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[Chinese abstract not available] The Year of the Flood is the second book in Margaret Atwood's MaddAddam Trilogy. As a Canadian literary queen, Margaret mainly explores the issue of women's situation and prospects in the society. She depicts the current situation of women with delicate strokes, and >The Year of the Flood< is a typical example of this. This novel depicts the post-apocalyptic scenario faced by mankind after a waterless flood. The work delves into the postmodern society's over-reliance on technology and material development. People blindly pursue development rather than to fulfil real needs. In this background, the novel reveals the alienating effects of the egoistic tendencies of the society on women's existential condition. This paper analyses the survival of women in capitalist society as revealed in the novel >The Year of the Flood< Epidemic and applies Fromm's theory of alienation to illustrate the alienated survival that women face in capitalist society in the novel, revealing that society tends to take economic growth and technological advancement as the criteria for measuring social progress, thus ignoring the ecological environment's capacity to withstand the impact of development and the spiritual needs of human beings. This single criterion of pursuing development not only causes damage to nature, but also alienates women's state of existence. The purpose of this paper is to arouse readers' thoughts and reflections, to call on people to pay attention to the relationship between human beings and nature and human beings and society, to build a sound society with respect, equality and responsibility, and to realize the liberation of women, so that human beings can realize true freedom and liberation.
本文聚焦于>搭子<社交现象,以Soul App社交数据为依据展开探讨。>搭子<社交在青年群体中的兴起,作为一种新型垂直社交关系,在互联网和社会结构转型影响下于青年中广泛流行,且Soul App成为其重要发展平台。通过数据分析揭示>搭子<社交的多方面特征,如获取方式多元、不同年龄层接纳度有别、青年参与动机多样及与朋友关系存在差异等。从学理层面剖析其成因,趣缘关系为青年提供广阔社交机会,群体性孤独促使青年寻求陪伴以缓解孤独,弱关系强调社交边界感,加速主义反映青年在快节奏社会中对高效社交的需求。然而>搭子<社交也存在潜在风险,包括影响亲密关系建立、信息真伪难辨、与社会价值规范冲突等。遂引入弗洛姆>逃避自由<理论,指出>搭子<社交虽提供一定自由但也带来困境,如孤独感和缺乏安全感等,并从提升认知能力、正确思想引领、营造良好氛围等方面提出破解策略,以促进>搭子<社交健康发展,助力青年在社交中实现积极自由,推动其与主流文化和谐共生,适应社会发展需求。
The author questions Wallerstein’s conviction that psychoanalytic concepts are >scientific metaphors.< If one were to adopt his view, psychoanalysis would fall into line with Lakoff and Johnson′s thesis that the conceptual system of our thoughts and actions is basically metaphorically structured. The author rejects both their views by demonstrating how the system inherent in our conceptual structure works, and disproving Lakoff and Johnson’s thesis as an assertion. In his view, if psychoanalytic concepts are understood as metaphors without defining their target domains, they lose their cognitive function and allow general metaphors to be understood in a whole variety of ways. The author suspects that this metaphorization of psychoanalytic concepts serves to suggest that psychoanalysis has a unified theory which would guarantee the community’s scientific unity, despite the theoretical and therapeutic pluralism that currently prevails.
İnsanı, onun içinde yaşadığı çevreyi ve zamanı anlatan romanın önde gelen unsurlarından birisi de kişiler dünyasıdır. Bir romanın olay örgüsünü harekete geçirebilecek yegâne varlık, kurmaca evrenin kişisi olabilir. Gerçek dünyadan esinlenerek kurgulanan roman kişileri, ait oldukları kurmaca evrenin yasalarına uygun bir yaşam sürerler. Onların gerçekliği yazarın muhayyilesine ve kurgusuna bağlı olarak ortaya çıkar. Romancı tarafından yerleştirildikleri olay örgüsünde, metnin tematik yapısına hizmet edecek şekilde donatılırlar. Bu bakımdan roman kişileri, edebî eser incelemelerinde üzerinde dikkatle durulması gereken varlıklardır. Felsefeci kimliğinin yanı sıra edebiyatçı olarak da öne çıkan yazar Afşar Timuçin, romanlarında insanı ve onun yaşam mücadelesini anlatır. Temelinde büyük bir insan sevgisinin yattığı romanlarında karakterlerini aşk, yalnızlık, aile, evlilik gibi temalar etrafında kurgular. Yazarın son romanı >Bizi Biz Yapan Sevda< (2014) da bu izleklerin takip edildiği bir eser görünümündedir. Timuçin, romanın başkişisi Asım’ı hayatına giren kadınlarla sınar. Roman kişileri birbirine sevgiyle bağlı olmakla birlikte toplumsal değerler ve sorumluluklar araya girdiğinde yaptıkları tercihlerle öne çıkarlar. Bu çalışma roman kişilerinin birbirleriyle kurduğu ilişkileri metnin teması etrafında incelemeye çalışacaktır.