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(Foreword, Japanese)
(2000)
Abschied von der Habgier
(2000)
The way we plan and live our built environments reflect unconscious forms of thinking realised through architecture. Cities become holding environments that offer inhabitants differing forms of psychic engagement with the object world. The way they are planned and the types of objects they offer add up to degrees of >imageability<, an attribute of any city that could become part of a psychoanalysis of the built world, or what Bachelard termed a >topoanalysis<. Cities also play with life and death as those who inhabit built structures will be outlived by the places they inhabit, yet they enliven the inorganic spaces they construct. All buildings may, then, be forms of death brought into lived experience, and architects negotiate complex issues involving the matriculation of forms of death into human life. The >spirit< of human endeavour needs representation in the built environment and we may consider the ways in which a psychoanalysis of the built world could lead to a psycho-spiritual representation of human life.
Art-A Feasible Illusion
(2000)
Artista del amor
(2000)
Instead of using a psychological grid when reading literature, Freud recommended that we let the actual writer instruct us. The same applies to artists. Here I will be asking two questions: can one make a formal comparison between the painter's visual approach, and the analyst's psychic approach which leads him to form a particular interpretation? Can one compare the spectator's feelings when a painting imposes itself on him, with the analyst's feelings when confronted with the silence of the analysand? Out of these two questions another, more general one arises: what can the psychoanalytical approach to artistic representation bring to the understanding of the analytical process?
On the subject of countertransference we attempt to establish a line of continuity between Freud's own expression >blind spot< and Fromm's idea of >counterattitude<. It is pointed out that both expressed the idea of the analyst's unconscious as an >instrument< for understanding the patient's unconscious. It follows that the decision to openly use or not to use countertransference in analysis also depends on the concept we have of it and on its extent. The psy-choanalyst's real and illusory values and his convictions with regard to human nature influence the countertransference and the analytic relationship. Analytic listening itself may be distorted by it. We must be highly aware of this to avoid enclosing what the patient says in a theoretic scheme. What is needed, there-fore, is an open theoretic scheme, more oriented towards understanding than in-terpretation. Aspects of analytic communication and of the relationship between language, thought and insight are examined. A humanistic point of view is as-sumed in distinguishing between the transferral and the real plane, and the rea-sons behind the legitimacy of such a distinction are expounded.
Avant-propos
(2000)
Carta a mi Madre
(2000)
Covjek kao mjera scih stvari
(2000)
Der Brückenschlag
(2000)
Der vermarktete Mensch
(2000)
Der Weg zur Armut
(2000)
Deutschlandradio Berlin 23. 03. 2000, 4.50 Uhr und 11.45 Uhr – Typescript at the Fromm Archive
(2000)
Die Aktualität Erich Fromms
(2000)
Die gute Substanz
(2000)
Die Kunst des Liebens
(2000)
Die verführbare Masse
(2000)
Ein vor-moderner Mensch,
(2000)
Einleitung
(2000)
Einleitung
(2000)
Este artigo discute a adocao de pacotes gerenciais a partir da ilustracao de dois casos de implantacao de qualidade total por empresas paranaenses, buscando-se levantar uma hipotese explicativa para o fenomeno da implantacao de modelos administrativos sem a necessaria adequacao e sem a devida observância das caracteristicas das organizacoes. Tal discussao fundamenta-se na tese de Erich Fromm (1987) acerca do homem contemporâneo e dos reveses do industrialismo, em que se encontra uma predominância do ter sobre o ser.
Erich Fromm
(2000)