@misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual}, series = {Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum}, journal = {Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum}, editor = {Ciambrone, Alessandro}, publisher = {Gangemi Editore S.p.A.}, address = {Rom}, isbn = {978-88-492-3751-1}, pages = {98 -- 98}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Graphic Instruments for Visualizing Hypotheses}, series = {Technoheritage 2019, IV International Congress, Book of Abstracts}, journal = {Technoheritage 2019, IV International Congress, Book of Abstracts}, address = {Seville}, isbn = {978-84-09-08757-0}, pages = {79 -- 79}, abstract = {Within the last decade we have developed a new digital graphic instrument for knowledge mediation and knowledge development of archaeological hypotheses concerning architectural topoi. The key feature of archaeological hypotheses is the varying degree of certainty ranging from undoubtful findings over most probably deductions to vague yet scientifically based assumptions. Mediations, towards the scientific community, as well as towards the public is usually based on scientific, written text accompanied by imagery that - on its turn - tends to be perceived even preferentially.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierungen - Lengyel Toulouse}, abstract = {Es handelt sich um digitale Rekonstruktionen antiker Bauten anhand arch{\"a}ologischer Hypothesen. Die Sammlung enth{\"a}lt virtuelle Modelle und virtuelle Fotografien folgender Serien: Pergamon, Palatin, Ktesiphon, K{\"o}lner Dom, Bauphasen K{\"o}lner Dom, L{\"u}neburger Platz am Sande, Naga, Julius Echter.}, language = {de} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Pergamon - Wissenschaft und Gestaltung}, series = {Auferstehung der Antike: Arch{\"a}ologische St{\"a}tten digital rekonstruiert.}, booktitle = {Auferstehung der Antike: Arch{\"a}ologische St{\"a}tten digital rekonstruiert.}, editor = {Pasch, Eva and Kieburg, Holger}, publisher = {Verlag Philipp von Zabern}, address = {Darmstadt}, isbn = {978-3-8053-5213-0}, pages = {86 -- 89}, abstract = {Wie Architektur, 3D-Modell und Fotografie Arch{\"a}ologie vermitteln}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung von Hypothesen - Zur Gestaltung von Abstraktion bei der Darstellung unscharfen Wissens in Arch{\"a}ologie, Bauforschung und Kunstgeschichte}, series = {Computing art reader : Einf{\"u}hrung in die digitale Kunstgeschichte}, booktitle = {Computing art reader : Einf{\"u}hrung in die digitale Kunstgeschichte}, editor = {Kuroczynski, Piotr and Bell, Peter and Dieckmann, Lisa}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-947449-15-6}, doi = {10.11588/arthistoricum.413.596}, url = {http://nbn-resolving.de/urn:nbn:de:bsz:•16-ahn-artbook-413-0}, pages = {202-216}, abstract = {Die Darstellung von Unsch{\"a}rfe ist eine von den Autoren entwickelte Methode zur visuellen Repr{\"a}sentation r{\"a}umlicher Hypothesen. Unscharfes Wissen ist ein wesentlicher Bestandteil von Wissenschaft. Stellt man die Wissenschaftlichkeit bei der Visualisierung einer Hypothese in den Vordergrund, bietet es sich an, das Hypothetische selbst zum Gegenstand der Visualisierung zu machen. Damit entsteht ein Bild von Architektur - das Bild eines architektonischen Gedankens -, aber keine Simulation einer fiktiven Wirklichkeit. Indem die unscharfe Darstellung beim Betrachter eine r{\"a}umliche Vorstellung erzeugt, die so weit wie m{\"o}glich der wissenschaftlichen Hypothese entspricht, zugleich jedoch deren hypothetischen Charakter offenlegt, verfolgt sie das Ziel, dem Betrachter durch die Reflexion des gesamten Wahrnehmungsprozesses Wissen {\"u}ber Arch{\"a}ologie im Speziellen, aber auch Wissenschaftlichkeit im Allgemeinen zu vermitteln. {\"U}ber die London Charter hinaus geht es bei der hier vorgestellten Methode um die Notwendigkeit gestalterischer Kompetenz. Die Begriffspaare Gestaltung und Wissenschaft und Darstellung und Unsch{\"a}rfe beschreiben den Anspruch, unterschiedliche k{\"u}nstlerische und wissenschaftliche Bereiche aus der Architektur und Arch{\"a}ologie mit dem Ziel der Erkenntnisf{\"o}rderung zusammenzuf{\"u}hren. Dieser Beitrag will zeigen, dass Gestaltung einen wesentlichen Anteil bei der Erzeugung neuer visueller Artefakte haben sollte. Die Autoren haben zahlreiche Projekte mit Arch{\"a}ologen, historischen Bauforschern und Kunstwissenschaftlern durchgef{\"u}hrt, anhand derer sie die Methoden der Darstellung von Unsch{\"a}rfe entwickelt haben.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualising Hypotheses as the Method Used to Approach Achaeological Research Questions}, series = {International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb}, journal = {International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb}, editor = {Horvatinćič, Sanja}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-68-8}, pages = {16 -- 16}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Europe's Architectural Identity. A visualisation method of ideas}, series = {Notes on Europe. The dogmatic sleep}, journal = {Notes on Europe. The dogmatic sleep}, editor = {Neves, Eduarda and Lima, Luis and Rodrigues, Nuno Faleiro}, publisher = {Peninsular Papelaria \& Atres Gr{\´a}ficas}, address = {Porto}, isbn = {978-972-8784-88-1}, pages = {28 -- 28}, language = {en} } @misc{Lengyel, author = {Lengyel, Dominik}, title = {3D-Visualisierungen im Pergamon Museum Berlin}, series = {BTU News}, volume = {16}, journal = {BTU News}, number = {53}, pages = {63 -- 63}, abstract = {Zwei Visualisierungen des Lehrstuhls sind seit dem 16. November 2018 bis voraussichtlich 2024 im neuen Pergamonmuseum zu sehen. Das Pa-norama ist erg{\"a}nzt um einen Link zum seit der Ausstellung in der Leip-ziger Antikensammlung im Sommer 2018 vertonten Film.}, language = {de} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Architectural design for the contamination by cultural ideas}, series = {Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4}, booktitle = {Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4}, editor = {Portoghesi, Paolo}, edition = {1. Auflage}, publisher = {Gangemi Editore S.p.A Roma}, address = {Italien, Rom}, isbn = {9788849239959}, pages = {30 -- 31}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Artificial Imagination Induced by Visualised Hypotheses in Archaeology}, series = {Proceedings of EVA London 2020 (EVA 2020) : 6th July - 9th July 2020}, journal = {Proceedings of EVA London 2020 (EVA 2020) : 6th July - 9th July 2020}, publisher = {British Computer Society}, address = {London}, doi = {10.14236/ewic/EVA2020.8}, pages = {50 -- 57}, abstract = {This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universit{\"a}t and Humboldt-Universit{\"a}t Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum W{\"u}rzburg (visualising Archbishop Julius von Echter's ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The building phases of Cologne Cathedral and its predecessors (with a special on inner choir 1856)}, series = {Dimensions reflected 2020}, journal = {Dimensions reflected 2020}, editor = {Obradović, Marija}, publisher = {Faculty of Mechanical Engineering, University of Belgrade}, address = {Belgrad}, isbn = {978-86-6060-049-5}, pages = {21 -- 21}, abstract = {The two films show the current research results on the building phases of Cologne Cathedrals and its predecessors. From a water basin in a Roman garden, several churches have been built for about two thousand years, until the Gothic choir was started in mid-13th century. Completed at the end of the 19th century, the cathedral was given a new access structure ten years ago, which serves as an entrance to the tower ascent as well as to the archaeological zone, and in which the film about the construction phases is since exhibited. It was only in the middle of the 19th century that the wall that had closed off the Gothic choir to the west since the 14th century was removed. From this period numerous images of the interior have been preserved, but none of them show the central interior. The 150th anniversary of the cathedral chorus provided the opportunity to recapture this. Both visualizations translate scientific hypotheses. They have only been supplemented in those places where it was necessary to complete the architectural impression. As a result, the buildings appear abstract and only in the imaginative power of the observer do they become architecture again.}, language = {en} } @misc{LengyelWeichtSchuermann, author = {Lengyel, Dominik and Weicht, Christian and Sch{\"u}rmann, Detlev}, title = {Bundesministerium f{\"o}rdert DIN-Standard f{\"u}r mobile Fahrzeugsperren}, series = {Crisis Prevention}, journal = {Crisis Prevention}, number = {3}, issn = {2198-0527}, pages = {10 -- 13}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {From archaelogy to a visual architectural terminology}, series = {OTKRIVANJE DALMACIJE V}, journal = {OTKRIVANJE DALMACIJE V}, editor = {Levaj, Katarina Horvat}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-65-7}, pages = {59 -- 60}, language = {en} } @misc{LengyelToulouseHeinrich, author = {Lengyel, Dominik and Toulouse, Catherine and Heinrich, Florian}, title = {Architecture Transformed - Architectural Processes in the Digital Image Space}, series = {International Journal for Digital Art History}, journal = {International Journal for Digital Art History}, number = {E1 2021}, issn = {2363-5398}, doi = {10.11588/dah.2021.E1.83928}, pages = {66 -- 81}, abstract = {The production and conception of architecture are not only shaped by the technical-constructive aspect but also by their visual representation. Since the 1980s, with the advent of digital technologies for the design and visual representation of architecture (computer-aided design), far-reaching changes have occurred, resulting in fundamentally new possibilities for linking technical design and visual reproduction (computer rendering to virtual photography). This cooperative project undertakes an investigation of these essentially process-related relationships outlined here in design and visualization during the transition phase from analogue to digital planning and display format methods from 1980 to the present. In exemplary studies on the use and application of the new tools and their visual products (images), the aim is to determine how the 'digital image' has changed the concept and production of architecture from the perspective of art history and media criticism on the one hand, and the production aesthetic point of view of architectural and architectural image production on the other.}, language = {en} } @incollection{LauferLengyelPirsonetal., author = {Laufer, Eric and Lengyel, Dominik and Pirson, Felix and Stappmanns, Verena and Toulouse, Catherine}, title = {Die Wiederentstehung Pergamons als virtuelles Stadtmodell}, series = {Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin}, booktitle = {Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin}, editor = {Scholl, Andreas and Schwarzmaier, Agnes}, publisher = {Michael Imhof Verlag}, address = {Berlin}, isbn = {978-3-7319-0793-0}, pages = {36 -- 41}, language = {de} } @misc{LengyelWeichtSchuermann, author = {Lengyel, Dominik and Weicht, Christian and Sch{\"u}rmann, Detlev}, title = {Zufahrtsschutz Teil 4}, series = {Polizei, Verkehr + Technik : pvt}, volume = {66}, journal = {Polizei, Verkehr + Technik : pvt}, number = {5}, issn = {0722-5962}, pages = {30 -- 32}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Narratives by poetic architecture on analytic humanities}, series = {On Cinema 2022}, journal = {On Cinema 2022}, editor = {Muga, Henrique and Silva, M. F. Costa and Sousa, Isolino}, publisher = {Busilis da Comunicacao, Lda}, address = {Porto, Portugal}, isbn = {978-972-8784-97-3}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Uncertainty in the hypothesis on an unrealized planning of the Berne Minster}, series = {Digital Art History - Methods, Practices, Epistemologies : Book Of Abstracts \& Conference Programme}, journal = {Digital Art History - Methods, Practices, Epistemologies : Book Of Abstracts \& Conference Programme}, editor = {Sekelj, Sanja}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-93-0}, pages = {58 -- 62}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The amphitheatre of Dyrrachium}, series = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, journal = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, publisher = {Gangemi Editore spa}, address = {Rom, Italien}, isbn = {978-88-492-4529-5}, pages = {538 -- 542}, language = {en} } @incollection{SchwarzLengyel, author = {Schwarz, Astrid and Lengyel, Dominik}, title = {Energizing Future Urbanity (EFU)}, series = {Shared Spaces in Change. Eine Ausstellung im Kornhausforum Bern und im {\"o}ffentlichen Stadtraum Bern.}, booktitle = {Shared Spaces in Change. Eine Ausstellung im Kornhausforum Bern und im {\"o}ffentlichen Stadtraum Bern.}, edition = {1}, publisher = {Kornhausforum Selbstverlag}, address = {Bern}, isbn = {978-3-033-09392-8}, pages = {5 -- 5}, abstract = {Die St{\"a}dte der Zukunft bestehen aus lokalen, quasiautonomen Technik-Umwelt-Ensembles. Die sogenannte T-Cells der BTU Cottbus-Senftenberg (-> S72) k{\"o}nnen im Design an die urbane Umwelt individuell angepasst werden.}, language = {de} } @book{LengyelLocherHenrichetal., author = {Lengyel, Dominik and Locher, Hubert and Henrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - The Digital Image in Architecture 1980-2020}, edition = {1. Auflage}, publisher = {Birkh{\"a}user Verlag GmbH}, address = {Basel}, isbn = {978-3-0356-2448-9}, pages = {160}, abstract = {Das digitale Bild in der Architektur Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur {\"u}ber vier Jahrzehnte - im Prozess der Digitalisierung von Wissen in Theorie und Praxis - sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung {\"u}ber die Fotomontage bis zum Computerrendering, um die medienspezifische Pr{\"a}gung der Architektur durch digitale Methoden zu verdeutlichen. Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums f{\"u}r Kunstgeschichte - Bildarchiv Foto Marburg mit dem Lehrstuhl f{\"u}r Architektur und Visualisierung der Brandenburgischen Technischen Universit{\"a}t Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild".}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {A Political Narrative in the Relationship between Artwork and Recipient}, series = {Izkustvovedski Četenija = Art Readings}, volume = {2023}, journal = {Izkustvovedski Četenija = Art Readings}, number = {1}, issn = {1313-2342}, pages = {71 -- 86}, abstract = {Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture}, series = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, journal = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, publisher = {Propylaeum}, address = {Heidelberg}, isbn = {978-3-948465-98-8}, doi = {10.11588/propylaeum.747.c11848}, pages = {555 -- 559}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic Design for Technological Devices}, series = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, booktitle = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, publisher = {Faculty of Philology, University of Belgrade}, address = {Belgrad}, isbn = {978-86-80245-45-4}, doi = {10.18485/smartart.2022.2.ch15}, pages = {277 -- 294}, language = {en} }