@book{Petersen, author = {Petersen, Christer}, title = {Der postmoderne Text : Rekonstruktion einer zeitgen{\"o}ssischen {\"A}sthetik am Beispiel von Thomas Pynchon, Peter Greenaway und Paul W{\"u}hr}, edition = {2. durchgesehene Auflage}, publisher = {Verlag Ludwig}, address = {Kiel}, isbn = {978-3-933598-67-7}, pages = {327}, language = {de} } @misc{OPUS4-5438, title = {Zeichen des Krieges in Literatur, Film und den Medien : Band 3, Terror}, editor = {Petersen, Christer and Riou, Jeanne}, publisher = {Verlag Ludwig}, address = {Kiel}, isbn = {978-3-937719-49-8}, pages = {361}, language = {de} } @misc{OPUS4-5439, title = {Zeichen des Krieges in Literatur, Film und den Medien, Bd. 1, Nordamerika und Europa}, editor = {Petersen, Christer}, edition = {2. Auflage}, publisher = {Verlag Ludwig}, address = {Kiel}, isbn = {978-3-933598-81-3}, pages = {330}, language = {de} } @inproceedings{PetersenHarz, author = {Petersen, Christer and Harz, Mario}, title = {Logik als Technik der Begriffssch{\"a}rfung - im Rahmen des ‚War on Terror'-Diskurses}, series = {Tagungsprotokoll des 21. Deutschen Kongresses f{\"u}r Philosophie an der Universit{\"a}t Duisburg-Essen vom 15. bis 19. September 2008}, booktitle = {Tagungsprotokoll des 21. Deutschen Kongresses f{\"u}r Philosophie an der Universit{\"a}t Duisburg-Essen vom 15. bis 19. September 2008}, pages = {1 -- 23}, language = {de} } @article{Petersen, author = {Petersen, Christer}, title = {Vereinigung der Gegens{\"a}tze: Das Ideal einer m{\"a}nnlichen Individuation in Hermann Brochs Die Unbekannte Gr{\"o}ße}, series = {Seminar : a journal of Germanic studies ; Special Issue: Discourses on Masculinity in German Literature}, volume = {44}, journal = {Seminar : a journal of Germanic studies ; Special Issue: Discourses on Masculinity in German Literature}, number = {1}, issn = {0037-1939}, pages = {103 -- 117}, abstract = {Special Issue: Discourses on Masculinity in German Literature}, language = {de} } @misc{Petersen, author = {Petersen, Christer}, title = {Profunde Einf{\"u}hrung. Matthias Eckholdts "Medien der Macht - Macht der Medien"}, series = {Literaturkritik.de}, volume = {12}, journal = {Literaturkritik.de}, number = {1}, issn = {1437-9317}, abstract = {Rezensiert f{\"u}r Literaturkritik.de}, language = {de} } @book{Petersen, author = {Petersen, Christer}, title = {Peter Greenaways Spielfilme : Strukturen und Kontexte}, publisher = {Ludwig}, address = {Kiel}, isbn = {978-3-937719-77-1}, pages = {231}, abstract = {Der britische Maler und Schriftsteller Peter Greenaway gilt seit den 1980er Jahren zu Recht auch als einer der innovativsten zeitgen{\"o}ssischen Regisseure. Nicht nur aufgrund der fast grenzenlosen Zitierwut sowie des un{\"u}bertroffenen {\"A}sthetizismus seiner Filmsprache nimmt Greenaways Œuvre eine herausragende Stellung in der europ{\"a}ischen Filmavantgarde ein. Diese Untersuchung hat es sich zur Aufgabe gemacht, das ebenso komplexe wie anspruchsvolle Spielfilmwerk Greenaways zug{\"a}nglich zu machen, indem die {\"a}sthetischen und erz{\"a}hlerischen Strukturen einerseits und die vielfachen filmischen Anspielungen und Verweise andererseits systematisch nachvollzogen und entschl{\"u}sselt werden.}, language = {de} } @book{KlimczakGraefGrossmannetal., author = {Klimczak, Peter and Gr{\"a}f, Dennis and Großmann, Stephanie and Krah, Hans}, title = {Filmsemiotik : eine Einf{\"u}hrung in die Analyse audiovisueller Formate}, edition = {1. Auflage}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {3-89472-740-3}, pages = {412}, abstract = {Aus zeichentheoretischer Perspektive sind Medien materielle, technische und sozial institutionalisierte Kommunikationsmittel, die der Herstellung, Verbreitung und Verarbeitung von Zeichen dienen. Mediale Zeichen {\"u}bernehmen - zu Zeichensystemen geordnet - in der Kultur die Funktion kultureller Selbstreproduktion und erm{\"o}glichen auf diese Weise die Verst{\"a}ndigung {\"u}ber kulturelle Werte und Normen. {\"U}ber mediale Zeichen konstituiert sich die historisch variable, {\"a}sthetische Konstruktion kultureller Wirklichkeit in den Medien und durch die Medien, wodurch der Wandel von Medien und der Wandel von Haltungen, Einstellungen und Mentalit{\"a}ten aufeinander bezogen werden k{\"o}nnen. Die Mediensemiotik steht damit an einer Schnittstelle zwischen traditionellen Wissenschaften und Disziplinen einerseits (Literatur-, Bild-, Medien- und Musikwissenschaft, Buchwissenschaft, Ethnologie, Kommunikationswissenschaft und Soziologie) und andererseits einzelnen Philologien und nationalen Kulturwissenschaften (Germanistik, Romanistik, Anglistik, Amerikanistik) sowie den historiographischen Wissenschaften (Geschichtswissenschaften, Kunstgeschichte).}, language = {de} } @book{Klimczak, author = {Klimczak, Peter}, title = {40 Jahre "Planet der Affen" : Reihen- und Zeitgeistkompatibilit{\"a}t, {\"u}ber Erfolg und Misserfolg von Adaptionen}, edition = {1. Auflage}, publisher = {Ibidem}, address = {Stuttgart}, isbn = {978-3-89821-977-8}, pages = {124}, abstract = {Warum stoßen einige Adaptionen des gleichen Themas beim Publikum auf positive Resonanz, andere wiederum auf negative? Gemeinhin wird dieser Umstand auf die mangelnde Qualit{\"a}t des jeweiligen Werkes zur{\"u}ckgef{\"u}hrt und damit letztlich auf das mangelnde K{\"o}nnen von Regisseuren, Drehbuchautoren und Produzenten. Peter Klimczak hingegen sucht in seiner hier vorliegenden Studie den Grund daf{\"u}r im Spannungsfeld von Zeitgeist- und Reihenkompatibilit{\"a}t der einzelnen Adaption. Eine Herangehensweise, die insbesondere hinsichtlich der Kombination beider Aspekte ein Novum in der Erforschung der Erfolgs- und Misserfolgsfaktoren von Adaptionen darstellt. Exemplarisch zeigt er diesen Sachverhalt an der "Planet der Affen"-Reihe auf, die sich daf{\"u}r aufgrund verschiedener Faktoren besonders gut eignet. Ausf{\"u}hrlich analysiert und interpretiert er dabei den Roman von 1963 sowie insbesondere die Serie von 1974 und die Neuverfilmung von 2001 - Werke also, die bislang nicht im Fokus der wissenschaftlichen oder popul{\"a}rwissenschaftlichen Betrachtung standen.}, language = {de} } @misc{OPUS4-10603, title = {Skandale: Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, editor = {Bulkow, Kristin and Petersen, Christer}, publisher = {VS Verlag f{\"u}r Sozialwissenschaften}, address = {Wiesbaden}, isbn = {978-3-531-17555-3}, pages = {315}, language = {de} } @misc{OPUS4-10604, title = {Zeichen des Krieges in Literatur, Film und den Medien : Band 2, Ideologisierung und Entideologisierung}, editor = {Petersen, Christer and Jaeger, Stephan}, publisher = {Ludwig}, address = {Kiel}, isbn = {978-3-937719-00-9}, pages = {299}, language = {de} } @misc{OPUS4-11357, title = {St{\"o}rf{\"a}lle}, editor = {Koch, Lars and Petersen, Christer and Vogl, Joseph}, publisher = {Transcript}, address = {Bielefeld}, isbn = {978-3-8376-1856-3}, pages = {164}, language = {de} } @book{Steinborn, author = {Steinborn, Anke}, title = {Der neo-aktionistische Aufbruch: Zur {\"A}sthetik des "American way of life"}, publisher = {Bertz + Fischer Verlag}, address = {Berlin}, isbn = {978-3-86505-391-6}, abstract = {Die drei unver{\"a}ußerlichen Grundrechte der amerikanischen Unabh{\"a}ngigkeitserkl{\"a}rung - das Recht auf Leben und Freiheit, das Streben nach Gl{\"u}ck - bilden das Fundament des American Way of Life - ein Fundament, das im Zeitalter des Konsums seine Entsprechung in der Familie, dem Automobil und dem Vorstadtheim findet. Als konsumkulturelles Ph{\"a}nomen pr{\"a}gt der American Way of Life das Verh{\"a}ltnis zu den Dingen und beeinflusst maßgeblich deren {\"A}sthetik. Kein Wunder also, dass in der Kultur-, Design- und Medienwissenschaft der Begriff immer wieder auftaucht; doch welche Dinge, Symbole, Zeichen und Gesten machen ihn aus, und welche Ver{\"a}nderungen des American Way of Life schlagen sich wie im {\"a}sthetischen Zeichensystem nieder? Im Zentrum der intermedialen und transdisziplin{\"a}ren Betrachtungen des Buches steht die These, dass die gesellschaftliche Krise des American Way of Life untrennbar verbunden ist mit der soziokulturellen, aber auch {\"a}sthetischen Abwendung von symbolischen Dingen und Zeichen zugunsten performativer Zeichen und Gesten. Dieser Wandel wird vor allem anhand der ver{\"a}nderten Sprachlichkeit des amerikanischen Films zur Jahrtausendwende im Vergleich zum sp{\"a}tklassischen Hollywoodfilm Anfang der 1960er Jahre exemplarisch nachgezeichnet. Zun{\"a}chst {\"u}ber Dinge und Bedeutungskonstruktionen eindeutig konnotiert, werden die manifesten Formen und Formulierungen - wie auch das filmische Aktionsbild - entmythifiziert und die Intentionen und Werte des American Way of Life im Zuge des neo-aktionistischen Aufbruchs stetig neu verhandelt.}, language = {de} } @misc{Steinborn, author = {Steinborn, Anke}, title = {Nosferatu : ein expressionistisches Bewegtbild-Bestiarium}, series = {Komparatistik online : Komparatistische Internet-Zeitschrift}, journal = {Komparatistik online : Komparatistische Internet-Zeitschrift}, number = {1}, issn = {1864-8533}, language = {de} } @incollection{Steinborn, author = {Steinborn, Anke}, title = {The Woman of my Dreams}, series = {The Directory of World Cinema, Germany 2}, booktitle = {The Directory of World Cinema, Germany 2}, editor = {Langford, Michelle}, publisher = {Intellect Books}, address = {Bristol [u.a.]}, isbn = {978-1-84150-738-5}, language = {en} } @misc{Schuppli, author = {Schuppli, Susan}, title = {Material Witness}, abstract = {Material Witness is an experimental documentary that examines a series of media artifacts to have emerged out of situations of contemporary conflict and historical violence. Consisting of five episodes (two of which are presented here), the video tracks these media materials through the various public and legal forums in which they participate as corroborative or disputed forms of "evidence" such as the ICTY, the un, the international atomic energy agency, and COP 15 (the 2009 un Climate Change Conference in Copenhagen). rather than focusing entirely upon the content of such media, as might be expected, the project also explores the ways in which crisis is registered as a "material violation" itself; in other words how histories are materially or computationally encoded by media and by which means the complex political realities they are embedded in are rendered visible. in short, it is an inquiry into how objects become agents of contestation between different stake- holders and truth claims.}, language = {en} } @misc{OPUS4-11561, title = {Living Death Camp Investigation}, abstract = {Living Death Camps describes the condition of two former concentration camps located in the territory of ex-Yugoslavia: the World War II-era camp of Staro Sajmište, and the camp of Omarska, dating from the Yugoslav war. Both are presently inhabited and used for other purposes. Living Death Camps names a collaborative project that seeks to investigate the complex material and political issues currently unfolding around these two sites, and to understand how the politics of commemoration in which each of them is embroiled. Each of these sites has a complex and singular history, which we have undertaken to expose in our research. It is by addressing the specificity of each site that we sought to understand and intervene in the respective transformation of each site into a post-conflict site of commemoration. Starting from the acknowledgment that these two former death camps are presently inhabited and used, that they are places upon which the lives of many depend, we argue that it is a necessity for each of these sites to develop a project of commemoration that would remain responsive to the demands of ongoing life. In an attempt to engage with this necessity and the difficult questions surrounding it, our research has turned to some of the methods of contemporary archaeology. Our forensics have surveyed and explored the multiplicity of events registered in the materiality of each site, without an a priori focus on the historical layer that the death camp has left behind. The material entanglement of historical layers in each site forms the ground upon which a call for a simultaneous attention to its present and pasts can be made. An inverted symmetry emerges from the research we have conducted in each of the two sites. While in both our research culminated in the assembly of a public forum, in Staro Sajmište we opposed plans for commemoration that involved the eviction of its current residents, while in Omarska we demanded that the local community be granted the right to commemorate the tragic events that took place on the site - which is today occupied by a commercial mine in operation.}, language = {en} } @misc{OPUS4-11616, title = {Drone Strike Investigation, Datta Khel, North Waziristan, March 16-17, 2011}, abstract = {Forensic Architecture undertook detailed case study analyses of five specific drone strikes. These have been created from the perspectives of survivors and on-site witnesses, as well as those that visited the aftermath of the strikes. The aim was to describe, in as detailed a manner as possible, the effects of these strikes on the ground, on architecture, and on the people within them. Each of our investigations is paradigmatic of a different way of working with scarce data. In each case we cross-referenced the different types of data available to us, including satellite imagery, local and international media reports, witness statements, and on-the- ground images when and if we could obtain them. Through these analyses we were able to demonstrate that, despite all inhibiting circumstances, investigating specific drone strikes is in fact possible. Crucially, by using a different methodology in each case study and demonstrating how these innovative ways of analysis may be carried out even when confronted with limited information and research materials, our work may help other investigators working on drone warfare.}, language = {en} } @misc{OPUS4-11617, title = {Drone Strike Investigation, Mir Ali, North Waziristan, October 4, 2010}, abstract = {Forensic Architecture undertook detailed case study analyses of five specific drone strikes. These have been created from the perspectives of survivors and on-site witnesses, as well as those that visited the aftermath of the strikes. The aim was to describe, in as detailed a manner as possible, the effects of these strikes on the ground, on architecture, and on the people within them. Each of our investigations is paradigmatic of a different way of working with scarce data. In each case we cross-referenced the different types of data available to us, including satellite imagery, local and international media reports, witness statements, and on-the- ground images when and if we could obtain them. Through these analyses we were able to demonstrate that, despite all inhibiting circumstances, investigating specific drone strikes is in fact possible. Crucially, by using a different methodology in each case study and demonstrating how these innovative ways of analysis may be carried out even when confronted with limited information and research materials, our work may help other investigators working on drone warfare.}, language = {en} } @misc{OPUS4-11618, title = {Drone Strike Investigation, Miranshah, North Waziristan, March 30, 2012}, abstract = {Forensic Architecture undertook detailed case study analyses of five specific drone strikes. These have been created from the perspectives of survivors and on-site witnesses, as well as those that visited the aftermath of the strikes. The aim was to describe, in as detailed a manner as possible, the effects of these strikes on the ground, on architecture, and on the people within them. Each of our investigations is paradigmatic of a different way of working with scarce data. In each case we cross-referenced the different types of data available to us, including satellite imagery, local and international media reports, witness statements, and on-the- ground images when and if we could obtain them. Through these analyses we were able to demonstrate that, despite all inhibiting circumstances, investigating specific drone strikes is in fact possible. Crucially, by using a different methodology in each case study and demonstrating how these innovative ways of analysis may be carried out even when confronted with limited information and research materials, our work may help other investigators working on drone warfare.}, language = {en} } @misc{OPUS4-11619, title = {Drone Strike Investigation, Beit Lahiya, Gaza, January 9, 2009}, abstract = {Forensic Architecture undertook detailed case study analyses of five specific drone strikes. These have been created from the perspectives of survivors and on-site witnesses, as well as those that visited the aftermath of the strikes. The aim was to describe, in as detailed a manner as possible, the effects of these strikes on the ground, on architecture, and on the people within them. Each of our investigations is paradigmatic of a different way of working with scarce data. In each case we cross-referenced the different types of data available to us, including satellite imagery, local and international media reports, witness statements, and on-the- ground images when and if we could obtain them. Through these analyses we were able to demonstrate that, despite all inhibiting circumstances, investigating specific drone strikes is in fact possible. Crucially, by using a different methodology in each case study and demonstrating how these innovative ways of analysis may be carried out even when confronted with limited information and research materials, our work may help other investigators working on drone warfare.}, language = {en} } @misc{TavaresWeizman, author = {Tavares, Paulo and Weizman, Eyal}, title = {The Mineral Geology of Genocide II}, abstract = {GUATEMALA: OPERACION SOFIA Environmental violence and genocide in the Ixil Triangle The violence inflicted by Guatemalan state security forces — both military and military-organized civil militias — on the Ixil Maya people in the El Quich{\´e} region of West Guatemala (1978-84) amounted, according to Guatemala's Commission for Historical Clarification (CEH) to "acts of genocide." But genocide is not only the killing of people, for it also includes "environmental violence": the destruction of the natural and built environment as part of a military strategy. The investigation attempts to read the environment not just as the location of conflict, but as the means by which it unfolds. This research formed a report produced on behalf of the prosecution in the case of genocide committed against the Ixil people. Our research was included in a series of trials taking place in Guatemala, including the retrial of former dictator Efra{\´i}n R{\´i}os Montt in the National Court of Guatemala and in the Inter-American Court of Human Rights.}, language = {en} } @misc{Schuppli, author = {Schuppli, Susan}, title = {Can The Sun Lie}, abstract = {DISPUTED SUNSET "Can the sun lie?" asked a US court in 1886 when reflecting upon the truth claims of photographic evidence. However, as photographic practices became more commonplace and awareness of the ease of image manipulation increased, so too did doubts about their evidentiary value. Soon, photographic experts began to face each other in court and a new order of certainty appeared, produced by the domain of expertise. In the Canadian Arctic the sun is setting many kilometers further west along the horizon and the stars are no longer where they should be. Sunlight is behaving differently in this part of the world as the warming Arctic air causes temperature inversions and throws the setting sun off-kilter. The longstanding dispute between lay knowledge and scientific expertise is forcefully reanimated by current climate change debates, particularly with respect to indigenous storytelling traditions. This is a reordering of expertise and its claims to truth that turn on the evidence proffered by nature itself.}, language = {en} } @misc{Schuppli, author = {Schuppli, Susan}, title = {Memorial in Exile}, abstract = {Living Death Camps describes the condition of two former concentration camps located in the territory of ex-Yugoslavia: the World War II-era camp of Staro Sajmište, and the camp of Omarska, dating from the Yugoslav war. Both are presently inhabited and used for other purposes. Living Death Camps names a collaborative project that seeks to investigate the complex material and political issues currently unfolding around these two sites, and to understand how the politics of commemoration in which each of them is embroiled. Each of these sites has a complex and singular history, which we have undertaken to expose in our research. It is by addressing the specificity of each site that we sought to understand and intervene in the respective transformation of each site into a post-conflict site of commemoration. Starting from the acknowledgment that these two former death camps are presently inhabited and used, that they are places upon which the lives of many depend, we argue that it is a necessity for each of these sites to develop a project of commemoration that would remain responsive to the demands of ongoing life. In an attempt to engage with this necessity and the difficult questions surrounding it, our research has turned to some of the methods of contemporary archaeology. Our forensics have surveyed and explored the multiplicity of events registered in the materiality of each site, without an a priori focus on the historical layer that the death camp has left behind. The material entanglement of historical layers in each site forms the ground upon which a call for a simultaneous attention to its present and pasts can be made. An inverted symmetry emerges from the research we have conducted in each of the two sites. While in both our research culminated in the assembly of a public forum, in Staro Sajmište we opposed plans for commemoration that involved the eviction of its current residents, while in Omarska we demanded that the local community be granted the right to commemorate the tragic events that took place on the site - which is today occupied by a commercial mine in operation.}, language = {en} } @inproceedings{Klimczak, author = {Klimczak, Peter}, title = {Formale Subtextanalyse : Deduktion bed{\"u}rfnisorientierter Propositionen aus narrativen {\"A}ußerungen}, series = {Elektronische Sprachsignalverarbeitung 2014, Tagungsband der 25. Konferenz Dresden, 26. - 28. M{\"a}rz 2014}, booktitle = {Elektronische Sprachsignalverarbeitung 2014, Tagungsband der 25. Konferenz Dresden, 26. - 28. M{\"a}rz 2014}, publisher = {TUDpress}, address = {Dresden}, isbn = {978-3-944331-51-5}, pages = {80 -- 88}, language = {de} } @misc{KlimczakPetersen, author = {Klimczak, Peter and Petersen, Christer}, title = {Ordnung und Abweichung. Jurij M. Lotmans Grenz{\"u}berschreitungstheorie aus modallogischer Perspektive}, series = {Journal of Literary Theory}, volume = {9}, journal = {Journal of Literary Theory}, number = {1}, issn = {1862-8990}, pages = {135 -- 154}, language = {de} } @misc{OPUS4-11877, title = {Klassiker des polnischen Films}, editor = {Petersen, Christer and Klimczak, Peter and Kampk{\"o}tter, Christian}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-886-1}, pages = {243}, abstract = {Bislang liegen in deutscher Sprache keine breitenwirksamen Publikationen zum osteurop{\"a}ischen Film vor, obwohl unsere {\"o}stlichen Nachbarl{\"a}nder {\"u}ber eine lange und beeindruckende Filmtradition verf{\"u}gen. Die Klassiker des osteurop{\"a}ischen Films schaffen Abhilfe, indem sie die etwa 25 wichtigsten Filme jedes Landes kurz vorstellen. Jeder Band enth{\"a}lt ca. 25 Beitr{\"a}ge und soll sowohl das Individuelle als auch das Repr{\"a}sentative des besprochenen Filmklassikers herausstellen: Da Filme kulturelle Artefakte sind, spiegeln sie neben ihren spezifischen Geschichten, Plots und Themen auch die Kultur des jeweiligen Landes wider. Ziel der Reihe ist es, die Filmproduktion s{\"a}mtlicher osteurop{\"a}ischer Nationen einem deutschsprachigen Publikum n{\"a}her zubringen und zur Re-Vision anzuregen. Der erste Band stellt 26 polnische Filmklassiker vor.}, language = {de} } @incollection{Klimczak, author = {Klimczak, Peter}, title = {Alle Polen tragen Schnurrb{\"a}rte : zum Umgang mit Abweichungen in Literatur und Kultur und der besonderen semantischen Funktion der Metatilgung in Lotmans Grenz{\"u}berschreitungstheorie}, series = {Wechselwirkungen : deutschsprachige Literatur und Kultur im regionalen und internationalen Kontext}, booktitle = {Wechselwirkungen : deutschsprachige Literatur und Kultur im regionalen und internationalen Kontext}, editor = {Szendi, Zoltan}, publisher = {Praesens}, address = {Wien}, language = {de} } @incollection{Klimczak, author = {Klimczak, Peter}, title = {Unsere kleine Farm}, series = {Klassiker der Fernsehserie}, booktitle = {Klassiker der Fernsehserie}, editor = {Hißnauer, Christian and Klein, Thomas}, publisher = {Reclam}, address = {Stuttgart}, isbn = {978-3-15-019025-8}, pages = {80 -- 85}, language = {de} } @incollection{Klimczak, author = {Klimczak, Peter}, title = {Ereignis und Perspektive : die Lotman-Rennersche Grenz{\"u}berschreitungstheorie bei multiperspektivischen Medientexten}, series = {Revisionen - Relekt{\"u}ren - Perspektiven}, booktitle = {Revisionen - Relekt{\"u}ren - Perspektiven}, editor = {Frisch, Simon and Raupach, Tim}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-743-7}, language = {de} } @phdthesis{Klimczak, author = {Klimczak, Peter}, title = {Formale Subtextanalyse : modallogische Grundlegung der Grenz{\"u}berschreitungstheorie}, pages = {283}, language = {de} } @misc{WeizmanTavares, author = {Weizman, Eyal and Tavares, Paulo}, title = {The Mineral Geology of Genocide}, abstract = {Realized an edited essay video authored by Eyal Weizman and Paulo Tavares. The video potraits the contemporary forensic investigations of the civil war in Guatemala, the process of identifying forcably disappeared and the spatial reconstruction of the genocide against the indigenous population in the Guatemalan highlands. The first video "The Mineral Geology of Genocide" was first shown at Portikus gallery in Frankfurt a.M. in the exhibition "Mengele's skull" and then exhibited at the 2012 Taipei Biennial. In addition a different version but part of the same research project and video series was exhibited at the Herzliya Museum for Contemporary Art in Tel Aviv in the show "Cabinet of Wonder"}, language = {en} } @misc{OPUS4-12181, title = {Understanding Each Other's Heritage - Challenges for Heritage Communication in a Globalized World Symposium and Workshop Proceedings}, editor = {Crescini, Henry and Vileikis, Ona}, edition = {1}, publisher = {Verlag Dr. K{\"o}ster}, address = {Berlin}, isbn = {978-3-89574-830-1}, pages = {350}, language = {en} } @misc{OPUS4-12182, title = {World Heritage Today : Challenges for Interpretation, Conservation and Development}, editor = {Rocha, Andreza A. da}, edition = {1. Auflage}, publisher = {K{\"o}ster}, address = {Berlin}, isbn = {978-3-89574-790-8}, pages = {256}, abstract = {World Heritage Today is a comprehensive collection of articles written by young heritage specialists on topics related to the interpretation, conservation, and development of World Heritage Sites. It reflects current trends in heritage research and combines theory with the praxis of heritage preservation and management by offering several case studies from all over the globe: from the Speyer Cathedral and the Old Town of Regensburg in Germany, to the Australian Convict Sites and the Historic Center of S{\~a}o Luis in Brazil. The dynamic and diverse character of this book is expressed in the variety of themes and approaches and in the authors' countries of origin, which include Brazil, Germany, Iran, and Ukraine. Focusing on the special features and needs of sites inscribed in UNESCO's World Heritage List, World Heritage Today investigates issues concerning the management and conservation of these sites, discusses benefits and limitations of the World Heritage status and signalizes future changes in the application of the 1972 World Heritage Convention. IAWHP e.V. The International Association of World Heritage Professionals (IAWHP) e.V. was founded in 2010 by a group of World Heritage Studies alumni in order to provide members with an alternative platform to share ideas and experiences gathered by researchers and young professionals in the heritage field, and to strengthen the global alumni network. Among the main objectives of the IAWHP e.V. are advancing research in the field of heritage and promoting the exchange of ideas between heritage professionals.}, language = {en} } @incollection{KlimczakBacu, author = {Klimczak, Peter and Bacu, Beatrice}, title = {Raymond, mon amour! Die Vereinigung des Gegens{\"a}tzlichen in Claude Berris "Lucie Aubrac"}, series = {Fest-Stellungen : Dokumentation des 25. Film- und Fernsehwissenschaftlichen Kolloquiums}, booktitle = {Fest-Stellungen : Dokumentation des 25. Film- und Fernsehwissenschaftlichen Kolloquiums}, editor = {Podrez, Peter}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-892-2}, language = {de} } @misc{OPUS4-12212, title = {Medien - Texte - Kontexte}, editor = {Klimczak, Peter and Großmann, Stephanie}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-553-2}, language = {de} } @inproceedings{KlimczakWolffLindemannetal., author = {Klimczak, Peter and Wolff, Matthias and Lindemann, Jens and Petersen, Christer and R{\"o}mer, Ronald and Zoglauer, Thomas}, title = {Die kognitive Heizung}, series = {Elektronische Sprachsignalverarbeitung 2014, Tagungsband der 25. Konferenz Dresden, 26. - 28. M{\"a}rz 2014}, booktitle = {Elektronische Sprachsignalverarbeitung 2014, Tagungsband der 25. Konferenz Dresden, 26. - 28. M{\"a}rz 2014}, editor = {Hoffmann, R{\"u}diger}, publisher = {TUD press}, address = {Dresden}, isbn = {978-3-944331-51-5}, pages = {89 -- 96}, language = {de} } @incollection{Petersen, author = {Petersen, Christer}, title = {Das unm{\"o}gliche Ereignis und der Terror des universalen Tausches}, series = {KataChoc : vom Beutewert des Desasters}, booktitle = {KataChoc : vom Beutewert des Desasters}, publisher = {Alpheus-Verlag}, address = {Berlin}, isbn = {978-3-9813184-1-8}, pages = {20}, language = {de} } @misc{PetersenRedekop, author = {Petersen, Christer and Redekop, Robbyn}, title = {Kante \& W{\"u}hr. Signs of Postmodernism in German (Pop) Culture}, series = {World Literature in English Translation : The University of Manitoba Journal}, journal = {World Literature in English Translation : The University of Manitoba Journal}, number = {12}, language = {en} } @book{Petersen, author = {Petersen, Christer}, title = {Jenseits der Ordnung : das Spielfilmwerk Peter Greenaways - Strukturen und Kontexte}, publisher = {Verlag Ludwig}, address = {Kiel}, isbn = {3-933598-18-4}, pages = {144}, language = {de} } @incollection{Petersen, author = {Petersen, Christer}, title = {Anthropologien der Gewalt : Stanley Kubricks Science-Fiction-Reihe Dr. Strangelove}, series = {All-Gemeinwissen : kulturelle Kommunikation in popul{\"a}ren Medien}, booktitle = {All-Gemeinwissen : kulturelle Kommunikation in popul{\"a}ren Medien}, editor = {Krah, Hans}, publisher = {Verlag Ludwig}, address = {Kiel}, isbn = {3-933598-22-2}, language = {de} } @incollection{KlimczakBacu, author = {Klimczak, Peter and Bacu, Beatrice}, title = {J.A.G. - Im Auftrag der Ehre : serielle Strukturen, ihre Funktion und das Pentagon}, series = {Medien, Diskurse, Deutungen}, booktitle = {Medien, Diskurse, Deutungen}, editor = {Becker, Andreas R. and Hartmann, Doreen and Lorey, Don Cecil and Nolte, Andrea}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-620-1}, pages = {103 -- 110}, language = {de} } @incollection{Klimczak, author = {Klimczak, Peter}, title = {Minimale Abweichung - Maximale Angleichung: Bedeutungskonstituierung in den "Planet der Affen"-Texten}, series = {Medien - Zeit - Zeichen}, booktitle = {Medien - Zeit - Zeichen}, editor = {Hißnauer, Christian and Jahn-Sudmann, Andreas}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-434-4}, pages = {241 -- 248}, language = {de} } @incollection{Steinborn, author = {Steinborn, Anke}, title = {Kitchen Debate ‒ Aufschwung und Krise des American Way of Life im filmischen Dialog}, series = {Revisionen ‒ Relekt{\"u}ren ‒ Perspektiven}, booktitle = {Revisionen ‒ Relekt{\"u}ren ‒ Perspektiven}, editor = {Frisch, Simon and Raupach, Tim}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-743-7}, pages = {276 -- 294}, language = {de} } @incollection{Steinborn, author = {Steinborn, Anke}, title = {Frauenmord und Skandal viral ‒ Young British Art : ein Fallbeispiel}, series = {Skandale : Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, booktitle = {Skandale : Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, editor = {Petersen, Christer and Bulkow, Kristin}, publisher = {VS Verlag}, address = {Wiesbaden}, isbn = {978-3-531-17555-3}, pages = {277 -- 298}, language = {de} } @misc{Kraemer, author = {Kr{\"a}mer, Steffen}, title = {Immune Landscapes}, abstract = {This research and documentary project investigates how 'immunity' as a legal category is applied to space. The video "Immune Landscapes 1″ presents an environment that is legally defined as immune in the Registry of Special Protection in the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict. The site of protection is a backup archive or 'central refuge' for state archives, which had been installed in a former silver mine in the Black Forest in South Germany in the 1960s. Its environment seemed to serve as an ideal backdrop, reiterating romantic tropes in the realm of planning protection. Here landscape doubles as a medium of preventive reason and an index of absence. The video was exhibited at Departure Foundation London and Redoubt Museum Eastbourne.}, language = {en} } @incollection{Petersen, author = {Petersen, Christer}, title = {Ich war eine gute Hure : zur skandal{\"o}sen Authentifizierung des K{\"o}rpers am Beispiel weiblicher Bekenntnisliteratur der 2000er Jahre}, series = {Skandalautoren : zu repr{\"a}sentativen Mustern literarischer Provokation und Aufsehen erregender Autorinszenierungen}, booktitle = {Skandalautoren : zu repr{\"a}sentativen Mustern literarischer Provokation und Aufsehen erregender Autorinszenierungen}, editor = {Bartl, Andrea and Kraus, Marin G.}, publisher = {K{\"o}nighausen \& Neumann}, address = {W{\"u}rzburg}, isbn = {978-3-8260-5530-0}, language = {de} } @incollection{Petersen, author = {Petersen, Christer}, title = {Terrorismus}, series = {Angst : ein interdisziplin{\"a}res Handbuch}, booktitle = {Angst : ein interdisziplin{\"a}res Handbuch}, editor = {Koch, Lars}, publisher = {Metzler}, address = {Stuttgart}, isbn = {978-3-476-02415-2}, pages = {342 -- 350}, language = {de} } @incollection{Petersen, author = {Petersen, Christer}, title = {Der Mann auf der Mauer : die innerdeutsche Grenze im Film der 1980er Jahre}, series = {Deutsche Selbstbilder in den Medien: Film 1945 bis zur Gegenwart}, booktitle = {Deutsche Selbstbilder in den Medien: Film 1945 bis zur Gegenwart}, editor = {Nies, Martin}, publisher = {Sch{\"u}ren}, address = {Marburg}, isbn = {978-3-89472-741-3}, pages = {125 -- 150}, language = {de} } @misc{Petersen, author = {Petersen, Christer}, title = {Generation Aufmerksamkeit}, series = {Lampenfieber : Theaterzeitung des Staatstheaters Cottbus}, journal = {Lampenfieber : Theaterzeitung des Staatstheaters Cottbus}, number = {29}, publisher = {Staatstheater}, address = {Cottbus}, language = {de} } @misc{PetersenKoch, author = {Petersen, Christer and Koch, Lars}, title = {St{\"o}rf{\"a}lle - Fluchtlinien einer Wissensfigur}, series = {Zeitschrift f{\"u}r Kulturwissenschaften}, journal = {Zeitschrift f{\"u}r Kulturwissenschaften}, number = {2}, issn = {2197-9111}, pages = {7 -- 12}, language = {de} } @incollection{PetersenBulkow, author = {Petersen, Christer and Bulkow, Kristin}, title = {Reich-Ranicki, Heidenreich und der Deutsche Fernsehpreis 2008 : Quantitativ-qualitative Analyse eines Medienskandals}, series = {Skandale: Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, booktitle = {Skandale: Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, editor = {Petersen, Christer and Bulkow, Kristin}, publisher = {VS Verlag f{\"u}r Sozialwissenschaften}, address = {Wiesbaden}, pages = {177 -- 206}, language = {de} } @incollection{PetersenBulkow, author = {Petersen, Christer and Bulkow, Kristin}, title = {Skandalforschung : eine methodologische Einf{\"u}hrung}, series = {Skandale: Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, booktitle = {Skandale: Strukturen und Strategien {\"o}ffentlicher Aufmerksamkeitserzeugung}, editor = {Petersen, Christer and Bulkow, Kristin}, publisher = {VS Verlag f{\"u}r Sozialwissenschaften}, address = {Wiesbaden}, isbn = {978-3-531-17555-3}, pages = {9 -- 28}, language = {de} }