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Starting with Erich Fromm’s thesis on love from his seminal work >The Art of Loving< (1956), the paper tries to show the way in which Fromm’s psycho-biological concept of love is represented differently in different historical formations in Andrić’s historical novel >Na Drini ćuprija< [>The Bridge on the Drina<] (1945). A brief analysis of the three love relations from Andrić's novel reveals the process of the appearance of the concept of modern love, the moment in which love ceases to be a social instance and becomes an individual act.