@book{LengyelToulouseSchockWerner, author = {Lengyel, Dominik and Toulouse, Catherine and Schock-Werner, Barbara}, title = {Die Bauphasen des K{\"o}lner Doms und seiner Vorg{\"a}ngerbauten}, edition = {1. Auflage}, publisher = {Verlag K{\"o}lner Dom e.V.}, address = {K{\"o}ln}, isbn = {978-3-922442-68-4}, pages = {79}, language = {de} } @incollection{LauferLengyelPirsonetal., author = {Laufer, Eric and Lengyel, Dominik and Pirson, Felix and Stappmanns, Verena and Toulouse, Catherine}, title = {Die Wiederentstehung Pergamons als virtuelles Stadtmodell}, series = {Pergamon : Panorama der antiken Metropole}, booktitle = {Pergamon : Panorama der antiken Metropole}, publisher = {Verlag Imhof}, address = {Petersberg}, isbn = {978-3-86568-693-0}, pages = {82 -- 86}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Gestaltung der Vision Naga}, series = {K{\"o}nigsstadt Naga : Grabungen in der W{\"u}ste des Sudan}, booktitle = {K{\"o}nigsstadt Naga : Grabungen in der W{\"u}ste des Sudan}, publisher = {Staatliches Museum {\"A}gyptischer Kunst}, address = {M{\"u}nchen}, isbn = {978-3-9814386-0-4}, pages = {163 -- 176}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Ein Stadtmodell von Pergamon : Unsch{\"a}rfe als Methode f{\"u}r Darstellung und Rekonstruktion antiker Architektur}, series = {Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast}, booktitle = {Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast}, publisher = {Kettler}, address = {B{\"o}nen}, isbn = {978-3-86206-088-7}, pages = {23 -- 28}, language = {de} } @incollection{LengyelRistowToulouse, author = {Lengyel, Dominik and Ristow, Sebastian and Toulouse, Catherine}, title = {Rekonstruktionen zur Baugeschichte des K{\"o}lner Domes}, series = {Fundgeschichten : Arch{\"a}ologie in Nordrhein-Westfalen}, booktitle = {Fundgeschichten : Arch{\"a}ologie in Nordrhein-Westfalen}, publisher = {von Zabern}, address = {Mainz am Rhein}, isbn = {978-3-8053-4204-9}, pages = {S. 546}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bauphasen des K{\"o}lner Doms}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bauphasen des K{\"o}lner Domes und seiner Vorg{\"a}ngerbauten: Gestaltung zwischen Architektur und Diagrammatik}, series = {Diagrammatik der Architektur, K{\"o}lner Tagung im Januar 2011}, booktitle = {Diagrammatik der Architektur, K{\"o}lner Tagung im Januar 2011}, publisher = {Verlag Wilhelm Fink}, address = {M{\"u}nchen}, isbn = {978-3-7705-5520-8}, pages = {327 -- 352}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Darstellung von unscharfem Wissen in der Rekonstruktion historischer Bauten}, series = {Von Handaufmaß bis High Tech III : Erfassen, modellieren, visualisieren}, booktitle = {Von Handaufmaß bis High Tech III : Erfassen, modellieren, visualisieren}, editor = {Heine, Katja and Rheidt, Klaus and Henze, Frank and Riedel, Alexandra}, publisher = {Verlag Philipp von Zabern}, address = {Darmstadt [u.a.]}, isbn = {978-3-8053-4332-9}, pages = {182 -- 186}, language = {de} } @inproceedings{Lengyel, author = {Lengyel, Dominik}, title = {The Presentation is the Project}, series = {Digital, analogue environmental simulation, 5th Conference of the European Architectural Endoscopy Association, September 12th to 14th 2001}, booktitle = {Digital, analogue environmental simulation, 5th Conference of the European Architectural Endoscopy Association, September 12th to 14th 2001}, editor = {Schmidt, J. Alexander and Schl{\"o}mer, Natascha}, address = {Essen}, isbn = {3-922602-85-1}, pages = {96 -- 105}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The Presentation is the Project}, series = {Evaluation in progress, strategies for environmental research and implementation, abstracts, 18th Conference of the International Association for People-Environment Studies, Vienna University of Technology (Austria) 7 - 9 July, 2004}, booktitle = {Evaluation in progress, strategies for environmental research and implementation, abstracts, 18th Conference of the International Association for People-Environment Studies, Vienna University of Technology (Austria) 7 - 9 July, 2004}, isbn = {3-85437-263-9}, language = {en} } @inproceedings{Lengyel, author = {Lengyel, Dominik}, title = {Anschauliche Geometrie}, series = {Positionen der Geometrieausbildung, Tagungsband der ersten Tagung der DGfGG vom 24. - 26. Februar 2005 in Hannover}, booktitle = {Positionen der Geometrieausbildung, Tagungsband der ersten Tagung der DGfGG vom 24. - 26. Februar 2005 in Hannover}, address = {Hannover}, pages = {45 -- 52}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Simultaneous visions}, series = {Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005}, booktitle = {Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005}, editor = {Dech{\^e}ne, Sigrun and Walz, Manfred}, publisher = {Fachhochschule Dortmund, Fachbereich Architektur}, address = {Dortmund}, isbn = {978-3-00-019070-4}, pages = {187 -- 195}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Spatial Imagination in Practice and Teaching}, series = {Spatial Simulation and Evaluation, 6th international EAEA conference proceedings}, booktitle = {Spatial Simulation and Evaluation, 6th international EAEA conference proceedings}, editor = {Kardos, Peter and Urland, Andrea}, publisher = {Slovak University of Technology}, address = {Bratislava}, isbn = {80-227-2088-7}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Living Clay}, series = {Virtual Environment and Experience, 8th international eaea conference}, booktitle = {Virtual Environment and Experience, 8th international eaea conference}, publisher = {Moscow Architectural Institute}, address = {Moskau}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Designing the Construction Phases of Cologne Cathedral and its Preceding Buildings}, series = {Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011}, booktitle = {Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011}, publisher = {Faculty of Architecture, Delft University of Technology}, address = {Delft}, isbn = {978-9-0526-9400-9}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {3D-Scans f{\"u}r die Rekontextualisierung antiker Skulptur}, series = {EVA 2014 Berlin: Elektronische Medien \& Kunst, Kultur, Historie, Konferenzband}, booktitle = {EVA 2014 Berlin: Elektronische Medien \& Kunst, Kultur, Historie, Konferenzband}, editor = {Bienert, Andreas and Hemsley, James and Santos, Pedro}, publisher = {Fraunhofer-Institut f{\"u}r Graphische Datenverarbeitung [u.a.]}, address = {Darmstadt}, isbn = {978-3-88609-755-5}, language = {de} } @misc{LengyelToulouseGlaseretal., author = {Lengyel, Dominik and Toulouse, Catherine and Glaser, Manuela and Schwan, Stephan}, title = {Designing computer-based learning contents: influence of digital zoom on attention}, series = {Educational Technology Research and Development}, volume = {65}, journal = {Educational Technology Research and Development}, number = {5}, issn = {1042-1629}, doi = {10.1007/s11423-016-9495-9}, pages = {1135 -- 1151}, abstract = {In the present study, we investigated the role of digital zoom as a tool for directing attention while looking at visual learning material. In particular, we analyzed whether minimal digital zoom functions similarly to a rhetorical device by cueing mental zooming of attention accordingly. Participants were presented either static film clips, film clips with minimal zoom-ins, or film clips with minimal zoom-outs while eye movements were recorded. We hypothesized that minimal zoom-ins should lead to more gaze coherence, to longer dwell times as an indicator of more elaborative processing, and to fewer transitions as an indicator of less mental integration. Zoom-outs, on the other hand, were expected to have opposite effects. Results showed that zoom-ins increase gaze coherence and dwell times on the center parts of the depictions while decreasing transitions of pictorial elements from the center and the context areas. In contrast, patterns of results from zoom-outs and static presentations were similar to a large degree, indicating that zoom-ins and zoom-outs do not operate in a complementary fashion. Theoretical and practical implications of the present results are discussed.}, language = {en} } @misc{FlessGrafDallyetal., author = {Fless, Friederike and Graf, Bernhard and Dally, Ortwin and Franke, Ute and Gerbich, Christine and Lengyel, Dominik and Knaut, Matthias and N{\"a}ser, Claudia and Savoy, B{\´e}n{\´e}dicte and Steinm{\"u}ller, Laura Katharina and Steudtner, Katharina and Taschner, Moritz and Toulouse, Catherine and Weber, Stefan}, title = {Authenticity and Communication}, series = {eTOPOI Journal for Ancient Studies}, volume = {6}, journal = {eTOPOI Journal for Ancient Studies}, issn = {2192-2608}, pages = {479 -- 524}, abstract = {Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments "in the full richness of their authenticity" has turned into an abundance of vibrant action and decision-making.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The consecution of uncertain knowledge, hypotheses and the design of abstraction}, series = {Le ragioni del disegno}, booktitle = {Le ragioni del disegno}, editor = {Bertocci, Stefano and Bini, Marco}, publisher = {Gangemi Editore}, address = {Firenze}, isbn = {978-88-492-3295-0}, pages = {403 -- 408}, abstract = {In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design - abstract virtual modeling and virtual photography - are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists' hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects' hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral's permanent installation.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die digitale Visualisierung von Architektur}, series = {Blickpunkt Arch{\"a}ologie}, journal = {Blickpunkt Arch{\"a}ologie}, number = {2}, issn = {2364-4796}, pages = {91 -- 98}, abstract = {Der Beitrag widmet sich der digitalen Visualisierung von arch{\"a}ologischen Baubefunden und den damit verbundenen grundlegenden M{\"o}glichkeiten und Problemen. Was kann die digitale Visualisierung von Architektur im Kontext der 3D-Digitalisierung in der Arch{\"a}ologie leisten? Die Frage ist vor allem deshalb nicht leicht zu beantworten, weil viele Begriffe nicht eindeutig verwendet werden und vor allem in dieser Konstellation unterschiedlichste Assoziationen ausl{\"o}sen. Es geht schließlich nicht um Arch{\"a}ologie oder Architektur als Ganzes, sondern eben um die Schnittstelle im Kontext der allumfassenden Digitalisierung.}, language = {de} }