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Fromm divided the value orientation of human beings into two kinds: emphasis on >having< and emphasis on >being<, and distinguished the essence of the two. He pointed out that alienated consumption is a way of existence of emphasis on having, which leads to the alienation of human beings and nature, between people and people as well as individual human beings, so that people are more and more far away from the >being<. He believes that only by changing the value orientation of people can we abandon the alienated consumption and return to the nature of human existence. Under the influence of western consumer society, alienated consumption is also spreading in our country. At this critical time, Fromm’s criticism of alienated consumption is of great significance for us to cultivate the correct consumption concept, imple¬ment the correct consumption behavior, and realize the sustainable utilization of resources, social harmony and the all-round development of human beings [Translation: www.cnki.net, 4/2023]
프롬과 마르쿠제에 의하면 우리사회의 소외문제가 심각히 대두된 배후에는 기술과 과학의 전체주의적 속성과 자본주의적 산업논리가 기술을 동원하여 인간과 사회를 폭력적으로 지배하는데 그 핵심에 있다고 보았다. 아울러 두 철학자간 유사성은 다음과 같다: 1, 사회과학적 방법론과 정신분석학을 접목시키는 학제간 연구를 연구방법론으로 채택, 2, 존재론적 측면에서 현실과 초월적 세계의 2원론적 구조를 취함, 3. 현대 기술사회를 반이성적이고 반생명적으로 봄. 또한 이들은 건전한 사회를 위한 구상 및 전망에 있어서도, 혁명적 인간상을 통해 구현하고자 하였다는 데 그 유사성을 보인다. 본 연구는 마르쿠제와 프롬 사이의 이견에도 다음과 같이 정리하였다 : 1, >소외< 개념에 있어서 마르쿠제는 일종의 퇴행이자 해결해야하는 사회구조적 병폐로 보고 있는 반면에 프롬은 마르쿠제와 달리 >사회적 병폐로서의 소외<로만 분류하지 않고 >존재론적 문제로서의 소외<로도 이해하고 있다.2, >자연< 개념을 두고 볼 때, 마르쿠제는 자연 낙관주의적 관점을 갖지만 프롬은 인간이 극복해야하는 대상으로서 인간의 삶에 부정적 대상으로 파악한다. 3, 마르쿠제는 >기술<을 원칙적으로 긍정적으로 보고 있다. 단지, 선진 산업사회의 제도적 합리성이 기술의 사용을 왜곡시키고 있다고 보았던 것에 반해, 프롬은 기술 자체를 일종의 중립적 대상으로 보고 있다.
The main purpose of this thesis is to explore the influence of the social unconscious on human beings in a future context. In psychoanalyst Erich Fromm's view, the social unconscious refers to Individuals who are afraid of being separated from the society they live in, they often adapt and distort their human needs to meet the requirements of our social system. However, with the strengthening of personality and self-awareness in our present society, how will the relationship between the social subconscious and people's self-awareness change in the future? This is the key issue of this thesis. In the first part, by studying the definition of the social unconscious and related works, this thesis tries to understand the root cause of the influence of the social unconscious and how it affects people's behavior and decision-making. In the second part, this thesis makes an in-depth study of Cyberpunk and objective imagery in related works, revealing that Cyberpunk is a projection of the real world, and clues for many problems in the real world can be found in the Cyberpunk world. In the third part, this thesis explores the changes in people's consciousness in the Cyberpunk world. Finally, this thesis concludes people will not be rid of the influence of the social unconscious whether in the real world or the future world. Even as people's self-awareness is constantly enhanced, self-awareness and social unconscious will always exist as contradictory to one another.
The remarkable tendency shown in recent fashion can be the customer's passiveness, not only their feeling desire for product but also needs for product seem to be made by mass media. So this condition can be thought as the currency of energy for being subjected. The public of fashion eagerly want the fashion style to be suggested for following it. The late Freudian, Erich Fromm said that the reason why individuals demand themselves to follow the masses' move could be explained as the hope against the fear of feeling not being from staying isolated and having no direction. Escaping from this fear, individuals ought to believe the necessity of participation in public. The fashion is willing to be defined as the united condition by individuals in the hope being consolidate in masses against being solitude. Nowadays, people can share many information with internet, the fastest medium, which makes the individuals impatient not to be isolate, thinking other people must contact the information and should feel pressure of taking part in the currency. Even though the style is considered to be awkward for following it, it is frequent exposure on mass media by celebrities wearing the style could soon make a fashion. This is able to show that many customers should incline to consider less about their style or taste, whereas lean to pursue after masses' authority. Recent consumers have propensity to avoid feeling concern about others' criticism, on the other side, they try to chase of the fashion as masses' choice for feeling peaceful. The reason why people recognize not to have clothing to wear in spite of a large wardrobe, it must reflect their needs promoted from outside influence of introducing for new styles.
弗洛姆作为法兰克福学派的重要成员,在思想上继承法兰克福学派的重要观点,认为批判性是马克思主义的灵魂,而同时,其推崇弗洛伊德的相关学说,也由此具有较为浓厚的人道主义色彩。他在对社会现实的考察当中继承了马克思的一系列思想,特别是在对资本主义社会的批判上,多次采用马克思对于异化的批判,逐步构建自己的理论体系。随着资本主义社会的发展,异化现象开始走出经济领域,迈向了更广阔的空间,弗洛姆也注意到了这一点,从多个角度入手进行了一定的批判。同时,弗洛姆也非常欣赏弗洛伊德,在分析的过程中也融入了弗洛伊德的精神分析学说,提出了社会性格学说。本文将重点分析其对资本主义文化现象的一系列批判,从中汲取一定的宝贵经验。
Carson McCullers is an important female writer in the history of American Southern literature, and her works are full of description of Southern society. >Clock Without Hands<, her last novel, describes the Southern people and events in the mid-twentieth century. Most research outcomes focus on characters and mental description in the novel, a few are concerned with its social discourse, but few literary critics probe the alienation and its connection with society and history. This thesis explores the characters’ alienation condition in the South from the perspective of the alienation theory, which Fromm also emphasizes the individual experience and social elements, so as to reveal the panorama of Southern American society in >Clock Without Hands<. This thesis concludes that McCullers’ description on social alienation and social changes of the novel presents Southern advancement in the twentieth century, and it provides a new way to understand Southern society in >Clock Without Hands<, with the analysis of its theme of alienation. [Translation: www.cnki.net, 7/2023]