@misc{LengyelSpinelliDimova, author = {Lengyel, Dominik and Spinelli, Jacopo and Dimova, Lyubov}, title = {New Scale Model of the City of Pergamon}, series = {EVA Berlin 2023 Conference, 30. November - 01. Dezember 2023, Kunstgewerbemuseum (Museum of Decorative Arts)}, journal = {EVA Berlin 2023 Conference, 30. November - 01. Dezember 2023, Kunstgewerbemuseum (Museum of Decorative Arts)}, address = {Berlin}, pages = {141 -- 148}, language = {en} } @misc{LengyelDimovaSpinelli, author = {Lengyel, Dominik and Dimova, Lyubov and Spinelli, Jacopo}, title = {New scale model of the city of Pergamon}, series = {EVA Berlin 2023 : Elektronische Medien \& Kunst, Kultur und Historie : 27. Berliner Veranstaltung der internationalen EVA-Serie}, journal = {EVA Berlin 2023 : Elektronische Medien \& Kunst, Kultur und Historie : 27. Berliner Veranstaltung der internationalen EVA-Serie}, editor = {Bienert, Andreas and Emenlauer-Bl{\"o}mers, Eva and Lengyel, Dominik}, publisher = {Heidelberg University / arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-98501-331-9}, doi = {10.11588/arthistoricum.1567.c25504}, pages = {118 -- 125}, abstract = {For the reopening of the Pergamon Museum Berlin, two new models are being prepared in the Hall of the Great Altar to replace the old models that previously stood at the foot of the stairs. The first is the model of the altar itself, which shows it in its actual spatial arrangement, i.e. not as the elements of the frieze of the giants as they are displayed on the wall of the great hall, and the second is a section of the city mountain, which, unlike before, will make it clear that almost the entire mountain was covered with buildings. In addition, it will reflect the current state of science, nominally the year 2023, and will also be executed as a tactile model. On a scale of 1:333, which may be unusual but is nevertheless customary in architecture, it will depict the hilltop around the altar, so that the altar itself will be at the centre of the model. Unlike before, the model will be placed in the room in such a way that all three altars, the life-size reconstruction, the isolated altar model and the city hill, will be in the same orientation, i.e. the lines of the buildings will be parallel to each other. Apart from the technical conversion of the surface model used for the visualisations into a volume model, the implementation as a tactile model represents the greatest creative challenge. For here, in the existing production process, milled, not printed, both the milling machine's movement capabilities and the resistance to destructive forces have to be weighed against the visual scientific-spatial expression.}, language = {en} } @misc{LengyelDimova, author = {Lengyel, Dominik and Dimova, Lyubov}, title = {The new tactile model of Pergamon for Berlin}, series = {EVA Berlin 2025 : Electronic Media and Visual Arts : 28th Issue of the EVA Berlin Conference}, journal = {EVA Berlin 2025 : Electronic Media and Visual Arts : 28th Issue of the EVA Berlin Conference}, editor = {Bienert, Andreas and Emenlauer-Bl{\"o}mers, Eva and Lengyel, Dominik}, publisher = {Heidelberg University / arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-98501-333-3}, doi = {10.11588/arthistoricum.1568.c24107}, pages = {262 -- 264}, abstract = {This article is an update on the development process of the haptic model of the ancient metropolis of Pergamon, which the Chair of Architecture and Visualisation is creating in collaboration with the Pergamon Museum Berlin for its reopening. The principles and fundamentals are described in detail in the proceedings of the EVA Berlin Conference 2023 [see Ref. [4]]. In the present article, we will outline the critical points that, with the help of an initial test body, should provide insight into how they will look in milled form, so that they can then be fine-tuned if necessary.}, language = {en} }