@book{LengyelToulouseSchockWerner, author = {Lengyel, Dominik and Toulouse, Catherine and Schock-Werner, Barbara}, title = {Die Bauphasen des K{\"o}lner Doms und seiner Vorg{\"a}ngerbauten}, edition = {1. Auflage}, publisher = {Verlag K{\"o}lner Dom e.V.}, address = {K{\"o}ln}, isbn = {978-3-922442-68-4}, pages = {79}, language = {de} } @incollection{LauferLengyelPirsonetal., author = {Laufer, Eric and Lengyel, Dominik and Pirson, Felix and Stappmanns, Verena and Toulouse, Catherine}, title = {Die Wiederentstehung Pergamons als virtuelles Stadtmodell}, series = {Pergamon : Panorama der antiken Metropole}, booktitle = {Pergamon : Panorama der antiken Metropole}, publisher = {Verlag Imhof}, address = {Petersberg}, isbn = {978-3-86568-693-0}, pages = {82 -- 86}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Gestaltung der Vision Naga}, series = {K{\"o}nigsstadt Naga : Grabungen in der W{\"u}ste des Sudan}, booktitle = {K{\"o}nigsstadt Naga : Grabungen in der W{\"u}ste des Sudan}, publisher = {Staatliches Museum {\"A}gyptischer Kunst}, address = {M{\"u}nchen}, isbn = {978-3-9814386-0-4}, pages = {163 -- 176}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Ein Stadtmodell von Pergamon : Unsch{\"a}rfe als Methode f{\"u}r Darstellung und Rekonstruktion antiker Architektur}, series = {Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast}, booktitle = {Skulpturen in Pergamon : Gymnasion, Heiligtum, Palast}, publisher = {Kettler}, address = {B{\"o}nen}, isbn = {978-3-86206-088-7}, pages = {23 -- 28}, language = {de} } @incollection{LengyelRistowToulouse, author = {Lengyel, Dominik and Ristow, Sebastian and Toulouse, Catherine}, title = {Rekonstruktionen zur Baugeschichte des K{\"o}lner Domes}, series = {Fundgeschichten : Arch{\"a}ologie in Nordrhein-Westfalen}, booktitle = {Fundgeschichten : Arch{\"a}ologie in Nordrhein-Westfalen}, publisher = {von Zabern}, address = {Mainz am Rhein}, isbn = {978-3-8053-4204-9}, pages = {S. 546}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bauphasen des K{\"o}lner Doms}, language = {de} } @misc{FlessGrafDallyetal., author = {Fless, Friederike and Graf, Bernhard and Dally, Ortwin and Franke, Ute and Gerbich, Christine and Lengyel, Dominik and Knaut, Matthias and N{\"a}ser, Claudia and Savoy, B{\´e}n{\´e}dicte and Steinm{\"u}ller, Laura Katharina and Steudtner, Katharina and Taschner, Moritz and Toulouse, Catherine and Weber, Stefan}, title = {Authenticity and Communication}, series = {eTOPOI Journal for Ancient Studies}, volume = {6}, journal = {eTOPOI Journal for Ancient Studies}, issn = {2192-2608}, pages = {479 -- 524}, abstract = {Authenticity is not an absolute and constant quality inherent in an object or an experience; it is constructed in the process of research. Actors inscribe and attribute it to both material objects and subjective processes like communication and consumption. This article from the research group seeks on the one hand to reflect on the historical scope of action and action patterns among actors from various disciplines between the conflicting priorities of authentication and communication, and on the other to find ways to visualize and operationalize attribution processes through joint reflection. When we look at both history and the discussions fifty years after the Venice Charter, its idea to hand on historic monuments "in the full richness of their authenticity" has turned into an abundance of vibrant action and decision-making.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The consecution of uncertain knowledge, hypotheses and the design of abstraction}, series = {Le ragioni del disegno}, booktitle = {Le ragioni del disegno}, editor = {Bertocci, Stefano and Bini, Marco}, publisher = {Gangemi Editore}, address = {Firenze}, isbn = {978-88-492-3295-0}, pages = {403 -- 408}, abstract = {In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design - abstract virtual modeling and virtual photography - are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists' hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects' hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral's permanent installation.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Interaktive Virtual Reality zum begreifenden Verstehen eines architektonischen Prinzips}, series = {EVA Berlin 2017 - Elektronische Medien \& Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017}, journal = {EVA Berlin 2017 - Elektronische Medien \& Kunst, Kultur und Historie, Konferenzband, 8. - 10. November 2017}, editor = {Bienert, Andreas and B{\"o}rner, Anko and Emenlauer-Bl{\"o}mers, Eva and Hemsley, James}, publisher = {Staatliche Museen zu Berlin - Preußischer Kulturbesitz}, address = {Berlin}, isbn = {978-3-88609-801-9}, pages = {104 -- 113}, abstract = {Architektonische Konzepte sind abstrakte Ideen, die w{\"a}hrend des Bauprozesses in Geb{\"a}ude umgesetzt werden. {\"U}blicherweise weichen Geb{\"a}ude von ihrer urspr{\"u}nglichen Konzeption ab. Das reale Erfahren gebauter Architektur ist nur m{\"o}glich, solange das Geb{\"a}ude noch steht. Das Nachvollziehen der urspr{\"u}nglichen Fassung eines Geb{\"a}udes h{\"a}ngt vom Umfang der Umbauten, Renovierungen und Abnutzungen ab. Das Nachvollziehen des urspr{\"u}nglichen Konzeptes hingegen bedarf der Vorstellungskraft. Diese wird unterst{\"u}tzt durch zus{\"a}tzliche Erl{\"a}uterungen aufgrund von Hypothesen aus der historischen Bauforschung oder der Arch{\"a}ologie. Der hier vorgestellte Ansatz verbindet das Erleben eines hypothetischen Konzeptes f{\"u}r eine Reihe von Kirchenbauten mit der M{\"o}glichkeit, auch nicht physischen Raum mithilfe von Virtual Reality erlebbar zu machen. Er nutzt dabei die aktuell verf{\"u}gbaren Mittel der immersiven stereoskopischen Projektion mithilfe einer 3D-Brille, die abgesehen von ihrem eingeschr{\"a}nkten Blickfeld und der im Vergleich zum Auge geringeren Aufl{\"o}sung dem nat{\"u}rlichen Sehen nahekommt, sowie der durch spezielle Controller m{\"o}glichen Interaktion mit Objekten im virtuellen Raum, die das Greifen und Verschieben simulieren.}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Echtersche Idealkirche - Eine interaktive Ann{\"a}herung}, series = {Julius Echter : Patron der K{\"u}nste}, booktitle = {Julius Echter : Patron der K{\"u}nste}, editor = {Dombrowski, Damian and Meier, Markus Josef and M{\"u}ller, Fabian}, publisher = {Deutscher Kunstverlag}, address = {Berlin ; M{\"u}nchen}, isbn = {978-3-422-07408-8}, pages = {127 -- 129}, abstract = {Julius Echter von Mespelbrunn hat als W{\"u}rzburger F{\"u}rstbischof mehrere Hundert Kirchen gebaut. H{\"a}ufig {\"a}hneln sich die Kirchen im Großen wie im Kleinen. In der Außenerscheinung der Kirchen sind Langhaus, Chor, Sakristei und Turm stets sehr {\"a}hnlich angeordnet; im Innern sind die Gew{\"o}lbe und die Ausstattung vom Altar {\"u}ber die Kanzel und den Taufstein bis zur Empore uniformen Standards verpflichtet. Diesen Kirchen muss eine klare Vorstellung zugrunde gelegen haben, eine urspr{\"u}ngliche Idee, wie Kirchen auszusehen haben. Aus dieser Feststellung ergab sich die Aufgabe, ein Bild der echterschen Idealkirche zu gewinnen.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unsch{\"a}rfe am Beispiel von Ktesiphon und weiteren arch{\"a}ologischen St{\"a}tten}, series = {DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria}, journal = {DHd2015 : von Daten zu Erkenntnissen, digitale Geisteswissenschaften als Mittler zwischen Information und Interpretation, book of abstracts, 23.-27. Februar 2015, Graz, Austria}, publisher = {DHd}, address = {Hamburg}, pages = {4}, abstract = {Die Bedeutung architektonischer Gestaltung in der visuellen Vermittlung wissenschaftlicher Unsch{\"a}rfe am Beispiel von Ktesiphon und weiteren arch{\"a}ologischen St{\"a}tten. Das interdisziplin{\"a}r angelegte, von der Deutschen Forschungsgemeinschaft (DFG) gef{\"o}rderte Excellence Cluster TOPOI (The Formation and Transformation of Space and Knowledge in Ancient Civilizations) beinhaltet im zweiten F{\"u}nfjahreszeitraum ein Forschungsprojekt, das eine Best Practice Methode f{\"u}r die Kooperation zwischen Wissenschaft und Museen anhand einer exemplarischen arch{\"a}ologischen St{\"a}tte erarbeiten soll. Ruinen im außermusealen Kontext, aber auch Funde im musealen Kontext sowie Erg{\"a}nzungen in Form von Zeichnungen, Modellen in unterschiedlichen Maßst{\"a}ben vom st{\"a}dtebaulichen {\"U}berblick bis zum Nachbau im Originalmaßstab, aber auch virtuelle 3D-Rekonstruktionen, pr{\"a}gen die Perzeption und damit das Wissen {\"u}ber die historischen Orte. W{\"a}hrend TOPOI die Formation und Transformation von Raum und Wissen in der Antike behandelt, untersucht dieses Forschungsprojekt insbesondere die Perzeption und Repr{\"a}sentation im Museum.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Digitale Modellierung antiker Bauten}, series = {Raumwissen}, volume = {8}, journal = {Raumwissen}, number = {17}, issn = {1869-7356}, pages = {38 -- 43}, language = {de} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Visualisierung von Hypothesen, virtuelles Modellieren, virtuelle Fotografie}, series = {Pergamon wiederbelebt! Die antike Residenzstadt in 3D}, booktitle = {Pergamon wiederbelebt! Die antike Residenzstadt in 3D}, editor = {Lang, J{\"o}rn and M{\"u}ller, Hans-Peter and Pirson, Felix}, publisher = {Antikenmuseum der Universit{\"a}t Leipzig}, address = {Leipzig}, isbn = {978-3-00-058912-6}, pages = {48 -- 54}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual Legacy}, series = {Abitare le Terra - Dwelling on Earth}, journal = {Abitare le Terra - Dwelling on Earth}, number = {49 = 1 von "Abitare la Terra: Quaderni"}, publisher = {Gangemi Editore S.p.A.}, address = {Rom}, isbn = {9788849237689}, pages = {16 -- 17}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual}, series = {Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum}, journal = {Carmine Gambardella - World Heritage and Legacy - Cultur, Creativity, Contamination. Le Vie dei Mercanti XVII International Forum}, editor = {Ciambrone, Alessandro}, publisher = {Gangemi Editore S.p.A.}, address = {Rom}, isbn = {978-88-492-3751-1}, pages = {98 -- 98}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung in der Architekturlehre}, series = {Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert}, booktitle = {Vom Baumeister zum Master. Formen der Architekturlehre vom 19. bis ins 21. Jahrhundert}, editor = {Ebert, Carola and Froschauer, Eva Maria and Salge, Christiane}, publisher = {Universit{\"a}tsverlag der TU Berlin}, address = {Berlin}, isbn = {978-3-7983-3066-5}, pages = {256 -- 284}, abstract = {Was ist Architekturvisualisierung? Welche Ziele werden damit verfolgt, und welche Kompetenzen sind daf{\"u}r erforderlich? Der Beitrag stellt dar, wie Catherine Toulouse und Dominik Lengyel dieses Fach und diese F{\"a}higkeit in der universit{\"a}ren Lehre {\"u}ber mehr als ein Jahrzehnt verfolgen und daf{\"u}r ein Curriculum entwickelt haben, das die Studierenden bef{\"a}higt, architektonische Ideen, seien es Entw{\"u}rfe, Analysen oder arch{\"a}ologische Hypothesen mit Mitteln der Abstraktion in Bilder zu {\"u}bersetzen. Hinzu kommen zahlreiche Forschungsprojekte, die gemeinsam mit externen Partnern entwickelt wurden und die zeigen, wie sich Unsch{\"a}rfe im Wissen der Arch{\"a}ologie, der Historischen Bauforschung oder der Kunstgeschichte anschaulich visuell vermitteln l{\"a}sst.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic Design for mediating cultural Hertitage}, series = {EVA 2019 Florence : electronic imaging \& the visual arts, 8-9 May 2019}, journal = {EVA 2019 Florence : electronic imaging \& the visual arts, 8-9 May 2019}, editor = {Capellini, Vito}, publisher = {Firenze University Press}, address = {Firenze}, isbn = {978-88-6453-868-6}, pages = {108 -- 115}, abstract = {At the intersection of research and visual arts we have developed a method for visualizing archaeological hypotheses that explicitly preserves the scientific content excluding any unintentional content. It consists of virtual modeling and virtual photography. Other than usual we do not consider the spatial model as the decisive core but as an integral part of the visual mediation, and its complementary counterpart, the virtual photography, as equally important. Contrasting the usual way to reconstruct architecture in a hyper-realistic way as in the movie industries, we consider our approach a unique 3D Development and Application in the Cultural Heritage Area.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Artificial Imagination Induced by Visualised Hypotheses in Archaeology}, series = {Proceedings of EVA London 2020 (EVA 2020) : 6th July - 9th July 2020}, journal = {Proceedings of EVA London 2020 (EVA 2020) : 6th July - 9th July 2020}, publisher = {British Computer Society}, address = {London}, doi = {10.14236/ewic/EVA2020.8}, pages = {50 -- 57}, abstract = {This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universit{\"a}t and Humboldt-Universit{\"a}t Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum W{\"u}rzburg (visualising Archbishop Julius von Echter's ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry.}, language = {en} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Architectural design for the contamination by cultural ideas}, series = {Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4}, booktitle = {Abitare la terra-Dwelling on earth. Quaderni. Supplemento alla Rivista di geoarchitettura vol.4}, editor = {Portoghesi, Paolo}, edition = {1. Auflage}, publisher = {Gangemi Editore S.p.A Roma}, address = {Italien, Rom}, isbn = {9788849239959}, pages = {30 -- 31}, language = {en} } @misc{LengyelToulouseHeinrich, author = {Lengyel, Dominik and Toulouse, Catherine and Heinrich, Florian}, title = {Architecture Transformed - Architectural Processes in the Digital Image Space}, series = {International Journal for Digital Art History}, journal = {International Journal for Digital Art History}, number = {E1 2021}, issn = {2363-5398}, doi = {10.11588/dah.2021.E1.83928}, pages = {66 -- 81}, abstract = {The production and conception of architecture are not only shaped by the technical-constructive aspect but also by their visual representation. Since the 1980s, with the advent of digital technologies for the design and visual representation of architecture (computer-aided design), far-reaching changes have occurred, resulting in fundamentally new possibilities for linking technical design and visual reproduction (computer rendering to virtual photography). This cooperative project undertakes an investigation of these essentially process-related relationships outlined here in design and visualization during the transition phase from analogue to digital planning and display format methods from 1980 to the present. In exemplary studies on the use and application of the new tools and their visual products (images), the aim is to determine how the 'digital image' has changed the concept and production of architecture from the perspective of art history and media criticism on the one hand, and the production aesthetic point of view of architectural and architectural image production on the other.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How to cut a virtual model into comprehensible sections}, series = {Electronic imaging \& the visual arts : EVA 2023 Florence, 5 June 2023}, journal = {Electronic imaging \& the visual arts : EVA 2023 Florence, 5 June 2023}, editor = {Capellini, Vito}, publisher = {Leonardo Libri srl}, address = {Florence}, isbn = {978-88-596-2355-7}, pages = {144 -- 149}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Creating reality to be interpreted through the photography of abstraction}, series = {Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts}, journal = {Formats of (Non)Seeing : international conference, 27-29 october, 2022, Split, Croatia : book of abstracts}, editor = {Horvat Levay, Katarina and Bosnic, Tomislav}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-373-014-1}, pages = {24 -- 25}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How Physical Models Complete Virtual Multimediality}, series = {Proceedings of EVA London 2023}, journal = {Proceedings of EVA London 2023}, editor = {Bowen, Jonathan P. and Weinel, Jon and Diprose, Graham}, address = {London}, doi = {10.14236/ewic/EVA2023.7}, pages = {47 -- 52}, abstract = {This paper is based on the two papers of 2021 and 2022 and shows how the use of haptic models can take the mediation of architectural concepts from the fields of archaeology, building research and art history to a new level. Unlike the primarily visual mediation strategies that are common above all in the field of architecture, simply because architecture can only be experienced in its entirety when actually visited on a full scale, the method presented here pursues the use of haptic models in physical reality not with the aim of reproducing the architecture itself, but its architectural concept. It is thus in the tradition of the visualisation of uncertainty developed by the authors, which already concentrated on conveying the concepts, the architectural ideas, in the visual as well. This excludes not only the use of relics, but also many speculative approaches, as they are often used in the film and games industry as photorealism. Their use serves solely to convey a certain atmosphere of being, whereas here it is a matter of conveying spatial concepts with a clear reference to the respective science. The scientific nature itself is also the content of the communication, and therefore it fits in with the visual strategy that the haptic models do not merely reproduce an external appearance, but also convey a deeper level, in this case that of the circulation concept. The object of the investigation, an amphitheatre of unique construction, is particularly suitable for this special kind of mediation, as it deliberately resists the usual advantages of an arrangement that submits to the terrain and thus consists almost entirely of extraordinary solutions.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {New Media for the Visualization of Architecture}, series = {New Media in Art History - Tensions, Exchanges, Situations}, booktitle = {New Media in Art History - Tensions, Exchanges, Situations}, editor = {Bonnefoit, R{\´e}gine and R{\´e}rat, Melissa and Schellenberg, Samuel}, publisher = {De Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-118600-9}, doi = {10.1515/9783111186009-009}, pages = {116 -- 134}, language = {en} } @incollection{BurwitzGrellertHenzeetal., author = {Burwitz, Henning and Grellert, Marc and Henze, Frank and Kr{\"o}ber, Cindy and Kuroczyński, Piotr and Lengyel, Dominik and M{\"u}nster, Sander and Pfarr-Harfst, Mieke and Prechtel, Nikolas and Schelbert, Georg and Toulouse, Catherine and Wacker, Markus}, title = {Memorandum: Aktuelle Herausforderungen im Kontext digitaler 3D-Rekonstruktion}, series = {Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung}, booktitle = {Der Modelle Tugend 2.0 - Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung}, editor = {M{\"u}nster, Sander and Pfarr-Harfst, Mieke and Kuroczynski, Piotr}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-947449-68-2}, doi = {10.11588/arthistoricum.515}, pages = {21 -- 28}, language = {de} } @inproceedings{LengyelMuensterKuroczynskietal., author = {Lengyel, Dominik and M{\"u}nster, Sander and Kuroczynski, Piotr and Pfarr-Harfst, Mieke and Greilert, M.}, title = {Future Research Challenges for a Computer-Based Interpretative 3D Reconstruction of Cultural Heritage - A German Community's View}, series = {25th International CIPA Symposium 2015, 31 August - 04 September 2015, Taipei, Taiwan}, booktitle = {25th International CIPA Symposium 2015, 31 August - 04 September 2015, Taipei, Taiwan}, doi = {10.5194/isprsannals-II-5-W3-207-2015}, pages = {207 -- 213}, abstract = {The workgroup for Digital Reconstruction of the Digital Humanities in the German-speaking area association (Digital Humanities im deutschsprachigen Raum e.V.) was founded in 2014 as cross-disciplinary scientific society dealing with all aspects of digital reconstruction of cultural heritage and currently involves more than 40 German researchers. Moreover, the workgroup is dedicated to synchronise and foster methodological research for these topics. As one preliminary result a memorandum was created to name urgent research challenges and prospects in a condensed way and assemble a research agenda which could propose demands for further research and development activities within the next years. The version presented within this paper was originally created as a contribution to the so-called agenda development process initiated by the German Federal Ministry of Education and Research (BMBF) in 2014 and has been amended during a joint meeting of the digital reconstruction workgroup in November 2014.}, language = {en} } @incollection{SchwarzLengyel, author = {Schwarz, Astrid and Lengyel, Dominik}, title = {Energizing Future Urbanity (EFU)}, series = {Shared Spaces in Change. Eine Ausstellung im Kornhausforum Bern und im {\"o}ffentlichen Stadtraum Bern.}, booktitle = {Shared Spaces in Change. Eine Ausstellung im Kornhausforum Bern und im {\"o}ffentlichen Stadtraum Bern.}, edition = {1}, publisher = {Kornhausforum Selbstverlag}, address = {Bern}, isbn = {978-3-033-09392-8}, pages = {5 -- 5}, abstract = {Die St{\"a}dte der Zukunft bestehen aus lokalen, quasiautonomen Technik-Umwelt-Ensembles. Die sogenannte T-Cells der BTU Cottbus-Senftenberg (-> S72) k{\"o}nnen im Design an die urbane Umwelt individuell angepasst werden.}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The consecution of uncertain knowledge, hypotheses and the design of abstraction}, series = {Le ragioni del Disegno: Pensiero, Forma e Modello nella Gestione della Complessit{\`a}, Atti del 38° convegno internazionale dei Docenti della Rappresentazione}, booktitle = {Le ragioni del Disegno: Pensiero, Forma e Modello nella Gestione della Complessit{\`a}, Atti del 38° convegno internazionale dei Docenti della Rappresentazione}, editor = {Bertocci, Stefano and Bini, Marco}, publisher = {Gangemi Editore spa}, address = {Rom}, isbn = {978-88-492-8295-5}, pages = {403 -- 408}, abstract = {In archaeology and building history, uncertain knowledge spans from the interpolation of findings to contradictory equivalent hypotheses. The visual reflection of this scientific uncertainty explicitely visualizes this. In case of extensive uncertainty this leads to a decidedly abstract visual appearance. Two classical fields of architectonic design - abstract virtual modeling and virtual photography - are responsible for the design of abstraction. In general, visualisations of archaeological hypotheses are regarded as digital reconstructions that implicite the representation of lost architecture by a digital substitution. Reconstructions though implicite the general possibility of reconstructing and neglect the lack of knowledge in favour of a vivid, visually attractive and immersive and easy to understand compensatory phantasy world that barely resembles the archaeologists' hypotheses but is overwhelmed by pure phantasy. The extreme escalation of this approach is reached by computer games and approximated by a number of illustrious archaeological sites: Barcino 3D (www.bcn.cat/cultura/serveiarqueologia/index.html), Versailles 3D (www.versailles3d.com), Paris 3D (paris.3ds.com), Rome Reborn (romereborn.frischerconsulting.com), Colonia 3D (archaeologie.uni-koeln.de/node/299) A number of archaeological projects' hypotheses have been analyzed to extract spatial information to be transformed into abstract forms up to the archaeologists confirmed accordance without contradiction. The design of abstracion aims at creating convincing images of architectural ideas without appending more content than necessary. This has been achieved for Excellence Cluster TOPOI exhibitions Pergamon and Palatine (Rome) as well as for Naga and Cologne Cathedral's permanent installation.}, language = {en} } @misc{LengyelWeichtSchuermann, author = {Lengyel, Dominik and Weicht, Christian and Sch{\"u}rmann, Detlev}, title = {Zufahrtsschutz Teil 4}, series = {Polizei, Verkehr + Technik : pvt}, volume = {66}, journal = {Polizei, Verkehr + Technik : pvt}, number = {5}, issn = {0722-5962}, pages = {30 -- 32}, language = {de} } @incollection{LauferLengyelPirsonetal., author = {Laufer, Eric and Lengyel, Dominik and Pirson, Felix and Stappmanns, Verena and Toulouse, Catherine}, title = {Die Wiederentstehung Pergamons als virtuelles Stadtmodell}, series = {Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin}, booktitle = {Pergamon - Meisterwerke der antiken Metropole und 360°-Panorama von Yadegar Asisi : Begleitbuch zur Ausstellung : eine Ausstellung der Antikensammlung der Staatlichen Museen zu Berlin}, editor = {Scholl, Andreas and Schwarzmaier, Agnes}, publisher = {Michael Imhof Verlag}, address = {Berlin}, isbn = {978-3-7319-0793-0}, pages = {36 -- 41}, language = {de} } @misc{LengyelWeichtSchuermann, author = {Lengyel, Dominik and Weicht, Christian and Sch{\"u}rmann, Detlev}, title = {Bundesministerium f{\"o}rdert DIN-Standard f{\"u}r mobile Fahrzeugsperren}, series = {Crisis Prevention}, journal = {Crisis Prevention}, number = {3}, issn = {2198-0527}, pages = {10 -- 13}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Narratives by poetic architecture on analytic humanities}, series = {On Cinema 2022}, journal = {On Cinema 2022}, editor = {Muga, Henrique and Silva, M. F. Costa and Sousa, Isolino}, publisher = {Busilis da Comunicacao, Lda}, address = {Porto, Portugal}, isbn = {978-972-8784-97-3}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierungen - Lengyel Toulouse}, abstract = {Es handelt sich um digitale Rekonstruktionen antiker Bauten anhand arch{\"a}ologischer Hypothesen. Die Sammlung enth{\"a}lt virtuelle Modelle und virtuelle Fotografien folgender Serien: Pergamon, Palatin, Ktesiphon, K{\"o}lner Dom, Bauphasen K{\"o}lner Dom, L{\"u}neburger Platz am Sande, Naga, Julius Echter.}, language = {de} } @misc{Lengyel, author = {Lengyel, Dominik}, title = {Pergamon wiederbelebt! Die antike Residenzstadt in 3D}, volume = {16}, number = {51}, pages = {53}, abstract = {Eine Ausstellung des Antikenmuseums der Universit{\"a}t Leipzig in Zusammenarbeit mit dem Deutschen Arch{\"a}ologischen Institut (DAI) Abteilung Istanbul und dem Lehrstuhl f{\"u}r Darstellungslehre der BTU zeigt eine virtuelle 3D-Rekonstruktion des antiken Pergamon}, language = {de} } @misc{Lengyel, author = {Lengyel, Dominik}, title = {Forschen durch Visualisieren}, series = {BTU News}, volume = {16}, journal = {BTU News}, number = {53}, pages = {28 -- 28}, abstract = {Mit Hilfe von komplexen 3D-Modellen werden Forschungsergebnisse zu antiken St{\"a}dten und Bauwerken visualisiert und wissenschaftliche Zusammenh{\"a}nge sichtbar gemacht}, language = {de} } @incollection{Lengyel, author = {Lengyel, Dominik}, title = {Pergamon - Wissenschaft und Gestaltung}, series = {Auferstehung der Antike: Arch{\"a}ologische St{\"a}tten digital rekonstruiert.}, booktitle = {Auferstehung der Antike: Arch{\"a}ologische St{\"a}tten digital rekonstruiert.}, editor = {Pasch, Eva and Kieburg, Holger}, publisher = {Verlag Philipp von Zabern}, address = {Darmstadt}, isbn = {978-3-8053-5213-0}, pages = {86 -- 89}, abstract = {Wie Architektur, 3D-Modell und Fotografie Arch{\"a}ologie vermitteln}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Simultaneous visions}, series = {Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005}, booktitle = {Motion, E-Motion and Urban Space, 7th international EAEA Conference in Dortmund, 8. - 10. Sept. 2005}, editor = {Dech{\^e}ne, Sigrun and Walz, Manfred}, publisher = {Fachhochschule Dortmund, Fachbereich Architektur}, address = {Dortmund}, isbn = {978-3-00-019070-4}, pages = {187 -- 195}, language = {en} } @inproceedings{Lengyel, author = {Lengyel, Dominik}, title = {The Presentation is the Project}, series = {Digital, analogue environmental simulation, 5th Conference of the European Architectural Endoscopy Association, September 12th to 14th 2001}, booktitle = {Digital, analogue environmental simulation, 5th Conference of the European Architectural Endoscopy Association, September 12th to 14th 2001}, editor = {Schmidt, J. Alexander and Schl{\"o}mer, Natascha}, address = {Essen}, isbn = {3-922602-85-1}, pages = {96 -- 105}, language = {en} } @misc{Lengyel, author = {Lengyel, Dominik}, title = {Die Unsch{\"a}rfe in der Visualisierung von Ktesiphon}, series = {Bericht {\"u}ber die 49. Tagung f{\"u}r Ausgrabungswissenschaft und Bauforschung vom 4. bis 8. Mai 2016 in Innsbruck}, journal = {Bericht {\"u}ber die 49. Tagung f{\"u}r Ausgrabungswissenschaft und Bauforschung vom 4. bis 8. Mai 2016 in Innsbruck}, publisher = {Koldewey Gesellschaft}, address = {Stuttgart}, isbn = {978-3-945363-75-1}, pages = {173 -- 179}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualisierung von Hypothesen - Zur Gestaltung von Abstraktion bei der Darstellung unscharfen Wissens in Arch{\"a}ologie, Bauforschung und Kunstgeschichte}, series = {Computing art reader : Einf{\"u}hrung in die digitale Kunstgeschichte}, booktitle = {Computing art reader : Einf{\"u}hrung in die digitale Kunstgeschichte}, editor = {Kuroczynski, Piotr and Bell, Peter and Dieckmann, Lisa}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-947449-15-6}, doi = {10.11588/arthistoricum.413.596}, url = {http://nbn-resolving.de/urn:nbn:de:bsz:•16-ahn-artbook-413-0}, pages = {202-216}, abstract = {Die Darstellung von Unsch{\"a}rfe ist eine von den Autoren entwickelte Methode zur visuellen Repr{\"a}sentation r{\"a}umlicher Hypothesen. Unscharfes Wissen ist ein wesentlicher Bestandteil von Wissenschaft. Stellt man die Wissenschaftlichkeit bei der Visualisierung einer Hypothese in den Vordergrund, bietet es sich an, das Hypothetische selbst zum Gegenstand der Visualisierung zu machen. Damit entsteht ein Bild von Architektur - das Bild eines architektonischen Gedankens -, aber keine Simulation einer fiktiven Wirklichkeit. Indem die unscharfe Darstellung beim Betrachter eine r{\"a}umliche Vorstellung erzeugt, die so weit wie m{\"o}glich der wissenschaftlichen Hypothese entspricht, zugleich jedoch deren hypothetischen Charakter offenlegt, verfolgt sie das Ziel, dem Betrachter durch die Reflexion des gesamten Wahrnehmungsprozesses Wissen {\"u}ber Arch{\"a}ologie im Speziellen, aber auch Wissenschaftlichkeit im Allgemeinen zu vermitteln. {\"U}ber die London Charter hinaus geht es bei der hier vorgestellten Methode um die Notwendigkeit gestalterischer Kompetenz. Die Begriffspaare Gestaltung und Wissenschaft und Darstellung und Unsch{\"a}rfe beschreiben den Anspruch, unterschiedliche k{\"u}nstlerische und wissenschaftliche Bereiche aus der Architektur und Arch{\"a}ologie mit dem Ziel der Erkenntnisf{\"o}rderung zusammenzuf{\"u}hren. Dieser Beitrag will zeigen, dass Gestaltung einen wesentlichen Anteil bei der Erzeugung neuer visueller Artefakte haben sollte. Die Autoren haben zahlreiche Projekte mit Arch{\"a}ologen, historischen Bauforschern und Kunstwissenschaftlern durchgef{\"u}hrt, anhand derer sie die Methoden der Darstellung von Unsch{\"a}rfe entwickelt haben.}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {3D-Scans f{\"u}r die Rekontextualisierung antiker Skulptur}, series = {EVA 2014 Berlin: Elektronische Medien \& Kunst, Kultur, Historie, Konferenzband}, booktitle = {EVA 2014 Berlin: Elektronische Medien \& Kunst, Kultur, Historie, Konferenzband}, editor = {Bienert, Andreas and Hemsley, James and Santos, Pedro}, publisher = {Fraunhofer-Institut f{\"u}r Graphische Datenverarbeitung [u.a.]}, address = {Darmstadt}, isbn = {978-3-88609-755-5}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The Presentation is the Project}, series = {Evaluation in progress, strategies for environmental research and implementation, abstracts, 18th Conference of the International Association for People-Environment Studies, Vienna University of Technology (Austria) 7 - 9 July, 2004}, booktitle = {Evaluation in progress, strategies for environmental research and implementation, abstracts, 18th Conference of the International Association for People-Environment Studies, Vienna University of Technology (Austria) 7 - 9 July, 2004}, isbn = {3-85437-263-9}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Designing the Construction Phases of Cologne Cathedral and its Preceding Buildings}, series = {Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011}, booktitle = {Envisioning Architecture European Architectural Envisioning Association EAEA Proceedings 2011}, publisher = {Faculty of Architecture, Delft University of Technology}, address = {Delft}, isbn = {978-9-0526-9400-9}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Living Clay}, series = {Virtual Environment and Experience, 8th international eaea conference}, booktitle = {Virtual Environment and Experience, 8th international eaea conference}, publisher = {Moscow Architectural Institute}, address = {Moskau}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Spatial Imagination in Practice and Teaching}, series = {Spatial Simulation and Evaluation, 6th international EAEA conference proceedings}, booktitle = {Spatial Simulation and Evaluation, 6th international EAEA conference proceedings}, editor = {Kardos, Peter and Urland, Andrea}, publisher = {Slovak University of Technology}, address = {Bratislava}, isbn = {80-227-2088-7}, language = {en} } @inproceedings{Lengyel, author = {Lengyel, Dominik}, title = {Anschauliche Geometrie}, series = {Positionen der Geometrieausbildung, Tagungsband der ersten Tagung der DGfGG vom 24. - 26. Februar 2005 in Hannover}, booktitle = {Positionen der Geometrieausbildung, Tagungsband der ersten Tagung der DGfGG vom 24. - 26. Februar 2005 in Hannover}, address = {Hannover}, pages = {45 -- 52}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Darstellung von unscharfem Wissen in der Rekonstruktion historischer Bauten}, series = {Von Handaufmaß bis High Tech III : Erfassen, modellieren, visualisieren}, booktitle = {Von Handaufmaß bis High Tech III : Erfassen, modellieren, visualisieren}, editor = {Heine, Katja and Rheidt, Klaus and Henze, Frank and Riedel, Alexandra}, publisher = {Verlag Philipp von Zabern}, address = {Darmstadt [u.a.]}, isbn = {978-3-8053-4332-9}, pages = {182 -- 186}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Bauphasen des K{\"o}lner Domes und seiner Vorg{\"a}ngerbauten: Gestaltung zwischen Architektur und Diagrammatik}, series = {Diagrammatik der Architektur, K{\"o}lner Tagung im Januar 2011}, booktitle = {Diagrammatik der Architektur, K{\"o}lner Tagung im Januar 2011}, publisher = {Verlag Wilhelm Fink}, address = {M{\"u}nchen}, isbn = {978-3-7705-5520-8}, pages = {327 -- 352}, language = {de} } @misc{Lengyel, author = {Lengyel, Dominik}, title = {3D-Visualisierungen im Pergamon Museum Berlin}, series = {BTU News}, volume = {16}, journal = {BTU News}, number = {53}, pages = {63 -- 63}, abstract = {Zwei Visualisierungen des Lehrstuhls sind seit dem 16. November 2018 bis voraussichtlich 2024 im neuen Pergamonmuseum zu sehen. Das Pa-norama ist erg{\"a}nzt um einen Link zum seit der Ausstellung in der Leip-ziger Antikensammlung im Sommer 2018 vertonten Film.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Archaeology as Study of the Future}, series = {The European Archaeologist}, journal = {The European Archaeologist}, number = {75}, issn = {1022-0135}, pages = {26 -- 33}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualized Hypotheses - Architectural Ideas as Intellectual Legacy}, series = {World Heritage and Legacy. Cultur, Creativity, Contamination, Le Vie dei Mercanti XVII International Forum}, journal = {World Heritage and Legacy. Cultur, Creativity, Contamination, Le Vie dei Mercanti XVII International Forum}, editor = {Gambardella, Carmine}, publisher = {Gangemi Editore}, address = {Rom}, isbn = {978-88-492-3752-8}, pages = {696 -- 704}, abstract = {Legacy is ambivalent: Built architecture mostly consists of ruins while the immaterial heritage is described in its interpretation. While the former suffers from deterioration and needs protection in order to preserve its condition, the latter undergoes a cyclical process of creating and reprobating interpretations. The concerned knowledge is itself exposed to an evolutional process, while the ruins pass a cyclical, generational reexamination. Protection and interpretation correlate, but the ruins may be recovered while their interpretation will be created, confirmed or discarded infinite times. Still, it is not visible. As good practice we developed a principle of translating hypotheses into vivid visualisations that adhere to the scientific content without adding fictional content: abstract geometry seen as virtual photography. We consider this a humanist approach and rely on the persuasive power of the idea: ideal representations that represent intellectual legacy. This paper illustrates this method by several projects developed by the authors in their University Chair and in their architectural office in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI) and The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin).}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {From archaelogy to a visual architectural terminology}, series = {OTKRIVANJE DALMACIJE V}, journal = {OTKRIVANJE DALMACIJE V}, editor = {Levaj, Katarina Horvat}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-65-7}, pages = {59 -- 60}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The amphitheatre of Dyrrachium}, series = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, journal = {ARCHITECTURE HERITAGE and DESIGN Le Vie dei Mercanti}, publisher = {Gangemi Editore spa}, address = {Rom, Italien}, isbn = {978-88-492-4529-5}, pages = {538 -- 542}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Uncertainty in the hypothesis on an unrealized planning of the Berne Minster}, series = {Digital Art History - Methods, Practices, Epistemologies : Book Of Abstracts \& Conference Programme}, journal = {Digital Art History - Methods, Practices, Epistemologies : Book Of Abstracts \& Conference Programme}, editor = {Sekelj, Sanja}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-93-0}, pages = {58 -- 62}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die digitale Visualisierung von Architektur}, series = {Blickpunkt Arch{\"a}ologie}, journal = {Blickpunkt Arch{\"a}ologie}, number = {2}, issn = {2364-4796}, pages = {91 -- 98}, abstract = {Der Beitrag widmet sich der digitalen Visualisierung von arch{\"a}ologischen Baubefunden und den damit verbundenen grundlegenden M{\"o}glichkeiten und Problemen. Was kann die digitale Visualisierung von Architektur im Kontext der 3D-Digitalisierung in der Arch{\"a}ologie leisten? Die Frage ist vor allem deshalb nicht leicht zu beantworten, weil viele Begriffe nicht eindeutig verwendet werden und vor allem in dieser Konstellation unterschiedlichste Assoziationen ausl{\"o}sen. Es geht schließlich nicht um Arch{\"a}ologie oder Architektur als Ganzes, sondern eben um die Schnittstelle im Kontext der allumfassenden Digitalisierung.}, language = {de} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The Building Phases of Cologne Cathedral and its Predecessors (with a Special on Inner Choir 1856)}, series = {Dimensions reflected 2020}, journal = {Dimensions reflected 2020}, editor = {Obradović, Marija}, publisher = {Faculty of Mechanical Engineering, University of Belgrade}, address = {Belgrad}, isbn = {978-86-6060-049-5}, pages = {21 -- 21}, abstract = {The two films show the current research results on the building phases of Cologne Cathedrals and its predecessors. From a water basin in a Roman garden, several churches have been built for about two thousand years, until the Gothic choir was started in mid-13th century. Completed at the end of the 19th century, the cathedral was given a new access structure ten years ago, which serves as an entrance to the tower ascent as well as to the archaeological zone, and in which the film about the construction phases is since exhibited. It was only in the middle of the 19th century that the wall that had closed off the Gothic choir to the west since the 14th century was removed. From this period numerous images of the interior have been preserved, but none of them show the central interior. The 150th anniversary of the cathedral chorus provided the opportunity to recapture this. Both visualizations translate scientific hypotheses. They have only been supplemented in those places where it was necessary to complete the architectural impression. As a result, the buildings appear abstract and only in the imaginative power of the observer do they become architecture again.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Europe's Architectural Identity. A visualisation method of ideas}, series = {Notes on Europe. The dogmatic sleep}, journal = {Notes on Europe. The dogmatic sleep}, editor = {Neves, Eduarda and Lima, Luis and Rodrigues, Nuno Faleiro}, publisher = {Peninsular Papelaria \& Atres Gr{\´a}ficas}, address = {Porto}, isbn = {978-972-8784-88-1}, pages = {28 -- 28}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visualising Hypotheses as the Method Used to Approach Achaeological Research Questions}, series = {International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb}, journal = {International Conference Digital Art History. Methods, Practices, Epistemologies II, Zagreb}, editor = {Horvatinćič, Sanja}, publisher = {Institute of Art History}, address = {Zagreb}, isbn = {978-953-7875-68-8}, pages = {16 -- 16}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Graphic Instruments for Visualizing Hypotheses}, series = {Technoheritage 2019, IV International Congress, Book of Abstracts}, journal = {Technoheritage 2019, IV International Congress, Book of Abstracts}, address = {Seville}, isbn = {978-84-09-08757-0}, pages = {79 -- 79}, abstract = {Within the last decade we have developed a new digital graphic instrument for knowledge mediation and knowledge development of archaeological hypotheses concerning architectural topoi. The key feature of archaeological hypotheses is the varying degree of certainty ranging from undoubtful findings over most probably deductions to vague yet scientifically based assumptions. Mediations, towards the scientific community, as well as towards the public is usually based on scientific, written text accompanied by imagery that - on its turn - tends to be perceived even preferentially.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {The consecution of uncertain knowledge, hypotheses and the design of abstraction}, series = {International Conference on Cultural Heritage and New Technologies, Vienna, 2015}, journal = {International Conference on Cultural Heritage and New Technologies, Vienna, 2015}, editor = {B{\"o}rner, Wolfgang and Uhlirz, Susanne}, publisher = {Museen der Stadt Wien - Stadtarch{\"a}ologie}, address = {Wien}, isbn = {978-3-200-04698-6}, pages = {1 -- 16}, abstract = {The paper describes the necessity of architectural design in the process of creating abstract geometry as representation of archaeological hypoth eses in opposition to pretended reconstructions. Methodology: How were the objectives reached? Which methods were used? Knowledge in archaeology, building or art history is generally of largely different certainty including contradictions and multivalencies, which unambiguou sly excludes true reconstructions in the sense that the reconstruction equals its origin. Instead there is a number of hypotheses that approximate the historic state. The visualisation of hypotheses with a special regard on uncertain knowledge, i. e. respecting and explicitely showing this uncertainty, is a counter position towards pretended reconstructions. Results: What are the results of the work? A number of projects e.g. in cooperation with the German Archaeological Institute DAI, the State's Museums in Berlin SMB (e.g. the first scientific 3D model of Pergamon and the Palatine palace in Rom, both presented in the Pergamon Museum Berlin), the Museum for Islamic Art Berlin (e. g. the Sasanian metropole Ktesiphon), funded by the German Research Foundation DFG and as part of the DFG Excellence Cluster TOPOI (mainly hosted by the universities FU Berlin and HU Berlin) that successfully visually mediated the state of science and its scientific characteristics among the scientists as well as to the public. Innovations: What is new and significant about your ideas, methods, and results? The visualisation of hypotheses has a higher scientific impact incorporating uncertain knowledge as in evitable characteristic of science. One way of visually expressing different possible states in one image is the use of abstract geometry. This implies a highly qualified handling of abstract geometry (model making) and imagery architectural photography) being a creative act of design with effect on the inner-scientific and public perception of the historic topic. So qualified architectural design makes the difference.}, language = {en} } @book{LengyelLocherHenrichetal., author = {Lengyel, Dominik and Locher, Hubert and Henrich, Florian and Toulouse, Catherine}, title = {Architecture Transformed - The Digital Image in Architecture 1980-2020}, edition = {1. Auflage}, publisher = {Birkh{\"a}user Verlag GmbH}, address = {Basel}, isbn = {978-3-0356-2448-9}, pages = {160}, abstract = {Das digitale Bild in der Architektur Das Buch untersucht die zentrale Rolle des digitalen Bildes in der Architektur {\"u}ber vier Jahrzehnte - im Prozess der Digitalisierung von Wissen in Theorie und Praxis - sowie seinen Einfluss auf das architektonische Entwerfen und Visualisieren: Der Wandel vom analogen zum digitalen Zeitalter wird anhand von 51 Entwurfsvisualisierungen analysiert, von der Handzeichnung {\"u}ber die Fotomontage bis zum Computerrendering, um die medienspezifische Pr{\"a}gung der Architektur durch digitale Methoden zu verdeutlichen. Architecture Transformed ist Resultat einer Kooperation des Deutschen Dokumentationszentrums f{\"u}r Kunstgeschichte - Bildarchiv Foto Marburg mit dem Lehrstuhl f{\"u}r Architektur und Visualisierung der Brandenburgischen Technischen Universit{\"a}t Cottbus-Senftenberg als Teil des DFG-Schwerpunktprogramms „Das digitale Bild".}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {A Political Narrative in the Relationship between Artwork and Recipient}, series = {Izkustvovedski Četenija = Art Readings}, volume = {2023}, journal = {Izkustvovedski Četenija = Art Readings}, number = {1}, issn = {1313-2342}, pages = {71 -- 86}, abstract = {Sometimes a single work of art can tell a whole story. The Ludovisi group presented here originally stood on a long sculptural plinth on the terrace of the Athena sanctuary in the ancient metropolis of Pergamon. Viewed from its back, one sees a Gaul with raised sword and his defeated opponent to the left. This impression remains until the moment when the front of the warrior can be seen. There, in fact, the sword is being used to commit suicide in order to escape slavery; the dying woman is apparently his wife. This way art becomes a repository of collective memory.}, language = {en} } @incollection{LengyelSchaerer, author = {Lengyel, Dominik and Schaerer, Philipp}, title = {Visualisation}, series = {Atlas of Digital Architecture : Terminology, Concepts, Methods, Tools, Examples, Phenomena}, booktitle = {Atlas of Digital Architecture : Terminology, Concepts, Methods, Tools, Examples, Phenomena}, editor = {Hovestadt, Ludger and Hirschberg, Urs and Fritz, Oliver}, publisher = {Birkh{\"a}user}, address = {Basel}, isbn = {978-3-0356-2011-5}, doi = {10.1515/9783035620115}, pages = {285 -- 323}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Zum Erscheinungsbild der Visualisierungen des Berner M{\"u}nsters}, series = {Das Berner M{\"u}nster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528)}, booktitle = {Das Berner M{\"u}nster : das erste Jahrhundert: von der Grundsteinlegung bis zur Chorvollendung und Reformation (1421-1517/1528)}, editor = {Nicolai, Bernd and Schweizer, J{\"u}rg}, edition = {1. Auflage}, publisher = {Schnell \& Steiner}, address = {Regensburg}, isbn = {978-3-7954-3428-1}, pages = {218 -- 230}, language = {de} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {How Do We Deal with Uncertain Information? Effects of Verbal and Visual Expressions of Uncertainty on Learning}, series = {Educational Psychology Review}, volume = {34}, journal = {Educational Psychology Review}, number = {2}, issn = {1040-726X}, doi = {10.1007/s10648-022-09659-4}, pages = {1097 -- 1131}, abstract = {AbstractBased on the knowledge generation model for visual analytics including uncertainty propagation and human trust building (Sacha et al. 2016), the cognitive theory of multimedia learning (Mayer, 2014), the multimedia principle (Butcher, 2014), and previous studies on the effects of different uncertainty visualization styles, an integrated theoretical approach is proposed to examine the influence of different degrees of information uncertainty and different uncertainty visualization styles on processing pictures of two archeological reconstructions with accompanying audio explanations presented in a multimedia learning environment. A 4 × 3 design with condition (without uncertainty visualization vs. stop light colors vs. geometric contrast vs. both uncertainty visualizations) as the between-subjects factor and uncertainty value (uncertain vs. medium vs. certain) as the within-subject factor was used. The results showed that appearance of certain content, its uncertainty values, and their verbal scientific justifications were remembered better than uncertain ones. Furthermore, stop light colors enhanced the memory of uncertainty values compared to no uncertainty visualization and were better understood, discriminated, and transferred than geometric contrast. Geometric contrast decreased the memory of the appearance of uncertain architectural elements compared to no uncertainty visualization and was better than stop light colors regarding the memory of the appearance of certain architectural elements. The study integrates and extends existing theories by showing that certain contents are processed with higher priority than uncertain contents and that the multimedia effect is also valid for metainformation such as the uncertainties of contents. Finally, recommendations for designing learning material including uncertainty visualizations are given.}, language = {en} } @misc{GlaserLengyelToulouseetal., author = {Glaser, Manuela and Lengyel, Dominik and Toulouse, Catherine and Schwan, Stephan}, title = {Designing Computer Based Archaeological 3D-Reconstructions: How Camera Zoom Influences Attention}, series = {Eurographics Workshop on Intelligent Cinematography and Editing}, journal = {Eurographics Workshop on Intelligent Cinematography and Editing}, isbn = {978-3-905674-79-8}, issn = {2411-9733}, doi = {10.2312/wiced.20151070}, pages = {1}, abstract = {Previous empirical literature [Sal94; WB00] indicates that there is an attention guiding effect of zooms. In order to substantiate this conclusion, an eye-tracking study was conducted to examine the influence of camera zoom on attention processes of the recipients.}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Die Lehre der digitalen Visualisierung am Beispiel der Architektur}, series = {DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig 7. bis 12. M{\"a}rz 2016}, journal = {DHd 2016 : Modellierung, Vernetzung, Visualisierung : die Digital Humanitis als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig 7. bis 12. M{\"a}rz 2016}, publisher = {nisaba verlag}, address = {Duisburg}, isbn = {978-3-941379-05-3}, pages = {183 -- 186}, language = {de} } @misc{LengyelToulouseGlaseretal., author = {Lengyel, Dominik and Toulouse, Catherine and Glaser, Manuela and Schwan, Stephan}, title = {Designing computer-based learning contents: influence of digital zoom on attention}, series = {Educational Technology Research and Development}, volume = {65}, journal = {Educational Technology Research and Development}, number = {5}, issn = {1042-1629}, doi = {10.1007/s11423-016-9495-9}, pages = {1135 -- 1151}, abstract = {In the present study, we investigated the role of digital zoom as a tool for directing attention while looking at visual learning material. In particular, we analyzed whether minimal digital zoom functions similarly to a rhetorical device by cueing mental zooming of attention accordingly. Participants were presented either static film clips, film clips with minimal zoom-ins, or film clips with minimal zoom-outs while eye movements were recorded. We hypothesized that minimal zoom-ins should lead to more gaze coherence, to longer dwell times as an indicator of more elaborative processing, and to fewer transitions as an indicator of less mental integration. Zoom-outs, on the other hand, were expected to have opposite effects. Results showed that zoom-ins increase gaze coherence and dwell times on the center parts of the depictions while decreasing transitions of pictorial elements from the center and the context areas. In contrast, patterns of results from zoom-outs and static presentations were similar to a large degree, indicating that zoom-ins and zoom-outs do not operate in a complementary fashion. Theoretical and practical implications of the present results are discussed.}, language = {en} } @incollection{LengyelSchuermannWeicht, author = {Lengyel, Dominik and Sch{\"u}rmann, Detlev and Weicht, Christian}, title = {Mobile Fahrzeugsicherheitsbarrieren - mehr Sicherheit f{\"u}r {\"o}ffentliche R{\"a}ume und Veranstaltungen vor Amokfahrten und terroristischen Anschl{\"a}gen}, series = {Handbuch Polizeimanagement : Polizeipolitik - Polizeiwissenschaft - Polizeipraxis}, booktitle = {Handbuch Polizeimanagement : Polizeipolitik - Polizeiwissenschaft - Polizeipraxis}, editor = {Wehe, Dieter and Siller, Helmut}, publisher = {Springer Fachmedien Wiesbaden}, address = {Wiesbaden}, isbn = {978-3-658-34387-3}, doi = {10.1007/978-3-658-34388-0_91}, pages = {1565 -- 1583}, language = {de} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {How to Communicate Complex Spatial Itineraries: A balancing act between diagram and simulation}, series = {Electronic Workshops in Computing}, booktitle = {Electronic Workshops in Computing}, publisher = {BCS Learning \& Development}, issn = {1477-9358}, doi = {10.14236/ewic/EVA2022.17}, pages = {75 -- 80}, abstract = {This paper shows our method of visually conveying the intricate pathway system of the unique amphitheatre in Durr{\"e}s, Albania, in a way that allows visitors to experience the spatial implications for the ancient world. In the firm conviction as architects that architecture can best be understood when it is experienced, but that a destroyed building can no longer be witnessed, we have elaborated a method that does justice to this circumstance. In the communication of archaeological knowledge, the combination of find drawing, schematic illustration and descriptive text is often relied upon. Recently, perspective computer-generated drawings have entered the picture. What remains unresolved, is the perception of space as a process. Technology has not yet reached the point where a virtual world that deceives all the senses could simulate actual spatial perception. And so here, as in perspective composition, it is necessary to compensate for the actual perception of space by means of targeted image guidance by the film camera in such a way that a plausible impression of space is created. In addition to the composition criteria of point of view and angle of view, from which the focal length then arises, as well as the tilt-shift lenses for the compensation of the sense of balance, that is, that the recognition of the vertical is reproduced exactly in the image, and finally image framing, dynamic criteria are added. These are first and foremost the speed of movement, which has a considerable influence on the perception of the dimension, above all the length of the path travelled, but also the speed of rotation during changes of direction and, and here it becomes particularly demanding, the rotation as well as its speed before, during and after changes of direction, since the gaze does not run tangentially to the direction of movement, but anticipates changes of direction of the path, similar to directional headlamps in certain cars. In the end, the viewer receives a lasting impression that comes as close as possible to the archaeological hypothesis, but at the same time creates a spatial impression from an architectural point of view.}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {On the Visualisation of Archaeological Hypotheses}, series = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities}, booktitle = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert = Innovation in the Building Industry : Weser Sandstone from the 16th to the 19th Century Architektur und Digital Humanities Architecture and Digital Humanities}, publisher = {De Gruyter}, isbn = {9783110538915}, doi = {10.1515/9783110538915-030}, pages = {616 -- 648}, language = {en} } @inproceedings{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Visual Mediation of Unique Construction and Access Principles of the Amphitheatre of Durr{\"e}s}, series = {Electronic Workshops in Computing}, booktitle = {Electronic Workshops in Computing}, publisher = {BCS Learning \& Development}, issn = {1477-9358}, doi = {10.14236/ewic/EVA2021.8}, pages = {6}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Europe's Architectural Identity - a visualisation method of ideas}, series = {Notes on Europe : the dogmatic sleep}, booktitle = {Notes on Europe : the dogmatic sleep}, editor = {Neves, Eduarda and Lima, Luis and Faleiro Rodrigues, Nuno Ricardo}, publisher = {CEAA/ESAP-CESAP}, address = {Porto}, isbn = {978-972-8784-96-6}, doi = {10.48618/CEAA-2020-CZD5-ZY27}, pages = {126 -- 137}, abstract = {Europe is also architecture. When Jacques Derrida counts philosophy, democracy and the Enlightenment, architecture is an essential gap. There is a number of artistic expressions, but amongst them architecture, as the space that we live in, plays an exposed role. Architecture is a criterion, a tradition that truly belongs to Europe. A debate on the architectural artistic representation of Europe from the past to the future will consolidate a place for Europe in the world. And this place does not, at least not in the principal sense, yield to the imperialist tradition. On the contrary, Europe's architecture consists mainly of civilian or clerical buildings. Built architecture though is subject to its deterioration, while the intellectual achievement of architectural projecting and design are what will be left of Europe's history. Architectural ideas are almost timeless as they always negotiate ourselves in our environment. But ideas are rarely acknowledged as deserved. In most cases, architecture that does not meet today's needs is considered as part of building archaeology. But there is much more in historic architecture, a wealth of inspirations. Architecture has always been more than buildings. This artistic surplus needs to be exposed, to be presented as a timeless intellectual achievement that goes far beyond its original historical intention. For this we have developed a method that visualizes architectonic ideas. The presentation aims to demonstrate and illustrate this method by several projects developed by the authors in cooperation with archaeological research institutions like Cologne Cathedral and its Predecessors (by order of and exhibited in Cologne Cathedral), The Metropolis of Pergamon (within the German Research Fund Excellence Cluster TOPOI, actually exhibited in Leipzig as part of Sharing Heritage, the European Cultural Heritage Year 2018), The Palatine Palaces (by order of the German Archaeological Institute, both latter exhibited in the Pergamon Museum Berlin).}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Gestaltete Abstraktion als Vermittlung glaubw{\"u}rdiger Authentizit{\"a}t}, series = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, journal = {EVA Berlin 2019 : elektronische Medien\&Kunst, Kultur und Historie : Konferenzband : 26. Berliner Veranstaltung der internationalen EVA-Serie Electronic media and visual arts : 7.-8. November 2019, Kunstgewerbemuseum am Kulturforum Potsdamer Platz, Berlin}, isbn = {978-3-948466-21-3}, doi = {10.11588/arthistoricum.645}, pages = {152 -- 154}, language = {de} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic Design for Technological Devices}, series = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, booktitle = {Art and Science Applied: Experience and Vision / Уметност и наука у примени: искуство и визија}, publisher = {Faculty of Philology, University of Belgrade}, address = {Belgrad}, isbn = {978-86-80245-45-4}, doi = {10.18485/smartart.2022.2.ch15}, pages = {277 -- 294}, language = {en} } @misc{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Architectonic design as method of visualizing hypotheses : a direct translation from verbal into visual architecture}, series = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, journal = {Monumental Computations: digital archaeology of large urban and underground infrastructures}, publisher = {Propylaeum}, address = {Heidelberg}, isbn = {978-3-948465-98-8}, doi = {10.11588/propylaeum.747.c11848}, pages = {555 -- 559}, language = {en} } @incollection{LengyelToulouse, author = {Lengyel, Dominik and Toulouse, Catherine}, title = {Zur Visualisierung arch{\"a}ologischer Hypothesen}, series = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert}, booktitle = {Innovation in der Bauwirtschaft : Wesersandstein vom 16. bis 19. Jahrhundert}, publisher = {De Gruyter}, address = {Berlin}, isbn = {9783110538915}, doi = {10.1515/9783110538915-029}, pages = {605 -- 615}, language = {de} }