand its core elements of digitality, art and culture. The goal is to further enhance the EVA conference framework by means of providing a set of practical solutions (digital and physical) based on the teaching activities and the proposals of the Chair’s students. The EVA Conference Berlin offers a case study in which the expertise of the Chair – digitalisation and architecture – meets the conference's requirements, offering a portfolio of practical solutions applicable to future editions. We later collected and analysed the students' proposals to structure them into different sub-topics: visual identity, graphics and layout of the conference proceedings and website, design of the conference location, user experience and the organisation of other parallel events to be organised during the conference, such as exhibitions. The Greek and Roman Plaster Cast Collection in Berlin was proposed to the students as potential conference location. The results were later discussed with the conference partners, Fraunhofer Heinrich-Hertz-Institut and Gesellschaft von Freunden des Heinrich-Hertz-Instituts e.V., as well as with the EVA conference network and with the Greek and Roman Plaster Cast Collection, with the aim of implementing the analysis’ results in the next conference edition. Y1 - 2025 UR - https://books.ub.uni-heidelberg.de//arthistoricum/catalog/book/1568/chapter/24108 SN - 978-3-98501-333-3 U6 - https://doi.org/10.11588/arthistoricum.1568.c24108 SP - 265 EP - 268 PB - Heidelberg University / arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Dimova, Lyubov A1 - Spinelli, Jacopo ED - Bienert, Andreas ED - Emenlauer-Blömers, Eva ED - Lengyel, Dominik T1 - New scale model of the city of Pergamon T2 - EVA Berlin 2023 : Elektronische Medien & Kunst, Kultur und Historie : 27. Berliner Veranstaltung der internationalen EVA-Serie N2 - For the reopening of the Pergamon Museum Berlin, two new models are being prepared in the Hall of the Great Altar to replace the old models that previously stood at the foot of the stairs. The first is the model of the altar itself, which shows it in its actual spatial arrangement, i.e. not as the elements of the frieze of the giants as they are displayed on the wall of the great hall, and the second is a section of the city mountain, which, unlike before, will make it clear that almost the entire mountain was covered with buildings. In addition, it will reflect the current state of science, nominally the year 2023, and will also be executed as a tactile model. On a scale of 1:333, which may be unusual but is nevertheless customary in architecture, it will depict the hilltop around the altar, so that the altar itself will be at the centre of the model. Unlike before, the model will be placed in the room in such a way that all three altars, the life-size reconstruction, the isolated altar model and the city hill, will be in the same orientation, i.e. the lines of the buildings will be parallel to each other. Apart from the technical conversion of the surface model used for the visualisations into a volume model, the implementation as a tactile model represents the greatest creative challenge. For here, in the existing production process, milled, not printed, both the milling machine's movement capabilities and the resistance to destructive forces have to be weighed against the visual scientific-spatial expression. Y1 - 2026 UR - https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/1567/chapter/25504 SN - 978-3-98501-331-9 SN - 978-3-98501-332-6 U6 - https://doi.org/10.11588/arthistoricum.1567.c25504 SP - 118 EP - 125 PB - Heidelberg University / arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Bienert, Andreas A1 - Emenlauer-Blömers, Eva A1 - Lengyel, Dominik ED - Bienert, Andreas ED - Emenlauer-Blömers, Eva ED - Lengyel, Dominik T1 - EVA Berlin 2023 : Elektronische Medien & Kunst, Kultur und Historie : 27. Berliner Veranstaltung der internationalen EVA-Serie N2 - 'Game-changing'-Technologien stehen im Zentrum der Konferenz EVA-Berlin 2023. Machine-Learning, Künstliche Intelligenz, Blockchain-, NFT-und XReality-Applikationen sind die innovativen Impulsgeber in den Ökosystemen des Kulturbetriebs, der Kreativwirtschaft und in der künstlerischen Produktion. Haptische Komponenten eines Werks können greifbar gemacht und bildliche Darstellungen in passende Worte gefasst werden. Ein Landschaftsgemälde gewinnt als Klanglandschaft einen neuen akustischen Erlebnishorizont, oder es wird als animierte Wetterkulisse in ein Gaming-Setting eingebunden. Y1 - 2026 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bsz:16-ahn-artbook-1567-0 UR - https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/1567 SN - 978-3-98501-331-9 SN - 978-3-98501-332-6 PB - Heidelberg University / arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Bienert, Andreas A1 - Emenlauer-Blömers, Eva ED - Lengyel, Dominik ED - Bienert, Andreas ED - Emenlauer-Blömers, Eva T1 - EVA Berlin 2025 : Electronic Media and Visual Arts : 28th Issue of the EVA Berlin Conference N2 - Die 28. EVA Berlin Konferenz befasst sich mit den aktuellen disruptiven Veränderungen in Kultur und Digitalisierung. Zu den behandelten Themen gehören der Aufstieg der künstlichen Intelligenz, digitale Projekte im Kultursektor, webbasierte Forschung, Kommunikationskooperationen sowie Informationstechnologie und Multimedia-Dienste für Bibliotheken, Archive, Museen und Einrichtungen der darstellenden Künste. Seit 1994 ist die Berliner Veranstaltung Teil des internationalen EVA-Konferenznetzwerks, zu dem auch Veranstaltungsorte in London, Florenz und Paris gehören. Sie dient als Plattform für einen breiten internationalen Austausch und europäische Zusammenarbeit. Y1 - 2025 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bsz:16-ahn-artbook-1568-5 UR - https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/1568 SN - 978-3-98501-333-3 PB - Heidelberg University / arthistoricum.net CY - Heidelberg ER - TY - GEN A1 - Lengyel, Dominik A1 - Dimova, Lyubov ED - Bienert, Andreas ED - Emenlauer-Blömers, Eva ED - Lengyel, Dominik T1 - The new tactile model of Pergamon for Berlin T2 - EVA Berlin 2025 : Electronic Media and Visual Arts : 28th Issue of the EVA Berlin Conference N2 - This article is an update on the development process of the haptic model of the ancient metropolis of Pergamon, which the Chair of Architecture and Visualisation is creating in collaboration with the Pergamon Museum Berlin for its reopening. The principles and fundamentals are described in detail in the proceedings of the EVA Berlin Conference 2023 [see Ref. [4]]. In the present article, we will outline the critical points that, with the help of an initial test body, should provide insight into how they will look in milled form, so that they can then be fine-tuned if necessary. Y1 - 2025 UR - https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/1568/chapter/24107 SN - 978-3-98501-333-3 U6 - https://doi.org/10.11588/arthistoricum.1568.c24107 SP - 262 EP - 264 PB - Heidelberg University / arthistoricum.net CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bianchi, Pamela ED - Meuris, Wesley T1 - The interrelationship between architecture and exhibition T2 - Exhibition matters : contemporary displays and exhibition-making practices N2 - Architecture can only be perceived as truly relevant on site in situ; in this respect, exhibitions about architecture always constitute an epistemological dilemma. However, numerous ontological circumstances make it possible to encounter this dilemma in such a way that mediation is nevertheless, and in special cases effectively, possible within restrictions. This is the case when the architecture to be mediated is not or has neither been built in physical reality, but is a purely theoretical construction. Then the form as image coincides with the form as vision. This is to be shown by several exhibited projects in collaboration with archaeologists. Y1 - 2026 UR - https://www.bloomsbury.com/uk/exhibition-matters-9781350575547/ SN - 978-1-3505-7554-7 SN - 978-1-3505-7555-4 SN - 978-1-3505-7556-1 U6 - https://doi.org/10.5040/9781350575578.ch-008 SP - 127 EP - 147 PB - Bloomsbury Academic CY - London ER -