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10x5 por milla cuadrada
(1976)
>Anna O.<, Breuer y Freud
(1985)
Erich Fromm (1900-1980), a man of the twentieth century, lived professionally as a psychologist-psychoanalyst-social activist from the World War I and Weimar Re-public years in Frankfurt, Heidelberg and Berlin, Germany; through the World War II and early cold war-Communist witch-hunt years in New York City; through the sixties in Mexico City as Director of the Department of Psychoanalysis at the University of Mexico School of Medicine; and the last decade of his life in Switzerland where he taught visiting psychoanalysts and thoughtfully spoke to the freedom of the then West German peoples. He practiced, taught and wrote about psychoanalysis most of these years, developing several social character types in-terfacing with the culture of the country and the times, all the while trying to differen-tiate health from pathology in the individual patient and in the society in which he lived. His Secon major area of thought lay in the conceptual arenas of psycho-analysis-psychology-sociology-political and economic thought and of religious be-liefs. He never gave up hope for the individual and for society to progress in the di-rection of freedom, peace and humanistic thought. Most unusual for a practicing psychoanalyst, he actively carried his ideas into the political and social arenas and in the rigor of two large scale academic research projects. He was a Renaissance man.
>Los Francotiradores<
(1988)
>Mire usted<
(2011)
En este artículo se trabaja con la pulsión de muerte, tan importante en el arte moderno, a través de Las Hurdes, tierra sin pan de Luis Buñuel. Se registran las formas más significativas en que dicha pulsión aparece en el mencionado documental y se tematizan en torno a la dualidad entre biofilia y necrofilia (entendida en sentido general, no sólo sexual) de Erich Fromm. Finalmente paso a una deconstrucción de dicha dualidad, o sea, a mostrar sus limitaciones como polaridad jerárquica.
The paper is an attempt at shedding light on the issues related to the dystopian vision of postmodern society metonymically represented by Vado, an imaginary city, in the novel >Un incendio invisible< written by Sara Mesa. This abandoned urban space causes us to reflect on crucial topics in postmodern society, such as incorporation into unknown place, redefinition of the concept of parenthood, liquid and perverse love, social inequalities, abandoned elders, consumption, role of shopping malls and their significance, human alienation, all phenomena that we find in the novel. The city of Vado plays symbolic role in that piece, hence its devastation and ruin show a close connection with the consumer society and the actions of Homo consumericus. We base our analysis on the philosophical and sociological postulates of Gilles Lipovetsky, Zygmunt Bauman, Erich Fromm and anthropological one of Marc Augé, as well as on the proposal of how to read a novel by Javier del Prado Biezma in order to describe the nature of all these mentioned problems and expose the criticism of Homo consumericus concealed in the novel.
>Yo conozco a Marcos<
(1994)
A Nuestros Lectores
(1973)
Acerca de Erich Fromm
(1982)