@book{LengyelToulouseSchockWerner, author = {Lengyel, Dominik and Toulouse, Catherine and Schock-Werner, Barbara}, title = {Die Bauphasen des K{\"o}lner Doms und seiner Vorg{\"a}ngerbauten}, edition = {1. Auflage}, publisher = {Verlag K{\"o}lner Dom e.V.}, address = {K{\"o}ln}, isbn = {978-3-922442-68-4}, pages = {79}, language = {de} } @incollection{LauferLengyelPirsonetal., author = {Laufer, Eric and Lengyel, Dominik and Pirson, Felix and Stappmanns, Verena and Toulouse, Catherine}, title = {Die Wiederentstehung Pergamons als virtuelles Stadtmodell}, series = {Pergamon : Panorama der antiken Metropole}, booktitle = {Pergamon : Panorama der antiken Metropole}, publisher = {Verlag Imhof}, address = {Petersberg}, isbn = {978-3-86568-693-0}, pages = {82 -- 86}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Gestaltung der Vision Naga}, series = {K{\"o}nigsstadt Naga : Grabungen in der W{\"u}ste des Sudan}, booktitle = {K{\"o}nigsstadt Naga : Grabungen in der W{\"u}ste des Sudan}, publisher = {Staatliches Museum {\"A}gyptischer Kunst}, address = {M{\"u}nchen}, isbn = {978-3-9814386-0-4}, pages = {163 -- 176}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Ein Stadtmodell von Pergamon : Unsch{\"a}rfe als Methode f{\"u}r Darstellung und Rekonstruktion antiker Architektur}, series = {Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast}, booktitle = {Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast}, publisher = {Kettler}, address = {B{\"o}nen}, isbn = {978-3-86206-088-7}, pages = {23 -- 28}, language = {de} } @incollection{LengyelRistowToulouse, author = {Lengyel, Dominik and Ristow, Sebastian and Toulouse, Catherine}, title = {Rekonstruktionen zur Baugeschichte des K{\"o}lner Domes}, series = {Fundgeschichten : Arch{\"a}ologie in Nordrhein-Westfalen}, booktitle = {Fundgeschichten : Arch{\"a}ologie in Nordrhein-Westfalen}, publisher = {von Zabern}, address = {Mainz am Rhein}, isbn = {978-3-8053-4204-9}, pages = {S. 546}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bauphasen des K{\"o}lner Doms}, language = {de} } @misc{FlessGrafDallyetal., author = {Fless, Friederike and Graf, Bernhard and Dally, Ortwin and Franke, Ute and Gerbich, Christine and Lengyel, Dominik and Knaut, Matthias and N{\"a}ser, Claudia and Savoy, B{\´e}n{\´e}dicte and Steinm{\"u}ller, Laura Katharina and Steudtner, Katharina and Taschner, Moritz and Toulouse, Catherine and Weber, Stefan}, title = {Authenticity and Communication}, series = {eTOPOI Journal for Ancient Studies}, volume = {6}, journal = {eTOPOI Journal for Ancient Studies}, issn = {2192-2608}, pages = {479 -- 524}, abstract = {Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments "in the full richness of their authenticity" has turned into an abundance of vibrant action and decision-making.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The consecution of uncertain knowledge, hypotheses and the design of abstraction}, series = {Le ragioni del disegno}, booktitle = {Le ragioni del disegno}, editor = {Bertocci, Stefano and Bini, Marco}, publisher = {Gangemi Editore}, address = {Firenze}, isbn = {978-88-492-3295-0}, pages = {403 -- 408}, abstract = {In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design - abstract virtual modeling and virtual photography - are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists' hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects' hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral's permanent installation.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Interaktive Virtual Reality zum begreifenden Verstehen eines architektonischen Prinzips}, series = {EVA Berlin 2017 - Elektronische Medien \& Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017}, journal = {EVA Berlin 2017 - Elektronische Medien \& Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017}, editor = {Bienert, Andreas and B{\"o}rner, Anko and Emenlauer-Bl{\"o}mers, Eva and Hemsley, James}, publisher = {Staatliche Museen zu Berlin - Preußischer Kulturbesitz}, address = {Berlin}, isbn = {978-3-88609-801-9}, pages = {104 -- 113}, abstract = {Architektonische Konzepte sind abstrakte Ideen, die w{\"a}hrend des Bauprozesses in Geb{\"a}ude umgesetzt werden. {\"U}blicherweise weichen Geb{\"a}ude von ihrer urspr{\"u}nglichen Konzeption ab. Das reale Erfahren gebauter Architektur ist nur m{\"o}glich, solange das Geb{\"a}ude noch steht. Das Nachvollziehen der urspr{\"u}nglichen Fassung eines Geb{\"a}udes h{\"a}ngt vom Umfang der Umbauten, Renovierungen und Abnutzungen ab. Das Nachvollziehen des urspr{\"u}nglichen Konzeptes hingegen bedarf der Vorstellungskraft. Diese wird unterst{\"u}tzt durch zus{\"a}tzliche Erl{\"a}uterungen aufgrund von Hypothesen aus der historischen Bauforschung oder der Arch{\"a}ologie. Der hier vorgestellte Ansatz verbindet das Erleben eines hypothetischen Konzeptes f{\"u}r eine Reihe von Kirchenbauten mit der M{\"o}glichkeit, auch nicht physischen Raum mithilfe von Virtual Reality erlebbar zu machen. Er nutzt dabei die aktuell verf{\"u}gbaren Mittel der immersiven stereoskopischen Projektion mithilfe einer 3D-Brille, die abgesehen von ihrem eingeschr{\"a}nkten Blickfeld und der im Vergleich zum Auge geringeren Aufl{\"o}sung dem nat{\"u}rlichen Sehen nahekommt, sowie der durch spezielle Controller m{\"o}glichen Interaktion mit Objekten im virtuellen Raum, die das Greifen und Verschieben simulieren.}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Echtersche Idealkirche - Eine interaktive Ann{\"a}herung}, series = {Julius Echter : Patron der K{\"u}nste}, booktitle = {Julius Echter : Patron der K{\"u}nste}, editor = {Dombrowski, Damian and Meier, Markus Josef and M{\"u}ller, Fabian}, publisher = {Deutscher Kunstverlag}, address = {Berlin ; M{\"u}nchen}, isbn = {978-3-422-07408-8}, pages = {127 -- 129}, abstract = {Julius Echter von Mespelbrunn hat als W{\"u}rzburger F{\"u}rstbischof mehrere Hundert Kirchen gebaut. H{\"a}ufig {\"a}hneln sich die Kirchen im Großen wie im Kleinen. In der Außenerscheinung der Kirchen sind Langhaus, Chor, Sakristei und Turm stets sehr {\"a}hnlich angeordnet; im Innern sind die Gew{\"o}lbe und die Ausstattung vom Altar {\"u}ber die Kanzel und den Taufstein bis zur Empore uniformen Standards verpflichtet. Diesen Kirchen muss eine klare Vorstellung zugrunde gelegen haben, eine urspr{\"u}ngliche Idee, wie Kirchen auszusehen haben. Aus dieser Feststellung ergab sich die Aufgabe, ein Bild der echterschen Idealkirche zu gewinnen.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unsch{\"a}rfe am Beispiel von Ktesiphon und weiteren arch{\"a}ologischen St{\"a}tten}, series = {DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria}, journal = {DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria}, publisher = {DHd}, address = {Hamburg}, pages = {4}, abstract = {Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unsch{\"a}rfe am Beispiel von Ktesiphon und weiteren arch{\"a}ologischen St{\"a}tten. Das interdisziplin{\"a}r angelegte, von der Deutschen Forschungsgemeinschaft (DFG) gef{\"o}rderte Excellence Cluster TOPOI (The Formation and Transformation of Space and Knowledge in Ancient Civilizations) beinhaltet im zweiten F{\"u}nfjahreszeitraum ein Forschungsprojekt, das eine Best Practice Methode f{\"u}r die Kooperation zwischen Wissenschaft und Museen anhand einer exemplarischen arch{\"a}ologischen St{\"a}tte erarbeiten soll. Ruinen im außermusealen Kontext, aber auch Funde im musealen Kontext sowie Erg{\"a}nzungen in Form von Zeichnungen, Modellen in unterschiedlichen Maßst{\"a}ben vom st{\"a}dtebaulichen {\"U}berblick bis zum Nachbau im Originalmaßstab, aber auch virtuelle 3D-Rekonstruktionen, pr{\"a}gen die Perzeption und damit das Wissen {\"u}ber die historischen Orte. W{\"a}hrend TOPOI die Formation und Transformation von Raum und Wissen in der Antike behandelt, untersucht dieses Forschungsprojekt insbesondere die Perzeption und Repr{\"a}sentation im Museum.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Digitale Modellierung antiker Bauten}, series = {Raumwissen}, volume = {8}, journal = {Raumwissen}, number = {17}, issn = {1869-7356}, pages = {38 -- 43}, language = {de} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Visualisierung von Hypothesen, virtuelles Modellieren, virtuelle Fotografie}, series = {Pergamon wiederbelebt! Die antike Residenzstadt in 3D}, booktitle = {Pergamon wiederbelebt! Die antike Residenzstadt in 3D}, editor = {Lang, J{\"o}rn and M{\"u}ller, Hans-Peter and Pirson, Felix}, publisher = {Antikenmuseum der Universit{\"a}t Leipzig}, address = {Leipzig}, isbn = {978-3-00-058912-6}, pages = {48 -- 54}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual Legacy}, series = {Abitare le Terra - Dwelling on Earth}, journal = {Abitare le Terra - Dwelling on Earth}, number = {49 = 1 von "Abitare la Terra: Quaderni"}, publisher = {Gangemi Editore S.p.A.}, address = {Rom}, isbn = {9788849237689}, pages = {16 -- 17}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual}, series = {Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum}, journal = {Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum}, editor = {Ciambrone, Alessandro}, publisher = {Gangemi Editore S.p.A.}, address = {Rom}, isbn = {978-88-492-3751-1}, pages = {98 -- 98}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung in der Architekturlehre}, series = {Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert}, booktitle = {Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert}, editor = {Ebert, Carola and Froschauer, Eva Maria and Salge, Christiane}, publisher = {Universit{\"a}tsverlag der TU Berlin}, address = {Berlin}, isbn = {978-3-7983-3066-5}, pages = {256 -- 284}, abstract = {Was ist Architekturvisualisierung? Welche Ziele werden damit verfolgt, und welche Kompetenzen sind daf{\"u}r erforderlich? Der Beitrag stellt dar, wie Catherine Toulouse und Dominik Lengyel dieses Fach und diese F{\"a}higkeit in der universit{\"a}ren Lehre {\"u}ber mehr als ein Jahrzehnt verfolgen und daf{\"u}r ein Curriculum entwickelt haben, das die Studierenden bef{\"a}higt, architektonische Ideen, seien es Entw{\"u}rfe, Analysen oder arch{\"a}ologische Hypothesen mit Mitteln der Abstraktion in Bilder zu {\"u}bersetzen. Hinzu kommen zahlreiche Forschungsprojekte, die gemeinsam mit externen Partnern entwickelt wurden und die zeigen, wie sich Unsch{\"a}rfe im Wissen der Arch{\"a}ologie, der Historischen Bauforschung oder der Kunstgeschichte anschaulich visuell vermitteln l{\"a}sst.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic Design for mediating cultural Hertitage}, series = {EVA 2019 Florence : electronic imaging \& the visual arts, 8-9 May 2019}, journal = {EVA 2019 Florence : electronic imaging \& the visual arts, 8-9 May 2019}, editor = {Capellini, Vito}, publisher = {Firenze University Press}, address = {Firenze}, isbn = {978-88-6453-868-6}, pages = {108 -- 115}, abstract = {At the intersection of research and visual arts we have developed a method for visualizing archaeological hypotheses that explicitly preserves the scientific content excluding any unintentional content. It consists of virtual modeling and virtual photography. Other than usual we do not consider the spatial model as the decisive core but as an integral part of the visual mediation, and its complementary counterpart, the virtual photography, as equally important. Contrasting the usual way to reconstruct architecture in a hyper-realistic way as in the movie industries, we consider our approach a unique 3D Development and Application in the Cultural Heritage Area.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Artificial Imagination Induced by Visualised Hypotheses in Archaeology}, series = {Proceedings of EVA London 2020 (EVA 2020) : 6th July - 9th July 2020}, journal = {Proceedings of EVA London 2020 (EVA 2020) : 6th July - 9th July 2020}, publisher = {British Computer Society}, address = {London}, doi = {10.14236/ewic/EVA2020.8}, pages = {50 -- 57}, abstract = {This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universit{\"a}t and Humboldt-Universit{\"a}t Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum W{\"u}rzburg (visualising Archbishop Julius von Echter's ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry.}, language = {en} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Architectural design for the contamination by cultural ideas}, series = {Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4}, booktitle = {Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4}, editor = {Portoghesi, Paolo}, edition = {1. Auflage}, publisher = {Gangemi Editore S.p.A Roma}, address = {Italien, Rom}, isbn = {9788849239959}, pages = {30 -- 31}, language = {en} } @misc{LengyelToulouseHeinrich, author = {Lengyel, Dominik and Toulouse, Catherine and Heinrich, Florian}, title = {Architecture Transformed - Architectural Processes in the Digital Image Space}, series = {International Journal for Digital Art History}, journal = {International Journal for Digital Art History}, number = {E1 2021}, issn = {2363-5398}, doi = {10.11588/dah.2021.E1.83928}, pages = {66 -- 81}, abstract = {The production and conception of architecture are not only shaped by the technical-constructive aspect but also by their visual representation. Since the 1980s, with the advent of digital technologies for the design and visual representation of architecture (computer-aided design), far-reaching changes have occurred, resulting in fundamentally new possibilities for linking technical design and visual reproduction (computer rendering to virtual photography). This cooperative project undertakes an investigation of these essentially process-related relationships outlined here in design and visualization during the transition phase from analogue to digital planning and display format methods from 1980 to the present. In exemplary studies on the use and application of the new tools and their visual products (images), the aim is to determine how the 'digital image' has changed the concept and production of architecture from the perspective of art history and media criticism on the one hand, and the production aesthetic point of view of architectural and architectural image production on the other.}, language = {en} }