@incollection{Newiak, author = {Newiak, Denis}, title = {Aus Pandemiefilmen lernen: Wie man Einsamkeit {\"u}berlebt}, series = {St{\"o}rfall Pandemie und seine grenz{\"u}berschreitenden Wirkungen}, booktitle = {St{\"o}rfall Pandemie und seine grenz{\"u}berschreitenden Wirkungen}, editor = {Gansel, Carsten and P{\´e}rez, Jos{\´e} Fern{\´a}ndez}, publisher = {V \& R unipress}, address = {G{\"o}ttingen}, isbn = {978-3-8471-1511-3}, pages = {293 -- 308}, language = {de} } @misc{OPUS4-31465, title = {Digitale Bildung jetzt! Innovative Konzepte zur Digitalisierung von Lernen und Lehre}, editor = {Newiak, Denis and Romppel, Janine and Martin, Alexander}, publisher = {Springer VS}, address = {Wiesbaden}, isbn = {978-3-658-40844-2}, doi = {10.1007/978-3-658-40845-9}, pages = {134}, abstract = {Wie lassen sich neue digitale Medien f{\"u}r eine moderne Wissensvermittlung an Schulen undHochschulen nutzen? Die Schließung von Bildungseinrichtungen w{\"a}hrend der Corona-Pandemie hat die Probleme bei der technischen Modernisierung der Schulen offensichtlich werden lassen. Mit der Not entsteht auch die Chance, Schulen neu zu denken - etwa durch innovative Konzepte f{\"u}r virtuelle Unterrichtsformate, den zielorientierten Einsatz von smarten Ger{\"a}te im Pr{\"a}senzunterricht und f{\"u}r eine Lehrkr{\"a}fte-Ausbildung, die umfassend digital qualifiziert. Forscher und Praktiker stellen in diesem Band ihre Studien und Erfahrungen aus dem Bereich der P{\"a}dagogik, Medienwissenschaft und angrenzender Disziplinen zusammen, entwickeln Vorschl{\"a}ge f{\"u}r den Einsatz digitaler Medien und Techniken f{\"u}r zeitgem{\"a}ße Bildungs- und Lehrkonzepte und pr{\"a}sentieren ihre Best Practices.}, language = {de} } @incollection{Newiak, author = {Newiak, Denis}, title = {Die Vorboten der Nachmoderne. Filmische Szenarien eines fl{\"a}chendeckenden Stromausfalls.}, series = {Zukunftswissen? Potenziale prospektiver Erkenntnis am Beispiel der Energiewirtschaft}, booktitle = {Zukunftswissen? Potenziale prospektiver Erkenntnis am Beispiel der Energiewirtschaft}, editor = {Mackasare, Manuel}, publisher = {J.B. Metzler}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-66755-2}, issn = {2524-8197}, doi = {10.1007/978-3-662-66756-9_16}, pages = {355 -- 370}, abstract = {Fachleute warnen seit Jahren vor den potenziell verheerenden Folgen eines Blackouts, zugleich aber sind Bev{\"o}lkerung, Unternehmen und Regierungen auf dieses Szenario kaum vorbereitet. Film und Fernsehen haben - gerade w{\"a}hrend der Corona-Pandemie - ihre F{\"a}higkeit zur gedanklichen Vorwegnahme wichtiger gesellschaftlicher Herausforderungen bewiesen: Spielfilme und Serien thematisieren Gefahren und Risiken h{\"a}ufig lange vor ihrem tats{\"a}chlichen Eintreten. Blackouts geh{\"o}ren seit langer Zeit genre{\"u}bergreifend zum erz{\"a}hlerischen und inszenatorischen Standardrepertoire. Welche Inszenierungsformen w{\"a}hlen die filmischen Kunstformen zur Darstellung von Blackout-Szenarien? Was kann die moderne Gesellschaft von Film und Fernsehen lernen, um sich auf den bevorstehenden Blackout vorzubereiten? Und lassen sich damit die schwersten Folgen eines realen Blackouts noch verhindern? Vor dem Hintergrund wissenssoziologischer Diskurse sollen anhand ausgew{\"a}hlter Beispiele die Ergebnisse einer aktuellen Studie zum Zukunftswissen in Blackout-Filmen und -Serien pr{\"a}sentiert werden.}, language = {de} } @misc{OPUS4-31305, title = {AI - Limits and Prospects of Artificial Intelligence}, editor = {Klimczak, Peter and Petersen, Christer}, publisher = {transcript}, address = {Bielefeld}, isbn = {978-3-8376-5732-6}, pages = {287}, abstract = {The emergence of artificial intelligence has triggered enthusiasm and promise of boundless opportunities as much as uncertainty about its limits. The contributions to this volume explore the limits of AI, describe the necessary conditions for its functionality, reveal its attendant technical and social problems, and present some existing and potential solutions. At the same time, the contributors highlight the societal and attending economic hopes and fears, utopias and dystopias that are associated with the current and future development of artificial intelligence.}, language = {en} } @incollection{Petersen, author = {Petersen, Christer}, title = {Man-Machines: Gynoids, Fembots, and Body-AI in Contemporary Cinematic Narratives}, series = {AI - Limits and Prospects of Artificial Intelligence}, booktitle = {AI - Limits and Prospects of Artificial Intelligence}, editor = {Klimczak, Peter and Petersen, Christer}, publisher = {transcript}, address = {Bielefeld}, isbn = {978-3-8376-5732-6}, doi = {10.14361/9783839457320-009}, pages = {195 -- 222}, language = {en} } @incollection{Klimczak, author = {Klimczak, Peter}, title = {Limits and Prospects of Ethics in the Context of Law and Society by the Example of Accident Algorithms of Autonomous Driving}, series = {AI - Limits and Prospects of Artificial Intelligence}, booktitle = {AI - Limits and Prospects of Artificial Intelligence}, editor = {Klimczak, Peter and Petersen, Christer}, publisher = {transcript}, address = {Bielefeld}, isbn = {978-3-8376-5732-6}, doi = {10.14361/9783839457320-005}, pages = {83 -- 114}, language = {en} } @misc{OPUS4-31310, title = {Truth and Fake in the Post-Factual Digital Age}, editor = {Klimczak, Peter and Zoglauer, Thomas}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-40405-5}, pages = {166}, abstract = {The increase in fake news, the growing influence on elections, increasing false reports and targeted disinformation campaigns are not least a consequence of advancing digitalisation. Information technology is needed to put a stop to these undesirable developments. With intelligent algorithms and refined data analysis, fakes must be detected more quickly in the future and their spread prevented. However, in order to meaningfully recognize and filter fakes by means of artificial intelligence, it must be possible to distinguish fakes from facts, facts from fictions, and fictions from fakes. This book therefore also asks questions about the distinctions of fake, factual and fictional. The underlying theories of truth are discussed, and practical-technical ways of differentiating truth from falsity are outlined. By considering the fictional as well as the assumption that information-technical further development can profit from humanities knowledge, the authors hope that content-related, technical and methodological challenges of the present and future can be overcome.}, language = {en} } @incollection{Klimczak, author = {Klimczak, Peter}, title = {Fiction, Fake and Fact: A Set-Theoretic Modeling Together with a Discussion of Represented Worlds}, series = {Truth and Fake in the Post-Factual Digital Age}, booktitle = {Truth and Fake in the Post-Factual Digital Age}, editor = {Klimczak, Peter and Zoglauer, Thomas}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-40405-5}, pages = {45 -- 71}, abstract = {Following Aristotle, factuality, fictionality and fake are differentiated exclusively on the level of content. The concrete starting point for this is Michael Titzmann's proposal to understand represented worlds as a set of ordered propositions. Accordingly, the necessary set-theoretical foundations are presented step by step and, on the basis of three exemplary represented worlds, a one-to-one differentiation as well as an exact definition of factuality, fictionality and fake is undertaken. Based on this, the limits of a one-to-one model can be discussed and its possible modification can be shown. Independently of this, for the classification of a represented world as factual, fictional or fake, the conception of which propositions are true in the real world is crucial, which is why, after a consideration of philosophical theories of truth, the real world is modelled as a set of sufficiently proven represented worlds. Subsequently, it is shown that it is necessary to model indeterminacy with respect to propositions, which is solved by means of the introduction of trivalence of truth values. The paper concludes with a discussion of the case-specificity and subjectivity of reality and their implications for the model presented here, showing that due to the relational approach the model remains productive even in the case of the assumption of subjective or "alternative" realities.}, language = {en} } @incollection{Petersen, author = {Petersen, Christer}, title = {Stranger than Fiction: On Alternative Facts and Fictional Epistemologies}, series = {Truth and Fake in the Post-Factual Digital Age}, booktitle = {Truth and Fake in the Post-Factual Digital Age}, editor = {Klimczak, Peter and Zoglauer, Thomas}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-40405-5}, pages = {73 -- 88}, abstract = {Starting from the term 'alternative facts' and its epistemological implications, three fields of discourse are brought together: that of the public rhetoric of a new political 'Generation Fake', that of postmodern or post-structuralist media theory, and that of fictional epistemologies as found in examples of postmodern literature and contemporary film. The aim of this is to examine the epistemological content of the new political rhetoric of the postfactual, on the one hand with regard to the theory of reality on which it is based, and on the other hand with regard to the theory of truth that it challenges.}, language = {en} } @incollection{Newiak, author = {Newiak, Denis}, title = {How Television Produces Invisible Communities in an Age of Loneliness. A Detailed Look at 13 Reasons Why}, series = {Better Living With TV. Contemporary TV and Moral Identity Formation}, booktitle = {Better Living With TV. Contemporary TV and Moral Identity Formation}, editor = {Benko, Steven}, publisher = {Lexington Books}, address = {Lanham/Boulder/New York/London}, isbn = {978-1-7936-3618-8}, pages = {227 -- 254}, language = {de} }