Refine
Language
Document Type
- Articles (245)
- Dissertations (34)
- Reviews (25)
- Books (17)
- Forewords (6)
- Collections (2)
- Interviews (2)
Year of publication
- 2008 (331) (remove)
This study was to find out how the unity of will could be realized through sex in the Korean novels which were written in the special period of the 1920's through 1930's which were under Japanese colonial rule and modernization. Erich Fromm's philosophical speculation was a good criterion to clarify this kind of process. The right way to forward the truth of unity was the very matured love that Erich Fromm talked about. Matured love is to feel the unity in the circumstances the parties respect another's individuality. However, at that time, many people were exposed to poverty due to Japanese colonial policies. Under these circumstances, prostitution, one way of solution out of poverty, was mixed with the desire lay behind unconsciousness and this resulted in destruction in the end. Characters of Boknea in Gamja (Potato) and Chunho's wife in the novel of Sonagi (A sudden shower) were created at that time. Modern women and men could not be free from sex ideology deeply rooted in traditional Confucianism and predominance of men. Therefore, in the process of moving forward to the true unity, some people fell in love with in the novels. Some examples are that Yeonsil who fell in love in the novel of >Kim Yeonsil Jeon< and Young Chae who decided to commit suicide because of purity complex in the novel of >Mujeong<. Even, there appeared a character like Soonok in the novel who sanctify sex. However, they found their identity in the end and their actions were proved as transitional phenomenon taking place between the gap of unity and want by showing their will of true unity. Also, there is a character in the novel who agrees the process of unity based on respect for the other sex. Youngshin and Donghyuk in the novel of >Sangroksu< are those examples. It can be said that the love realized by them shows the truth of unity.
埃里希•弗洛姆(Erich•Fromm,1900—1980)是二十世纪西方著名的心理学家、伦理学家、哲学家,是法兰克福学派的著名代表人物。他秉承其学派的特点毕生致力于弗洛伊德学说和马克思学说的综合,本篇论文的主旨是研究弗洛姆《逃避自由》的思想,分析这一思想的特点并做出评价。自由是一个古老而常新的研究课题,在现代西方关于自由的研究中,弗洛姆一位在西方享有盛誉的学者,也是一位有着丰富自由思想的学者。文章首先介绍了弗洛姆《逃避自由》的时代背景,其中包括其成长经历、生活的时代背景和思想理论源流。其次,本文对弗洛姆《逃避自由》进行全面的梳理和解读,弗洛姆论述了法西斯主义社会现象的生成、兴起的心理机制,揭示了西方资本主义社会现代人既追求自由又逃避自由的尴尬困境,论述了一系列重要社会问题,并试图解释现代社会的重大心理病态现象。它探讨自由正义和爱,教导人们自由而不致孤独,理智而不找合理化的借口,自爱而不自私。弗罗姆认为,自由和社会、经济有密切关系,所以他简明地分析了从中世纪到当代的社会、经济状况,使读者明了自由之所以成为逃避对象的复杂原因。这具有重大的理论价值和现实意义,通过对弗罗姆自由观的解读可以使我们对于>自由<有一个新的认识。最后,本文依据>去其糟粕,取其精华<的原则对弗洛姆的自由思想做出恰当的评价,以及结合我国的现实国情,在马克思主义理论的指导下,对现阶段我国转型时期的所引起的社会现象和变革进行分析,进行社会改革,为使人们形成健康的心理及人格,社会的和谐找出可行性的措施。
In recent years, the undead have been on the rise in films. Zombies and vampires are taking center stage and raking in money in record amounts. Resident Evil moved on to its fourth installment, 28 Days Later morphed into 28 Weeks Later, and 30 Days of Night is scoring some serious box office attention. George Romero, the king of the undead film, released his latest Land of the Dead, fourth in the Night of the Living Dead, Dawn of the Dead, and Day of the Dead series. There has even been an updated remake of Dawn of the Dead where the zombies transform from the shambling mounds of the past to the hyperdrive zombies of today. But what makes these films, so focused upon the living dead, so popular? Are we attracted to the undead because we, as Americans, are morphing into a society of necrophiles? Or are we already a society of necrophiles simply searching for an outlet? By examining the genre with an eye to Erich Fromm’s concept of necrophilia in a mechanized world, a new trend reveals itself. According to Fromm, as the world becomes more and more mechanized, humans become more and more disassociated from their selves, creating a move from biophilia to necrophilia. As we become inured to social ills and violence, it’s a small step from being distanced from life to being attracted to death. If the trend continues, the undead in films will be mere reflections of the undead in a mechanized world. Art imitates life. In the case of the undead in film, art imitates death. And who doesn’t love art?