Articles / Artikel
Refine
Language
- English (13) (remove)
Document Type
- Articles (13)
Has Fulltext
- yes (13)
Year of publication
- 2018 (13) (remove)
In this article we will explore the postmodern conception of the >death< of the subject and the fol-lowing postmodern philosophical premises: the critique of the master narratives, the critique of metaphysics, the deconstruction of foundationalism, and the critique of the Enlightenment notion of the autonomous and free subject. In the central part of the article we will explore the limitations of the postmodern philosophy and introduce Fromm’s notion of the birth of the self in the time-history continuum. Contrary to the postmodern philosophy, we will insist on Fromm’s non-essentialist notion of being as a paradox and on the notion of the human agency which is crucial for the psychoanalytic (therapeutic) work and a personal transformation.
One of the perennial questions in Shakespeare studies concerns what Coleridge called the >motiveless malignity< of Iago. Instead of looking at Iago as an individual, however, I will argue that he is best understood as a representation of the >social character< of early modern bourgeois man. Iago’s denial of spiritual values and his mercenary nature can be understood in this light. Fromm’s theses concerning the interconnections among anal libido, the death instinct, malignant aggression, and necrophilia all find support in Shake-speare’s supreme villain.
This paper presents Fromm’s (1900–1980) ap-proach to religion and religiosity, in light of Hermann Cohen (1842–1918) thought. Despite differences in their thought, Cohen and Fromm share some things in common. Their critique of culture is based on a unique definition of das Individuum, the human condition. They demon-strate a cautious approach to modernity and progress.
This paper presents Fromm’s (1900–1980) ap-proach to religion and religiosity, in light of Hermann Cohen (1842–1918) thought. Despite differences in their thought, Cohen and Fromm share some things in common. Their critique of culture is based on a unique definition of das Individuum, the human condition. They demon-strate a cautious approach to modernity and progress.
The Art oft Leading. The Significance of Personality and Character in the Choice of Business Leaders
(2018)
In this article, I claim that humor can be a form of social pathology. In opposition to the general humor-affirmative atmosphere, I develop the critical tradition of humor research, and suggest that there is a darker side to fun and laughter. Using insights from Henri Bergson’s theory about laughter and Erich Fromm’s critical social thinking, I formulate a novel theoretical combination which opens up fruitful perspectives on contemporary humor and its social nature. This empirically motivated conceptual position helps us to understand the role and function of humor and laughter. My conclusion is that parts of the contemporary humor catalogue reflect collective destructive and even death-orientated tendencies. The main argument is that if humor is not in line with humanistic values and is not based on a life-orientated worldview, it is in danger of becoming pathological.