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Kämpfer gegen neue Götzen
(2000)
Kunst des Liebens oder Kampf der Geschlechter? Erich Fromm zum 100. Geburtstag Typescript 14 p.
(2000)
Kunst des Liebens
(2000)
Kunst des Liebens
(2000)
Kein Haben ohne Sein
(2000)
The Institute intends to contribute to the formation of a Frommian research tradition and to its development in Italy. During his lifetime Fromm carried out a daily clinical work on which he based all his theories. The Institute is interested in collecting this wealth of clinical experience through study and research. On the subject of technique, written and recorded documents consist of valuable notes, which are found in various books, and of posthumous works and recorded seminars and interviews. After a brief historical note on the Institute, the Frommian perspective is presented at length with a view to understanding how psychoanalysis reacts to the radical humanism. Emphasis is placed on the idea that Fromm's thought orientation is not an organised school of psychoanalysis but an open and critical contribution. This view offers an explanation of Fromm's abstention to codify a psychoanalytic technique to be applied in a standardised way. Although this report regards above all the clinical psychoanalysis, we must remember great thinkers such as Meister Eckhart and Spinoza, who inspired Fromm's perspective and gave strength to it.
The Institute intends to contribute to the formation of a Frommian research tradition and to its development in Italy. During his lifetime Fromm carried out a daily clinical work on which he based all his theories. The Institute is interested in collecting this wealth of clinical experience through study and research. On the subject of technique, written and recorded documents consist of valuable notes, which are found in various books, and of posthumous works and recorded seminars and interviews. After a brief historical note on the Institute, the Frommian perspective is presented at length with a view to understanding how psychoanalysis reacts to the radical humanism. Emphasis is placed on the idea that Fromm's thought orientation is not an organised school of psychoanalysis but an open and critical contribution. This view offers an explanation of Fromm's abstention to codify a psychoanalytic technique to be applied in a standardised way. Although this report regards above all the clinical psychoanalysis, we must remember great thinkers such as Meister Eckhart and Spinoza, who inspired Fromm's perspective and gave strength to it.
Examines the relationship between the humanistic psychological ethics of Erich Fromm & his commitment to socialist politics. The concept of >social character<, first formulated in >The Fear of Freedom< (1997, 1941), which provided the analytical framework for much of his subsequent work, is considered. Also discussed is his attempt to formulate a humanistic ethics grounded in a theory of human essence in >Man for Himself< (1997, 1947). Fromm's attempts to develop an ethical socialist politics at three levels – everyday life, democratic institutions, & the emerging >One World< – are introduced. It is argued that Fromm endorses a variety of strategies from old & new social movements that challenge the value structures of modern capitalist society. In conclusion, the claim is pressed that Fromm's social thought, developed on the foundations of his humanistic ethics, constitutes a significant contribution to emancipatory theory. Adapted from the source document.
In Appreciation: Erich Fromm Lecture given at the April general meeting of Humanists in Utah,
(2000)
Images-Looking Back
(2000)
This article is written by an art historian, a person whose job it is to analyse and interpret images. In this case however, the article deals with three cases, where the interpreter confronts images with which she identifies in various ways. She conveys the experience of being strongly involved by the images and their represented worlds and also the feeling of experiencing the borderlines between reality, imaginary being and picture medium. The three cases are connected through the theme of >mirroring< and subjectivity.