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This paper aims at the presentation of ethical and political grounds of the pedagogy of asylum, which, in its assumptions, refers to concepts of such thinkers as Emmanuel Levinas, Erich Fromm, George Steiner, Hannah Arendt, Michael Walzer, Avishai Margalit, Jacques Derrida and Janusz Korczak. Utopia of hospitality, presented in its basic assumptions, constitutes a look at the social life, life of individuals and communities, as concentrated in asylums, while its author thinks that it forms an answer to modern challenges to Western democracies, education and politics in the >Age of Migration<.
Penelitian bertujuan mengungkap gejala, bentuk, dan tujuan perasaan cinta tokoh-tokoh dalam novel >Fi Qalbi Untsa ‘Ibriyyah<, serta bagaimana mereka bersikap ketika perasaan cinta kepada sesama manusia terhalang oleh batasan agama yang mereka anut (Yahudi, Islam, dan Kristen) sehingga mengakibatkan konflik dan pertentangan di antara mereka. Penelitian ini berbentuk studi pustaka dengan melakukan analisis terhadap karya sastra Arab yang berbentuk novel serta menggunakan pendekatan psikososial Erich Fromm tentang konsep cinta, dimana Fromm berpandangan bahwa cinta merupakan solusi dari semua permasalahan manusia. >Fi Qalbi Untsa ‘Ibriyyah< menampilkan kehidupan para tokoh yang awalnya dalam suasana damai saling mencintai tanpa melihat identitas agama, tetapi kemudian cinta mereka berubah menjadi konflik setelah mengetahui perbedaan agama di antara mereka. Para tokoh memiliki dua pilihan, antara mengikuti perasaan cinta kepada manusia tanpa memandang identitas agama atau melepaskan rasa cinta tersebut dengan alasan menaati batasan agama sebagai wujud cinta kepada Tuhan. Penelitian menjadi penting ketika ditemukan fakta bahwa cinta yang berangkat dari perasaan suka kepada personal tanpa melihat ikatan sosial ternyata bisa melahirkan banyak konflik ketika bertemu dengan identitas agama beserta batasan-batasannya.
과학기술의 급속한 발전으로 생명안전 문제가 빈번히 발생하는 현대, 특히 코로나19의 배경 아래에서 역사적 경험을 통해 재난의 재발 방지를 위해 최선을 다하는 것은 미룰 수 없는 임무이다. 체르노빌 원전폭발은 이미 역사로 남았지만 그것이 남긴 문제는 아직도 적절하게 해결되지 않았다. >체르노빌<이라는 이 금기된공간을 어떻게 적절하게 처리할지는 현대사회의 문제 중 하나이다. 본문은 브래들리 파커(Bradley Parker) 감독의 <체르노빌 다이어리>(2012)를 사례로 현대에서 체르노빌의 공간적 표현을 고찰한다. 이 영화는 자극을추구하는 여행객들이 금지구역인 체르노빌로 진입하면서 겪는 끔찍한 상황을 그렸으며, 영화에서 나타난 체르노빌은 실제 체르노빌의 공간 상태와 부합한다. 영화에서 묘사한 체르노빌은 무인구역, 소비구역, 정치권력 규제구역 세 공간이 혼합된 장소이다. 본 논문에서는 세 공간이 작동하는 메커니즘과 상호 관계를 탐구하여 에리히 프롬(Erich Fromm)이 말한 건전한 사람과 건전한 사회의 구축에 기여할 것이다. 체르노빌은 무인구역, 소비구역, 정치권력 규제구역 세 공간이 혼합되어 서로를 제약한다. 체르노빌이라는 이 공간에서 국가는 주도적위치를 차지하며, 무인구역과 소비구역의 운영 배후에는 국가의 정치권력이 어느 정도 관여하고 있다. 원전폭발로 인해 체르노빌은 정치당국에 의해 >예외상태<로 운영되면서, 이 운영 체제 하에서 국가법, 인권, 도덕윤리 등문명사회의 체제와 규범이 사라지게 되었고, 이 공간에 들어온 개인의 생명은 순식간에 조르조 아감벤(Giorgio Agamben)이 말한 >벌거벗은 생명<으로 전락해 타인에 의해 생존권을 박탈당했다. 따라서 >건전한 사회<를 만들어 >건전한 개인의 생명<을 살리는 길을 고민하는 것은 매우 절실하다.
Introduction: Despite struggling to establish itself as an autonomous profession, occupational therapy remains extensively regulated and controlled by discursive authorities inside and outside the discipline. After overcoming the profession’s reformist ideals, the military governance that supported its rapid expansion morphed into civil institutions but both were based on similar grounds: occupational therapists should obey a strict set of rules while disobedience and dissent are consistently repressed or silenced. Objective: The objective of this article is to deconstruct dominant (consensual) discourses that shape the status quo in occupational therapy and envision alternative paths for the development of the discipline. Method: Drawing on the work of Erich Fromm and Jacques Rancière, we propose a (critical) theoretical analysis of the concepts of disobedience and dissensus as they apply to occupational therapists. Results: The concepts of disobedience (Fromm) and dissensus (Rancière) can be used to revisit the consensus shaped by discursive authorities inside and outside occupational therapy and expose the political nature of such processes. We argue that remaining oppressive forces similar to those of a warfare regime persist in regulating occupational therapy practice and knowledge by enacting a form of >disciplinary propaganda.< Rather than threatening the development of the discipline, disobedience and dissensus constitute critical responses to disrupt dominant discourses and give rise to healthier concepts. Conclusion: The use of politically charged terms such as disobedience or dissensus can be seen as controversial and unsettling for a profession like occupational therapy but we believe they are necessary for the future of our discipline.
El presente artículo es una aproximación al personaje de Ricardo, protagonista de >El año de Ricardo< de Angélica Liddell, desde el punto de vista del psicoanálisis de Erich Fromm. Un concepto especialmente útil a la hora de abordar esta reescritura moderna de la famosa tragedia shakespeariana es la >orientación necrófila<, un término acuñado por Erich Fromm para describir un carácter destructivo, que manifiesta una clara fijación en las actividades y los procesos contrarios a la vida, al desarrollo, al crecimiento. Una herramienta complementaria, que también se emplea en el análisis del personaje, es la noción de >carácter anal<, de Freud, cuyas teorías han sido reinterpretadas y elaboradas por Fromm. Siguiendo el planteamiento de Liddell, en el artículo se destaca el íntimo vínculo que existe entre la estructura psíquica y la vida pública del personaje, y, por extensión, de cualquier político.
Rather than being absolute, human freedom is relative because human situation and condition limits it. Also relative is press freedom. History of press in Indonesia recorded that press freedom is experienced once more by Indonesian people after the 1998 reform. At implementation level, there are numerous debates on the definition of freedom. This research attempts to analyze autonomous and dynamics press freedom in Indonesia as observed from Erich Fromm’s perspective. This research is a qualitative research on philosophical problem analyzed by means of historical-factual approach. Research result indicates that autonomous and dynamic press can be achieved through two actions. First, opposing the parties who prevent press from becoming themselves. Second, developing the >culture< of rationality, i.e. accustoming the press to develop their common sense to reach each of their realistic point.
Political Reactionism as Affective Practice: UKIP Supporters and Non‐Voters in Pre‐Brexit England
(2021)
Border Situations as Unchanging Human Situations (via Karl Jaspers, Erich Fromm & Noam Chomsky
(2021)
The first aim of this paper is to raise the interest in the works of three authors, Karl Jaspers, Erich Fromm, and Noam Chomsky. The second intention is to show and prove that despite being different in vocation, they essentially speak of the same social reality, regardless of the fact that they observe and reflect reality from different theoretical/scientific positions/aspects: philosophical, ethical/bioethical, anthropological, sociological, psychological, political, legal, economic, cultural, philological/linguistic, ideological. Despite certain differences, what brings them together spiritually/cognitively are the >diagnoses< of the diseased tissue of (post)modern civil society, as well as the assessments of the phenomenon of social/existential reality of our time. What unites them is the comprehensive humanism and care for the man and man’s psychosomatic health and their present and future life, at the time when civilization is on the verge of self-destruction.
As perspectivas de pensamentos da Logoterapia e Análise Existencial de Frankl e a Psicanálise de Freud, apesar de visões diferentes de ser humano e mundo, há muito em comum, principalmente quando as influências do humanismo e existencialismo afetam os pensamentos de psicanalistas. Esse trabalho tem como objetivo apresentar os pressupostos teóricos sobre o amor e humanidade de Viktor Emil Frankl e Erich Fromm considerados dois humanistas. O artigo busca indicar, apesar das divergências entre as duas abordagens psicológicas, posições em comum principalmente semelhanças de pensamentos, ou seja, concordâncias de ideias em benefício de um bem comum da saúde mental do indivíduo na terapia. Foram utilizadas pesquisas bibliográficas em livros e artigos em bases de dados, por meio dos fundamentos teóricos dos pensamentos de Viktor Emil Frankl e de Erich Fromm. Averiguou-se que, mesmo de escolas divergentes em relação aos conceitos de ser humano e mundo, as duas abordagens apresentam, de acordo com os pensadores, perspectivas que convergem em relação aos construtos de amor e humanidade.
Penelitian ini bertujuan untuk mendeskripsikan dilema eksistensi, kebutuhan manusia, serta mekanisme pelarian tokoh utama dalam novel >Mata dan Manusia Laut<. Teori yang digunakan dalam penelitian ini adalah psikologi kepribadian Marxian Erich Fromm. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan pendekatan psikologi. Sumber data dalam penelitian ini adalah novel >Mata dan Manusia Laut< yang merupakan novel ketiga dari empat serial novel >Mata< karya Okky Madasari. Data dalam penelitian ini berupa unit-unit teks yang menunjukkan aktivitas, dialog, perbuatan maupun perilaku tokoh utama terkait kepribadian Marxian. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah teknik baca dan catat. Teknik analisis data yang digunakan dalam penelitian ini adalah analisis objektif yang berpusat pada karya sastra secara keseluruhan. Hasil penelitian ini menunjukkan adanya kepribadian Marxian dalam novel yang digambarkan melalui peristiwa-peristiwa yang dihadapi tokoh Matara. Kepribadian Marxian tokoh Matara yang ditemukan dalam penelitian ini berupa (1)dilema eksistensi meliputi manusia sebagai binatang dan sebagai manusia, hidup dan mati, ketidaksempurnaan dan kesempurnaan, kesendirian dan kebersamaan; (2)kebutuhan manusia meliputi kebutuhan kebebasan dan keterikatan, kebutuhan untuk memahami dan beraktivitas; serta (3)mekanisme melarikan diri dari kebebasan berupa otoritarianisme, perusakan, dan penyesuaian.
루쉰(魯迅)은 자신의 초기 잡문을 통해 문명이 지닌 인류발전으로서의 과정 및 결과로서의 성격과 함께 문명이 지니는 규범화를 통해 발현되는 야만성 및 그로 인한 인간의 자기예속적인 모습을 보여주었다. 루쉰은 이러한 문명의 양가적인 모습 속에서 살아가는 인간에게서 새로운 개체적 의지를 찾고자 하였고, 이를 통해 인류 사회의 조화를 모색하고자 하였다. 이것이 바로 루쉰의 문학 창작이 지니는 의미라고 할 수 있을 것이다. 그리고 이러한 루쉰의 창작은 곧 인간의 윤리성을 바탕으로 하는 개체적 의지와 인류 발전적인 문명의 공존에 대한 모색으로 해석해볼 수 있을 것이다. 본고는 상기한 내용들을 바탕으로 루쉰의 초기 잡문에서 사회를 이루는 기성 문명의 장력 속에서 문명의 폭력적인 야만성을 제거한 새로운 문명의 장력을 찾고자 하는 인간의 개체적 의지와 그 가치를 살펴본다. 이를 위해서 루쉰의 초기 잡문 속 문명론을 아도르노(Theodor Wiesengrund Adorno), 호르크하이머(Max Horkheimer), 마르쿠제(Herbert Marcuse) 등의 비판이론가들의 문명에 대한 관점 및 그에 대응하는 인간의 태도 등을 비교 분석하여 고찰을 시도한다.
During the psychoanalytic discovery and investigation of Psychoneurosis, theoretical scaffoldings offered by Freudian theory were expansive and rich but still incomplete. Amongst the Neo-Freudians, Fromm began unearthing the psychopathology of the society under the heavy influence of Marx. Fromm remarked that the grown-up patient was not a child but an alienated adult who was seen as the neurotic. Feelings of inadequacy, worthlessness and inhibition occurred because the patient did not experience himself as the subject and originator of his own acts and experiences. Alienation had thus caused the neuroses to occur. Ushering in >spiritual liberation< along with complete change of the >economic social constellation< for Fromm were the necessary prerequisites before envisioning a cure of societal pathologies rooted in the contemporary mode of production. Freud on the other hand was skeptical about the application of psychoanalysis to civilization. He ringed in caution to the application of systems of knowledge developed at the individual level when projected to more global levels. Diagnosis of a >collective neurosis< would be tedious since no starting point associated with its development could emerge as the fixation point. Another hurdle that needed to be addressed according to Freud was that even if a substantial system of knowledge did take shape its implementation would be a herculean task. It would take great skill and courage to compel a community to become aware of its blind spots and become available to therapy. Thus, the growth and development of Psychoneurosis had charted a trajectory from the unexplored abysmal depths of the psyche to the more gross levels of societal productions. This paper attempts to establish links between the classic concept of Psychoneurosis and the larger gamut of modern-day society’s psychic reflections.
Schon Ende des 18. Jahrhunderts wird die Thematik des Zusammenspiels von Patriarchat und Kapitalismus als konvergente Ideologie der Ungleichberechtigung der Frau in der literarischen Kunst sichtbar. Genauer: Goethes >Clavigo<, 1774 publiziert, thematisiert diese Thematik prototypisch. Doch wie kann diese Ideologie literarisch so umgesetzt werden, dass sie neben viel anderem Text auffällt, sichtbar wird? Ziel dieser Arbeit ist es, jener Frage nachzugehen und diese nach folgenden Schritten zu beantworten: Zuerst werden anhand eines Theorieteils systemtheoretische Grundlagen zu Patriarchat, Männlichkeit und Fragilität, Präkapitalismus und dessen Ideologie des Habens, nach Erich Fromm, dargelegt. Nach einem Modell von R. W. Connell – und z. T. auch von J. Halberstam – wird eine Möglichkeit zur Bestimmung des Grads sozialer Männlichkeit angewendet; im Anwendungsteil wird hieran aber auch Kritik aufgezeigt und versucht, weitere Möglichkeiten/Kriterien zur Bestimmung des Grads der sozialen Männlichkeit anzuführen. Im zweiten Teil der Ausarbeitung wird sich mit der textuellen Anwendung der Theorie befasst: Anhand der beiden Figuren Joseph Clavigo und Marie Beaumarchais wird versucht, die genannte patriarchalisch-präkapitalistisch Ideologie im Stück aufzuzeigen und diese als Ursache für Figurenbeziehungen oder werkstrukturelle Abläufe zu betrachten, wie z. B. ein Figurentod – so die These. Hier werden u. a. der Warencharakter und die Fragilität der Marie Beaumarchais analysiert, aber auch der Grad der sozialen Männlichkeit Clavigos. [Weltbild.ch]
Der 1. Mai im weiten Ural
(2021)
Idolatry
(2021)
Chinese abstract not available] This article aims to interpret dreams in John Keats’s narrative >The Eve of St. Agnes< from different perspectives: the Beadsman’s, Porphyro’s, Madeline’s and John Keats’s, the poet. We will analyze their functions respectively, and then draw a conclusion of Keats’s purpose in structuring such a way of weaving dreams. After summarizing studies and theories on dream and soul from the perspective of psychoanalysis and scholars’ views on >The Eve of St. Agnes<, we will continue to illustrate the ways in which John Keats constructs three layers of dreams with the pertinent approaches by Freud, Fromm, Lacan, Rank, Žižek, etc. so as to reveal John Keats’s viewpoints on life and death, dream and reality, and pleasure and pain. [Author's English]
I argue in this paper that every society has its own >libidinal drives< that may or may not paralyze the capacity of individuals towards freedom. Fromm calls this the social character. Social character is the unconscious canalization of individual libidinal drives for the attainment of social objectives instituted by the dominant figures of society. I theorize that the Freirian dyadic alliance persists because of a dominant characterology permeated by the ruling authorities. The dynamics of social character structure not only eludes the oppressed conscious awareness, but it also actually strengthens the domination and control through the institutionalization of structural policies enacted and implemented by the oppressors. Hence, what Freire laments in the Pedagogy of the Oppressed is equalized and smoothen by how the marginalized and the downtrodden cling incessantly towards the oppressors. By depending upon the dominant ruling authorities, the oppressed find fulfillment and satisfaction, upon which they fortify the dyadic-symbiotic relations. This happens because of the dynamics of their character structure that caters to the instinctual drive to survive. The social character gives rise to the inner satisfaction of oppressed libidinous desires and needs, thus equalizing their own emotional needs. Furthermore, the very nature of their submissiveness is a character trait that unknowingly recanalizes their elementary needs in life. Hence, by understanding how the Frommian social character influences social behaviors the symbiotic element that cements the Freirian dyadic relation is unlocked. Through unraveling the dynamics of social characterology, the Freirian dyadic symbiosis ungrounds itself and eventually grasps why the majority of the poor and marginalized are motivated and find fulfillment therein as a matter of survival from controlling authorities.
Penelitian ini meneliti perilaku sadisme tokoh utama dalam kumpulan dongeng >Der Struwwelpeter< karya Heinrich Hoffmann. Penelitian ini bertujuan untuk (1) mendeskripsikan perilaku sadisme tokoh utama dan (2) mendeskripsikan penyebab terjadinya perilaku sadisme yang dilakukan tokoh utama pada dongeng karya Heinrich Hoffman. Jenis penelitian ini adalah penelitian kualitatif. Sumber data penelitian adalah dongeng >Die gar traurige Geschichte mit dem Feuerzeug<, >Die Geschichte vom Daumenlutscher< dan >Die Geschichte vom bösen Friederich< dalam kumpulan dongeng >Der Struwwelpeter< karya Heinrich Hoffmann. Penelitian ini menggunakan teori sadisme Erich Fromm (2000) untuk menemukan perilaku sadisme tokoh utama serta menggunakan teori agresi Sears (1994) dan Myers (2012) untuk menganalisis alasan tokoh utama melakukan perilaku sadisme dalam dongeng. Hasil penelitian menemukan enam data yang menunjukkan jenis perilaku sadisme dan tujuh data penyebab perilaku sadisme. Ditemukan masing-masing dua data yang membuktikan perilaku sadisme tokoh utama dari setiap dongeng. Lalu terdapat empat data penyebab perilaku sadisme dari dongeng >Die gar traurige Geschichte mit dem Feuerzeug<, pada dongeng >Die Geschichte vom Daumenlutsche<r ditemukan dua data dan satu data dalam dongeng >Die Geschichte vom bösen Friederich<. Penelitian menyimpulkan bahwa (1) perilaku sadisme dalam ketiga dongeng Heinrich Hoffmann tersebut adalah perilaku sadisme non-seksual (fisik). Dalam ketiga dongeng tersebut tidak ditemukan jenis sadisme seksual maupun sadisme mental. (2) Lebih lanjut, penyebab tokoh utama dalam dongeng >Die gar traurige Geschichte mit dem Feuerzeug< melakukan perilaku sadisme adalah dari mengamati dan meniru kegiatan orang lain sedangkan dalam dongeng >Die Geschichte vom Daumenlutscher< dan >Die Geschichte vom bösen Friederich< adalah karena faktor biologis tokoh tersebut. Adapun dua kesamaan dalam ketiga dongeng tersebut, yakni semua perilaku yang dilakukan oleh tokoh utama adalah sadisme non-seksual (fisik) serta jenis agresi yang dilakukan adalah insturmental aggression.
Artikel ini membahas konsep cinta pada puisi-puisi karya Sapardi Djoko Damono. Konsep cinta seperti yang dikemukakan oleh Erich Fromm merupakan jawaban atas masalah pada eksistensi manusia. Konsep cinta yang universal dapat dilihat sebagai seni kehidupan (>art of life<) yang meliputi: cinta manusia kepada manusia, cinta manusia kepada alam, dan cinta manusia kepada tuhan. Masalah yang muncul dalam artikel ini adalah: bagaimana konsep cinta direpresentasi dalam puisi-puisi karya Sapardi Djoko Damono; serta bagaimana pemaknaan konsep cinta tersebut dilihat dari penggunaan tanda-tanda di dalam puisi. Berdasarkan permasalahan tersebut, konsep cinta akan dibahas pada kekuatan tanda yang hadir di dalam puisi. Tanda-tanda tersebut kemudian dianalisis berdasarkan teori semiotika yang dikemukakan oleh Pierce, yakni dengan memperhatikan representament, object, dan interpretant. Di samping itu, artikel ini juga menunjukkan hubungan (relasi) tanda dengan teks lain dan penggunaan gaya bahasanya. Pembahasan-pembahasannya kemudian bermuara pada pemaknaan konsep cinta yang terdapat pada puisi-puisi karya Sapardi Djoko Damono. Akhirnya, pemaknaan konsep cinta ini dapat dilihat sebagai konsep universal yang merujuk pada keperiadaan manusia sebagai bentuk eksistensinya di dunia. Hasil penelitian ini menunjukkan bahwa konsep cinta pada puisi-puisi Sapardi Djoko Damono ditemukan dalam tataran diksi, citraan, dan gaya bahasa. Konsep cinta yang ditemukan pada tataran struktur tersebut menjadi bagian penting dalam memahami puisi secara keseluruhan dan memaknai puisi-puisi tersebut.
In diesem Artikel wird den Fragen nachgegangen, wie sich eine spezifische lebensweltorientierte Berufsidentität im Kontext der aktuellen gesellschaftlichen Rollbacks und des grassierenden Antisemitismus darstellt und inwieweit diese Berufsidentität in der Praxis der Sozialen Arbeit Orientierung bieten kann. Die Auseinandersetzung mit diesen Fragen erfolgt unter Berücksichtigung dreier Aspekte: des Phänomens des Antisemitismus, der lebensweltorientierten Berufsidentität nach Hans Thiersch und der historischen und aktuellen Autoritarismusforschung. Zweck der Beschreibung dieser Aspekte ist es, die facettenreichen Artikulationsformen des Antisemitismus, die fundamentale Trias der Lebensweltorientierung und die historische Kontinuität der Autoritarismusforschung sowie die Relation zwischen Autoritarismus und Antisemitismus aufzuzeigen, um darauf basierend Orientierungshilfen für die lebensweltorientierte Praxis zu skizzieren. Da die Hochschulausbildung für die Professionalität der Studierenden von eminenter Bedeutung ist, wird abschließend ein Schlaglicht auf die antisemitismuskritische Hochschulausbildung der Sozialen Arbeit und ihre aktuellen Defizite geworfen. Der Verfasser erhofft sich mit diesem Artikel zur Positionierung der lebensweltorientierten Berufsidentität im Kontext des aktuellen Antisemitismus beizutragen.
Kehidupan manusia dipenuhi dengan berbagai macam harapan dan tujuan, salah satu harapan dan tujuan tersebut yaitu pencapaian kebahagiaan. Dengan segala kelebihannya manusia dituntut untuk menciptakan kehidupan yang seimbang dan serasi di dunia ini, dengan bahagia yang menjadi tujuan utamanya, karena semua manusia mendambakan kebahagiaan dalam kehidupan dunia ini. Kebahagiaan seolah-olah menjadi harapan atau tujuan yang didambakan dalam kehidupan manusia pada umumnya. Artikel ini merupakan kajian komparasi tentang kebahagiaan antara pemikiran Al-Ghazali dari sudut pandang Islam dengan Pemikiran Eric Fromm dari sudut pandang Psikologi. Kajian ini menggunakan pendekatan studi pustaka (library research). Hasil dari kajian ini menunjukkan bahwa konsep kebahagiaan dalam pandangan Islam menurut Al-Ghazali ialah bahwa kebahagiaan akan didapatkan ketika mengenal diri sendiri serta mengenal Allah dan dalam pandangan psikologi menurut Erich Fromm adalah bahwa kebahagiaan akan didapatkan ketika kita tidak menggantungkan hidup pada orang lain maupun benda-benda, akan tetapi pada diri sendiri, dengan menjadi manusia yang aktif dan produktif.
The Pathology of Modernity
(2021)
This chapter presents the psychological burden of living under modernity’s law of gravitation as the defining focus of much continental philosophy and social science. Most Western philosophers with any self-respect have their own diagnoses of present-day society, intended to capture the essence of living in modernity. Key thinkers such as Nietzsche, Marx, Durkheim, Weber, Freud, Adorno and Horkheimer, Fromm, Rieff, Eriksson and Mitscherlich gave their important contribution to individuation – the development of a unique self, socialization and subjectivation. Equally important is the question of failed individuation as these psychologists, sociologists and philosophers ask themselves whether modern man can manage without >God< and if the science-based Enlightenment’s promise of secular happiness would hold water.
弗洛姆作为法兰克福学派的重要成员,在思想上继承法兰克福学派的重要观点,认为批判性是马克思主义的灵魂,而同时,其推崇弗洛伊德的相关学说,也由此具有较为浓厚的人道主义色彩。他在对社会现实的考察当中继承了马克思的一系列思想,特别是在对资本主义社会的批判上,多次采用马克思对于异化的批判,逐步构建自己的理论体系。随着资本主义社会的发展,异化现象开始走出经济领域,迈向了更广阔的空间,弗洛姆也注意到了这一点,从多个角度入手进行了一定的批判。同时,弗洛姆也非常欣赏弗洛伊德,在分析的过程中也融入了弗洛伊德的精神分析学说,提出了社会性格学说。本文将重点分析其对资本主义文化现象的一系列批判,从中汲取一定的宝贵经验。
영화 >케빈에 대하여<는 현대를 사는 우리에게 모성이란 무엇인가에 대해 고민하게 만드는 작품이다. 대부분의 나라에서 여자는 엄마의 역할에 한정되어 평가되며, 가사와 육아를 책임지는 사람이라고 여겨져 왔다. 하지만 우리가 현재 당연시하고 있는 모성은 만들어진 개념이다. 모성은 아동의 개념과 인구 증식과 맞물리며 18세기의 시대적 상황에 의해 만들어진 것이다. 이 만들어진 모성이라는 개념은 이후 200년 동안 대부분의 나라에서 여자의 가장 훌륭한 덕목으로 평가되어 왔다. >케빈에 대하여<는 살인마가 된 아들 때문에 남편과 딸, 일과 명예 등 모든 것을 잃고, 사회의 지탄을 받는 주인공 에바가 모성을 획득하게 되는 과정을 보여준다. 에바는 타고난 모성을 갖지는 않았지만, 남편과 딸을 죽이고, 자신의 모든 것을 잃게 만든 살인마 아들을 버리지 않는다. 정신적, 물질적으로 모든 것을 상실한 절망적 상황에 처하지만 그녀는 아들을 포기하지 않는다. 아들은 엄마의 모성을 시험하는 원인 제공자로 등장하며, 결국 그녀를 모성으로 이끌게 만든다. 모성은 여자의 숙명임을 보여주며 작품은 끝을 맺는다. 사회심리학자 에리히 프롬은 어머니의 사랑은 무조건적이며, 만들어낼 수도, 통제할 수도 없고, 보답할 필요가 없다고 주장하지만, 에바는 18년이라는 긴 시간 동안의 고난을 거치면서 드디어 사회가 요구하는 모성을 획득하게 된다. 그렇게 에바는 사회가 만든 모성을 획득하게 되면서 >진정한< 어머니로 재탄생하게 되었다. 21세기가 된 현재에도 여자의 역할, 모성에 대한 신화는 아직도 계속되고 있음을 보여준다.맺는다.
최우람은 움직이는 기계생명체를 보여주는 키네틱 조각(kinetic sculpture)을 통해 기계 문명과 인간사회를 고찰한다. 상상력과 기계의 결합으로 탄생한, 유기체 같은 정교한 움직임의 기계생명체들은 과학기술의 전개와 발전을 보여주는 동시에 기계생명체가 인간과 자연스럽게 공존할지도 모르는 미래에대한 작가적 상상을 담아낸다. 이와 같은 최우람의 키네틱 조각이 전하는 가장 핵심적인 주제는 인간의 본질에 관한 고찰이라 할 수 있다. 이에 본 논문은 최우람의 키네틱 조각에서 중요한 부분을 차지하는 인간 존재에 관한 탐구와 관련해 양가성과 종교성에 초점을 맞춰 연구를 진행했다. 연구를 위한이론적 바탕으로 삶과 죽음을 다룬 철학적 논의들, 바니타스(Vanitas)의 개념, 종교에 관한 에리히 프롬(Erich Fromm)의 이론과 유발 하라리(Yuval Noah Harari)의 기술종교(techno-religion) 등을 다루었다. 우선 양가성과 관련해서는 지배자와 공유자, 삶과 죽음에 초점을 맞췄다. 최우람의 기계생명체는 마치 신처럼 생명을 창조하고 지배하려는 인간의 도전을 은유하며, 인본주의와 문명의 발전을 근거로 위계질서를 정당화했던 역사에 대한 자기반성이다. 또한 모든 생명에 본질적으로 존재하는 절대적 부재인 죽음을 통해 인간의 존재 원리를 숙고하는 것이기도 하다. 종교성의 경우 최우람이 창안한시간 신과 네트워크의 신을 중심으로 분석을 진행했다. 최우람은 인간의 지향체계이자 헌신의 대상인종교를 다룸으로써 인간의 욕망뿐 아니라 과학기술 시대를 반영하는 종교와 신앙의 변화를 숙고할 수있는 기회를 제공한다. 최우람의 작품에 나타난 인간 존재의 양가성과 종교성을 살펴보는 본 연구를통해 역사적으로 미술의 주된 주제였던 인간에 관한 탐구가 동시대 미술에서는 어떠한 방식으로 이뤄지는지 확인할 수 있었다.
Context: Propaganda seems to be around us all the time, yet many people would find it difficult to provide a definition of propaganda. It becomes one of those words that are easy to use, but hard to define. Scholars have been writing on propaganda for centuries, yet the definition still remains illusive. Lay people simply call propaganda all communications they disagree with. Propaganda becomes brainwashing or, even worse, psychological warfare. Objectives: The article seeks to address this problem of identifying propaganda. Method: The article develops a theoretical argument by bringing a psychological and psychoanalytic work of Fromm into the real of communication sciences. Results: The author argues that propaganda is more than just a profanity for communication activities we disagree with. In fact, this essay suggests that propaganda is best understood through a psychoanalytical research on sadism and masochism by Fromm. Fromm using a biological concept of symbiosis explained sadism and masochism as a way of building symbiotic relations making an individual bigger than just oneself. Applying this theory to a society makes propagandist and propagandee not that different from a sadist and masochist, both gaining meaning for their lives through propaganda and becoming parts of something bigger. Propaganda's symbiotic relations rely on groupthink and participatory rhetoric focusing on building group cohesion and establishing >us versus them< mentality. Conclusion: The article concludes that propaganda's symbiotic relations work through groupthink and participatory rhetoric focusing on building group cohesion and establishing >us versus them< mentality. Propaganda removes an individual, focusing instead on many; propaganda eradicates individual's desires focusing instead on needs of the group; and propaganda draws sharp boundaries where own group ends and the enemy territory begins. Propaganda becomes an aggressive symbiosis aimed at its own survival and protection from the others. The study, building on this explicating of propaganda through symbiotic relations, proposes several areas for future research on propaganda to better understand its connection to psychology and psychoanalysis.
Following Max Horkheimer, I will first attempt to reconstruct an anthropology that essentially wants to be understood as critical social research. I will then pursue the question of humanism in critical theory. In doing so, I want to show that a reference to a normatively substantive humanism does actually exist in critical theory. On the other hand, I want to show that this humanism is anything but unambiguously and systematically formulated but has been reflected and articulated differently by different representatives of critical theory. The two examples I will refer to here are Theodor W. Adorno and Erich Fromm. I will define Adorno’s humanism as ‘dialectical humanism’, whereas Fromm’s humanism could be described as ‘emphatic humanism’. My reading, however, attempts to interrogate the two positions as to their complementarity. Not ‘Adorno or Fromm’, but ‘Adorno and Fromm’ is the motto that guides me. Finally, I will relate this complementary reading of both approaches in such a way that the possibility of a ‘Critical Humanism’ can be derived from it, which above all also wants to be understood as a sociological research program.
Character education is a learning model that aims to introduce character values to students, which include the value of love for God and His creation, responsibility, honesty, fairness, mutual respect and courtesy, caring, cooperation, confidence, creative and innovative, hard work, never give up, tolerance, love peace, and love unity. Character education is basically designed and implemented to help students understand the character values in humans individually (cognitive, affective, and psychomotor), or even in the context of their socio-cultural interactions (family, school, community and nation). This study attempts to describe the theoretical basis of character education as a basis for learning, especially in the learning of the Social Studies field of History in Elementary Schools, by referring to the perspective of JW Foster, Thomas J. Lickona, and Erich Fromm. With the results of this study, at least the basic similarities and differences can be described in placing the context of character education as the basis for character education development in accordance with the principles of education in Indonesia which are knowledgeable and ethical.
Аннотация. В работе рассмотрена критическая теория религии Фромма. С точки зрения развития взглядов философа проанализированы ключевые концепции гу-манистической психологии Фромма, включая биофилию, отказ от идолопоклонства, «икс-опыт», типологию гуманистических и авторитарных религий и т.д. Продемон-стрирована тесная связь этих концепций с иудейской традицией, особенно иудей-ским мессианством и негативной теологией Маймонида. Статья разбита на разделы, прослеживающие эволюцию взглядов Фромма на религию — от увлечения хаси-дизмом, через теории Фрейда и Маркса, до концепции гуманистической религии. Обоснован вывод, что Фромм как философ черпал вдохновение в еврейской традиции, на-чиная с самых первых работ о религии (его диссертация о социологии еврейской диаспоры, статья >Шаббат<, >Догмат о Христе<), написанных им, будучи верующим иудеем, и завершая кульминацией его учения — радикальным гуманизмом. При этом теория религии Фромма, как и других мыслителей Франкфуртской школы, сочетает в себе элементы философских учений Гегеля, Маркса и Фрейда. Взгляд Фромма на религию представляет собой оригинальный не-противоречивый синтез идей различных течений, нашедший своё окончательное выражение в концепции радикального гуманизма. В работе уделено значительное место анализу феноме-на идолопоклонства как формы отчуждения человека. Фромм призывает бороться с идолопо-клонством в широком смысле, которое он обнаруживает в различных общественных явлениях от консьюмеризма до религиозного фундаментализма. В статье впервые проанализировано понятие Фромма об >икс-опыте<, данное им в книге >Вы будете как боги<. >Икс-опыт< — особое трансцендентное переживание человека, отделённое от множества вариантов егоконцептуализации, которые могут быть как теистическими, так и атеистическими. >Икс-опыт< имеет психологическую природу и ведёт к уменьшению либо окончательному преодолению нарциссизма. Также он представляет своеобразную противоположность отчуждению, возни-кающему вследствие идолопоклонства.
An attempt to understand the idea of >commons< in architecture requires analytical tools and a narrative which will refer to >common values<. Yet the era of Postmodernism taught us mainly the relativism of multitudes of values, standards and paradigms. It made us used to >it all depends< approach. Many popular methods of describing architecture are based on analysing it in a historical or cultural context. This paper, however, proposes a perspective that refers to human needs which have arguably been universal for all the people in all historical periods in all cultures. This perspective could be useful particularly while dealing with big contemporary issues of >commons< in architecture – togetherness, ecology, common places and agendas. This paper proposes a framework based on the school of >positive psychology< and in particular on the unappreciated father of the Frankfurt School and critical theory – Erich Fromm who worked all his life on his comprehensive >theory of needs<. This paper proposes translating the concepts of this theory into architectural analyses and narrative. If we are to understand the essence of >commons<, we need to refer to people’s common needs. These are the key concepts of Fromm’s model. This paper is structured around what Fromm described as three basic, common needs: freedom, creativity and love. The analysis of low-tech movement will serve as an example illustrating how the lens of Erich Fromm’s theory allows better understanding of this phenomenon. The objective of this paper is to propose a new definition and narrative of the low-tech movement which will be based on a psychological framework.
Erich Fromm, the Mentor
(2021)
In the previous chapter, we examined numerous aspects of postwar American society that came into play in Riesman’s formulation of autonomy. Many factors carry weight when we consider what inspired him to write >The Lonely Crowd< and to offer his insightful analysis of conformity’s malaise. Among those who influenced Riesman intellectually, there can be little doubt that Erich Fromm played a major role. Although Riesman never accepted Fromm’s pessimistic view and radical approach to modernity in the West, we clearly see the impact of Fromm on Riesman’s ideas about social character, conformity, and especially autonomy. Thus, in order to better understand Riesman we must take a look at Fromm’s theories especially in some of his early books. Here we find several core ideas that heavily impacted Riesman’s theory of autonomy.
In >The Chalice and the Blade: Our History, Our Future< (1987), Riana Eisler asserts that the Neolithic societies used to follow a >partnership model< of civilization that rested on egalitarian and matrifocal values. However, over time, it gave way to the current >dominator model< that focuses on masculine ideals of superiority and dominance. It is her genuine belief that a historical transition from earlier idyllic to more aggressive cultures can be reversed in order for the matriarchal society to be constructed again in the future. This theoretical framework will be employed in the comparative analysis of two modern Serbian novels that seek a vision of feminist utopia at the end of the 20th century: Mirjana Novakovic's >The Danube’s Apocrypha< (1996) and Judita Salgo’s >A Voyage to Birobijan< (1997). Novakovic‘s short novel describes an uprising threatening to overturn the social order in the near future and has a female narrator who shares with the reader the testimony concerning a secret com-munity of women, which is >silently awaiting< its Goddess to appear. Salgo’s posthumous, unfinished novel partly reads as a proclamation of a new religious doctrine about the female Christ figure named Messiana and her ardent acolytes who spread the word about a hideaway which would serve to shelter the vulnerable and the endangered. Though the original intention of both Salgo and Novakovic was to sup-port the destitute and unprotected women of the Balkans by creating the characters and the plots reminiscent of their plight, their writing turned into an unparalleled quest for the continent of the female, a very particular Utopia. The following analysis is also based on the analytical approaches of Bloom, Eagleton, Fromm, Loentz and Pike.
Aim: Through a review of philosophical and theoretical constructs, this paper offers insight and guidance as to ways in which nurse leaders may operationalize advocacy and an adherence to nursing's core ethical values. Background: The US health care system works in opposition to core nursing values. Nurse leaders are obliged to advocate for the preservation of ethical care delivery. Evaluation: This paper draws upon the philosophies of Fromm, Foucault, and Deleuze and Guattari to critically review the functions of nurse leaders within a capitalist paradigm. Key issue: Key emergent issues in the paper include health care and capitalism and the nurse leader's obligations towards advocacy. Conclusion: The nurse leader acts as parrhèsia in viewing truth telling as a duty critical to improving the lives of patients. Ramifications of the decisions by those in power have even greater impact in institutions that serve those with little to no political agency. Implications for Nursing Management: The nurse leader has a freedom and platform that their patients do not and must take the courageous risk of choosing to speak. This paper serves as a call to action for nurse leaders to urgently address the current state of US health outcomes.
桑塔格认为我们所处的景观社会是一个>奇观社会<>电视新闻青睐灾难和人类悲剧,它唤起的不是净化或理解,而是很快会消失殆尽的滥情与怜悯情绪,及对这些事件的伪仪式感和伪参与感。<[1] 为了让麻木的情绪被重新激活起来,电子媒体需要提高刺激强度,将更多的苦难揭示出来。无论是马尔库塞的《单向度的人》,还是弗洛姆的《健全的社会》等,均严厉批判人们马上迎来的后工业时代社会[2],强调现代人已经处于>单向度<性精神危机。现如今,人类实现了明确的、精细的分工,为人类自身带来的损害是十分严重。正如雅卡尔所言,孤立的个体、失望的个体以及残废的个体都是精细分工的后果[3]。>孤立的个体<让人们的沟通产生障碍,使个体自己将自己包裹起来,拒绝他人靠近,与人的道德感背道而驰[4]。
Penelitian ini ditujukan untuk mengetahui bagaimana pandangan Erich Fromm mengenai cinta, serta untuk melihat posisi cinta dalam bangunan utuh Etika Humanistik Erich Fromm khususnya dalam kehidupan sosial masyarakat modern masa kini. Metode penelitian yang digunakan untuk mencapai tujuan tersebut adalah studi pustaka. Erich Fromm memiliki pandangan yang unik mengenai cinta. Cinta menurut Erich Fromm adalah seni. Seni mencinta terwujud dalam tindakan aktif dan disadari secara penuh oleh manusia sebagai subyek. Pandangan Erich Fromm ini adalah kritiknya pada masyarakat yang salah memaknai cinta. Kesalahpahaman ini menyebabkan cinta gagal menjadi jalan keluar dari keterasingan manusia. Masyarakat pada masa Erich Fromm justru mempraktikkan cinta secara pasif yaitu memposisikan diri sendiri dan orang lain sebagai obyek cinta. Hal yang kurang lebih sama masih dialami oleh masyarakat modern masa kini. Dalam etikanya, Erich Fromm berpandangan bahwa manusia haruslah melalui proses individuasi dengan harmonis sehingga dapat mencapai karakter produktif. Karakter manusia yang produktif inilah yang mampu menjadi subyek atau aktor yang sesungguhnya dalam tindakan berpikir, bekerja, serta mencinta. Pada masa modern kini, pemanfaatan internet di semua sisi kehidupan masyarakat menciptakan kemudahan sekaligus kesulitan bagi manusia untuk menjadi pribadi yang produktif sehingga mampu menjadi seniman cinta.