TY - BOOK A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schock-Werner, Barbara T1 - Die Bauphasen des Kölner Doms und seiner Vorgängerbauten T1 - Cologne Cathedral and Preceding Buildings Y1 - 2011 SN - 978-3-922442-68-4 PB - Verlag Kölner Dom e.V. CY - Köln ET - 1. Auflage ER - TY - CHAP A1 - Laufer, Eric A1 - Lengyel, Dominik A1 - Pirson, Felix A1 - Stappmanns, Verena A1 - Toulouse, Catherine T1 - Die Wiederentstehung Pergamons als virtuelles Stadtmodell T2 - Pergamon : Panorama der antiken Metropole Y1 - 2011 SN - 978-3-86568-693-0 SP - 82 EP - 86 PB - Verlag Imhof CY - Petersberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Gestaltung der Vision Naga T1 - Designing Naga's Vision T2 - Königsstadt Naga : Grabungen in der Wüste des Sudan Y1 - 2011 SN - 978-3-9814386-0-4 SP - 163 EP - 176 PB - Staatliches Museum Ägyptischer Kunst CY - München ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Ein Stadtmodell von Pergamon : Unschärfe als Methode für Darstellung und Rekonstruktion antiker Architektur T2 - Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast Y1 - 2011 SN - 978-3-86206-088-7 SP - 23 EP - 28 PB - Kettler CY - Bönen ER - TY - CHAP A1 - Lengyel, Dominik A1 - Ristow, Sebastian A1 - Toulouse, Catherine T1 - Rekonstruktionen zur Baugeschichte des Kölner Domes T2 - Fundgeschichten : Archäologie in Nordrhein-Westfalen Y1 - 2010 SN - 978-3-8053-4204-9 SP - S. 546 PB - von Zabern CY - Mainz am Rhein ER - TY - VIDEO A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Bauphasen des Kölner Doms Y1 - 2010 UR - www.lisa.gerda-henkel-stiftung.de ER - TY - GEN A1 - Fless, Friederike A1 - Graf, Bernhard A1 - Dally, Ortwin A1 - Franke, Ute A1 - Gerbich, Christine A1 - Lengyel, Dominik A1 - Knaut, Matthias A1 - Näser, Claudia A1 - Savoy, Bénédicte A1 - Steinmüller, Laura Katharina A1 - Steudtner, Katharina A1 - Taschner, Moritz A1 - Toulouse, Catherine A1 - Weber, Stefan T1 - Authenticity and Communication T2 - eTOPOI Journal for Ancient Studies N2 - Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments “in the full richness of their authenticity” has turned into an abundance of vibrant action and decision-making. KW - Visualisation Y1 - 2016 UR - http://journal.topoi.org/index.php/etopoi/article/view/263 SN - 2192-2608 VL - 6 SP - 479 EP - 524 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bertocci, Stefano ED - Bini, Marco T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - Le ragioni del disegno N2 - In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design – abstract virtual modeling and virtual photography – are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists’ hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects’ hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral’s permanent installation. KW - Visualizzazione Y1 - 2016 SN - 978-88-492-3295-0 SP - 403 EP - 408 PB - Gangemi Editore CY - Firenze ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bienert, Andreas ED - Börner, Anko ED - Emenlauer-Blömers, Eva ED - Hemsley, James T1 - Interaktive Virtual Reality zum begreifenden Verstehen eines architektonischen Prinzips T2 - EVA Berlin 2017 - Elektronische Medien & Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017 N2 - Architektonische Konzepte sind abstrakte Ideen, die während des Bauprozesses in Gebäude umgesetzt werden. Üblicherweise weichen Gebäude von ihrer ursprünglichen Konzeption ab. Das reale Erfahren gebauter Architektur ist nur möglich, solange das Gebäude noch steht. Das Nachvollziehen der ursprünglichen Fassung eines Gebäudes hängt vom Umfang der Umbauten, Renovierungen und Abnutzungen ab. Das Nachvollziehen des ursprünglichen Konzeptes hingegen bedarf der Vorstellungskraft. Diese wird unterstützt durch zusätzliche Erläuterungen aufgrund von Hypothesen aus der historischen Bauforschung oder der Archäologie. Der hier vorgestellte Ansatz verbindet das Erleben eines hypothetischen Konzeptes für eine Reihe von Kirchenbauten mit der Möglichkeit, auch nicht physischen Raum mithilfe von Virtual Reality erlebbar zu machen. Er nutzt dabei die aktuell verfügbaren Mittel der immersiven stereoskopischen Projektion mithilfe einer 3D-Brille, die abgesehen von ihrem eingeschränkten Blickfeld und der im Vergleich zum Auge geringeren Auflösung dem natürlichen Sehen nahekommt, sowie der durch spezielle Controller möglichen Interaktion mit Objekten im virtuellen Raum, die das Greifen und Verschieben simulieren. KW - Echtersche Idealkirche Y1 - 2017 SN - 978-3-88609-801-9 SP - 104 EP - 113 PB - Staatliche Museen zu Berlin - Preußischer Kulturbesitz CY - Berlin ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Dombrowski, Damian ED - Meier, Markus Josef ED - Müller, Fabian T1 - Die Echtersche Idealkirche - Eine interaktive Annäherung T2 - Julius Echter : Patron der Künste N2 - Julius Echter von Mespelbrunn hat als Würzburger Fürstbischof mehrere Hundert Kirchen gebaut. Häufig ähneln sich die Kirchen im Großen wie im Kleinen. In der Außenerscheinung der Kirchen sind Langhaus, Chor, Sakristei und Turm stets sehr ähnlich angeordnet; im Innern sind die Gewölbe und die Ausstattung vom Altar über die Kanzel und den Taufstein bis zur Empore uniformen Standards verpflichtet. Diesen Kirchen muss eine klare Vorstellung zugrunde gelegen haben, eine ursprüngliche Idee, wie Kirchen auszusehen haben. Aus dieser Feststellung ergab sich die Aufgabe, ein Bild der echterschen Idealkirche zu gewinnen. KW - Echtersche Idealkirche Y1 - 2017 SN - 978-3-422-07408-8 SP - 127 EP - 129 PB - Deutscher Kunstverlag CY - Berlin ; München ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unschärfe am Beispiel von Ktesiphon und weiteren archäologischen Stätten T2 - DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria N2 - Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unschärfe am Beispiel von Ktesiphon und weiteren archäologischen Stätten. Das interdisziplinär angelegte, von der Deutschen Forschungsgemeinschaft (DFG) geförderte Excellence Cluster TOPOI (The Formation and Transformation of Space and Knowledge in Ancient Civilizations) beinhaltet im zweiten Fünfjahreszeitraum ein Forschungsprojekt, das eine Best Practice Methode für die Kooperation zwischen Wissenschaft und Museen anhand einer exemplarischen archäologischen Stätte erarbeiten soll. Ruinen im außermusealen Kontext, aber auch Funde im musealen Kontext sowie Ergänzungen in Form von Zeichnungen, Modellen in unterschiedlichen Maßstäben vom städtebaulichen Überblick bis zum Nachbau im Originalmaßstab, aber auch virtuelle 3D-Rekonstruktionen, prägen die Perzeption und damit das Wissen über die historischen Orte. Während TOPOI die Formation und Transformation von Raum und Wissen in der Antike behandelt, untersucht dieses Forschungsprojekt insbesondere die Perzeption und Repräsentation im Museum. KW - Visualisierung KW - Unschärfe Y1 - 2015 UR - http://gams.uni-graz.at/o:dhd2015.abstracts-gesamt PB - DHd CY - Hamburg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Digitale Modellierung antiker Bauten T2 - Raumwissen KW - Visualisierung Y1 - 2016 UR - https://www.topoi.org/wp-content/uploads/2016/04/Raumwissen_17-2016.pdf SN - 1869-7356 N1 - DFG Excellenzcluster 264 TOPOI VL - 8 IS - 17 SP - 38 EP - 43 ER - TY - CHAP A1 - Lengyel, Dominik ED - Lang, Jörn ED - Müller, Hans-Peter ED - Pirson, Felix T1 - Visualisierung von Hypothesen, virtuelles Modellieren, virtuelle Fotografie T2 - Pergamon wiederbelebt! Die antike Residenzstadt in 3D KW - virtuelles Modellieren, virtuelle Fotografie, Visualisierung von Hypothesen Y1 - 2018 SN - 978-3-00-058912-6 SP - 48 EP - 54 PB - Antikenmuseum der Universität Leipzig CY - Leipzig ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualized Hypotheses - Architectural Ideas as Intellectual Legacy T2 - Abitare le Terra - Dwelling on Earth KW - Visualisierung, Unschärfe, Virtuelle Rekonstruktion Y1 - 2018 SN - 9788849237689 SN - 9788849237573 IS - 49 = 1 von "Abitare la Terra: Quaderni" SP - 16 EP - 17 PB - Gangemi Editore S.p.A. CY - Rom ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Ciambrone, Alessandro T1 - Visualized Hypotheses - Architectural Ideas as Intellectual T2 - Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum KW - Visualisierung, Unschärfe, Virtuelle Rekonstruktion Y1 - 2019 SN - 978-88-492-3751-1 SP - 98 EP - 98 PB - Gangemi Editore S.p.A. CY - Rom ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Ebert, Carola ED - Froschauer, Eva Maria ED - Salge, Christiane T1 - Visualisierung in der Architekturlehre T2 - Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert N2 - Was ist Architekturvisualisierung? Welche Ziele werden damit verfolgt, und welche Kompetenzen sind dafür erforderlich? Der Beitrag stellt dar, wie Catherine Toulouse und Dominik Lengyel dieses Fach und diese Fähigkeit in der universitären Lehre über mehr als ein Jahrzehnt verfolgen und dafür ein Curriculum entwickelt haben, das die Studierenden befähigt, architektonische Ideen, seien es Entwürfe, Analysen oder archäologische Hypothesen mit Mitteln der Abstraktion in Bilder zu übersetzen. Hinzu kommen zahlreiche Forschungsprojekte, die gemeinsam mit externen Partnern entwickelt wurden und die zeigen, wie sich Unschärfe im Wissen der Archäologie, der Historischen Bauforschung oder der Kunstgeschichte anschaulich visuell vermitteln lässt. KW - Architektur KW - Architekturlehre KW - Entwerfen KW - Architekturgeschichte KW - Architekturtheorie KW - Bildanalyse KW - Fotografie Y1 - 2019 SN - 978-3-7983-3066-5 SP - 256 EP - 284 PB - Universitätsverlag der TU Berlin CY - Berlin ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Capellini, Vito T1 - Architectonic Design for mediating cultural Hertitage T2 - EVA 2019 Florence : electronic imaging & the visual arts, 8-9 May 2019 N2 - At the intersection of research and visual arts we have developed a method for visualizing archaeological hypotheses that explicitly preserves the scientific content excluding any unintentional content. It consists of virtual modeling and virtual photography. Other than usual we do not consider the spatial model as the decisive core but as an integral part of the visual mediation, and its complementary counterpart, the virtual photography, as equally important. Contrasting the usual way to reconstruct architecture in a hyper-realistic way as in the movie industries, we consider our approach a unique 3D Development and Application in the Cultural Heritage Area. KW - Virtuelle Rekonstruktion, Visualisierung, Unschärfe Y1 - 2019 UR - https://www.fupress.com/catalogo/electronic-imaging-e-the-visual-arts--eva-2019-florence/3941 SN - 978-88-6453-868-6 SP - 108 EP - 115 PB - Firenze University Press CY - Firenze ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Artificial Imagination Induced by Visualised Hypotheses in Archaeology T2 - Proceedings of EVA London 2020 (EVA 2020) : 6th July – 9th July 2020 N2 - This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universität and Humboldt-Universität Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum Würzburg (visualising Archbishop Julius von Echter’s ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry. Y1 - 2020 UR - https://www.scienceopen.com/document?vid=f58b1e7f-ae83-4a75-ade1-765aac223cb0 U6 - https://doi.org/10.14236/ewic/EVA2020.8 SP - 50 EP - 57 PB - British Computer Society CY - London ER - TY - CHAP A1 - Lengyel, Dominik ED - Portoghesi, Paolo T1 - Architectural design for the contamination by cultural ideas T2 - Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4 Y1 - 2020 UR - https://www.gangemieditore.com/dettaglio/abitare-la-terra-dwelling/8967/18 SN - 9788849239959 SP - 30 EP - 31 PB - Gangemi Editore S.p.A Roma CY - Italien, Rom ET - 1. Auflage ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Heinrich, Florian T1 - Architecture Transformed - Architectural Processes in the Digital Image Space T2 - International Journal for Digital Art History N2 - The production and conception of architecture are not only shaped by the technical-constructive aspect but also by their visual representation. Since the 1980s, with the advent of digital technologies for the design and visual representation of architecture (computer-aided design), far-reaching changes have occurred, resulting in fundamentally new possibilities for linking technical design and visual reproduction (computer rendering to virtual photography). This cooperative project undertakes an investigation of these essentially process-related relationships outlined here in design and visualization during the transition phase from analogue to digital planning and display format methods from 1980 to the present. In exemplary studies on the use and application of the new tools and their visual products (images), the aim is to determine how the ‘digital image’ has changed the concept and production of architecture from the perspective of art history and media criticism on the one hand, and the production aesthetic point of view of architectural and architectural image production on the other. KW - architecture KW - Computer-Aided-Design (CAD) KW - interdisciplinary collaboration KW - digital image KW - visualization Y1 - 2021 UR - https://journals.ub.uni-heidelberg.de/index.php/dah/article/view/83928 U6 - https://doi.org/10.11588/dah.2021.E1.83928 SN - 2363-5398 IS - E1 2021 SP - 66 EP - 81 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Capellini, Vito T1 - How to cut a virtual model into comprehensible sections T2 - Electronic imaging & the visual arts : EVA 2023 Florence, 5 June 2023 Y1 - 2023 UR - https://www.torrossa.com/de/resources/an/5487007# SN - 978-88-596-2355-7 SP - 144 EP - 149 PB - Leonardo Libri srl CY - Florence ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Horvat Levay, Katarina ED - Bosnic, Tomislav T1 - Creating reality to be interpreted through the photography of abstraction T2 - Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts Y1 - 2022 SN - 978-953-373-014-1 SP - 24 EP - 25 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bowen, Jonathan P. ED - Weinel, Jon ED - Diprose, Graham T1 - How Physical Models Complete Virtual Multimediality T2 - Proceedings of EVA London 2023 N2 - This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions. Y1 - 2023 UR - https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.7 U6 - https://doi.org/10.14236/ewic/EVA2023.7 SP - 47 EP - 52 CY - London ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bonnefoit, Régine ED - Rérat, Melissa ED - Schellenberg, Samuel T1 - New Media for the Visualization of Architecture T2 - New Media in Art History - Tensions, Exchanges, Situations Y1 - 2023 SN - 978-3-11-118600-9 U6 - https://doi.org/10.1515/9783111186009-009 SP - 116 EP - 134 PB - De Gruyter CY - Berlin, Boston ER - TY - CHAP A1 - Burwitz, Henning A1 - Grellert, Marc A1 - Henze, Frank A1 - Kröber, Cindy A1 - Kuroczyński, Piotr A1 - Lengyel, Dominik A1 - Münster, Sander A1 - Pfarr-Harfst, Mieke A1 - Prechtel, Nikolas A1 - Schelbert, Georg A1 - Toulouse, Catherine A1 - Wacker, Markus ED - Münster, Sander ED - Pfarr-Harfst, Mieke ED - Kuroczynski, Piotr T1 - Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion T2 - Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung Y1 - 2019 SN - 978–3–947449–68–2 SN - 978–3–947449–69–9 SN - 978–3–947449–70–5 U6 - https://doi.org/10.11588/arthistoricum.515 SP - 21 EP - 28 PB - arthistoricum.net CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Münster, Sander A1 - Kuroczynski, Piotr A1 - Pfarr-Harfst, Mieke A1 - Greilert, M. T1 - Future Research Challenges for a Computer-Based Interpretative 3D Reconstruction of Cultural Heritage - A German Community's View T2 - 25th International CIPA Symposium 2015, 31 August – 04 September 2015, Taipei, Taiwan N2 - The workgroup for Digital Reconstruction of the Digital Humanities in the German-speaking area association (Digital Humanities im deutschsprachigen Raum e.V.) was founded in 2014 as cross-disciplinary scientific society dealing with all aspects of digital reconstruction of cultural heritage and currently involves more than 40 German researchers. Moreover, the workgroup is dedicated to synchronise and foster methodological research for these topics. As one preliminary result a memorandum was created to name urgent research challenges and prospects in a condensed way and assemble a research agenda which could propose demands for further research and development activities within the next years. The version presented within this paper was originally created as a contribution to the so-called agenda development process initiated by the German Federal Ministry of Education and Research (BMBF) in 2014 and has been amended during a joint meeting of the digital reconstruction workgroup in November 2014. KW - Virtual 3D reconstruction KW - Perspectives KW - Survey KW - Research agenda Y1 - 2015 U6 - https://doi.org/10.5194/isprsannals-II-5-W3-207-2015 SP - 207 EP - 213 ER - TY - CHAP A1 - Schwarz, Astrid A1 - Lengyel, Dominik T1 - Energizing Future Urbanity (EFU) T2 - Shared Spaces in Change. Eine Ausstellung im Kornhausforum Bern und im öffentlichen Stadtraum Bern. N2 - Die Städte der Zukunft bestehen aus lokalen, quasiautonomen Technik-Umwelt-Ensembles. Die sogenannte T-Cells der BTU Cottbus-Senftenberg (-> S72) können im Design an die urbane Umwelt individuell angepasst werden. KW - Design, Technikwissenschaft, Stadtplanung, Y1 - 2022 SN - 978-3-033-09392-8 SP - 5 EP - 5 PB - Kornhausforum Selbstverlag CY - Bern ET - 1 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bertocci, Stefano ED - Bini, Marco T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - Le ragioni del Disegno: Pensiero, Forma e Modello nella Gestione della Complessità, Atti del 38° convegno internazionale dei Docenti della Rappresentazione N2 - In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design – abstract virtual modeling and virtual photography – are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists’ hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects’ hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral’s permanent installation. KW - Visualisation Y1 - 2017 SN - 978-88-492-8295-5 SP - 403 EP - 408 PB - Gangemi Editore spa CY - Rom ER - TY - GEN A1 - Lengyel, Dominik A1 - Weicht, Christian A1 - Schürmann, Detlev T1 - Zufahrtsschutz Teil 4 T2 - Polizei, Verkehr + Technik : pvt Y1 - 2021 SN - 0722-5962 VL - 66 IS - 5 SP - 30 EP - 32 ER - TY - CHAP A1 - Laufer, Eric A1 - Lengyel, Dominik A1 - Pirson, Felix A1 - Stappmanns, Verena A1 - Toulouse, Catherine ED - Scholl, Andreas ED - Schwarzmaier, Agnes T1 - Die Wiederentstehung Pergamons als virtuelles Stadtmodell T2 - Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin Y1 - 2018 SN - 978-3-7319-0793-0 SP - 36 EP - 41 PB - Michael Imhof Verlag CY - Berlin ER - TY - GEN A1 - Lengyel, Dominik A1 - Weicht, Christian A1 - Schürmann, Detlev T1 - Bundesministerium fördert DIN-Standard für mobile Fahrzeugsperren T2 - Crisis Prevention Y1 - 2021 UR - https://www.flipsnack.com/betapublishing/crisis-prevention-3-2021/full-view.html SN - 2198-0527 IS - 3 SP - 10 EP - 13 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Muga, Henrique ED - Silva, M. F. Costa ED - Sousa, Isolino T1 - Narratives by poetic architecture on analytic humanities T2 - On Cinema 2022 Y1 - 2022 UR - http://hdl.handle.net/10400.26/41498 SN - 978-972-8784-97-3 PB - Busilis da Comunicacao, Lda CY - Porto, Portugal ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visualisierungen - Lengyel Toulouse N2 - Es handelt sich um digitale Rekonstruktionen antiker Bauten anhand archäologischer Hypothesen. Die Sammlung enthält virtuelle Modelle und virtuelle Fotografien folgender Serien: Pergamon, Palatin, Ktesiphon, Kölner Dom, Bauphasen Kölner Dom, Lüneburger Platz am Sande, Naga, Julius Echter. KW - Virtuelle Rekonstruktion Y1 - 2015 ER - TY - GEN A1 - Lengyel, Dominik T1 - Pergamon wiederbelebt! Die antike Residenzstadt in 3D N2 - Eine Ausstellung des Antikenmuseums der Universität Leipzig in Zusammenarbeit mit dem Deutschen Archäologischen Institut (DAI) Abteilung Istanbul und dem Lehrstuhl für Darstellungslehre der BTU zeigt eine virtuelle 3D-Rekonstruktion des antiken Pergamon T2 - BTU News KW - Virtuelle Rekonstruktion Y1 - 2018 VL - 16 IS - 51 SP - 53 ER - TY - GEN A1 - Lengyel, Dominik T1 - Forschen durch Visualisieren T2 - BTU News N2 - Mit Hilfe von komplexen 3D-Modellen werden Forschungsergebnisse zu antiken Städten und Bauwerken visualisiert und wissenschaftliche Zusammenhänge sichtbar gemacht KW - Virtuelle Rekonstruktion Y1 - 2018 VL - 16 IS - 53 SP - 28 EP - 28 ER - TY - CHAP A1 - Lengyel, Dominik ED - Pasch, Eva ED - Kieburg, Holger T1 - Pergamon - Wissenschaft und Gestaltung T2 - Auferstehung der Antike: Archäologische Stätten digital rekonstruiert. N2 - Wie Architektur, 3D-Modell und Fotografie Archäologie vermitteln KW - 3D-Modell, Virtuelle Rekonstruktion, Y1 - 2019 SN - 978-3-8053-5213-0 SP - 86 EP - 89 PB - Verlag Philipp von Zabern CY - Darmstadt ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Dechêne, Sigrun ED - Walz, Manfred T1 - Simultaneous visions T2 - Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005 Y1 - 2006 SN - 978-3-00-019070-4 SP - 187 EP - 195 PB - Fachhochschule Dortmund, Fachbereich Architektur CY - Dortmund ER - TY - CHAP A1 - Lengyel, Dominik ED - Schmidt, J. Alexander ED - Schlömer, Natascha T1 - The Presentation is the Project T2 - Digital, analogue environmental simulation, 5th Conference of the European Architectural Endoscopy Association, September 12th to 14th 2001 Y1 - 2002 SN - 3-922602-85-1 SP - 96 EP - 105 CY - Essen ER - TY - GEN A1 - Lengyel, Dominik T1 - Die Unschärfe in der Visualisierung von Ktesiphon T2 - Bericht über die 49. Tagung für Ausgrabungswissenschaft und Bauforschung vom 4. bis 8. Mai 2016 in Innsbruck KW - Ktesiphon Y1 - 2017 SN - 978-3-945363-75-1 SP - 173 EP - 179 PB - Koldewey Gesellschaft CY - Stuttgart ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Kuroczynski, Piotr ED - Bell, Peter ED - Dieckmann, Lisa T1 - Visualisierung von Hypothesen – Zur Gestaltung von Abstraktion bei der Darstellung unscharfen Wissens in Archäologie, Bauforschung und Kunstgeschichte T2 - Computing art reader : Einführung in die digitale Kunstgeschichte N2 - Die Darstellung von Unschärfe ist eine von den Autoren entwickelte Methode zur visuellen Repräsentation räumlicher Hypothesen. Unscharfes Wissen ist ein wesentlicher Bestandteil von Wissenschaft. Stellt man die Wissenschaftlichkeit bei der Visualisierung einer Hypothese in den Vordergrund, bietet es sich an, das Hypothetische selbst zum Gegenstand der Visualisierung zu machen. Damit entsteht ein Bild von Architektur - das Bild eines architektonischen Gedankens -, aber keine Simulation einer fiktiven Wirklichkeit. Indem die unscharfe Darstellung beim Betrachter eine räumliche Vorstellung erzeugt, die so weit wie möglich der wissenschaftlichen Hypothese entspricht, zugleich jedoch deren hypothetischen Charakter offenlegt, verfolgt sie das Ziel, dem Betrachter durch die Reflexion des gesamten Wahrnehmungsprozesses Wissen über Archäologie im Speziellen, aber auch Wissenschaftlichkeit im Allgemeinen zu vermitteln. Über die London Charter hinaus geht es bei der hier vorgestellten Methode um die Notwendigkeit gestalterischer Kompetenz. Die Begriffspaare Gestaltung und Wissenschaft und Darstellung und Unschärfe beschreiben den Anspruch, unterschiedliche künstlerische und wissenschaftliche Bereiche aus der Architektur und Archäologie mit dem Ziel der Erkenntnisförderung zusammenzuführen. Dieser Beitrag will zeigen, dass Gestaltung einen wesentlichen Anteil bei der Erzeugung neuer visueller Artefakte haben sollte. Die Autoren haben zahlreiche Projekte mit Archäologen, historischen Bauforschern und Kunstwissenschaftlern durchgeführt, anhand derer sie die Methoden der Darstellung von Unschärfe entwickelt haben. KW - Architektur, Archäologie, Kunstgeschichte, Wissen, Unschärfe, Gestaltung, Visualisierung, Abstraktion, Fotografie, Modell, Virtuelle Realität, Raum, Visuelle Sprache Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bsz:•16-ahn-artbook-413-0 UR - https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwjKq4qq6NflAhVC16QKHSpqB7gQFjACegQIAhAC&url=http%3A%2F%2Fbooks.ub.uni-heidelberg.de%2Farthistoricum%2Freader%2Fdownload%2F413%2F413-16-83460-2-10-20181210.pdf&usg=AOvVaw3tGUL6_n0WSgbknUtoozr5 SN - 978-3-947449-15-6 PB - arthistoricum.net CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Bienert, Andreas ED - Hemsley, James ED - Santos, Pedro T1 - 3D-Scans für die Rekontextualisierung antiker Skulptur T2 - EVA 2014 Berlin: Elektronische Medien & Kunst, Kultur, Historie, Konferenzband Y1 - 2014 SN - 978-3-88609-755-5 PB - Fraunhofer-Institut für Graphische Datenverarbeitung [u.a.] CY - Darmstadt ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The Presentation is the Project T2 - Evaluation in progress, strategies for environmental research and implementation, abstracts, 18th Conference of the International Association for People-Environment Studies, Vienna University of Technology (Austria) 7 - 9 July, 2004 Y1 - 2004 SN - 3-85437-263-9 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Designing the Construction Phases of Cologne Cathedral and its Preceding Buildings T2 - Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011 Y1 - 2011 SN - 978-9-0526-9400-9 PB - Faculty of Architecture, Delft University of Technology CY - Delft ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Living Clay T2 - Virtual Environment and Experience, 8th international eaea conference Y1 - 2007 PB - Moscow Architectural Institute CY - Moskau ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Kardos, Peter ED - Urland, Andrea T1 - Spatial Imagination in Practice and Teaching T2 - Spatial Simulation and Evaluation, 6th international EAEA conference proceedings Y1 - 2004 SN - 80-227-2088-7 PB - Slovak University of Technology CY - Bratislava ER - TY - CHAP A1 - Lengyel, Dominik T1 - Anschauliche Geometrie T2 - Positionen der Geometrieausbildung, Tagungsband der ersten Tagung der DGfGG vom 24. - 26. Februar 2005 in Hannover Y1 - 2005 SP - 45 EP - 52 CY - Hannover ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Heine, Katja ED - Rheidt, Klaus ED - Henze, Frank ED - Riedel, Alexandra T1 - Darstellung von unscharfem Wissen in der Rekonstruktion historischer Bauten T2 - Von Handaufmaß bis High Tech III : Erfassen, modellieren, visualisieren Y1 - 2011 SN - 978-3-8053-4332-9 SP - 182 EP - 186 PB - Verlag Philipp von Zabern CY - Darmstadt [u.a.] ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Bauphasen des Kölner Domes und seiner Vorgängerbauten: Gestaltung zwischen Architektur und Diagrammatik T2 - Diagrammatik der Architektur, Kölner Tagung im Januar 2011 Y1 - 2013 SN - 978-3-7705-5520-8 SP - 327 EP - 352 PB - Verlag Wilhelm Fink CY - München ER - TY - GEN A1 - Lengyel, Dominik T1 - 3D-Visualisierungen im Pergamon Museum Berlin T2 - BTU News N2 - Zwei Visualisierungen des Lehrstuhls sind seit dem 16. November 2018 bis voraussichtlich 2024 im neuen Pergamonmuseum zu sehen. Das Pa-norama ist ergänzt um einen Link zum seit der Ausstellung in der Leip-ziger Antikensammlung im Sommer 2018 vertonten Film. KW - Virtuelle Rekonstruktion Y1 - 2018 VL - 16 IS - 53 SP - 63 EP - 63 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Archaeology as Study of the Future T2 - The European Archaeologist Y1 - 2023 UR - https://www.e-a-a.org/EAA/Publications/Tea/Tea_75/EAA/Navigation_Publications/TEA_75.aspx SN - 1022–0135 IS - 75 SP - 26 EP - 33 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Gambardella, Carmine T1 - Visualized Hypotheses - Architectural Ideas as Intellectual Legacy T2 - World Heritage and Legacy. Cultur, Creativity, Contamination, Le Vie dei Mercanti XVII International Forum N2 - Legacy is ambivalent: Built architecture mostly consists of ruins while the immaterial heritage is described in its interpretation. While the former suffers from deterioration and needs protection in order to preserve its condition, the latter undergoes a cyclical process of creating and reprobating interpretations. The concerned knowledge is itself exposed to an evolutional process, while the ruins pass a cyclical, generational reexamination. Protection and interpretation correlate, but the ruins may be recovered while their interpretation will be created, confirmed or discarded infinite times. Still, it is not visible. As good practice we developed a principle of translating hypotheses into vivid visualisations that adhere to the scientific content without adding fictional content: abstract geometry seen as virtual photography. We consider this a humanist approach and rely on the persuasive power of the idea: ideal representations that represent intellectual legacy. This paper illustrates this method by several projects developed by the authors in their University Chair and in their architectural office in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI) and The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin). KW - Architecture KW - Visualisation KW - Archeology KW - Hypothese KW - Uncertain knowledge Y1 - 2019 SN - 978-88-492-3752-8 SN - 978-88-492-3751-1 SP - 696 EP - 704 PB - Gangemi Editore CY - Rom ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Levaj, Katarina Horvat T1 - From archaelogy to a visual architectural terminology T2 - OTKRIVANJE DALMACIJE V Y1 - 2019 SN - 978-953-7875-65-7 SP - 59 EP - 60 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - The amphitheatre of Dyrrachium T2 - ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti Y1 - 2022 UR - https://www.researchgate.net/publication/363640205_ARCHITECTURE_HERITAGE_and_DESIGN_Mercanti_Vie_Le_dei SN - 978-88-492-4529-5 SP - 538 EP - 542 PB - Gangemi Editore spa CY - Rom, Italien ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Sekelj, Sanja T1 - Uncertainty in the hypothesis on an unrealized planning of the Berne Minster T2 - Digital Art History – Methods, Practices, Epistemologies : Book Of Abstracts & Conference Programme Y1 - 2021 UR - https://urn.nsk.hr/urn:nbn:hr:254:252820 SN - 978-953-7875-93-0 SP - 58 EP - 62 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die digitale Visualisierung von Architektur T2 - Blickpunkt Archäologie N2 - Der Beitrag widmet sich der digitalen Visualisierung von archäologischen Baubefunden und den damit verbundenen grundlegenden Möglichkeiten und Problemen. Was kann die digitale Visualisierung von Architektur im Kontext der 3D-Digitalisierung in der Archäologie leisten? Die Frage ist vor allem deshalb nicht leicht zu beantworten, weil viele Begriffe nicht eindeutig verwendet werden und vor allem in dieser Konstellation unterschiedlichste Assoziationen auslösen. Es geht schließlich nicht um Archäologie oder Architektur als Ganzes, sondern eben um die Schnittstelle im Kontext der allumfassenden Digitalisierung. KW - Visualisierung Y1 - 2016 SN - 2364-4796 IS - 2 SP - 91 EP - 98 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Obradović, Marija T1 - The Building Phases of Cologne Cathedral and its Predecessors (with a Special on Inner Choir 1856) T2 - Dimensions reflected 2020 N2 - The two films show the current research results on the building phases of Cologne Cathedrals and its predecessors. From a water basin in a Roman garden, several churches have been built for about two thousand years, until the Gothic choir was started in mid-13th century. Completed at the end of the 19th century, the cathedral was given a new access structure ten years ago, which serves as an entrance to the tower ascent as well as to the archaeological zone, and in which the film about the construction phases is since exhibited. It was only in the middle of the 19th century that the wall that had closed off the Gothic choir to the west since the 14th century was removed. From this period numerous images of the interior have been preserved, but none of them show the central interior. The 150th anniversary of the cathedral chorus provided the opportunity to recapture this. Both visualizations translate scientific hypotheses. They have only been supplemented in those places where it was necessary to complete the architectural impression. As a result, the buildings appear abstract and only in the imaginative power of the observer do they become architecture again. Y1 - 2020 UR - https://grafar.grf.bg.ac.rs/handle/123456789/2205 SN - 978-86-6060-049-5 SP - 21 EP - 21 PB - Faculty of Mechanical Engineering, University of Belgrade CY - Belgrad ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Rodrigues, Nuno Faleiro T1 - Europe’s Architectural Identity. A visualisation method of ideas T2 - Notes on Europe. The dogmatic sleep KW - visualisation method, Visualising Hypotheses Y1 - 2019 UR - https://ceaa-europa.weebly.com/program.html SN - 978-972-8784-88-1 SP - 28 EP - 28 PB - Peninsular Papelaria & Atres Gráficas CY - Porto ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Horvatinćič, Sanja T1 - Visualising Hypotheses as the Method Used to Approach Achaeological Research Questions T2 - International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb KW - Visualising Hypotheses, Achaeological Research Y1 - 2019 UR - https://www.art-net-hrzz.org/abstracs SN - 978-953-7875-68-8 SP - 16 EP - 16 PB - Institute of Art History CY - Zagreb ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Graphic Instruments for Visualizing Hypotheses T2 - Technoheritage 2019, IV International Congress, Book of Abstracts N2 - Within the last decade we have developed a new digital graphic instrument for knowledge mediation and knowledge development of archaeological hypotheses concerning architectural topoi. The key feature of archaeological hypotheses is the varying degree of certainty ranging from undoubtful findings over most probably deductions to vague yet scientifically based assumptions. Mediations, towards the scientific community, as well as towards the public is usually based on scientific, written text accompanied by imagery that – on its turn – tends to be perceived even preferentially. KW - Virtual Reconstruction, Graphic Instruments, Visualizing Hypotheses Y1 - 2019 SN - 978-84-09-08757-0 SP - 79 EP - 79 CY - Seville ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Börner, Wolfgang ED - Uhlirz, Susanne T1 - The consecution of uncertain knowledge, hypotheses and the design of abstraction T2 - International Conference on Cultural Heritage and New Technologies, Vienna, 2015 N2 - The paper describes the necessity of architectural design in the process of creating abstract geometry as representation of archaeological hypoth eses in opposition to pretended reconstructions. Methodology: How were the objectives reached? Which methods were used? Knowledge in archaeology, building or art history is generally of largely different certainty including contradictions and multivalencies, which unambiguou sly excludes true reconstructions in the sense that the reconstruction equals its origin. Instead there is a number of hypotheses that approximate the historic state. The visualisation of hypotheses with a special regard on uncertain knowledge, i. e. respecting and explicitely showing this uncertainty, is a counter position towards pretended reconstructions. Results: What are the results of the work? A number of projects e.g. in cooperation with the German Archaeological Institute DAI, the State’s Museums in Berlin SMB (e.g. the first scientific 3D model of Pergamon and the Palatine palace in Rom, both presented in the Pergamon Museum Berlin), the Museum for Islamic Art Berlin (e. g. the Sasanian metropole Ktesiphon), funded by the German Research Foundation DFG and as part of the DFG Excellence Cluster TOPOI (mainly hosted by the universities FU Berlin and HU Berlin) that successfully visually mediated the state of science and its scientific characteristics among the scientists as well as to the public. Innovations: What is new and significant about your ideas, methods, and results? The visualisation of hypotheses has a higher scientific impact incorporating uncertain knowledge as in evitable characteristic of science. One way of visually expressing different possible states in one image is the use of abstract geometry. This implies a highly qualified handling of abstract geometry (model making) and imagery architectural photography) being a creative act of design with effect on the inner-scientific and public perception of the historic topic. So qualified architectural design makes the difference. KW - Visualisation Y1 - 2016 UR - http://www.chnt.at/wp-content/uploads/eBook_CHNT20_Lengyel_Toulouse_2015.pdf SN - 978-3-200-04698-6 SP - 1 EP - 16 PB - Museen der Stadt Wien – Stadtarchäologie CY - Wien ER - TY - BOOK A1 - Lengyel, Dominik A1 - Locher, Hubert A1 - Henrich, Florian A1 - Toulouse, Catherine T1 - Architecture Transformed - The Digital Image in Architecture 1980–2020 N2 - Das digitale Bild in der Architektur Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur über vier Jahrzehnte – im Prozess der Digitalisierung von Wissen in Theorie und Praxis – sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung über die Fotomontage bis zum Computerrendering, um die medienspezifische Prägung der Architektur durch digitale Methoden zu verdeutlichen. Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums für Kunstgeschichte – Bildarchiv Foto Marburg mit dem Lehrstuhl für Architektur und Visualisierung der Brandenburgischen Technischen Universität Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild“. KW - Architektur KW - Architekturgeschichte KW - Bildwissenschaft KW - Visualisierung KW - Entwurf KW - Architekturfotografie KW - Renderings KW - Computer-Aided Design Y1 - 2024 UR - https://birkhauser.com/de/books/9783035628777 SN - 978-3-0356-2448-9 PB - Birkhäuser Verlag GmbH CY - Basel ET - 1. Auflage ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - A Political Narrative in the Relationship between Artwork and Recipient T2 - Izkustvovedski Četenija = Art Readings N2 - Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory. KW - Visualisation KW - Architecture KW - Design KW - Abstraction KW - Knowledge KW - Uncertainty KW - 3D Y1 - 2024 UR - https://www.ceeol.com/search/journal-detail?id=308 SN - 1313-2342 VL - 2023 IS - 1 SP - 71 EP - 86 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Schaerer, Philipp ED - Hovestadt, Ludger ED - Hirschberg, Urs ED - Fritz, Oliver T1 - Visualisation T2 - Atlas of Digital Architecture : Terminology, Concepts, Methods, Tools, Examples, Phenomena Y1 - 2020 SN - 978-3-0356-2011-5 U6 - https://doi.org/10.1515/9783035620115 SP - 285 EP - 323 PB - Birkhäuser CY - Basel ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Nicolai, Bernd ED - Schweizer, Jürg T1 - Zum Erscheinungsbild der Visualisierungen des Berner Münsters T2 - Das Berner Münster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528) Y1 - 2019 SN - 978-3-7954-3428-1 SP - 218 EP - 230 PB - Schnell & Steiner CY - Regensburg ET - 1. Auflage ER - TY - GEN A1 - Glaser, Manuela A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schwan, Stephan T1 - How Do We Deal with Uncertain Information? Effects of Verbal and Visual Expressions of Uncertainty on Learning T2 - Educational Psychology Review N2 - AbstractBased on the knowledge generation model for visual analytics including uncertainty propagation and human trust building (Sacha et al. 2016), the cognitive theory of multimedia learning (Mayer, 2014), the multimedia principle (Butcher, 2014), and previous studies on the effects of different uncertainty visualization styles, an integrated theoretical approach is proposed to examine the influence of different degrees of information uncertainty and different uncertainty visualization styles on processing pictures of two archeological reconstructions with accompanying audio explanations presented in a multimedia learning environment. A 4 × 3 design with condition (without uncertainty visualization vs. stop light colors vs. geometric contrast vs. both uncertainty visualizations) as the between-subjects factor and uncertainty value (uncertain vs. medium vs. certain) as the within-subject factor was used. The results showed that appearance of certain content, its uncertainty values, and their verbal scientific justifications were remembered better than uncertain ones. Furthermore, stop light colors enhanced the memory of uncertainty values compared to no uncertainty visualization and were better understood, discriminated, and transferred than geometric contrast. Geometric contrast decreased the memory of the appearance of uncertain architectural elements compared to no uncertainty visualization and was better than stop light colors regarding the memory of the appearance of certain architectural elements. The study integrates and extends existing theories by showing that certain contents are processed with higher priority than uncertain contents and that the multimedia effect is also valid for metainformation such as the uncertainties of contents. Finally, recommendations for designing learning material including uncertainty visualizations are given. Y1 - 2022 U6 - https://doi.org/10.1007/s10648-022-09659-4 SN - 1040-726X VL - 34 IS - 2 SP - 1097 EP - 1131 ER - TY - GEN A1 - Glaser, Manuela A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Schwan, Stephan T1 - Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention T2 - Eurographics Workshop on Intelligent Cinematography and Editing N2 - Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients. Y1 - 2015 SN - 978-3-905674-79-8 U6 - https://doi.org/10.2312/wiced.20151070 SN - 2411-9733 ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Die Lehre der digitalen Visualisierung am Beispiel der Architektur T2 - DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als fächerübergreifendes Forschungsparadigma : Konferenzabstracts : Universität Leipzig 7. bis 12. März 2016 Y1 - 2016 SN - 978-3-941379-05-3 SP - 183 EP - 186 PB - nisaba verlag CY - Duisburg ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine A1 - Glaser, Manuela A1 - Schwan, Stephan T1 - Designing computer-based learning contents: influence of digital zoom on attention T2 - Educational Technology Research and Development N2 - In the present study, we investigated the role of digital zoom as a tool for directing attention while looking at visual learning material. In particular, we analyzed whether minimal digital zoom functions similarly to a rhetorical device by cueing mental zooming of attention accordingly. Participants were presented either static film clips, film clips with minimal zoom-ins, or film clips with minimal zoom-outs while eye movements were recorded. We hypothesized that minimal zoom-ins should lead to more gaze coherence, to longer dwell times as an indicator of more elaborative processing, and to fewer transitions as an indicator of less mental integration. Zoom-outs, on the other hand, were expected to have opposite effects. Results showed that zoom-ins increase gaze coherence and dwell times on the center parts of the depictions while decreasing transitions of pictorial elements from the center and the context areas. In contrast, patterns of results from zoom-outs and static presentations were similar to a large degree, indicating that zoom-ins and zoom-outs do not operate in a complementary fashion. Theoretical and practical implications of the present results are discussed. KW - Visualisation Y1 - 2017 U6 - https://doi.org/10.1007/s11423-016-9495-9 SN - 1042-1629 SN - 1556-6501 VL - 65 IS - 5 SP - 1135 EP - 1151 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Schürmann, Detlev A1 - Weicht, Christian ED - Wehe, Dieter ED - Siller, Helmut T1 - Mobile Fahrzeugsicherheitsbarrieren – mehr Sicherheit für öffentliche Räume und Veranstaltungen vor Amokfahrten und terroristischen Anschlägen T2 - Handbuch Polizeimanagement : Polizeipolitik – Polizeiwissenschaft – Polizeipraxis Y1 - 2023 SN - 978-3-658-34387-3 U6 - https://doi.org/10.1007/978-3-658-34388-0_91 SP - 1565 EP - 1583 PB - Springer Fachmedien Wiesbaden CY - Wiesbaden ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - How to Communicate Complex Spatial Itineraries: A balancing act between diagram and simulation T2 - Electronic Workshops in Computing N2 - This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durrës, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view. Y1 - 2022 U6 - https://doi.org/10.14236/ewic/EVA2022.17 SN - 1477-9358 SP - 75 EP - 80 PB - BCS Learning & Development ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - On the Visualisation of Archaeological Hypotheses T2 - Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities Y1 - 2021 SN - 9783110538915 U6 - https://doi.org/10.1515/9783110538915-030 SP - 616 EP - 648 PB - De Gruyter ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Visual Mediation of Unique Construction and Access Principles of the Amphitheatre of Durrës T2 - Electronic Workshops in Computing Y1 - 2021 U6 - https://doi.org/10.14236/ewic/EVA2021.8 SN - 1477-9358 PB - BCS Learning & Development ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine ED - Neves, Eduarda ED - Lima, Luis ED - Faleiro Rodrigues, Nuno Ricardo T1 - Europe's Architectural Identity – a visualisation method of ideas T2 - Notes on Europe : the dogmatic sleep N2 - Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe’s architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe’s history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today’s needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin). KW - Architecture, Design, Visualisation, Uncertainty, Knowledge Y1 - 2020 UR - http://hdl.handle.net/10400.26/31889 SN - 978-972-8784-96-6 U6 - https://doi.org/10.48618/CEAA-2020-CZD5-ZY27 SP - 126 EP - 137 PB - CEAA/ESAP-CESAP CY - Porto ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Gestaltete Abstraktion als Vermittlung glaubwürdiger Authentizität T2 - EVA Berlin 2019 : elektronische Medien&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin Y1 - 2019 SN - 978-3-948466-21-3 U6 - https://doi.org/10.11588/arthistoricum.645 SP - 152 EP - 154 ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Architectonic Design for Technological Devices T2 - Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија Y1 - 2022 SN - 978-86-80245-45-4 U6 - https://doi.org/10.18485/smartart.2022.2.ch15 SP - 277 EP - 294 PB - Faculty of Philology, University of Belgrade CY - Belgrad ER - TY - GEN A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture T2 - Monumental Computations: digital archaeology of large urban and underground infrastructures Y1 - 2021 SN - 978-3-948465-98-8 U6 - https://doi.org/10.11588/propylaeum.747.c11848 SP - 555 EP - 559 PB - Propylaeum CY - Heidelberg ER - TY - CHAP A1 - Lengyel, Dominik A1 - Toulouse, Catherine T1 - Zur Visualisierung archäologischer Hypothesen T2 - Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert Y1 - 2021 SN - 9783110538915 U6 - https://doi.org/10.1515/9783110538915-029 SP - 605 EP - 615 PB - De Gruyter CY - Berlin ER -