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- 2019 (299) (remove)
The following essay is a modified version of an invited presentation given in Florence, Italy in May 2017. It builds on and extends some of the previous psychoanalytic and multidisciplinary studies of Dante’s >Divine Comedy< as a >psychoanalysis of the Middle Ages< that greatly contributed to the incipient changes of the cultural episteme. The paper will explore and elaborate the continued relevance of Dantian proto-psychoanalytic insight into the complex role of regression, destruction, transgression, and conflict in generating growth, expansion, and creativity, and the ways in which ethics and erotics intertwine in a complex path towards unity, within the context of his multivocal presubjective, intrasubjective, and intersubjective inquiry leading to psychic reorganization. The liminal nature of Dante’s poetry, extending the symbolic and representational range in a way unprecedented in the vernacular literature of his time, vivifying and representing what is traditionally thought of as beyond representation, will also be considered in terms of its relevance to the contemporary psychoanalytic discourse.
Part I of this paper discussed various dynamic aspects of hate in the individual developmental and clinical context. Part II, also an expansion of the author’s discussion of Harold Blum’s presentation on >Hate and its vicissitudes< in Prague in 2017, examines the theme of hate as a multidimensional dynamic group phenomenon. The paper uses various theoretical perspectives to focus on group unconscious processes and the group-specific dynamic of regression leading to an activation of primitive ego operations, unleashing destructive aggression as well as creative mobilization. Also considered are the implications in terms of destruction, adaptation, and creativity, in relation to group unconscious dynamic processes and intergenerationally trasmitted trauma and posttraumatic developments.
The present paper is an expansion of the author’s discussion of Harold Blum’s seminal presentation >Hate and its vicissitudes< in Prague in 2017. It aims at an elaboration of various aspects of hate and hatred as a complex dynamic intrapsychic and relational affective-cognitive state, alloyed, in different ways, with aggression and love. In this context, various theoretical perspectives concerning the multifaceted relation between hate, love, and sexuality, and hate and destructive aggression, and transformations between them, including the first study of neurobiological correlates of hate, will be raised and explored. Implication on destruction as well as psychic structuring, adaptation and creativity are also considered. The clinical vignettes illustrates the relevance of multiple theoretical conceptualizations in contemporary psychoanalytic practice.
This paper presents a report on our psychoanalytic investigation of cultural folktales, myths, and fables, in which we study, primarily, the extent to which such narratives lurk behind contemporary representations of men and women. Our aim is to identify the multiple narrative structures that form the core plots and storylines of these tales. Following Roland Barthes’ work on mythologies, we want to decode the tales’ ideological components by deciphering the axiomatic assumptions these tales make about the nature of perceived social reality. This represents an attempt to study a mind that is derived from the text. More specifically, we study narratives whose storylines revolve around the struggle between men and women in order to identify the culture’s core concerns about and preoccupations with the relationship between the sexes. We believe that cultural myths or folktales are a royal road to a nation’s collective conscience, and include gendered patterns of defenses, obsessions, fears, and paranoia.
The author attempts to understand the kamikaze attacks during World War II as a phenomenon that crossed a border into the systemic use of suicide attacks. The author first presents two historical precursors before World War II: the Seinan (Southwest) War in 1877; and an event in 1932 known as the Three Suicide-Bombing Heroes. To examine the process leading to kamikaze, the author offers two examples: a scene in which a suicide attack was proposed to pilots; and a story of a general, Oenishi, who has been identified as a person responsible for the campaign. In the discussion, the author employs psychoanalytic arguments on chosen trauma and apocalyptic order to see kamikaze as sharing a common psychology with other warfare. He then focuses on the previous debate over the normality of suicide attackers and argues for the importance of finding a role for positive value in the psychological processes. He concludes that kamikaze was realized through multiple mechanisms and ended up crossing the border to unconventional attack. He closes the paper by suggesting we should make efforts to keep the positive feedback in response to suicide attacks under a certain threshold in order to avoid reinforcing the spiral.
In search of the Human: The trauma of modernity and the >instrumental reason< of the persecutors
(2019)
This article takes the clinical notion of trauma as a historiographic criterion for understanding modernity and its mythologies. If the rewriting of the term trauma – at the intersection of psychoanalysis and neurobiology, cultural anthropology and philosophy of the mind – is the hallmark of contemporaneity, it is quite acceptable to see the Shoah as a radical historical and epistemological watershed. Never before had such a highly productive bureaucratic-industrial system been designed and implemented for the devastation of the very idea of humanity. Auschwitz was, in the most radical ways, the liminal space between Human and Inhuman. It lay right at the cutting edge of the abyss that the executioner shares with his victim – the annihilation of humanity. This essay crosses a question that has always characterized the social construction of subjectivity: the perimeter of the Human, and the interrelationships between identity, alterity, and recognition.
The concept of resignation carries widely divergent meanings in the cultural contexts of Western and Eastern experiences. Whereas the Western perspective of resignation implies a negative, impoverished state of self-assertion, the Eastern perspective contains wider and more complex meanings, among which is that resignation is a virtue to be cultivated. Using the writings of the Nobel Prize winner in Literature Yasunari Kawabata, akirame, the Eastern, specifically Japanese, concept of resignation, will be examined for its multilayered psychological and cultural meanings. In addition, from Kawabata’s writing and biographical information, I demonstrate how the Western psychoanalytic concept of Oedipal conflict relates to and manifests in the Eastern psychology of resignation, bridging both Eastern and Western cultures to elucidate underlying, universal human conflicts.
Making films can be a lifeline, an aid to going on living when (we feel) the world around us has disappeared. Looking, showing that there’s a >there there,< recording the present moment and thereby preserving it, can, for a time, make us not feel the nothingness within us. But the rescue that comes from making a film is always provisional. Why? Because every film has an end. Because if there are no more films to make, if there is nothing that deserves to be looked at (the worst case scenario), going on living will have exhausted itself, and taking one’s own life (if indeed there was a life to take) may seem the only option. Chantal Akerman’s >No Home Movie< – a film recording the slow death of her mother in her Brussels apartment – is this worst case scenario. A moving record of the psychic devastation that comes about when we, slowly but surely, lose the one object worth looking at. Panic, depression, hopelessness, and a fierce determination to go where the disappeared object went. To this last home where nothing no longer moves.
Descendants of terror
(2019)
The aim of this paper is to approach transgenerational transmission aspects of the traumatic experience of terror in the large social group. The author makes use of the notion of chosen trauma, coined by Vamik Volkan, which shows how specific mental representations of a traumatizing historical event, shared by the large group, can be transmitted to descendants and eventually used by them as a linking factor of their large group. The above issues, along with the importance of reversal of helplessness and of inability to mourn, are discussed; relevant clinical material focusing on the interplay between large-group and individual transmission is presented.
This article intends to propose a basis for a reflection on how separation mechanisms, both intrapsychic and social, may, by a normal identification process, be comparable in traumatic situations to true forms of violence. According to the theories of Benedetti and Peciccia (1996), a symbiotic Self and a separate Self are continuously present, integrated development lines of the Self, even though they are never fully conscious. Conversely, in the structure of the psychotic Self, a deintegration is inferred between the symbiotic and the separate states of the Self, of which the patient is painstakingly conscious. In light of significant psychoanalytic theories relating to the anxiety of separation, we aim to interpret this symbiosis and separation through the history of Michele, a psychotic young man from a Camorrist family, who was currently hospitalized in a psychiatric facility. The article intends to investigate the separation imposed by the clan, and the even deeper one, inferred from the significant separations experienced within the family circle. Furthermore, we will also outline our therapeutic method and the use of progressive mirror drawing, a psychotherapeutic technique which can be used with patients suffering from different pathologies that compromise verbalization, such as psychosis.