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Preface
(2000)
The use of space as an image for engagement is the framework of the dialogue between architect, Richard Meier, and psychoanalyst, Valerie Tate Angel. The interrelated nature of architecture and psychoanalysis heightens the awareness of experience in the self's relation to intimate spaces.The homogeneity between architecture and psychoanalysis is the bringing together of a sense of openness and a freedom of possibilities in the place where one lives.
Shifting Dialogues
(2000)
The article focuses on landscape impressions as a catalyst to start inner progress and creative innovation. The author uses the presumption that a work of art can act as an intermediary and testimony of specific states of mind. Two painters are presented, one contemporary and one from the turn of the last century. The difficulties in describing the origin of a painting and its coming into existence is considered and discussed. The object in view of the article is to point to the practicability of some aspects of psychoanalytical theories in the descriptions of the artistic creative process, of the relation viewer and work of art, of the studio dialogues between artist and viewer in front of the works. Objects relations theory, WR Bion's concepts of reverie, binocular viewing and negative capability, A Ehrenzweig's description of the different stages of the creative process, his positive accentuation of the role of the unconscious, the alternation between dedifferentiation and differentiation and need for the artist to go beyond the known, to be able to loose control of the work and let the painting 'live its life' is central. Art gives its own poetic imprints, not always accessible in words.
Erich Fromm Interviewed by Gérard D. Khoury (Transcription 1979 with corrections by Fromm, 42 pp.)
(2000)
Instruments designed to measure Fromm's marketing character (SCOI; Saunders & Munro, 2000) & the vertical & horizontal dimensions of Individualism & Collectivism (Singelis, Triandis, Bhawuk & Gelfand, 1995) were administered to 167 Ss. The hypothesis that scores on the SCOI would be positively correlated with Vertical Individualism was supported. However, there was only partial support for the hypothesis that scores on the SCOI would be positively correlated with Indi-vidualism, as the SCOIscores had the same relationship with collectivism – which was unexpected.
Instruments designed to measure Fromm's marketing character (SCOI; Saunders & Munro, 2000) & the vertical & horizontal dimensions of Individualism & Collectivism (Singelis, Triandis, Bhawuk & Gelfand, 1995) were administered to 167 Ss. The hypothesis that scores on the SCOI would be positively correlated with Vertical Individualism was supported. However, there was only partial support for the hypothesis that scores on the SCOI would be positively correlated with Indi-vidualism, as the SCOIscores had the same relationship with collectivism – which was unexpected.
Reply to commentaries
(2000)
Reply to commentaries
(2000)
The ineffable articulated.
(2000)
Reply to commentaries
(2000)
Assisting the analysand in making the past a living present held within a bearable yet unpredictable future is what psychoanalysis is so much about. Events of the past can never be redone, or fully repossessed, but they must be reconstructed in the context of the transference–countertransference experience of the analytic relationship. In order to make the past a useful present and presence, we need metaphors to give it shape – metaphors that capture the memorial activity linking the past with the present and future in a meaningful manner. In this paper, I explore the ways in which the work of the American photographer Shimon Attie creates a memorial place in which the past is not simply remembered but instead is actively mourned. In The Writing on the Wall, Attie collects broken fragments from prewar German-Jewish life in Berlin, and, by projecting these found shards of former lives onto the buildings in the Berlin Scheunenviertel, which once housed these people, he creates a potential space in which a present can suddenly come alive by the superimposition of a past that was supposed to have been obliterated. In this transitional realm, the spectator is given a wide realm of to-and-fro movements between past and present that permits the creation of an object world that did not exist before. I suggest that Attie's intricate weavings of past, present, and future serve as instructive models for the psychoanalytic process in which the analyst can find himself in a similar position of opening up a playground where the past can be brought into the present and where the presentness of the past can come alive. The ability to move back and forth between the present and the past suggests a link to the Freudian concept of deferred action, later taken up by Lacan under the notion of après-coup, where the impression (Prägung) of an earlier event, having lain dormant for a long time, breaks through into the present through a retroactive action that then completely reshapes the present impression. I draw comparisons to psychoanalytic practice, in which the superimposition (the stacking on top of one another) of recollections, dreams, and associations pries open in the analysand's mind a psychic space in which memories of a seemingly insignificant past absorb a sudden sense of urgency when revisited through this retroactive process.
Oedipus as Normative? Freud's Complex, Hook's Query, Malinowski's Trobrianders, Stoller's Anomalies
(2000)
Reply to Bergman and Foster
(2000)
Review Steven D. Axelrod: Work and the Evolving Self: Theoretical and Clinical Considerations
(2000)
Reply to commentaries
(2000)
Reply to Commentaries
(2000)
Reply to Commentaries
(2000)
Three dreams from the first few years of an analysis of a significantly traumatized woman were selected to demonstrate their resonance with, organization of, and consolidation of certain pivotal themes emerging in the clinical process itself. These dreams occurred chronologically but not sequentially and are posited in the affective and thematic contexts in which they were reported. The dreams selected herald the beginning of a new phase in the patient's development, which had previously been mired in darkness and despair.
Reflections on White Racism
(2000)
An essential principle of psychoanalytic practice is the maintenance of strict confidentiality, and yet the presentation and publication of psychoanalytic case histories necessitate considerable public disclosure of the lives of our patients. Inasmuch as psychoanalysis is a particularly frequent, intensive, and lengthy process, a report of the unfolding of an analysis necessarily entails considerable revelation concerning patients, their inner worlds, and their life circumstances. This use of confidential material raises innumerable ethical concerns, and psychoanalysis, with its unique emphasis on unconscious mental processes, also adds to the complexity of ethical considerations by demanding that we take unconscious factors into account. When we speak, for example, of >informed consent< as an ethical principle, we as psychoanalytic clinicians must grapple with the problem of whether to take a patient's manifest acquiescence at face value. This article explores such ethical considerations along with other ethical and clinical complications in the presentation of analytic material for professional purposes.
Reply to Commentaries
(2000)
Reply to commentary
(2000)
An interpersonal psychoanalytic approach to testing adult survivors of childhood sexual abuse.
(2000)
Psychotic developments in a sexually abused borderline patient. Commentary on paper by Paul Williams
(2000)
In this paper, I explore >the art of mourning< in the course of discussing two Borges prose poems, >Pierre Menard, Author of the Quixote< (1941) and >Borges and I< (1957), both of which were written soon after Borges suffered enormous emotional losses. I suggest that successful mourning centrally involves a demand that we make on ourselves to create something – whether it be a memory, a dream, a story, a poem, a response to a poem – that begins to meet, to be equal to, the full complexity of our relationship to what has been lost and to the experience of loss itself. Paradoxically, in this process, we are enlivened by the experience of loss and death, even when what is given up or is taken from us is an aspect of ourselves.
Reply to commentaries
(2000)
Reply to commentary
(2000)
Ceccoli (1999a) argues that, because of their capacity for maternity, women analysts are capable of certain interventions that men are not. Taking issue with such assertions, this commentary argues that although the gendered metaphors of psychoanalytic intervention have changed usefully since Freud's paternalistic imagery, in favor of the maternal language of Klein and Winnicott, these metaphors are regressive if their value as symbolism is undermined. Ceccoli's case study is revisited and reevaluated to posit an alternative view: that theory is sometimes employed to fill gaps that might be more productively tolerated in the service of the analysis. It is argued that Ceccoli's use of Kristevan theory to support an essentialist position that translocates the paternal phallus into the female analysts' >gendered, bodily specificity … on the basis of our capacity for maternity< (p. 695) is an example of such a use of theory.
Reply to Bromberg
(2000)
Benjamin Wolstein.
(2000)
Reply to Adam Phillips
(2000)
Reply to commentaries
(2000)
What Is Psychoanalysis?
(2000)
Reply to commentaries
(2000)