@book{Petersen, author = {Petersen, Christer}, title = {Kunst der Provokation. Eine Einf{\"u}hrung in die Skandalforschung}, publisher = {Springer VS}, address = {Wiesbaden}, isbn = {978-3-658-37311-5}, doi = {10.1007/978-3-658-37312-2}, pages = {XI, 53}, abstract = {Wie k{\"o}nnen die Charakteristika, die Themen, Inhalte und Verl{\"a}ufe von modernen Skandalen in den Massenmedien beschrieben werden, wie die kommunikativen Verfahren und {\"O}konomien der Generierung {\"o}ffentlicher Emp{\"o}rung, denen Skandale der Politik, der Kunst und Kultur heute folgen? Dieses Essential bietet eine pr{\"a}gnante Einf{\"u}hrung in den Status quo der Skandaltheorie und zeichnet am Fallbeispiel Skandalisierungsverfahren als eine Kunst der Provokation {\"o}ffentlicher Aufmerksamkeit nach.}, language = {de} } @incollection{Petersen, author = {Petersen, Christer}, title = {Man-Machines: Gynoids, Fembots, and Body-AI in Contemporary Cinematic Narratives}, series = {AI - Limits and Prospects of Artificial Intelligence}, booktitle = {AI - Limits and Prospects of Artificial Intelligence}, editor = {Klimczak, Peter and Petersen, Christer}, publisher = {transcript}, address = {Bielefeld}, isbn = {978-3-8376-5732-6}, doi = {10.14361/9783839457320-009}, pages = {195 -- 222}, language = {en} } @incollection{Petersen, author = {Petersen, Christer}, title = {Stranger than Fiction: On Alternative Facts and Fictional Epistemologies}, series = {Truth and Fake in the Post-Factual Digital Age}, booktitle = {Truth and Fake in the Post-Factual Digital Age}, editor = {Klimczak, Peter and Zoglauer, Thomas}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-40405-5}, pages = {73 -- 88}, abstract = {Starting from the term 'alternative facts' and its epistemological implications, three fields of discourse are brought together: that of the public rhetoric of a new political 'Generation Fake', that of postmodern or post-structuralist media theory, and that of fictional epistemologies as found in examples of postmodern literature and contemporary film. The aim of this is to examine the epistemological content of the new political rhetoric of the postfactual, on the one hand with regard to the theory of reality on which it is based, and on the other hand with regard to the theory of truth that it challenges.}, language = {en} }