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- 2010 (124) (remove)
Prize awarding
(2010)
Foreword
(2010)
Foreword
(2010)
According to Erich Fromm and a relational psychoanalytic approach, changing economic and social requirements always impact human beings and their psychic structure. Because globalization leads particularly to a blurring of boundaries and limitations, the formation of a new character orientation that is driven to construct reality anew without limitations can be observed as a reaction in progress. The pathogenic effects of globalization can be studied through the analysis of this new character formation and the uncovering of repressed, unconscious feelings that characterize the new personality type, especially in regard to their sense of identity, their way of relating to others, and their defacto loss of ego strength – in contrast to the enacted >ego unlimited<. Finally, some aspects of transference and countertransference, as well as some particular defense reactions with which we psychoanalysts are confronted in the treatment of patients suffering from the pathogenic effects of globalization, will be discussed.
This paper explores the way in which Freud's theory of melancholia is being used within sociological theory to explain racial hatred in Britain. The paper critically interrogates the work of Paul Gilroy before engaging with the works of Erich Fromm, Richard Sennett, as well as Freud and Klein's classic psychoanalytic formulations. Using two biographical case studies drawn from original empirical research on racial harassment perpetrators the paper argues that while racial hatred is often melancholic in nature, the losses at the heart of the racist's malaise tend to be only tangentially connected to empire and its crimes. More commonly, the losses that underpin hatred are irreducibly personal and class based, and hence multilayered, losses of love and security, for example, aggravating the pain of losses of respect and community, and vice versa. The paper concludes by drawing attention to the dangerously racialized kinds of imagined community losses of this kind tend to furnish, and the difficulties of providing recognition to those most afflicted by them.
Is Love Curative?
(2010)
Welcome address
(2010)
The Israeli film, Ushpizin (2004), has met with local and international critical acclaim. Despite its ultra-Judaic content, it remains popular with a wide audience. The story of an impoverished Hasidic couple who achieve their dreams as a result of Divine intervention (or a random directorial plot twist) captures the emotions of its viewers, irrespective of their religious leanings. The tale revolves around Jewish, Hassidic, and Kabbalistic symbols of Sukkoth (the Feast of Tabernacles), the Biblically inspired fall harvest festival. The unique rituals of the holiday, especially the custom of hosting ushpizin (honored guests), are used to subtly, yet powerfully, convey feelings accompanying personal and historical generativity and development. Kabbalistic and psychoanalytic ideas, remarkably similar despite the longstanding tensions between the two doctrines, coincide to explicate a central theme of forgiveness and reparation. These approaches together yield a more cogent understanding of the film's characters, plot, message, and, ultimately, universal appeal.