@misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Narratives by poetic architecture on analytic humanities}, series = {On Cinema 2022}, journal = {On Cinema 2022}, editor = {Muga, Henrique and Silva, M. F. Costa and Sousa, Isolino}, publisher = {Busilis da Comunicacao, Lda}, address = {Porto, Portugal}, isbn = {978-972-8784-97-3}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Uncertainty in the hypothesis on an unrealized planning of the Berne Minster}, series = {Digital Art History - Methods, Practices, Epistemologies : Book Of Abstracts \& Conference Programme}, journal = {Digital Art History - Methods, Practices, Epistemologies : Book Of Abstracts \& Conference Programme}, editor = {Sekelj, Sanja}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-93-0}, pages = {58 -- 62}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The amphitheatre of Dyrrachium}, series = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, journal = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, publisher = {Gangemi Editore spa}, address = {Rom, Italien}, isbn = {978-88-492-4529-5}, pages = {538 -- 542}, language = {en} } @book{LengyelLocherHenrichetal., author = {Lengyel, Dominik and Locher, Hubert and Henrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - The Digital Image in Architecture 1980-2020}, edition = {1. Auflage}, publisher = {Birkh{\"a}user Verlag GmbH}, address = {Basel}, isbn = {978-3-0356-2448-9}, pages = {160}, abstract = {Das digitale Bild in der Architektur Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur {\"u}ber vier Jahrzehnte - im Prozess der Digitalisierung von Wissen in Theorie und Praxis - sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung {\"u}ber die Fotomontage bis zum Computerrendering, um die medienspezifische Pr{\"a}gung der Architektur durch digitale Methoden zu verdeutlichen. Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums f{\"u}r Kunstgeschichte - Bildarchiv Foto Marburg mit dem Lehrstuhl f{\"u}r Architektur und Visualisierung der Brandenburgischen Technischen Universit{\"a}t Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild".}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {A Political Narrative in the Relationship between Artwork and Recipient}, series = {Izkustvovedski Četenija = Art Readings}, volume = {2023}, journal = {Izkustvovedski Četenija = Art Readings}, number = {1}, issn = {1313-2342}, pages = {71 -- 86}, abstract = {Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture}, series = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, journal = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, publisher = {Propylaeum}, address = {Heidelberg}, isbn = {978-3-948465-98-8}, doi = {10.11588/propylaeum.747.c11848}, pages = {555 -- 559}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic Design for Technological Devices}, series = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, booktitle = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, publisher = {Faculty of Philology, University of Belgrade}, address = {Belgrad}, isbn = {978-86-80245-45-4}, doi = {10.18485/smartart.2022.2.ch15}, pages = {277 -- 294}, language = {en} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {How Do We Deal with Uncertain Information? Effects of Verbal and Visual Expressions of Uncertainty on Learning}, series = {Educational Psychology Review}, volume = {34}, journal = {Educational Psychology Review}, number = {2}, issn = {1040-726X}, doi = {10.1007/s10648-022-09659-4}, pages = {1097 -- 1131}, abstract = {AbstractBased on the knowledge generation model for visual analytics including uncertainty propagation and human trust building (Sacha et al. 2016), the cognitive theory of multimedia learning (Mayer, 2014), the multimedia principle (Butcher, 2014), and previous studies on the effects of different uncertainty visualization styles, an integrated theoretical approach is proposed to examine the influence of different degrees of information uncertainty and different uncertainty visualization styles on processing pictures of two archeological reconstructions with accompanying audio explanations presented in a multimedia learning environment. A 4 × 3 design with condition (without uncertainty visualization vs. stop light colors vs. geometric contrast vs. both uncertainty visualizations) as the between-subjects factor and uncertainty value (uncertain vs. medium vs. certain) as the within-subject factor was used. The results showed that appearance of certain content, its uncertainty values, and their verbal scientific justifications were remembered better than uncertain ones. Furthermore, stop light colors enhanced the memory of uncertainty values compared to no uncertainty visualization and were better understood, discriminated, and transferred than geometric contrast. Geometric contrast decreased the memory of the appearance of uncertain architectural elements compared to no uncertainty visualization and was better than stop light colors regarding the memory of the appearance of certain architectural elements. The study integrates and extends existing theories by showing that certain contents are processed with higher priority than uncertain contents and that the multimedia effect is also valid for metainformation such as the uncertainties of contents. Finally, recommendations for designing learning material including uncertainty visualizations are given.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Zur Visualisierung arch{\"a}ologischer Hypothesen}, series = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert}, booktitle = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert}, publisher = {De Gruyter}, address = {Berlin}, isbn = {9783110538915}, doi = {10.1515/9783110538915-029}, pages = {605 -- 615}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How to communicate complex spatial Itineraries: a balancing act between diagram and simulation}, series = {Electronic Workshops in Computing}, journal = {Electronic Workshops in Computing}, publisher = {BCS Learning \& Development}, issn = {1477-9358}, doi = {10.14236/ewic/EVA2022.17}, pages = {75 -- 80}, abstract = {This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durr{\"e}s, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {On the Visualisation of Archaeological Hypotheses}, series = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities}, booktitle = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities}, publisher = {De Gruyter}, isbn = {9783110538915}, doi = {10.1515/9783110538915-030}, pages = {616 -- 648}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Europe's Architectural Identity - a visualisation method of ideas}, series = {Notes on Europe : the dogmatic sleep}, booktitle = {Notes on Europe : the dogmatic sleep}, editor = {Neves, Eduarda and Lima, Luis and Faleiro Rodrigues, Nuno Ricardo}, publisher = {CEAA/ESAP-CESAP}, address = {Porto}, isbn = {978-972-8784-96-6}, doi = {10.48618/CEAA-2020-CZD5-ZY27}, pages = {126 -- 137}, abstract = {Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe's architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe's history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today's needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin).}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Lehre der digitalen Visualisierung am Beispiel der Architektur}, series = {DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig 7. bis 12. M{\"a}rz 2016}, journal = {DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig 7. bis 12. M{\"a}rz 2016}, publisher = {nisaba verlag}, address = {Duisburg}, isbn = {978-3-941379-05-3}, pages = {183 -- 186}, language = {de} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention}, series = {Eurographics Workshop on Intelligent Cinematography and Editing}, journal = {Eurographics Workshop on Intelligent Cinematography and Editing}, isbn = {978-3-905674-79-8}, issn = {2411-9733}, doi = {10.2312/wiced.20151070}, pages = {1}, abstract = {Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung und Abstraktion}, series = {Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung}, journal = {Das Amphitheater in Dyrrachium. Urbanes Umfeld, Rekonstruktion und Bedeutung}, isbn = {978-3-447-12135-4}, doi = {10.34780/diey-y643}, pages = {221 -- 226}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Zum Erscheinungsbild der Visualisierungen des Berner M{\"u}nsters}, series = {Das Berner M{\"u}nster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528)}, booktitle = {Das Berner M{\"u}nster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528)}, editor = {Nicolai, Bernd and Schweizer, J{\"u}rg}, edition = {1. Auflage}, publisher = {Schnell \& Steiner}, address = {Regensburg}, isbn = {978-3-7954-3428-1}, pages = {218 -- 230}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The Enhancement of the Spatial Impression Through Simulated Natural Movement}, series = {EVA 2022 Florence 6 June 2022}, journal = {EVA 2022 Florence 6 June 2022}, isbn = {978-88-596-2269-7}, pages = {53 -- 58}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Experiencing Architectonic Design Processes Through Interactive Virtual Reality Applications}, series = {EVA 2021 Florence 14 June 2021}, journal = {EVA 2021 Florence 14 June 2021}, isbn = {978-88-596-2159-1}, pages = {110 -- 117}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Landscapes in visualisations of architectonic hypotheses}, series = {Abitare la Terra : una rivista per una nuova alleanza tra l'uomo e l'ambiente}, journal = {Abitare la Terra : una rivista per una nuova alleanza tra l'uomo e l'ambiente}, number = {59}, publisher = {Gangemi}, address = {Roma}, issn = {1592-8608}, pages = {6 -- 8}, language = {en} } @incollection{LocherLengyelHeinrichetal., author = {Locher, Hubert and Lengyel, Dominik and Heinrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed. Der Anteil des digitalen Bildes}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Florian, Heinrich and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109215}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109215-0}, pages = {4 -- 23}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Seminararbeiten - zum Produktionsprozess des digitalen Bildes}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}chen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109216}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109216-6}, pages = {24 -- 25}, language = {de} } @incollection{HeinrichLengyelToulouse, author = {Heinrich, Florian and Lengyel, Dominik and Toulouse, Catherine}, title = {Bildessay - das digitale Bild in der Architektur 1980-2020}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Florian, Heinrich and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109217}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109217-1}, pages = {26 -- 27}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Digital Natives - Pl{\"a}doyer f{\"u}r eine strukturierte Lehre der Visualisierung in der Architektur}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99165-386-8}, doi = {10.5282/ubm/epub.109219}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109219-6}, pages = {55 -- 73}, language = {de} } @incollection{LocherLengyelHeinrichetal., author = {Locher, Hubert and Lengyel, Dominik and Heinrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - zehn Thesen zum digitalen Architekturbild}, series = {Rendering/Visualisierung}, booktitle = {Rendering/Visualisierung}, editor = {Heinrich, Florian and Lengyel, Dominik and Locher, Hubert and Toulouse, Catherine}, publisher = {Open Publishing LMU}, address = {M{\"u}nchen / Wien}, isbn = {978-3-99152-386-8}, doi = {10.5282/ubm/epub.109221}, url = {http://nbn-resolving.de/urn:nbn:de:bvb:19-epub-109221-2}, pages = {93 -- 98}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {An architect's view on antique vases and their painting}, series = {Myths, Gods \& Heroes | Greek Vases in Portugal}, booktitle = {Myths, Gods \& Heroes | Greek Vases in Portugal}, publisher = {Museu Convento dos L{\´o}ios}, address = {Santa Maria da Feira}, isbn = {978-989-8183-25-5}, pages = {292 -- 305}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualising Alvarelhos}, series = {O Castro de Alvarelhos. Projecto CAESAR de Alvarelhos (Trofa) Estudo Cientifico do Registo Arqueol{\´o}gico}, booktitle = {O Castro de Alvarelhos. Projecto CAESAR de Alvarelhos (Trofa) Estudo Cientifico do Registo Arqueol{\´o}gico}, publisher = {C{\^a}mara Municipal}, address = {Trofa}, isbn = {978-989-53285-1-2}, pages = {74 -- 76}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Gestaltete Abstraktion als Vermittlung glaubw{\"u}rdiger Authentizit{\"a}t}, series = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, journal = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, isbn = {978-3-948466-21-3}, doi = {10.11588/arthistoricum.645}, pages = {152 -- 154}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Multisensorische Vermittlung unterst{\"u}tzt durch digitale 3D-Technologien}, series = {EVA Berlin 2018 : elektronische Medien \& Kunst, Kultur und Historie : Konferenzband : 25. Berliner Veranstaltung der internationalen EVA-Serie, 7.-9. November 2018, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, journal = {EVA Berlin 2018 : elektronische Medien \& Kunst, Kultur und Historie : Konferenzband : 25. Berliner Veranstaltung der internationalen EVA-Serie, 7.-9. November 2018, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, editor = {Bienert, Andreas}, publisher = {Staatliche Museen zu Berlin - Preußischer Kulturbesitz}, address = {Berlin}, isbn = {978-3-88609-817-0}, pages = {188 -- 189}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The new physical model about the ancient city of Pergamon for the Pergamon Museum Berlin}, series = {Abitare la Terra Quaderni 10 - Supplemento alla Rivista di geoarchitettura}, booktitle = {Abitare la Terra Quaderni 10 - Supplemento alla Rivista di geoarchitettura}, publisher = {Gangemi Editore S.p.A.}, address = {Rom (Italien)}, isbn = {9788849251371}, pages = {30 -- 32}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Virtual photography as a visual method of communicating scientific hypotheses about architecture}, series = {Virtual Photography - Artificial Intelligence, In-game, and Extended Reality}, booktitle = {Virtual Photography - Artificial Intelligence, In-game, and Extended Reality}, editor = {Shobeiri, Ali and Westgeest, Helen}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8376-7203-9}, doi = {10.14361/9783839472033}, pages = {203 -- 219}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Design for science: a cross-disciplinary approach to disseminate archaeology online}, series = {New Ways of Communicating Archaeology in a Digital World. Interdisciplinary Contributions to Archaeology}, booktitle = {New Ways of Communicating Archaeology in a Digital World. Interdisciplinary Contributions to Archaeology}, editor = {Fonseca, Sofia and Thomas, Ben and Basterrachea, Aur{\´e}lia}, publisher = {Springer}, address = {Cham}, isbn = {978-3-031-71275-3}, doi = {10.1007/978-3-031-71276-0_11}, pages = {195 -- 211}, abstract = {Archaeology has a lot in common with architecture. Both disciplines deal with the unknown and the uncertain—archaeology because it seeks to create knowledge about an unknown past and architecture because it gives form to ideas and proposals that have no physical form. Both disciplines argue with abstraction, archaeology primarily through verbal expression and architecture through visual expression. By its very nature, architecture is focused on public communication—architectural representation is designed to meet the public's needs. Our approach adapts methods of architectural design and visualization to the needs of archaeological dissemination and sustainability. As both disciplines evolve in the digital world, the necessity for online approaches to content management is obvious. The growing availability and acceptance of VR experiences, especially, allow for a spatial impression that is equaled only by on-site visits accompanied by guidance and the strong ability of vivid imagination. VR experiences can raise knowledge, awareness, responsibility, and inspiration for heritage education, research, and design work respectively.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Archaeology as Study of the Future}, series = {The European Archaeologist}, journal = {The European Archaeologist}, number = {75}, issn = {1022-0135}, pages = {26 -- 33}, language = {en} } @incollection{BurwitzGrellertHenzeetal., author = {Burwitz, Henning and Grellert, Marc and Henze, Frank and Kr{\"o}ber, Cindy and Kuroczyński, Piotr and Lengyel, Dominik and M{\"u}nster, Sander and Pfarr-Harfst, Mieke and Prechtel, Nikolas and Schelbert, Georg and Toulouse, Catherine and Wacker, Markus}, title = {Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion}, series = {Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung}, booktitle = {Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung}, editor = {M{\"u}nster, Sander and Pfarr-Harfst, Mieke and Kuroczynski, Piotr}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-947449-68-2}, doi = {10.11588/arthistoricum.515}, pages = {21 -- 28}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Creating reality to be interpreted through the photography of abstraction}, series = {Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts}, journal = {Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts}, editor = {Horvat Levay, Katarina and Bosnic, Tomislav}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-373-014-1}, pages = {24 -- 25}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How to cut a virtual model into comprehensible sections}, series = {Electronic imaging \& the visual arts : EVA 2023 Florence, 5 June 2023}, journal = {Electronic imaging \& the visual arts : EVA 2023 Florence, 5 June 2023}, editor = {Capellini, Vito}, publisher = {Leonardo Libri srl}, address = {Florence}, isbn = {978-88-596-2355-7}, pages = {144 -- 149}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How Physical Models Complete Virtual Multimediality}, series = {Proceedings of EVA London 2023}, journal = {Proceedings of EVA London 2023}, editor = {Bowen, Jonathan P. and Weinel, Jon and Diprose, Graham}, address = {London}, doi = {10.14236/ewic/EVA2023.7}, pages = {47 -- 52}, abstract = {This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {New Media for the Visualization of Architecture}, series = {New Media in Art History - Tensions, Exchanges, Situations}, booktitle = {New Media in Art History - Tensions, Exchanges, Situations}, editor = {Bonnefoit, R{\´e}gine and R{\´e}rat, Melissa and Schellenberg, Samuel}, publisher = {De Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-118600-9}, doi = {10.1515/9783111186009-009}, pages = {116 -- 134}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The design in the visualization of uncertainty, abstract modelling and virtual photography}, series = {Imaginations: Journal of Cross-Cultural Image Studies}, volume = {15}, journal = {Imaginations: Journal of Cross-Cultural Image Studies}, number = {1}, issn = {1918-8439}, doi = {10.17742/IMAGE29710}, pages = {145 -- 204}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualization [DL/CT]}, series = {The House of the Two Skeletons at Morgantina}, booktitle = {The House of the Two Skeletons at Morgantina}, editor = {Dally, Ortwin and Zimmermann, Norbert}, edition = {1}, publisher = {Harrassowitz Verlag}, address = {Wiesbaden}, isbn = {978-3-447-11846-0}, pages = {405 -- 406}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The design of the tactile model of Pergamon}, series = {Electronic Media \& the Visual Arts 27 May 2024 Edited by Vito Cappellini}, journal = {Electronic Media \& the Visual Arts 27 May 2024 Edited by Vito Cappellini}, editor = {Cappellini, Vito}, edition = {1}, publisher = {Edizione Polistampa}, address = {Florenz}, isbn = {9788859624240}, pages = {88 -- 93}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The challenges of a tactile model with scientific uncertainty}, series = {EVA London 2024 Proceedings}, volume = {2024}, journal = {EVA London 2024 Proceedings}, editor = {Bowen, Jonathan}, publisher = {BCS The Chartered Institute for IT}, address = {London}, doi = {10.14236/ewic/EVA2024.8}, pages = {39 -- 44}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Domink and Toulouse, Catherine}, title = {On spatial paintings}, series = {Reading ancient objects inside out : greek figure-decorated pottery in Portugal}, booktitle = {Reading ancient objects inside out : greek figure-decorated pottery in Portugal}, editor = {Morais, Rui and Le{\~a}o, Delfim and de F{\´a}tima Silva, Maria and Ferreira, Daniela and Wallace-Hare, David}, publisher = {Archaeopress Publishing Ltd.}, address = {Oxford}, isbn = {978-1-80327-861-2}, pages = {163 -- 170}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {An architect's view on antique vases and their paiting}, series = {Myths, gods \& heroes : Greek vases in Portugal = Mitos, deuses \& her{\´o}is : vasos Gregos em Portuga}, booktitle = {Myths, gods \& heroes : Greek vases in Portugal = Mitos, deuses \& her{\´o}is : vasos Gregos em Portuga}, editor = {Morais, Rui and Centeno, Rui M. and Ferreira, Daniela}, edition = {1}, publisher = {Imprensa da Universidade de Coimbra [u.a.]}, address = {Porto [u.a.]}, isbn = {978-989-8183-25-5}, pages = {292 -- 305}, language = {en} } @incollection{LengyelToulouseLocheretal., author = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, title = {Architecture Transformed : das Forschungsprojekt}, series = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, booktitle = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, editor = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, edition = {1}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-98501-162-9}, doi = {10.11588/arthistoricum.1156.c15953}, pages = {9 -- 12}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Der Produktionsprozess des digitalen Bildes in der Architektur}, series = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, booktitle = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, editor = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, edition = {1}, publisher = {arthistoricum.net}, address = {Heidelberg}, doi = {10.11588/arthistoricum.1156.c15954}, pages = {13 -- 20}, language = {de} } @incollection{LengyelToulouseHenrich, author = {Lengyel, Dominik and Toulouse, Catherine and Henrich, Florian}, title = {Die Evolution des digitalen Bildes : das digitale Bild in der Architektur 1980-2020}, series = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, booktitle = {Architecture Transformed : das digitale Bild in der Architektur 1980-2020}, editor = {Lengyel, Dominik and Toulouse, Catherine and Locher, Hubert and Henrich, Florian}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-98501-162-9}, doi = {10.11588/arthistoricum.1156.c15956}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The construction of knowledge through virtual photography of Abstract Geometry}, series = {FORMATS OF (NON)SEEING}, booktitle = {FORMATS OF (NON)SEEING}, editor = {Krizič Roban, Sandra and Kovač, Leonida and Šeparović, Ana and Kuhar, Martin}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {9789533730424}, doi = {10.31664/9789533730530.16}, url = {http://nbn-resolving.de/urn:nbn:hr:254:851635}, pages = {334 -- 347}, abstract = {Photography is a position. It is the conscious composition of images in interaction with the scene in front of the camera and the technical options of its projection. The underlying relationship to photography in this paper is precisely this ideal one, since it is the same attitude, though under technically quite different conditions, namely the application of the methods of classical photography in virtual space. This method, called "virtual photography" by the authors, treats virtual space just as if it were physical reality. The aim of this self-restriction is the referentiality of the images thus created, trusting that their reception will thereby follow in the tradition of the reception of classical photography and that the images will thus be received as naturally as possible. This, in turn, is intended to ensure that the content of the images is the focus of perception. For the pictures are about complex spatial facts, not about imitating physical reality. This will be explained in the following.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The Visualisation of Unseen Planning States : The Planning and Building States of Early Bern Minster in Visual Comparison}, series = {Artificial Intelligence : New Pathways Towards Cultural Heritage}, volume = {2022}, journal = {Artificial Intelligence : New Pathways Towards Cultural Heritage}, editor = {B{\"o}rner, Wolfgang and Rohland, Hendrik and Kral-B{\"o}rner, Christina and Karner, Lisa}, publisher = {Propylaeum}, address = {1}, doi = {10.11588/propylaeum.1045.c14497}, pages = {173 -- 182}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Media Art as a Mediator of Scientific Uncertainty}, series = {RE:SOURCE - The 10th International Conference on the Histories of Media Art, Science and Technology - Proceedings}, journal = {RE:SOURCE - The 10th International Conference on the Histories of Media Art, Science and Technology - Proceedings}, editor = {Franco, Francesca and Burbano, Andres}, address = {Venezita, Italy}, isbn = {979-12-210-6571-8}, pages = {658 -- 659}, abstract = {Art changes perception, and just as it is difficult to grasp the concept of art, it is equally difficult to exclude adjacent fields. Design is such a term, and when it comes to architecture, traditionally commonly referred to as a discipline between art and science, but in fact at least as much between applied technology and engineering, the transitions become increasingly fluid. In the case presented here, we are dealing with an expansion of the term design into the interdisciplinary area between the architecture that conceives and finds form and the humanities disciplines of archaeology, historical building research and art history. The fact that the results of these highly fruitful collaborations are essentially concretised through the use of new media, and that they neither correspond to the mainstream nor can be adequately received without some degree of openness to abstract art as well, makes them appear as media art in this respect. The key to archaeology, however, lies in its scientific nature: not only is archaeological knowledge fragmentary, but here this becomes particularly evident. The interpretation of finds in the sense of a spatial hypothesis of an architectural structure on the basis of a few fragments is a generation of knowledge that is inevitably based on conclusions of varying firmness and on analogies. These are hypothetical, but precisely scientifically based and by no means merely speculative. Generally formulated verbally, entire cities that have long since disappeared are described in this way within the limits of what is scientifically justifiable, but just usually only described, not illustrated. It is often conceded that too little is known to visualise it. The misconception lies in the practice that archaeological hypotheses are often visualised in a form familiar to the film or games industry, namely photorealistically and thus highly speculative. But if the objective of visualisation is to visualise the actual scientific hypothesis, to translate the verbal hypothesis as faithfully as possible from the text into the image, then visual translation cannot avoid translating those abstractions that are completely natural in language into the image as well. But this act, the creation of visual artefacts, abstract in form and content, is a creative act of design, as is inherent in all formally creative disciplines from architecture to design to art. It is perhaps more of an applied art, but this term is also already occupied and falls short here. In the end, the visualisation of scientifically based hypotheses of archaeology is a phenomenon that the authors call visualisation and uncertainty, a kind of media art whose content is a transferred, if not subtle, mediation of architectural intentions. This initiates a development that opens up a new field of activity for media art and thus contributes to the creation of future memories. The paper illustrates this method by means of selected projects that have been created in close collaboration with research and cultural institutions and have been exhibited in renowned museums, including Cologne Cathedral, Bern Minster, the Palatine in Rome, Pompeii, Pergamon, Jerusalem and more.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual Legacy}, series = {World heritage and legacy: culture, creativity, contamination : le vie dei mercanti, 17 / Carmine Gambardella}, journal = {World heritage and legacy: culture, creativity, contamination : le vie dei mercanti, 17 / Carmine Gambardella}, publisher = {Gangemi}, address = {Roma}, isbn = {978-88-492-3751-1}, pages = {98 -- 98}, language = {en} }