@misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The amphitheatre of Dyrrachium}, series = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, journal = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, publisher = {Gangemi Editore spa}, address = {Rom, Italien}, isbn = {978-88-492-4529-5}, pages = {538 -- 542}, language = {en} } @book{LengyelLocherHenrichetal., author = {Lengyel, Dominik and Locher, Hubert and Henrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - The Digital Image in Architecture 1980-2020}, edition = {1. Auflage}, publisher = {Birkh{\"a}user Verlag GmbH}, address = {Basel}, isbn = {978-3-0356-2448-9}, pages = {160}, abstract = {Das digitale Bild in der Architektur Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur {\"u}ber vier Jahrzehnte - im Prozess der Digitalisierung von Wissen in Theorie und Praxis - sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung {\"u}ber die Fotomontage bis zum Computerrendering, um die medienspezifische Pr{\"a}gung der Architektur durch digitale Methoden zu verdeutlichen. Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums f{\"u}r Kunstgeschichte - Bildarchiv Foto Marburg mit dem Lehrstuhl f{\"u}r Architektur und Visualisierung der Brandenburgischen Technischen Universit{\"a}t Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild".}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {A Political Narrative in the Relationship between Artwork and Recipient}, series = {Izkustvovedski Četenija = Art Readings}, volume = {2023}, journal = {Izkustvovedski Četenija = Art Readings}, number = {1}, issn = {1313-2342}, pages = {71 -- 86}, abstract = {Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture}, series = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, journal = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, publisher = {Propylaeum}, address = {Heidelberg}, isbn = {978-3-948465-98-8}, doi = {10.11588/propylaeum.747.c11848}, pages = {555 -- 559}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic Design for Technological Devices}, series = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, booktitle = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, publisher = {Faculty of Philology, University of Belgrade}, address = {Belgrad}, isbn = {978-86-80245-45-4}, doi = {10.18485/smartart.2022.2.ch15}, pages = {277 -- 294}, language = {en} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {How Do We Deal with Uncertain Information? Effects of Verbal and Visual Expressions of Uncertainty on Learning}, series = {Educational Psychology Review}, volume = {34}, journal = {Educational Psychology Review}, number = {2}, issn = {1040-726X}, doi = {10.1007/s10648-022-09659-4}, pages = {1097 -- 1131}, abstract = {AbstractBased on the knowledge generation model for visual analytics including uncertainty propagation and human trust building (Sacha et al. 2016), the cognitive theory of multimedia learning (Mayer, 2014), the multimedia principle (Butcher, 2014), and previous studies on the effects of different uncertainty visualization styles, an integrated theoretical approach is proposed to examine the influence of different degrees of information uncertainty and different uncertainty visualization styles on processing pictures of two archeological reconstructions with accompanying audio explanations presented in a multimedia learning environment. A 4 × 3 design with condition (without uncertainty visualization vs. stop light colors vs. geometric contrast vs. both uncertainty visualizations) as the between-subjects factor and uncertainty value (uncertain vs. medium vs. certain) as the within-subject factor was used. The results showed that appearance of certain content, its uncertainty values, and their verbal scientific justifications were remembered better than uncertain ones. Furthermore, stop light colors enhanced the memory of uncertainty values compared to no uncertainty visualization and were better understood, discriminated, and transferred than geometric contrast. Geometric contrast decreased the memory of the appearance of uncertain architectural elements compared to no uncertainty visualization and was better than stop light colors regarding the memory of the appearance of certain architectural elements. The study integrates and extends existing theories by showing that certain contents are processed with higher priority than uncertain contents and that the multimedia effect is also valid for metainformation such as the uncertainties of contents. Finally, recommendations for designing learning material including uncertainty visualizations are given.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Zur Visualisierung arch{\"a}ologischer Hypothesen}, series = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert}, booktitle = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert}, publisher = {De Gruyter}, address = {Berlin}, isbn = {9783110538915}, doi = {10.1515/9783110538915-029}, pages = {605 -- 615}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How to communicate complex spatial Itineraries: a balancing act between diagram and simulation}, series = {Electronic Workshops in Computing}, journal = {Electronic Workshops in Computing}, publisher = {BCS Learning \& Development}, issn = {1477-9358}, doi = {10.14236/ewic/EVA2022.17}, pages = {75 -- 80}, abstract = {This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durr{\"e}s, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {On the Visualisation of Archaeological Hypotheses}, series = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities}, booktitle = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities}, publisher = {De Gruyter}, isbn = {9783110538915}, doi = {10.1515/9783110538915-030}, pages = {616 -- 648}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Europe's Architectural Identity - a visualisation method of ideas}, series = {Notes on Europe : the dogmatic sleep}, booktitle = {Notes on Europe : the dogmatic sleep}, editor = {Neves, Eduarda and Lima, Luis and Faleiro Rodrigues, Nuno Ricardo}, publisher = {CEAA/ESAP-CESAP}, address = {Porto}, isbn = {978-972-8784-96-6}, doi = {10.48618/CEAA-2020-CZD5-ZY27}, pages = {126 -- 137}, abstract = {Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe's architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe's history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today's needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin).}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Lehre der digitalen Visualisierung am Beispiel der Architektur}, series = {DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig 7. bis 12. M{\"a}rz 2016}, journal = {DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig 7. bis 12. M{\"a}rz 2016}, publisher = {nisaba verlag}, address = {Duisburg}, isbn = {978-3-941379-05-3}, pages = {183 -- 186}, language = {de} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention}, series = {Eurographics Workshop on Intelligent Cinematography and Editing}, journal = {Eurographics Workshop on Intelligent Cinematography and Editing}, isbn = {978-3-905674-79-8}, issn = {2411-9733}, doi = {10.2312/wiced.20151070}, pages = {1}, abstract = {Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung und Abstraktion}, series = {Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung}, journal = {Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung}, isbn = {978-3-447-12135-4}, doi = {10.34780/diey-y643}, pages = {221 -- 226}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Zum Erscheinungsbild der Visualisierungen des Berner M{\"u}nsters}, series = {Das Berner M{\"u}nster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528)}, booktitle = {Das Berner M{\"u}nster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528)}, editor = {Nicolai, Bernd and Schweizer, J{\"u}rg}, edition = {1. Auflage}, publisher = {Schnell \& Steiner}, address = {Regensburg}, isbn = {978-3-7954-3428-1}, pages = {218 -- 230}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The Enhancement of the Spatial Impression Through Simulated Natural Movement}, series = {EVA 2022 Florence 6 June 2022}, journal = {EVA 2022 Florence 6 June 2022}, isbn = {978-88-596-2269-7}, pages = {53 -- 58}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Experiencing Architectonic Design Processes Through Interactive Virtual Reality Applications}, series = {EVA 2021 Florence 14 June 2021}, journal = {EVA 2021 Florence 14 June 2021}, isbn = {978-88-596-2159-1}, pages = {110 -- 117}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Landscapes in visualisations of architectonic hypotheses}, series = {Abitare la Terra : una rivista per una nuova alleanza tra l'uomo e l'ambiente}, journal = {Abitare la Terra : una rivista per una nuova alleanza tra l'uomo e l'ambiente}, number = {59}, publisher = {Gangemi}, address = {Roma}, issn = {1592-8608}, pages = {6 -- 8}, language = {en} } @incollection{LocherLengyelHeinrichetal., author = {Locher, Hubert and Lengyel, Dominik and Heinrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed. Der Anteil des digitalen Bildes}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Florian, Heinrich and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109215}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109215-0}, pages = {4 -- 23}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Seminararbeiten - zum Produktionsprozess des digitalen Bildes}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}chen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109216}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109216-6}, pages = {24 -- 25}, language = {de} } @incollection{HeinrichLengyelToulouse, author = {Heinrich, Florian and Lengyel, Dominik and Toulouse, Catherine}, title = {Bildessay - das digitale Bild in der Architektur 1980-2020}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Florian, Heinrich and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109217}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109217-1}, pages = {26 -- 27}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Digital Natives - Pl{\"a}doyer f{\"u}r eine strukturierte Lehre der Visualisierung in der Architektur}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109219}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109219-6}, pages = {55 -- 73}, language = {de} } @incollection{LocherLengyelHeinrichetal., author = {Locher, Hubert and Lengyel, Dominik and Heinrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - zehn Thesen zum digitalen Architekturbild}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99152-386-8}, doi = {10.5282/ubm/epub.109221}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109221-2}, pages = {93 -- 98}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {An architect's view on antique vases and their painting}, series = {Myths, Gods \& Heroes | Greek Vases in Portugal}, booktitle = {Myths, Gods \& Heroes | Greek Vases in Portugal}, publisher = {Museu Convento dos L{\´o}ios}, address = {Santa Maria da Feira}, isbn = {978-989-8183-25-5}, pages = {292 -- 305}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualising Alvarelhos}, series = {O Castro de Alvarelhos. Projecto CAESAR de Alvarelhos (Trofa) Estudo Cientifico do Registo Arqueol{\´o}gico}, booktitle = {O Castro de Alvarelhos. Projecto CAESAR de Alvarelhos (Trofa) Estudo Cientifico do Registo Arqueol{\´o}gico}, publisher = {C{\^a}mara Municipal}, address = {Trofa}, isbn = {978-989-53285-1-2}, pages = {74 -- 76}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Gestaltete Abstraktion als Vermittlung glaubw{\"u}rdiger Authentizit{\"a}t}, series = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, journal = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, isbn = {978-3-948466-21-3}, doi = {10.11588/arthistoricum.645}, pages = {152 -- 154}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Multisensorische Vermittlung unterst{\"u}tzt durch digitale 3D-Technologien}, series = {EVA Berlin 2018 : elektronische Medien \& Kunst, Kultur und Historie : Konferenzband : 25. Berliner Veranstaltung der internationalen EVA-Serie, 7.-9. November 2018, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, journal = {EVA Berlin 2018 : elektronische Medien \& Kunst, Kultur und Historie : Konferenzband : 25. Berliner Veranstaltung der internationalen EVA-Serie, 7.-9. November 2018, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, editor = {Bienert, Andreas}, publisher = {Staatliche Museen zu Berlin - Preußischer Kulturbesitz}, address = {Berlin}, isbn = {978-3-88609-817-0}, pages = {188 -- 189}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The new physical model about the ancient city of Pergamon for the Pergamon Museum Berlin}, series = {Abitare la Terra Quaderni 10 - Supplemento alla Rivista di geoarchitettura}, booktitle = {Abitare la Terra Quaderni 10 - Supplemento alla Rivista di geoarchitettura}, publisher = {Gangemi Editore S.p.A.}, address = {Rom (Italien)}, isbn = {9788849251371}, pages = {30 -- 32}, language = {en} }