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  <doc>
    <id>11225</id>
    <completedYear/>
    <publishedYear>2005</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>45</pageFirst>
    <pageLast>52</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hannover</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2014-06-04</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Anschauliche Geometrie</title>
    <parentTitle language="deu">Positionen der Geometrieausbildung, Tagungsband der ersten Tagung der DGfGG vom 24. - 26. Februar 2005 in Hannover</parentTitle>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <collection role="old_institute" number="02042">LS Darstellungslehre</collection>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>11226</id>
    <completedYear/>
    <publishedYear>2006</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>187</pageFirst>
    <pageLast>195</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Fachhochschule Dortmund, Fachbereich Architektur</publisherName>
    <publisherPlace>Dortmund</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2014-06-04</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Simultaneous visions</title>
    <parentTitle language="eng">Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005</parentTitle>
    <identifier type="isbn">978-3-00-019070-4</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <editor>
      <firstName>Sigrun</firstName>
      <lastName>Dechêne</lastName>
    </editor>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Manfred</firstName>
      <lastName>Walz</lastName>
    </editor>
    <collection role="old_institute" number="02042">LS Darstellungslehre</collection>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>11227</id>
    <completedYear/>
    <publishedYear>2004</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Slovak University of Technology</publisherName>
    <publisherPlace>Bratislava</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2014-06-04</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Spatial Imagination in Practice and Teaching</title>
    <parentTitle language="eng">Spatial Simulation and Evaluation, 6th international EAEA conference proceedings</parentTitle>
    <identifier type="isbn">80-227-2088-7</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <editor>
      <firstName>Peter</firstName>
      <lastName>Kardos</lastName>
    </editor>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Andrea</firstName>
      <lastName>Urland</lastName>
    </editor>
    <collection role="old_institute" number="02042">LS Darstellungslehre</collection>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>11228</id>
    <completedYear/>
    <publishedYear>2007</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Moscow Architectural Institute</publisherName>
    <publisherPlace>Moskau</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2014-06-04</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Living Clay</title>
    <parentTitle language="eng">Virtual Environment and Experience, 8th international eaea conference</parentTitle>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <collection role="old_institute" number="02042">LS Darstellungslehre</collection>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>11229</id>
    <completedYear/>
    <publishedYear>2011</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Faculty of Architecture, Delft University of Technology</publisherName>
    <publisherPlace>Delft</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2014-06-04</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Designing the Construction Phases of Cologne Cathedral and its Preceding Buildings</title>
    <parentTitle language="eng">Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011</parentTitle>
    <identifier type="isbn">978-9-0526-9400-9</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <collection role="old_institute" number="02042">LS Darstellungslehre</collection>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>12720</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Fraunhofer-Institut  für Graphische Datenverarbeitung [u.a.]</publisherName>
    <publisherPlace>Darmstadt</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2014-11-28</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">3D-Scans für die Rekontextualisierung antiker Skulptur</title>
    <parentTitle language="deu">EVA 2014 Berlin: Elektronische Medien &amp; Kunst, Kultur, &#13;
Historie, Konferenzband</parentTitle>
    <identifier type="isbn">978-3-88609-755-5</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Andreas</firstName>
      <lastName>Bienert</lastName>
    </editor>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>James</firstName>
      <lastName>Hemsley</lastName>
    </editor>
    <editor>
      <firstName>Pedro</firstName>
      <lastName>Santos</lastName>
    </editor>
    <collection role="old_institute" number="02042">LS Darstellungslehre</collection>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>18650</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1135</pageFirst>
    <pageLast>1151</pageLast>
    <pageNumber/>
    <edition/>
    <issue>5</issue>
    <volume>65</volume>
    <type>articler</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation>Leibniz-Institut für Wissensmedien</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-02-15</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Designing computer-based learning contents: influence of digital zoom on attention</title>
    <abstract language="eng">In the present study, we investigated the role of digital zoom as a tool for directing attention while looking at visual learning material. In particular, we analyzed&#13;
whether minimal digital zoom functions similarly to a rhetorical device by cueing mental zooming of attention accordingly. Participants were presented either static film clips, film clips with minimal zoom-ins, or film clips with minimal zoom-outs while eye movements were recorded. We hypothesized that minimal zoom-ins should lead to more gaze&#13;
coherence, to longer dwell times as an indicator of more elaborative processing, and to fewer transitions as an indicator of less mental integration. Zoom-outs, on the other hand, were expected to have opposite effects. Results showed that zoom-ins increase gaze coherence and dwell times on the center parts of the depictions while decreasing transitions&#13;
of pictorial elements from the center and the context areas. In contrast, patterns of results from zoom-outs and static presentations were similar to a large degree, indicating that&#13;
zoom-ins and zoom-outs do not operate in a complementary fashion. Theoretical and practical implications of the present results are discussed.</abstract>
    <parentTitle language="eng">Educational Technology Research and Development</parentTitle>
    <identifier type="doi">10.1007/s11423-016-9495-9</identifier>
    <identifier type="issn">1042-1629</identifier>
    <identifier type="issn">1556-6501</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <author>
      <firstName>Manuela</firstName>
      <lastName>Glaser</lastName>
    </author>
    <author>
      <firstName>Stephan</firstName>
      <lastName>Schwan</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualisation</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>18655</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>479</pageFirst>
    <pageLast>524</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume>6</volume>
    <type>articler</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation>Excellence Cluster TOPOI</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-02-15</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Authenticity and Communication</title>
    <abstract language="eng">Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments “in the full richness of their authenticity” has turned into an abundance of vibrant action&#13;
and decision-making.</abstract>
    <parentTitle language="eng">eTOPOI Journal for Ancient Studies</parentTitle>
    <identifier type="url">http://journal.topoi.org/index.php/etopoi/article/view/263</identifier>
    <identifier type="issn">2192-2608</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Friederike</firstName>
      <lastName>Fless</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Bernhard</firstName>
      <lastName>Graf</lastName>
    </author>
    <author>
      <firstName>Ortwin</firstName>
      <lastName>Dally</lastName>
    </author>
    <author>
      <firstName>Ute</firstName>
      <lastName>Franke</lastName>
    </author>
    <author>
      <firstName>Christine</firstName>
      <lastName>Gerbich</lastName>
    </author>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <author>
      <firstName>Matthias</firstName>
      <lastName>Knaut</lastName>
    </author>
    <author>
      <firstName>Claudia</firstName>
      <lastName>Näser</lastName>
    </author>
    <author>
      <firstName>Bénédicte</firstName>
      <lastName>Savoy</lastName>
    </author>
    <author>
      <firstName>Laura Katharina</firstName>
      <lastName>Steinmüller</lastName>
    </author>
    <author>
      <firstName>Katharina</firstName>
      <lastName>Steudtner</lastName>
    </author>
    <author>
      <firstName>Moritz</firstName>
      <lastName>Taschner</lastName>
    </author>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <author>
      <firstName>Stefan</firstName>
      <lastName>Weber</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualisation</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>18657</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>403</pageFirst>
    <pageLast>408</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Gangemi Editore</publisherName>
    <publisherPlace>Firenze</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation>Unione Italiana del Disegno</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-02-15</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The consecution of uncertain knowledge, hypotheses and the design of abstraction</title>
    <abstract language="eng">In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design – abstract virtual modeling and virtual photography – are responsible for the design of abstraction.&#13;
 &#13;
In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists’ hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299)&#13;
&#13;
A number of archaeological projects’ hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction.&#13;
&#13;
The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral’s permanent installation.</abstract>
    <parentTitle language="ita">Le ragioni del disegno</parentTitle>
    <identifier type="isbn">978-88-492-3295-0</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Stefano</firstName>
      <lastName>Bertocci</lastName>
    </editor>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Marco</firstName>
      <lastName>Bini</lastName>
    </editor>
    <subject>
      <language>ita</language>
      <type>uncontrolled</type>
      <value>Visualizzazione</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>18649</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>91</pageFirst>
    <pageLast>98</pageLast>
    <pageNumber/>
    <edition/>
    <issue>2</issue>
    <volume/>
    <type>articler</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-02-15</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die digitale Visualisierung von Architektur</title>
    <abstract language="deu">Der Beitrag widmet sich der digitalen Visualisierung von archäologischen Baubefunden und den damit verbundenen grundlegenden Möglichkeiten und Problemen. Was kann die digitale Visualisierung von Architektur im Kontext der 3D-Digitalisierung in der Archäologie leisten? Die Frage ist vor allem deshalb nicht leicht zu beantworten, weil viele Begriffe nicht eindeutig verwendet werden und vor allem&#13;
in dieser Konstellation unterschiedlichste Assoziationen&#13;
auslösen. Es geht schließlich nicht um Archäologie oder Architektur als Ganzes, sondern eben um die Schnittstelle im Kontext der allumfassenden Digitalisierung.</abstract>
    <parentTitle language="deu">Blickpunkt Archäologie</parentTitle>
    <identifier type="issn">2364-4796</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>19196</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>16</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Museen der Stadt Wien – Stadtarchäologie</publisherName>
    <publisherPlace>Wien</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation>Museen der Stadt Wien – Stadtarchäologie</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-03-12</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The consecution of uncertain knowledge, hypotheses and the design of abstraction</title>
    <abstract language="eng">The paper describes the necessity of architectural design in the process of creating abstract geometry as representation of archaeological hypoth eses in opposition to pretended reconstructions. Methodology: How were the objectives reached? Which methods were used? Knowledge in archaeology, building or art history is generally of largely different certainty including contradictions and multivalencies, which unambiguou sly excludes true reconstructions in the sense that the reconstruction equals its origin. Instead there is a number of hypotheses that approximate the historic state. The visualisation of hypotheses with a special regard on uncertain knowledge, i. e. respecting and explicitely showing this uncertainty, is a counter position towards pretended reconstructions. &#13;
Results: What are the results of the work? A number of projects e.g. in cooperation with the German Archaeological Institute DAI, the State’s Museums in Berlin SMB (e.g. the first scientific 3D model of Pergamon and the Palatine palace in Rom, both presented in the Pergamon Museum Berlin), the Museum for Islamic Art Berlin (e. g. the Sasanian metropole Ktesiphon), funded by the German Research Foundation DFG and as  part of the DFG Excellence Cluster TOPOI (mainly hosted by the universities FU Berlin and HU Berlin) that successfully visually mediated the state of science and its scientific characteristics among the scientists as well as to the public. Innovations: What is new and significant about your ideas, methods, and results? The visualisation of hypotheses has a higher scientific impact incorporating uncertain knowledge as in&#13;
evitable characteristic of science. One way of visually expressing different possible states in one image is the use of abstract geometry. This implies a highly qualified &#13;
handling of abstract geometry (model making) and imagery architectural photography) being a creative act of design with effect on the inner-scientific and public perception of the historic topic. So qualified architectural design makes the difference.</abstract>
    <parentTitle language="eng">International Conference on  Cultural Heritage and New Technologies, Vienna, 2015</parentTitle>
    <identifier type="isbn">978-3-200-04698-6</identifier>
    <identifier type="url">http://www.chnt.at/wp-content/uploads/eBook_CHNT20_Lengyel_Toulouse_2015.pdf</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Wolfgang</firstName>
      <lastName>Börner</lastName>
    </editor>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Susanne</firstName>
      <lastName>Uhlirz</lastName>
    </editor>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualisation</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>19197</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>403</pageFirst>
    <pageLast>408</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Gangemi Editore spa</publisherName>
    <publisherPlace>Rom</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation>Unione Italiana per il Disegno</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-03-12</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The consecution of uncertain knowledge, hypotheses  and the design of  abstraction</title>
    <abstract language="eng">In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design – abstract virtual modeling and virtual photography – are responsible for the design of abstraction.&#13;
In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists’ hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299)&#13;
A number of archaeological projects’ hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction.&#13;
The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral’s permanent installation.</abstract>
    <parentTitle language="ita">Le ragioni del Disegno: Pensiero, Forma e Modello nella Gestione della Complessità, Atti del 38° convegno internazionale dei Docenti della Rappresentazione</parentTitle>
    <identifier type="isbn">978-88-492-8295-5</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Stefano</firstName>
      <lastName>Bertocci</lastName>
    </editor>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Marco</firstName>
      <lastName>Bini</lastName>
    </editor>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualisation</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>20394</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>173</pageFirst>
    <pageLast>179</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Koldewey Gesellschaft</publisherName>
    <publisherPlace>Stuttgart</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2017-10-25</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die Unschärfe in der Visualisierung von Ktesiphon</title>
    <parentTitle language="deu">Bericht über die 49. Tagung für Ausgrabungswissenschaft und Bauforschung vom 4. bis 8. Mai 2016 in Innsbruck</parentTitle>
    <identifier type="isbn">978-3-945363-75-1</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Ktesiphon</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>21154</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>207</pageFirst>
    <pageLast>213</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2018-01-29</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Future Research Challenges for a Computer-Based Interpretative 3D Reconstruction of Cultural Heritage - A German Community's View</title>
    <abstract language="eng">The workgroup for Digital Reconstruction of the Digital Humanities in the German-speaking area association (Digital Humanities im deutschsprachigen Raum e.V.) was founded in 2014 as cross-disciplinary scientific society dealing with all aspects of digital reconstruction of cultural heritage and currently involves more than 40 German researchers. Moreover, the workgroup is dedicated to synchronise and foster methodological research for these topics. As one preliminary result a memorandum was created to name urgent research challenges and prospects in a condensed way and assemble a research agenda which could propose demands for further research and development activities within the next years. The version presented within this paper was originally created as a contribution to the so-called agenda development process initiated by the German Federal Ministry of Education and Research (BMBF) in 2014 and has been amended during a joint meeting of the digital reconstruction workgroup in November 2014.</abstract>
    <parentTitle language="eng">25th International CIPA Symposium 2015, 31 August – 04 September 2015, Taipei, Taiwan</parentTitle>
    <identifier type="doi">10.5194/isprsannals-II-5-W3-207-2015</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="UBICOseries">ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences ; Vol. II-5/W</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Sander</firstName>
      <lastName>Münster</lastName>
    </author>
    <author>
      <firstName>Piotr</firstName>
      <lastName>Kuroczynski</lastName>
    </author>
    <author>
      <firstName>Mieke</firstName>
      <lastName>Pfarr-Harfst</lastName>
    </author>
    <author>
      <firstName>M.</firstName>
      <lastName>Greilert</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Virtual 3D reconstruction</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Perspectives</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Survey</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Research agenda</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>21188</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>38</pageFirst>
    <pageLast>43</pageLast>
    <pageNumber/>
    <edition/>
    <issue>17</issue>
    <volume>8</volume>
    <type>articlenr</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2018-01-30</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Digitale Modellierung antiker Bauten</title>
    <parentTitle language="deu">Raumwissen</parentTitle>
    <identifier type="url">https://www.topoi.org/wp-content/uploads/2016/04/Raumwissen_17-2016.pdf</identifier>
    <identifier type="issn">1869-7356</identifier>
    <note>DFG Excellenzcluster 264 TOPOI</note>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>21273</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>127</pageFirst>
    <pageLast>129</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Deutscher Kunstverlag</publisherName>
    <publisherPlace>Berlin ; München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2018-02-05</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die Echtersche Idealkirche - Eine interaktive Annäherung</title>
    <abstract language="deu">Julius Echter von Mespelbrunn hat als Würzburger Fürstbischof mehrere Hundert Kirchen gebaut. Häufig ähneln sich die Kirchen im Großen wie im Kleinen. In der Außenerscheinung der Kirchen sind Langhaus, Chor, Sakristei und Turm stets sehr ähnlich angeordnet; im Innern sind die Gewölbe und die Ausstattung vom Altar über die Kanzel und den Taufstein bis zur Empore uniformen Standards verpflichtet. Diesen Kirchen muss eine klare Vorstellung zugrunde gelegen haben, eine ursprüngliche Idee, wie Kirchen auszusehen haben. Aus dieser Feststellung ergab sich die Aufgabe, ein Bild der echterschen Idealkirche zu gewinnen.</abstract>
    <parentTitle language="deu">Julius Echter : Patron der Künste</parentTitle>
    <identifier type="isbn">978-3-422-07408-8</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Damian</firstName>
      <lastName>Dombrowski</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Markus Josef</firstName>
      <lastName>Meier</lastName>
    </editor>
    <editor>
      <firstName>Fabian</firstName>
      <lastName>Müller</lastName>
    </editor>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Echtersche Idealkirche</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>21271</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>104</pageFirst>
    <pageLast>113</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Staatliche Museen zu Berlin - Preußischer Kulturbesitz</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation>Staatliche Museen zu Berlin - Preußischer Kulturbesitz</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2018-02-05</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Interaktive Virtual Reality zum begreifenden Verstehen eines architektonischen Prinzips</title>
    <abstract language="deu">Architektonische Konzepte sind abstrakte Ideen, die während des Bauprozesses in Gebäude umgesetzt werden. Üblicherweise weichen Gebäude von ihrer ursprünglichen Konzeption ab. Das reale Erfahren gebauter Architektur ist nur möglich, solange das Gebäude noch steht. Das Nachvollziehen der ursprünglichen Fassung eines Gebäudes hängt vom Umfang der Umbauten, Renovierungen und Abnutzungen ab. Das Nachvollziehen des ursprünglichen Konzeptes hingegen bedarf der Vorstellungskraft. Diese wird unterstützt durch zusätzliche Erläuterungen aufgrund von Hypothesen aus der historischen Bauforschung oder der Archäologie. Der hier vorgestellte Ansatz verbindet das Erleben eines hypothetischen Konzeptes für eine Reihe von Kirchenbauten mit der Möglichkeit, auch nicht physischen Raum mithilfe von Virtual Reality erlebbar zu machen. Er nutzt dabei die aktuell verfügbaren Mittel der immersiven stereoskopischen Projektion mithilfe einer 3D-Brille, die abgesehen von ihrem eingeschränkten Blickfeld und der im Vergleich zum Auge geringeren Auflösung dem natürlichen Sehen nahekommt, sowie der durch spezielle Controller möglichen Interaktion mit Objekten im virtuellen Raum, die das Greifen und Verschieben simulieren.</abstract>
    <parentTitle language="deu">EVA Berlin 2017 - Elektronische Medien &amp; Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017</parentTitle>
    <identifier type="isbn">978-3-88609-801-9</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Andreas</firstName>
      <lastName>Bienert</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Anko</firstName>
      <lastName>Börner</lastName>
    </editor>
    <editor>
      <firstName>Eva</firstName>
      <lastName>Emenlauer-Blömers</lastName>
    </editor>
    <editor>
      <firstName>James</firstName>
      <lastName>Hemsley</lastName>
    </editor>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Echtersche Idealkirche</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>21571</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>4</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>DHd</publisherName>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2018-03-26</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unschärfe am Beispiel von Ktesiphon und weiteren archäologischen Stätten</title>
    <abstract language="deu">Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unschärfe am Beispiel von Ktesiphon und weiteren archäologischen Stätten. Das interdisziplinär angelegte, von der Deutschen Forschungsgemeinschaft (DFG) geförderte Excellence Cluster TOPOI (The Formation and Transformation of Space and Knowledge in Ancient Civilizations) beinhaltet im zweiten Fünfjahreszeitraum ein Forschungsprojekt, das eine Best Practice Methode für die Kooperation zwischen Wissenschaft und Museen anhand einer exemplarischen archäologischen Stätte erarbeiten soll. Ruinen im außermusealen Kontext, aber auch Funde im musealen Kontext sowie Ergänzungen in Form von Zeichnungen, Modellen in unterschiedlichen Maßstäben vom städtebaulichen Überblick bis zum Nachbau im Originalmaßstab, aber auch virtuelle 3D-Rekonstruktionen, prägen die Perzeption und damit das Wissen über die historischen Orte. Während TOPOI die Formation und Transformation von Raum und Wissen in der Antike behandelt, untersucht dieses Forschungsprojekt insbesondere die Perzeption und Repräsentation im Museum.</abstract>
    <parentTitle language="deu">DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria</parentTitle>
    <identifier type="url">http://gams.uni-graz.at/o:dhd2015.abstracts-gesamt</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Unschärfe</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>21913</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>48</pageFirst>
    <pageLast>54</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Antikenmuseum der Universität Leipzig</publisherName>
    <publisherPlace>Leipzig</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2018-05-28</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Visualisierung von Hypothesen, virtuelles Modellieren, virtuelle Fotografie</title>
    <parentTitle language="deu">Pergamon wiederbelebt! Die antike Residenzstadt in 3D</parentTitle>
    <identifier type="isbn">978-3-00-058912-6</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Jörn</firstName>
      <lastName>Lang</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <editor>
      <firstName>Hans-Peter</firstName>
      <lastName>Müller</lastName>
    </editor>
    <editor>
      <firstName>Felix</firstName>
      <lastName>Pirson</lastName>
    </editor>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>virtuelles Modellieren, virtuelle Fotografie, Visualisierung von Hypothesen</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24215</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>53</pageFirst>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue>51</issue>
    <volume>16</volume>
    <type>articlenr</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation>BTU Cottbus-Senftenberg</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-07-09</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Pergamon wiederbelebt! Die antike Residenzstadt in 3D</title>
    <abstract language="deu">Eine Ausstellung des Antikenmuseums der Universität Leipzig in Zusammenarbeit mit dem Deutschen Archäologischen Institut (DAI) Abteilung Istanbul und dem Lehrstuhl für Darstellungslehre der BTU zeigt eine virtuelle 3D-Rekonstruktion des antiken Pergamon</abstract>
    <additionalTitle language="deu">BTU News</additionalTitle>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Virtuelle Rekonstruktion</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24219</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>28</pageFirst>
    <pageLast>28</pageLast>
    <pageNumber/>
    <edition/>
    <issue>53</issue>
    <volume>16</volume>
    <type>articlenr</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-07-09</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Forschen durch Visualisieren</title>
    <abstract language="deu">Mit Hilfe von komplexen 3D-Modellen werden Forschungsergebnisse zu antiken Städten und Bauwerken visualisiert und wissenschaftliche Zusammenhänge sichtbar gemacht</abstract>
    <parentTitle language="deu">BTU News</parentTitle>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Virtuelle Rekonstruktion</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24159</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>256</pageFirst>
    <pageLast>284</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Universitätsverlag der TU Berlin</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-06-12</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Visualisierung in der Architekturlehre</title>
    <abstract language="deu">Was ist Architekturvisualisierung? Welche Ziele werden damit verfolgt, und welche Kompetenzen sind dafür erforderlich? Der Beitrag stellt dar, wie Catherine Toulouse und Dominik Lengyel dieses Fach und diese Fähigkeit in der universitären Lehre über mehr als ein Jahrzehnt verfolgen und dafür ein Curriculum entwickelt haben, das die Studierenden befähigt, architektonische Ideen, seien es Entwürfe, Analysen oder archäologische Hypothesen mit Mitteln der Abstraktion in Bilder zu übersetzen. Hinzu kommen zahlreiche Forschungsprojekte, die gemeinsam mit externen Partnern entwickelt wurden und die zeigen, wie sich Unschärfe im Wissen der Archäologie, der Historischen Bauforschung oder der Kunstgeschichte anschaulich visuell vermitteln lässt.</abstract>
    <parentTitle language="deu">Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert</parentTitle>
    <identifier type="isbn">978-3-7983-3066-5</identifier>
    <enrichment key="UBICOseries">Forum Architekturwissenschaft ; Band 3</enrichment>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Carola</firstName>
      <lastName>Ebert</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Eva Maria</firstName>
      <lastName>Froschauer</lastName>
    </editor>
    <editor>
      <firstName>Christiane</firstName>
      <lastName>Salge</lastName>
    </editor>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architektur</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architekturlehre</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Entwerfen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architekturgeschichte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architekturtheorie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Bildanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Fotografie</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24197</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>108</pageFirst>
    <pageLast>115</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Firenze University Press</publisherName>
    <publisherPlace>Firenze</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-07-04</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Architectonic Design for mediating cultural Hertitage</title>
    <abstract language="eng">At the intersection of research and visual arts we have developed a method for visualizing archaeological hypotheses that explicitly preserves the scientific content excluding any unintentional content. It consists of virtual modeling and virtual photography. Other than usual we do not consider the spatial model as the decisive core but as an integral part of the visual mediation, and its complementary counterpart, the virtual photography, as equally important. Contrasting the usual way to reconstruct architecture in a hyper-realistic way as in the movie industries, we consider our approach a unique 3D Development and Application in the Cultural Heritage Area.</abstract>
    <parentTitle language="eng">EVA 2019 Florence : electronic imaging &amp; the visual arts, 8-9 May 2019</parentTitle>
    <identifier type="isbn">978-88-6453-868-6</identifier>
    <identifier type="url">https://www.fupress.com/catalogo/electronic-imaging-e-the-visual-arts--eva-2019-florence/3941</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Vito</firstName>
      <lastName>Capellini</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Virtuelle Rekonstruktion, Visualisierung, Unschärfe</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24181</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>16</pageFirst>
    <pageLast>17</pageLast>
    <pageNumber/>
    <edition/>
    <issue>49 = 1 von "Abitare la Terra: Quaderni"</issue>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Gangemi Editore S.p.A.</publisherName>
    <publisherPlace>Rom</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-06-25</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualized Hypotheses  - Architectural Ideas as Intellectual Legacy</title>
    <parentTitle language="eng">Abitare le Terra - Dwelling on Earth</parentTitle>
    <identifier type="isbn">9788849237689</identifier>
    <identifier type="isbn">9788849237573</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Visualisierung, Unschärfe, Virtuelle Rekonstruktion</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24182</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>98</pageFirst>
    <pageLast>98</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Gangemi Editore S.p.A.</publisherName>
    <publisherPlace>Rom</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-06-25</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualized Hypotheses  - Architectural Ideas as Intellectual</title>
    <parentTitle language="eng">Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum</parentTitle>
    <identifier type="isbn">978-88-492-3751-1</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Alessandro</firstName>
      <lastName>Ciambrone</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualisierung, Unschärfe, Virtuelle Rekonstruktion</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24232</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>79</pageFirst>
    <pageLast>79</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName/>
    <publisherPlace>Seville</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-07-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Graphic Instruments for Visualizing Hypotheses</title>
    <abstract language="eng">Within the last decade we have developed a new digital graphic instrument for knowledge mediation and knowledge development of archaeological hypotheses concerning architectural topoi. The key feature of archaeological hypotheses is the varying degree of certainty ranging from undoubtful findings over most probably deductions to vague yet scientifically based assumptions. Mediations, towards the scientific community, as well as towards the public is usually based on scientific, written text accompanied by imagery that – on its turn – tends to be perceived even preferentially.</abstract>
    <parentTitle language="eng">Technoheritage 2019, IV International Congress, Book of Abstracts</parentTitle>
    <identifier type="isbn">978-84-09-08757-0</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Virtual Reconstruction, Graphic Instruments, Visualizing Hypotheses</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24234</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>researchdata</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Visualisierungen - Lengyel Toulouse</title>
    <abstract language="deu">Es handelt sich um digitale Rekonstruktionen antiker Bauten anhand archäologischer Hypothesen. Die Sammlung enthält virtuelle Modelle und virtuelle Fotografien folgender Serien: Pergamon, Palatin, Ktesiphon, Kölner Dom, Bauphasen Kölner Dom, Lüneburger Platz am Sande, Naga, Julius Echter.</abstract>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="ResearchDataAccess">Open</enrichment>
    <enrichment key="ResearchDataNote">Die Nutzungsmöglichkeiten sind durch die Bestimmungen der Einrichtung/Person geregelt, die dieses digitale Objekt zugänglich macht: lengyel@b-tu.de</enrichment>
    <enrichment key="ResearchReposi">https://heidicon.ub.uni-heidelberg.de/search</enrichment>
    <enrichment key="ResearchDataDownload">https://heidicon.ub.uni-heidelberg.de/search?p=45</enrichment>
    <enrichment key="ResearchDateCollected">2015 ff</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Kathrin</firstName>
      <lastName>Woywod</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Virtuelle Rekonstruktion</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24237</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>86</pageFirst>
    <pageLast>89</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Verlag Philipp von Zabern</publisherName>
    <publisherPlace>Darmstadt</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-07-16</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Pergamon - Wissenschaft und Gestaltung</title>
    <abstract language="deu">Wie Architektur, 3D-Modell und Fotografie Archäologie vermitteln</abstract>
    <parentTitle language="deu">Auferstehung der Antike: Archäologische Stätten digital rekonstruiert.</parentTitle>
    <identifier type="isbn">978-3-8053-5213-0</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <editor>
      <firstName>Eva</firstName>
      <lastName>Pasch</lastName>
    </editor>
    <editor>
      <firstName>Holger</firstName>
      <lastName>Kieburg</lastName>
    </editor>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>3D-Modell, Virtuelle Rekonstruktion,</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24610</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>202-216</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>arthistoricum.net</publisherName>
    <publisherPlace>Heidelberg</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-11-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Visualisierung von Hypothesen – Zur Gestaltung von Abstraktion bei der Darstellung unscharfen Wissens in Archäologie, Bauforschung und Kunstgeschichte</title>
    <abstract language="deu">Die Darstellung von Unschärfe ist eine von den Autoren entwickelte Methode zur visuellen Repräsentation räumlicher Hypothesen. Unscharfes Wissen ist ein wesentlicher Bestandteil von Wissenschaft. Stellt man die Wissenschaftlichkeit bei der Visualisierung einer Hypothese in den Vordergrund, bietet es sich an, das Hypothetische selbst zum Gegenstand der Visualisierung zu machen. Damit entsteht ein Bild von Architektur - das Bild eines architektonischen Gedankens -, aber keine Simulation einer fiktiven Wirklichkeit. Indem die unscharfe Darstellung beim Betrachter eine räumliche Vorstellung erzeugt, die so weit wie möglich der wissenschaftlichen Hypothese entspricht, zugleich jedoch deren hypothetischen Charakter offenlegt, verfolgt sie das Ziel, dem Betrachter durch die Reflexion des gesamten Wahrnehmungsprozesses Wissen über Archäologie im Speziellen, aber auch Wissenschaftlichkeit im Allgemeinen zu vermitteln. Über die London Charter hinaus geht es bei der hier vorgestellten Methode um die Notwendigkeit gestalterischer Kompetenz. Die Begriffspaare Gestaltung und Wissenschaft und Darstellung und Unschärfe beschreiben den Anspruch, unterschiedliche künstlerische und wissenschaftliche Bereiche aus der Architektur und Archäologie mit dem Ziel der Erkenntnisförderung zusammenzuführen. Dieser Beitrag will zeigen, dass Gestaltung einen wesentlichen Anteil bei der Erzeugung neuer visueller Artefakte haben sollte. Die Autoren haben zahlreiche Projekte mit Archäologen, historischen Bauforschern und Kunstwissenschaftlern durchgeführt, anhand derer sie die Methoden der Darstellung von Unschärfe entwickelt haben.</abstract>
    <parentTitle language="deu">Computing art reader : Einführung in die digitale Kunstgeschichte</parentTitle>
    <identifier type="isbn">978-3-947449-15-6</identifier>
    <identifier type="url">https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=3&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwjKq4qq6NflAhVC16QKHSpqB7gQFjACegQIAhAC&amp;url=http%3A%2F%2Fbooks.ub.uni-heidelberg.de%2Farthistoricum%2Freader%2Fdownload%2F413%2F413-16-83460-2-10-20181210.pdf&amp;usg=AOvVaw3tGUL6_n0WSgbknUtoozr5</identifier>
    <identifier type="doi">10.11588/arthistoricum.413.596</identifier>
    <identifier type="urn">urn:nbn:de:bsz:16-ahn-artbook-413-0</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="UBICOseries">Computing in art and architecture ; Band 1</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Piotr</firstName>
      <lastName>Kuroczynski</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Peter</firstName>
      <lastName>Bell</lastName>
    </editor>
    <editor>
      <firstName>Lisa</firstName>
      <lastName>Dieckmann</lastName>
    </editor>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architektur, Archäologie, Kunstgeschichte, Wissen, Unschärfe, Gestaltung, Visualisierung, Abstraktion, Fotografie, Modell, Virtuelle  Realität, Raum, Visuelle Sprache</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24710</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>16</pageFirst>
    <pageLast>16</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Institute of Art History</publisherName>
    <publisherPlace>Zagreb</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-11-20</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualising Hypotheses as the Method Used to Approach Achaeological Research Questions</title>
    <parentTitle language="eng">International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb</parentTitle>
    <identifier type="isbn">978-953-7875-68-8</identifier>
    <identifier type="url">https://www.art-net-hrzz.org/abstracs</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Sanja</firstName>
      <lastName>Horvatinćič</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualising Hypotheses, Achaeological Research</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>24711</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>28</pageFirst>
    <pageLast>28</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_ref</type>
    <publisherName>Peninsular Papelaria &amp; Atres Gráficas</publisherName>
    <publisherPlace>Porto</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2019-11-20</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Europe’s Architectural Identity. A visualisation method of ideas</title>
    <parentTitle language="eng">Notes on Europe. The dogmatic sleep</parentTitle>
    <identifier type="isbn">978-972-8784-88-1</identifier>
    <identifier type="url">https://ceaa-europa.weebly.com/program.html</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Eduarda</firstName>
      <lastName>Neves</lastName>
    </editor>
    <submitter>
      <firstName>Irmhild</firstName>
      <lastName>Baron</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>Luis</firstName>
      <lastName>Lima</lastName>
    </editor>
    <editor>
      <firstName>Nuno Faleiro</firstName>
      <lastName>Rodrigues</lastName>
    </editor>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>visualisation method, Visualising Hypotheses</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>25563</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>63</pageFirst>
    <pageLast>63</pageLast>
    <pageNumber/>
    <edition/>
    <issue>53</issue>
    <volume>16</volume>
    <type>articlenr</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2020-04-09</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">3D-Visualisierungen im Pergamon Museum Berlin</title>
    <abstract language="deu">Zwei Visualisierungen des Lehrstuhls sind seit dem 16. November 2018 bis voraussichtlich 2024 im neuen Pergamonmuseum zu sehen. Das Pa-norama  ist ergänzt um einen Link zum seit der Ausstellung in der Leip-ziger Antikensammlung im Sommer 2018 vertonten Film.</abstract>
    <parentTitle language="deu">BTU News</parentTitle>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </submitter>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Virtuelle Rekonstruktion</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>26720</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>30</pageFirst>
    <pageLast>31</pageLast>
    <pageNumber/>
    <edition>1. Auflage</edition>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Gangemi Editore S.p.A Roma</publisherName>
    <publisherPlace>Italien, Rom</publisherPlace>
    <creatingCorporation/>
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    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2021-01-14</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Architectural design for the contamination by cultural ideas</title>
    <parentTitle language="eng">Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4</parentTitle>
    <identifier type="isbn">9788849239959</identifier>
    <identifier type="url">https://www.gangemieditore.com/dettaglio/abitare-la-terra-dwelling/8967/18</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <contributor>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </contributor>
    <editor>
      <firstName>Paolo</firstName>
      <lastName>Portoghesi</lastName>
    </editor>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
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  </doc>
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    <id>26740</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
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    <publisherName>British Computer Society</publisherName>
    <publisherPlace>London</publisherPlace>
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    <completedDate>2021-01-15</completedDate>
    <publishedDate>--</publishedDate>
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    <title language="eng">Artificial Imagination Induced by Visualised Hypotheses in Archaeology</title>
    <abstract language="eng">This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universität and Humboldt-Universität Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum Würzburg (visualising Archbishop Julius von Echter’s ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry.</abstract>
    <parentTitle language="eng">Proceedings of EVA London 2020 (EVA 2020) : 6th July – 9th July 2020</parentTitle>
    <identifier type="url">https://www.scienceopen.com/document?vid=f58b1e7f-ae83-4a75-ade1-765aac223cb0</identifier>
    <identifier type="doi">10.14236/ewic/EVA2020.8</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
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    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
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  <doc>
    <id>26801</id>
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    <publishedYear>2020</publishedYear>
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    <language>eng</language>
    <pageFirst>21</pageFirst>
    <pageLast>21</pageLast>
    <pageNumber/>
    <edition/>
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    <publisherName>Faculty of Mechanical Engineering, University of Belgrade</publisherName>
    <publisherPlace>Belgrad</publisherPlace>
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    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2021-01-21</completedDate>
    <publishedDate>--</publishedDate>
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    <title language="eng">The building phases of Cologne Cathedral and its predecessors (with a special on inner choir 1856)</title>
    <abstract language="eng">The two films show the current research results on the building phases of Cologne Cathedrals and its predecessors. From a water basin in a Roman garden, several churches have been built for about two thousand years, until the Gothic choir was started in mid-13th century.&#13;
Completed at the end of the 19th century, the cathedral was given a new access structure ten years ago, which serves as an entrance to the tower ascent as well as to the archaeological zone, and in which the film about the construction phases is since exhibited.&#13;
It was only in the middle of the 19th century that the wall that had closed off the Gothic choir to the west since the 14th century was removed. From this period numerous images of the interior have been preserved, but none of them show the central interior. The 150th anniversary of the cathedral chorus provided the opportunity to recapture this.&#13;
Both visualizations translate scientific hypotheses. They have only been supplemented in those places where it was necessary to complete the architectural impression. As a result, the buildings appear abstract and only in the imaginative power of the observer do they become architecture again.</abstract>
    <parentTitle language="eng">Dimensions reflected 2020</parentTitle>
    <identifier type="isbn">978-86-6060-049-5</identifier>
    <identifier type="url">https://grafar.grf.bg.ac.rs/handle/123456789/2205</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Marija</firstName>
      <lastName>Obradović</lastName>
    </editor>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
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  </doc>
  <doc>
    <id>27858</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>10</pageFirst>
    <pageLast>13</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume/>
    <type>articler</type>
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    <completedDate>2021-11-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Bundesministerium fördert DIN-Standard für mobile Fahrzeugsperren</title>
    <parentTitle language="deu">Crisis Prevention</parentTitle>
    <identifier type="issn">2198-0527</identifier>
    <identifier type="url">https://www.flipsnack.com/betapublishing/crisis-prevention-3-2021/full-view.html</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Christian</firstName>
      <lastName>Weicht</lastName>
    </author>
    <author>
      <firstName>Detlev</firstName>
      <lastName>Schürmann</lastName>
    </author>
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  </doc>
  <doc>
    <id>27875</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>59</pageFirst>
    <pageLast>60</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject_noref</type>
    <publisherName>Institute of Art History</publisherName>
    <publisherPlace>Zagreb</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation>Institue of Art History - Cvito Fiskovic Centre, Split</contributingCorporation>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2021-11-05</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">From archaelogy to a visual architectural terminology</title>
    <parentTitle language="eng">OTKRIVANJE DALMACIJE V</parentTitle>
    <identifier type="isbn">978-953-7875-65-7</identifier>
    <enrichment key="BTU">an der BTU erstellt / created at BTU</enrichment>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Katarina Horvat</firstName>
      <lastName>Levaj</lastName>
    </editor>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>27880</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>66</pageFirst>
    <pageLast>81</pageLast>
    <pageNumber/>
    <edition/>
    <issue>E1 2021</issue>
    <volume/>
    <type>articler</type>
    <publisherName/>
    <publisherPlace/>
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    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2021-11-08</completedDate>
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    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Architecture Transformed - Architectural Processes in the Digital Image Space</title>
    <abstract language="eng">The production and conception of architecture are not only shaped by the technical-constructive aspect but also by their visual representation. Since the 1980s, with the advent of digital technologies for the design and visual representation of architecture (computer-aided design), far-reaching changes have occurred, resulting in fundamentally new possibilities for linking technical design and visual reproduction (computer rendering to virtual photography). This cooperative project undertakes an investigation of these essentially process-related relationships outlined here in design and visualization during the transition phase from analogue to digital planning and display format methods from 1980 to the present. In exemplary studies on the use and application of the new tools and their visual products (images), the aim is to determine how the ‘digital image’ has changed the concept and production of architecture from the perspective of art history and media criticism on the one hand, and the production aesthetic point of view of architectural and architectural image production on the other.</abstract>
    <parentTitle language="eng">International Journal for Digital Art History</parentTitle>
    <identifier type="issn">2363-5398</identifier>
    <identifier type="url">https://journals.ub.uni-heidelberg.de/index.php/dah/article/view/83928</identifier>
    <identifier type="doi">10.11588/dah.2021.E1.83928</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <contributor>
      <firstName>Hubert</firstName>
      <lastName>Locher</lastName>
    </contributor>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <author>
      <firstName>Florian</firstName>
      <lastName>Heinrich</lastName>
    </author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>architecture</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Computer-Aided-Design (CAD)</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>interdisciplinary collaboration</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>digital image</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>visualization</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>27881</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>36</pageFirst>
    <pageLast>41</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
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    <type>bookpart</type>
    <publisherName>Michael Imhof Verlag</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2021-11-08</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die Wiederentstehung Pergamons als virtuelles Stadtmodell</title>
    <parentTitle language="deu">Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin</parentTitle>
    <identifier type="isbn">978-3-7319-0793-0</identifier>
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    <author>
      <firstName>Eric</firstName>
      <lastName>Laufer</lastName>
    </author>
    <editor>
      <firstName>Andreas</firstName>
      <lastName>Scholl</lastName>
    </editor>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Agnes</firstName>
      <lastName>Schwarzmaier</lastName>
    </editor>
    <author>
      <firstName>Felix</firstName>
      <lastName>Pirson</lastName>
    </author>
    <author>
      <firstName>Verena</firstName>
      <lastName>Stappmanns</lastName>
    </author>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
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    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>30</pageFirst>
    <pageLast>32</pageLast>
    <pageNumber/>
    <edition/>
    <issue>5</issue>
    <volume>66</volume>
    <type>articler</type>
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    <completedDate>2022-05-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Zufahrtsschutz Teil 4</title>
    <parentTitle language="deu">Polizei, Verkehr + Technik : pvt</parentTitle>
    <identifier type="issn">0722-5962</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Christian</firstName>
      <lastName>Weicht</lastName>
    </author>
    <author>
      <firstName>Detlev</firstName>
      <lastName>Schürmann</lastName>
    </author>
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  </doc>
  <doc>
    <id>28842</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
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    <publisherName>Busilis da Comunicacao, Lda</publisherName>
    <publisherPlace>Porto, Portugal</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>2022-05-11</completedDate>
    <publishedDate>--</publishedDate>
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    <title language="eng">Narratives by poetic architecture on analytic humanities</title>
    <parentTitle language="eng">On Cinema 2022</parentTitle>
    <identifier type="isbn">978-972-8784-97-3</identifier>
    <identifier type="url">http://hdl.handle.net/10400.26/41498</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
    </author>
    <editor>
      <firstName>Henrique</firstName>
      <lastName>Muga</lastName>
    </editor>
    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
    </author>
    <editor>
      <firstName>M. F. Costa</firstName>
      <lastName>Silva</lastName>
    </editor>
    <editor>
      <firstName>Isolino</firstName>
      <lastName>Sousa</lastName>
    </editor>
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  </doc>
  <doc>
    <id>29319</id>
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    <publisherName>Institute of Art History</publisherName>
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    <title language="eng">Uncertainty in the hypothesis on an unrealized planning of the Berne Minster</title>
    <parentTitle language="eng">Digital Art History – Methods, Practices, Epistemologies : Book Of Abstracts &amp; Conference Programme</parentTitle>
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    <author>
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    <editor>
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    <title language="eng">The amphitheatre of Dyrrachium</title>
    <parentTitle language="eng">ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti</parentTitle>
    <identifier type="isbn">978-88-492-4529-5</identifier>
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    <author>
      <firstName>Dominik</firstName>
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      <firstName>Martin</firstName>
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    <author>
      <firstName>Catherine</firstName>
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    <publisherName>Kornhausforum Selbstverlag</publisherName>
    <publisherPlace>Bern</publisherPlace>
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    <completedDate>2022-11-07</completedDate>
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    <title language="deu">Energizing Future Urbanity (EFU)</title>
    <abstract language="deu">Die Städte der Zukunft bestehen aus lokalen, quasiautonomen Technik-Umwelt-Ensembles. Die sogenannte T-Cells der BTU Cottbus-Senftenberg (-&gt; S72) können im Design an die urbane Umwelt individuell angepasst werden.</abstract>
    <parentTitle language="deu">Shared Spaces in Change. Eine Ausstellung im Kornhausforum Bern und im öffentlichen Stadtraum Bern.</parentTitle>
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    <author>
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      <lastName>Schwarz</lastName>
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      <firstName>Astrid</firstName>
      <lastName>Schwarz</lastName>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
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    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Design, Technikwissenschaft, Stadtplanung,</value>
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    <publishedYear>2024</publishedYear>
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    <pageFirst/>
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    <pageNumber>160</pageNumber>
    <edition>1. Auflage</edition>
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    <publisherName>Birkhäuser Verlag GmbH</publisherName>
    <publisherPlace>Basel</publisherPlace>
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    <completedDate>2024-04-11</completedDate>
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    <title language="eng">Architecture Transformed - The Digital Image in Architecture 1980–2020</title>
    <abstract language="deu">Das digitale Bild in der Architektur&#13;
&#13;
Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur über vier Jahrzehnte – im Prozess der Digitalisierung von Wissen in Theorie und Praxis – sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung über die Fotomontage bis zum Computerrendering, um die medienspezifische Prägung der Architektur durch digitale Methoden zu verdeutlichen.&#13;
&#13;
Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums für Kunstgeschichte – Bildarchiv Foto Marburg mit dem Lehrstuhl für Architektur und Visualisierung der Brandenburgischen Technischen Universität Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild“.</abstract>
    <identifier type="isbn">978-3-0356-2448-9</identifier>
    <identifier type="url">https://birkhauser.com/de/books/9783035628777</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
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    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
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    <author>
      <firstName>Hubert</firstName>
      <lastName>Locher</lastName>
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    <author>
      <firstName>Florian</firstName>
      <lastName>Henrich</lastName>
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    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
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    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architektur</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architekturgeschichte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Bildwissenschaft</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Entwurf</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Architekturfotografie</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Renderings</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Computer-Aided Design</value>
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    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
  </doc>
  <doc>
    <id>33411</id>
    <completedYear/>
    <publishedYear>2024</publishedYear>
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    <language>eng</language>
    <pageFirst>71</pageFirst>
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    <issue>1</issue>
    <volume>2023</volume>
    <type>articler</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation>Institute of Art Studies, Bulgarian Academy of Sciences</contributingCorporation>
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    <completedDate>2024-04-17</completedDate>
    <publishedDate>--</publishedDate>
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    <title language="eng">A Political Narrative in the Relationship between Artwork and Recipient</title>
    <abstract language="eng">Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory.</abstract>
    <parentTitle language="mul">Izkustvovedski Četenija = Art Readings</parentTitle>
    <identifier type="issn">1313-2342</identifier>
    <identifier type="url">https://www.ceeol.com/search/journal-detail?id=308</identifier>
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    <author>
      <firstName>Dominik</firstName>
      <lastName>Lengyel</lastName>
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    <submitter>
      <firstName>Martin</firstName>
      <lastName>Schultka</lastName>
    </submitter>
    <author>
      <firstName>Catherine</firstName>
      <lastName>Toulouse</lastName>
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    <subject>
      <language>eng</language>
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      <value>Visualisation</value>
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    <subject>
      <language>eng</language>
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      <value>Architecture</value>
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      <value>Design</value>
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    <subject>
      <language>eng</language>
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      <value>Abstraction</value>
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    <subject>
      <language>eng</language>
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      <value>Knowledge</value>
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    <subject>
      <language>eng</language>
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      <value>Uncertainty</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>3D</value>
    </subject>
    <collection role="institutes" number="6206">FG Architektur und Visualisierung</collection>
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    <completedYear/>
    <publishedYear>2021</publishedYear>
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    <publisherName>Propylaeum</publisherName>
    <publisherPlace>Heidelberg</publisherPlace>
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    <contributingCorporation>Museen der Stadt Wien - Stadtarchäologie</contributingCorporation>
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    <completedDate>2024-05-10</completedDate>
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    <title language="eng">Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture</title>
    <parentTitle language="eng">Monumental Computations: digital archaeology of large urban and underground infrastructures</parentTitle>
    <identifier type="isbn">978-3-948465-98-8</identifier>
    <identifier type="doi">10.11588/propylaeum.747.c11848</identifier>
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      <firstName>Dominik</firstName>
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      <firstName>Astrid</firstName>
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    <id>33540</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
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    <language>eng</language>
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    <publisherName>﻿Faculty of Philology, University of Belgrade</publisherName>
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    <completedDate>2024-05-10</completedDate>
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    <title language="eng">Architectonic Design for Technological Devices</title>
    <parentTitle language="eng">Art and Science Applied: Experience and Vision / &#13;
Уметност и наука у примени: искуство и визија</parentTitle>
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      <firstName>Dominik</firstName>
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      <firstName>Astrid</firstName>
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      <firstName>Catherine</firstName>
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    <publishedYear>2022</publishedYear>
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    <title language="eng">How Do We Deal with Uncertain Information? Effects of Verbal and Visual Expressions of Uncertainty on Learning</title>
    <abstract language="eng">AbstractBased on the knowledge generation model for visual analytics including uncertainty propagation and human trust building (Sacha et al. 2016), the cognitive theory of multimedia learning (Mayer, 2014), the multimedia principle (Butcher, 2014), and previous studies on the effects of different uncertainty visualization styles, an integrated theoretical approach is proposed to examine the influence of different degrees of information uncertainty and different uncertainty visualization styles on processing pictures of two archeological reconstructions with accompanying audio explanations presented in a multimedia learning environment. A 4 × 3 design with condition (without uncertainty visualization vs. stop light colors vs. geometric contrast vs. both uncertainty visualizations) as the between-subjects factor and uncertainty value (uncertain vs. medium vs. certain) as the within-subject factor was used. The results showed that appearance of certain content, its uncertainty values, and their verbal scientific justifications were remembered better than uncertain ones. Furthermore, stop light colors enhanced the memory of uncertainty values compared to no uncertainty visualization and were better understood, discriminated, and transferred than geometric contrast. Geometric contrast decreased the memory of the appearance of uncertain architectural elements compared to no uncertainty visualization and was better than stop light colors regarding the memory of the appearance of certain architectural elements. The study integrates and extends existing theories by showing that certain contents are processed with higher priority than uncertain contents and that the multimedia effect is also valid for metainformation such as the uncertainties of contents. Finally, recommendations for designing learning material including uncertainty visualizations are given.</abstract>
    <parentTitle language="eng">Educational Psychology Review</parentTitle>
    <identifier type="doi">10.1007/s10648-022-09659-4</identifier>
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