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This paper focuses on how sometimes it is possible to encounter nodal concepts that seem to lead to a perceptible consistency of the intertwining of some >fil rouge< in the theories and sensibilities of psychoanalysts who are otherwise very different from each other. Ninety years after the last conferences held by Ferenczi in America, it emerges that Ferenczi remains a point of reference for numerous authors and continues to influence many of the theories proposed. In particular, the concept of agency, as theorized by Jonathan Slavin, would seem capable of organizing a series of observations in analytic practice within a coherent theoretical framework, while remaining unsaturated enough to allow further reflections and connections with the theories of other scholars, among which that of Edgar Levenson appears significant. Levenson and Slavin, in the wake of Ferenczi, highlight how the analyst must avoid both the risk of an aseptic neutrality and the risk of collusion with their own narcissistic desire at the expense of the desire of others, since the realization of these risks would hinder the patient from becoming an agent of themself.
>Hans, einen herrlichen Film hab ich gesehn.< Von Potemkin bis Ben Hur. Die Grundigs und das Kino
(2022)
Fromm divided the value orientation of human beings into two kinds: emphasis on >having< and emphasis on >being<, and distinguished the essence of the two. He pointed out that alienated consumption is a way of existence of emphasis on having, which leads to the alienation of human beings and nature, between people and people as well as individual human beings, so that people are more and more far away from the >being<. He believes that only by changing the value orientation of people can we abandon the alienated consumption and return to the nature of human existence. Under the influence of western consumer society, alienated consumption is also spreading in our country. At this critical time, Fromm’s criticism of alienated consumption is of great significance for us to cultivate the correct consumption concept, imple¬ment the correct consumption behavior, and realize the sustainable utilization of resources, social harmony and the all-round development of human beings [Translation: www.cnki.net, 4/2023]
Artikel ini membahas perspektif Erich Fromm terkait membangun relasi cinta kepada oranglain sebagai citra diri >ngelmu<. Masalah yang muncul dalam artikel ini adalah: bagaimana tata laku >ngelmu< direpresentasikan dengan cinta kepada oranglain; serta bagaimana >ngelmu< terikat dengan perilaku membangun cinta kepada oranglain. Berdasarkan permasalahan tersebut, kemudian analisis kritisnya dibangun berdasarkan konsep cinta universal yang dikemukakan oleh Erich Fromm, yakni cinta aktif kepada sang Pencipta, alam ciptaan Nya, dan kepada sesamanya manusia. Metode yang dilakukan adalah berdasakan kajian terhadap pandangan Erich Fromm melalui pemahamannya tentang cinta universal. Artikel ini ingin menunjukkan keyakinan bahwa cinta universal yang merujuk pada kebutuhan untuk membangun cinta kepada oranglain menjadi bagian penting yang berdampak langsung pada >ngelmu< itu sendiri.
群文阅读能让学生的思维方式变得多元化,思维获得提升,让语文教学焕发新的活力。基于此,笔者设计了以《群文阅读高中读本》(高一)中>剪不断的生命脐带<为议题的群文教学。前置任务:学生运用浏览、默读、批读、细读等方法阅读,整体感知文本内容,并完成导学案。课堂探究:首先,通过分析《触龙说赵太后》(《战国策》)掌握劝说的艺术,懂得由>父母之爱子,则为之计深远<到>对一朵花的爱是欣赏与合理的浇灌<的关于真爱的哲学。其次,比较阅读《我的母亲》(胡适)《谢幕的教养》(刘心武)《母亲的力量》(孟鸿)《多年父子成兄弟》(汪曾祺)《父母与孩子之间的爱》(艾里希·弗洛姆),分析概括父母行为、性格和对孩子的影响,感受父母对孩子的爱,激起学生心灵的共鸣。
>To hear with eyes< is a Shakespearean expression used by Masud Khan as the title of his article written in 1971. In this text, Khan recounts the clinical case of a young model who told him certain things, but in whose body, lying on the couch, he saw other things. Khan’s article is almost 50 years old, and since then the clinical management of bodily issues and subjective dissociations has become more pressing. We have more and more patients who do not use the couch and who seek our gaze. If Khan privileged the analyst’s gaze on the patient’s body, we can now broaden this horizon, adding layers to the relationship between body expressions, gestures, and rhythms in the clinical encounter. Non-neurotic patients are very sensitive to this; in the analyst’s interventions, what patients perceive is the gesture, rather than the content of what is said. In the same way, we must be attentive to the rhythm of each subject during the sessions of analysis. The more traumatic the subjective process is, the more important are the perception of and respect for the patient’s rhythm, as well as the possibility of being able to get in synch with their rhythm.
The paper is an attempt at shedding light on the issues related to the dystopian vision of postmodern society metonymically represented by Vado, an imaginary city, in the novel >Un incendio invisible< written by Sara Mesa. This abandoned urban space causes us to reflect on crucial topics in postmodern society, such as incorporation into unknown place, redefinition of the concept of parenthood, liquid and perverse love, social inequalities, abandoned elders, consumption, role of shopping malls and their significance, human alienation, all phenomena that we find in the novel. The city of Vado plays symbolic role in that piece, hence its devastation and ruin show a close connection with the consumer society and the actions of Homo consumericus. We base our analysis on the philosophical and sociological postulates of Gilles Lipovetsky, Zygmunt Bauman, Erich Fromm and anthropological one of Marc Augé, as well as on the proposal of how to read a novel by Javier del Prado Biezma in order to describe the nature of all these mentioned problems and expose the criticism of Homo consumericus concealed in the novel.