Articles / Artikel
Refine
Language
Document Type
- Articles (240)
- Books (2)
- Collections (1)
Year of publication
- 2006 (243) (remove)
Three waves of challenges may be perceived from within psychoanalysis to its reductionist attitude to religion and spirit. These historical challenges from within psychoanalysis are an important context for reading the many papers now being published on spirituality and psychotherapy, and increasingly, spirituality and psychoanalysis. The 1st wave began with some of Freud's contemporaries, among them his friend, the psychoanalyst and pastor Oscar Pfister; the Nobel Laureate Romain Rolland, and the poet T. S. Eliot. Challenges continued after Freud's death: In Britain from psychoanalysts such as Rickman and Guntrip, and in America initially by the European immigrants, Erikson and Fromm. British independent psychoanalysts initiated what may be considered to be the 3rd wave, whose momentum is now swelling to a sea change.
Considerando a crítica de Adorno à indústria cultural, a qual torna a cultura um meio de produção do comportamento de consumo, tentamos demonstrar como a gramática da perversão tende a monopolizar as formas de prazer na pósmodernidade. De acordo com nossa hipótese, a produção de consumo recodifica o recalcamento originário concebido por Freud: tal gramática suprime a satisfação libidinal de forma análoga à repressão primária, contudo, ao invés de utilizar as tensões insatisfeitas da libido para o trabalho, ela direciona a satisfação erotica para o prazer de consumir. Desta forma, ela formata a satisfação perversa para que esta se coadune com os interesses da economia.
Arbeiter und Angestellte am Vorabend des Dritten Reiches. Eine sozialpsychologische Untersuchung.
(2006)
La >tolerancia< es un valor que se puede entender como inclusión entusiasta del otro en el propio mundo. Partimos de esta visión, resaltan do que, desde ella, sertoleranterequeriríatenerla capacidad y la posibilidad de escuchar. Aludimos, en este sentido, tanto a una disposición interior del sujeto como a una estructuración social determinada que permitan esta escucha, pero enfatizamos en especial la necesidad de una configuración psíquica apropiada, que denominamos >horizontalidad<. Seguimos en especial los planteamientos de Erich Fromm y Paulo Freire, entre otros, para describir dicha >horizontalidad tolerante< y terminar hallando en ella la salud y la reconciliación del hombre consigo mismo.
L’autor exposa i valora les idees principals de la filosofia de Horst-Eberhard Richter i de la seva l’empresa intel·lectual en el seu intent d’eixamplar les bases i els límits de la psicoanàlisi fins abastar el conjunt de les ciències de la cultura, camí que ja havien iniciat també altres autors com ara Erich Fromm, Herbert Marcuse, Bruno Bettelheim, Alexander Mitscherlich, Paul Ricoeur, entre d’altres.
In distinguishing between negative and positive freedom, Isaiah Berlin expressed a preference for negative freedom. Given the track record of those who in the past have advocated positive freedom, this is not surprising. But advocates of positive freedom do not accept that tyranny necessarily results from embracing their conception of freedom, and they are convinced that a commitment to negative freedom is never enough to defend “freedom” against tyrants. They do, however, share one thing in common with those who favor negative freedom: both equate their conception of freedom with >true freedom,< and treat the other as either false or incomplete. This might suggest that Berlin's distinction is more a partisan's tool than a tool of analysis. I disagree. But rather than reducing it to a distinction between >freedom from< and >freedom to,< we need to expand it. Not only will this enable us to move beyond an important criticism of Berlin's conception of freedom, it will also provide a better explanation for why negative freedom is as likely as positive freedom to diminish “true freedom” and why positive freedom is as likely as negative freedom to increase it.
The idea of social character has a long and important history within sociological thought. The concept addresses the fundamental question of the relationship between society and the individual, structure and agency. Tracing the development of the idea of social character from the classical sociology of Marx and Weber to more contemporary writings within American sociology by figures such as Fromm, Riesman, and Mills reveals ideas and perspectives central to the development of social theory. Although many argue that the idea of social character is no longer important in sociology, it has in fact resurfaced in Pierre Bourdieu's notion of habitus. Habitus specifies the original idea of social character without the biological or essentialist traits found in most of the earlier work. Habitus marks a substantial advance beyond earlier ideas of social character, providing a more purely sociological answer to the structure/agency (society/individual) problematic.
In 1960s, realist films such as >The Coachman< by Gang Daejin and >An Aimless Bullet< by Yu Hyeonmok depicted with sympathy the poverty-stricken life and desperate circumstances of working class in urban area after war whereas >Hanyeo< [>The Housemaid<] by Kim Giyoeng sternly and sharply analyzed the middle class as well as the working class without emotional involvement as to what kind of economic relationship they had in industrial capitalism and as to what kind of psychological symptoms were induced by the economic relationship. Moreover, the characters in >The Coachman< and >A Aimless Bullet< were those who could not get away from traditional way of thinking and traditional life style whereas the characters in The Housemaid were completely new people who were cut off from traditional way of thinking and traditional life style. >Hanyeo< presented that all desires and impulses of the characters who lived in the society of industrial capitalism were completely dominated by the principles of capitalism. Unfortunately, however, the characters in the movie were not aware of such circumstances and problems of theirs at all, and consequently, they could not avoid their misery and devastation. It is not easy to find a film using such an unique motive in the history of Korean films. Moreover …
The author discusses Dr. Fiscalini's idea of coparticipant psychoanalysis by placing it in historical context. The ideas of the personal self and the interpersonal self emerge from two divergent lines of interpersonal thought, one being Sullivan and the other Fromm. The author poses several questions for consideration.
Die Furcht vor der Freiheit
(2006)