@misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How to communicate complex spatial Itineraries: a balancing act between diagram and simulation}, series = {Electronic Workshops in Computing}, journal = {Electronic Workshops in Computing}, publisher = {BCS Learning \& Development}, issn = {1477-9358}, doi = {10.14236/ewic/EVA2022.17}, pages = {75 -- 80}, abstract = {This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durr{\"e}s, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Europe's Architectural Identity - a visualisation method of ideas}, series = {Notes on Europe : the dogmatic sleep}, booktitle = {Notes on Europe : the dogmatic sleep}, editor = {Neves, Eduarda and Lima, Luis and Faleiro Rodrigues, Nuno Ricardo}, publisher = {CEAA/ESAP-CESAP}, address = {Porto}, isbn = {978-972-8784-96-6}, doi = {10.48618/CEAA-2020-CZD5-ZY27}, pages = {126 -- 137}, abstract = {Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe's architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe's history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today's needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin).}, language = {en} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention}, series = {Eurographics Workshop on Intelligent Cinematography and Editing}, journal = {Eurographics Workshop on Intelligent Cinematography and Editing}, isbn = {978-3-905674-79-8}, issn = {2411-9733}, doi = {10.2312/wiced.20151070}, pages = {1}, abstract = {Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung und Abstraktion}, series = {Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung}, journal = {Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung}, isbn = {978-3-447-12135-4}, doi = {10.34780/diey-y643}, pages = {221 -- 226}, language = {de} } @incollection{LocherLengyelHeinrichetal., author = {Locher, Hubert and Lengyel, Dominik and Heinrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed. Der Anteil des digitalen Bildes}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Florian, Heinrich and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109215}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109215-0}, pages = {4 -- 23}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Seminararbeiten - zum Produktionsprozess des digitalen Bildes}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}chen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109216}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109216-6}, pages = {24 -- 25}, language = {de} } @incollection{HeinrichLengyelToulouse, author = {Heinrich, Florian and Lengyel, Dominik and Toulouse, Catherine}, title = {Bildessay - das digitale Bild in der Architektur 1980-2020}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Florian, Heinrich and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109217}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109217-1}, pages = {26 -- 27}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Digital Natives - Pl{\"a}doyer f{\"u}r eine strukturierte Lehre der Visualisierung in der Architektur}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109219}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109219-6}, pages = {55 -- 73}, language = {de} } @incollection{LocherLengyelHeinrichetal., author = {Locher, Hubert and Lengyel, Dominik and Heinrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - zehn Thesen zum digitalen Architekturbild}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99152-386-8}, doi = {10.5282/ubm/epub.109221}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109221-2}, pages = {93 -- 98}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Gestaltete Abstraktion als Vermittlung glaubw{\"u}rdiger Authentizit{\"a}t}, series = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, journal = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, isbn = {978-3-948466-21-3}, doi = {10.11588/arthistoricum.645}, pages = {152 -- 154}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Virtual photography as a visual method of communicating scientific hypotheses about architecture}, series = {Virtual Photography - Artificial Intelligence, In-game, and Extended Reality}, booktitle = {Virtual Photography - Artificial Intelligence, In-game, and Extended Reality}, editor = {Shobeiri, Ali and Westgeest, Helen}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8376-7203-9}, doi = {10.14361/9783839472033}, pages = {203 -- 219}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Archaeology as Study of the Future}, series = {The European Archaeologist}, journal = {The European Archaeologist}, number = {75}, issn = {1022-0135}, pages = {26 -- 33}, language = {en} } @incollection{BurwitzGrellertHenzeetal., author = {Burwitz, Henning and Grellert, Marc and Henze, Frank and Kr{\"o}ber, Cindy and Kuroczyński, Piotr and Lengyel, Dominik and M{\"u}nster, Sander and Pfarr-Harfst, Mieke and Prechtel, Nikolas and Schelbert, Georg and Toulouse, Catherine and Wacker, Markus}, title = {Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion}, series = {Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung}, booktitle = {Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung}, editor = {M{\"u}nster, Sander and Pfarr-Harfst, Mieke and Kuroczynski, Piotr}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-947449-68-2}, doi = {10.11588/arthistoricum.515}, pages = {21 -- 28}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How Physical Models Complete Virtual Multimediality}, series = {Proceedings of EVA London 2023}, journal = {Proceedings of EVA London 2023}, editor = {Bowen, Jonathan P. and Weinel, Jon and Diprose, Graham}, address = {London}, doi = {10.14236/ewic/EVA2023.7}, pages = {47 -- 52}, abstract = {This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The design in the visualization of uncertainty, abstract modelling and virtual photography}, series = {Imaginations: Journal of Cross-Cultural Image Studies}, volume = {15}, journal = {Imaginations: Journal of Cross-Cultural Image Studies}, number = {1}, issn = {1918-8439}, doi = {10.17742/IMAGE29710}, pages = {145 -- 204}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The challenges of a tactile model with scientific uncertainty}, series = {EVA London 2024 Proceedings}, volume = {2024}, journal = {EVA London 2024 Proceedings}, editor = {Bowen, Jonathan}, publisher = {BCS The Chartered Institute for IT}, address = {London}, doi = {10.14236/ewic/EVA2024.8}, pages = {39 -- 44}, language = {en} } @incollection{LengyelToulouseLocheretal., author = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, title = {Architecture Transformed : das Forschungsprojekt}, series = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, booktitle = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, editor = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, edition = {1}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-98501-162-9}, doi = {10.11588/arthistoricum.1156.c15953}, pages = {9 -- 12}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Der Produktionsprozess des digitalen Bildes in der Architektur}, series = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, booktitle = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, editor = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, edition = {1}, publisher = {arthistoricum.net}, address = {Heidelberg}, doi = {10.11588/arthistoricum.1156.c15954}, pages = {13 -- 20}, language = {de} } @incollection{LengyelToulouseHenrich, author = {Lengyel, Dominik and Toulouse, Catherine and Henrich, Florian}, title = {Die Evolution des digitalen Bildes : das digitale Bild in der Architektur 1980-2020}, series = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, booktitle = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, editor = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-98501-162-9}, doi = {10.11588/arthistoricum.1156.c15956}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The construction of knowledge through virtual photography of Abstract Geometry}, series = {FORMATS OF (NON)SEEING}, booktitle = {FORMATS OF (NON)SEEING}, editor = {Krizič Roban, Sandra and Kovač, Leonida and Šeparović, Ana and Kuhar, Martin}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {9789533730424}, doi = {10.31664/9789533730530.16}, url = {http://nbn-resolving.de/urn:nbn:hr:254:851635}, pages = {334 -- 347}, abstract = {Photography is a position. It is the conscious composition of images in interaction with the scene in front of the camera and the technical options of its projection. The underlying relationship to photography in this paper is precisely this ideal one, since it is the same attitude, though under technically quite different conditions, namely the application of the methods of classical photography in virtual space. This method, called "virtual photography" by the authors, treats virtual space just as if it were physical reality. The aim of this self-restriction is the referentiality of the images thus created, trusting that their reception will thereby follow in the tradition of the reception of classical photography and that the images will thus be received as naturally as possible. This, in turn, is intended to ensure that the content of the images is the focus of perception. For the pictures are about complex spatial facts, not about imitating physical reality. This will be explained in the following.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visual Mediation of Unique Construction and Access Principles of the Amphitheatre of Durr{\"e}s}, series = {Electronic Workshops in Computing}, journal = {Electronic Workshops in Computing}, publisher = {BCS Learning \& Development}, issn = {1477-9358}, doi = {10.14236/ewic/EVA2021.8}, pages = {6}, language = {en} }