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The knowledge culture of psychoanalysis relies heavily on the practical wisdom of competent psychoanalytic clinicians. In order to become competent analysts, analysts in training should not content themselves with trusting in their supervisors’ intuition and expertise. There is a need for supervisors and supervisees to explicate implicit theories of interpretive and supervisory techniques in psychoanalytic supervision by raising the question >Where does it come from?< with regard to three too often neglected issues. First, both the supervisor and the analyst in training should actively and constantly try to make transparent the process of contextualization, that is, the methodology of inferring latent meaning from manifest content through privileging certain pieces of information over others. Second, it should become an ongoing task in supervision that concrete (recommendations about) technical interventions are embedded in and reflect the application of a particular theory of technique. This facilitates an understanding that goes beyond the interpretation in a concrete situation and helps to generalize learning into a gradually expanding, integrated technical framework. Third, we should reflect and explicate the (predominant) supervisory approaches we are using in order to remain flexible with regard to both supervisory material and ways of reacting to it. Discussing these issues will enable analysts in training to develop their own psychoanalytic identity and integrated frame of reference for their practice that they critically and deliberately reflect upon and actively acquire rather than passively and seemingly intuitively absorb and adopt. Examples for illustrating the explication of theories of interpretive and supervisory techniques are provided.
[Chinese abstract not available.] William Golding is regarded as an outstanding British poet religious novelist, modern fabulist and humanist of the 20thcentury. His masterpiece, >Lord of the Flies<, enjoys great popularity in the history of the English literature, which was once the bestseller of the campuses in American universities. In 1983, Golding won the throne of the Nobel Prize in literature because of his brilliant writing style as well as his penetrating thinking of humans’ living conditions in his works. >Pincher Martin< is the third novel written by Golding, which was published in 1956. Although the influence of this novel is inferior to that of his renowned masterpiece >Lord of the Flies<, Golding tried to find a new way to compose. He created a man’s spirit after death as the hero of the story, portraying the brutal instinct hidden in the human nature with a unique perspective. As a result, the publication of this work won a huge success. The novel tells a story of a military officer named Christopher Hadley Martin who had encountered a marine peril and drifted to an isolated island on which he struggled against death to survive. Most readers tend to be touched by Martin’s iron man’s spirit when they read this novel for the first time. However, when Golding was portraying Martin’s struggle against death to the utmost extent, he also revealed that Martin was actually a selfish egoist, a real villain in his real life by inserting Martin’s memory in the text at the same time. Martin had even planned to murder his best friend just out of his jealousy. The motivation that made him struggle bitterly on the rock actually came from his human nature which was both fierce and greedy. In the end, the consciousness of Martin turned into a pair of pincers of a lobster. And at the same time, the writer told his readers in the final chapter that the body of Martin had already been killed soon after he was thrown into the sea, and his experience on the rock was nothing but the process of an evil spirit struggling in his own purgatory. This thesis is based on the basic theory of human nature posed by Erich Fromm, the well-known American humanistic philosopher and psychoanalytic psychologist. The purpose of it is to analyze Martin’s nature and behaviors, exploring the novel’s theme of human nature. Apart from the introduction and the conclusion, the thesis is composed of four chapters. The introduction mainly tells some basic information of Golding’s life experiences and his novel >Pincher Martin<. On the basis, it summaries the literature review of Pincher Martin both at home and abroad. It also shows the innovations of the thesis, and presents the main argument and the structure of the thesis.– Chapter one is the theoretical foundation of the thesis, which sets forth part of Fromm’s theory of human nature. It mainly explains the intension and the extension of human nature, the escape from the evil human nature and the redemption of human nature.– Chapter two analyzes the evil human nature of Martin. This part not only points out that Martin has a complex dual personality, but also points out the specific embodiment of Martin’s evil desire in the novel.– Chapter three expounds Martin’s escape from his evil human nature. This chapter points out that the way Martin escapes from his evil human nature is through death, and then makes a detailed analysis of his living in illusion.– Chapter four is about Martin’s redemption of his evil human nature, which points out that human nature can be redeemed by kindness and love.– The conclusion of the thesis points out that Golding relentlessly criticizes the evil essence hidden in human nature through the portrayal of Martin. Through Martin’s experience, Golding illustrates the following lessons: First of all, evil is inherent for people, which can give people infinite potential. Hence, the evil human nature can also make a man brave, fearless, and indomitable. Secondly, through the story of >Pincher Martin<, the writer aimed to tell the truth that human nature is evil and to persuade people to believe in kindness and love. Otherwise, people will be controlled by the evil desire hidden in their hearts. Only kindness and love can redeem people’s evil human nature. In all, through the revelation of Martin’s evil nature and the exploration of ways of redemption, Golding shows his concern for the problem of human nature in modern society. His prose is to arouse readers’ thinking about this social problem. The argument about human nature in >Pincher Martin< provides a new perspective in analyzing Golding’s works. [English translation www.cnki.net, 8/2021]
When viewed from the vantage point of embodiment, the psychoanalytic understanding of traumatic experience is transformed. In this article, a new language is proposed that describes traumatic experience as disturbances in the flow of an individual’s effortless, unconscious focusing on oneself (>I<), the other or others (>you<), on oneself as connected to others (>we<), and on all that involves the nonhuman surround (>world<). From this perspective, developmental and late-onset trauma models are seen as overlapping rather than competing. The authors support their proposal by drawing on self psychology, relational theory, and the Boston Change Process Study Group and offer illustrative clinical material.
Since the 1990s, urban literature has risen and become the most important literary landscape. As an important part of urban literature, urban poetry has been gradually developing in the middle and late 1980s. With its constantly spring-up, the research on urban poetry has gradually increased. In the early days, most of the research and discussion of related concepts. After the 1990s, along with the introduction of Western urban poetry theories, urban poetry research showed a diversified research trend as well as achieved a fruitful result. The Chinese cities after the 1990 s have striking similarities with Baudelaire’s Paris described by Benjamin. Therefore, based on the texts of Chinese urban poetry after the 1990s and took reference of Western multidisciplinary urban studies, this thesis analyzes the writing of urban poetry in this period and its modern urban consciousness in a comparative perspective, and demonstrates the urban development and human spiritual dilemma of universal significance in the process of urbanization. The first chapter of the thesis mainly analyzes the urban landscape as imagery. Based on the research ideas of Roland Bart’s semiotics and Kevin Lynch’s urban planning, it draws and studies the formal characteristics and semantic structure in Chinese urban poetry after the 1990 s, which applied the related concepts and methods of urban space theory and architectural phenomenology, using basic units such as city streets, nodes, landmarks to combine urban architecture and the space. Dense streets are a typical feature of urban space, which also present the most authentic people’s life. In poetry, abstract and conceptual streets often symbol the urban space, representing fastness or congestion. The specific streets with clear directivity become the memory carrier or the emotional projection in the poet’s narration. The constantly demolished old streets are regarded as the epitome of urban culture. Typical urban nodes are like squares with the nature of gathering points as well as railways and stations with the nature of connecting points. The connotation of city squares in poetry has gone from a space with rich political accommodation or ideal accommodation to a huge public entertainment function. The urban railway is not only a symbol of modern civilization, but also a metaphor of time, and a symbol of the ideal love of urban people. The station with a strong spirit is not only a place for strangers and nostalgia, but also the maternal symbol of the initiator of era and nurturing new life. As the symbol and unique characteristic of a city, tall buildings transcend reality and enters the imaginary level in poets’ writing from symbolizing power and rebirth to squeezing, siege and becoming an ancient behemoth. To get rid of the invisible majesty and pressure brought by the shape of tall buildings, poets choose to take the top or glass windows, curtain walls of tall buildings to determine their position and perceive the shape of the city. The second chapter shows the modern crowds wandering in the city. It divides into three types, i. e. wanderers, aliens and margins, defined by Benjamin, Simmel, and Robert Parker on the role of urban people combining the poet’s subjective life experience, urban vision, and self-identity. Wanders are further divided into wandering meditators, lonely garbage pickers, and angry critics. Wandering meditators walk through the streets to achieve a complex relationship among the city and urban people; lonely garbage pickers observe the people and objects in the city as a >garbage picker< in Baudelaire’s pen to collect his own poetry; angry critics take the angle to stand on the opposite side of the city, revealing the deformed development of the city in a manner that is incompatible with the city, and the ecological crisis and human survival crisis. There are two types of aliens. Some of them can >dwells on this earth poetically< in the city. They eagerly present and examine the city’s unique mundane feelings with their own original vision and take a proactive attitude toward the city. Another part are people ran back and forth between the countryside and the city. They were >dual-aliens< between the countryside and the city. Marginal people mainly include those who have a real-world marginal situation and those who have a >self-marginal< mentality. The marginalized people with realistic marginal situations often have rural growth backgrounds, and most of them still live in small towns. By showing the urban life and living conditions of urban fringe people, they express the filth and greatness, lofty and despicableness of the city on the one hand, and on the other hand the aspect also completed the identification of the marginal identity of the self, and realized the comfort and salvation of the self. Although marginalized people with a self-marginal mentality live in cities, they all have long or short experiences in rural life. They are particularly aware of the sadness, bitterness, and heaviness of life. They express the hidden worries and sorrows in the process of urban modernization by writing about the lives of people on the periphery of the city. The third chapter presents the alienated modern urban spirit. It takes on Simmel’s sociological theory, Fromm’s theory of human nature, and Jungian personality analysis psychology to illustrate the alienated urban spirit in modern cities. Modern cities continue to throw people into new experiences, new environments, and new crowds. When these new stimuli make city people feeling the threat, they will use their rationality and then produces indifferent. Indifference makes people form reserved interpersonal relationships. Indifferent individuals are forced to enter various relationships, so personality masks are caused and lead to constant splits in personality. Finally, indifferent modern people seek psychological balance, occasionally reveals his sincere emotions, creating a stranger’s emotional penetration. The biggest impact of indifference on modern urbanites is to make individuals suffer from loneliness. The loneliness with multiple faces has become a common mental state of modern people. It originated from the poet’s attitude of self-estrangement and the decline of the physical home (country) and the nowhere to put the spiritual home in the process of urbanization. Facing loneliness, different poets have different attitudes, which reflect the different moods of the poets. In addition, the rise of a consumer society, the expansion of material desires, and the pressure of survival forced poets to change their attitude towards commodities and strive to approach poetry in the material flood. The objects of modern civilization will gradually be degenerated with the passage of time and the changing environments. The meaning and value of money will continue to collapse, and people will never be able to achieve a poetic dwelling. Finally, the expansion of body desires is a typical symptom of modern society. Cities are full of erotic desires, and sexual desire has become the >top priority< of modern society. Herein, love is no longer a pure spiritual pursuit, but a vain term tied to material needs and even equates to prostitution. He inspires individual passions and desires, and at the same time turns individuals into puppets controlled by passions and desires. [Translation: www. cnki.net, 4/2023]