>Possession Tendency< and >Being Tendency< in Artistic Action [艺术行动中的>占有倾向<与>存在倾向<] [application of Fromm's theories to art]

  • 在社会生活中,人的占有心理最初来源于一种生存的必须:为了活着,我必须占有物品。然而不断地占有,则成为了另一种目标。发展到今天,就像艺术家廖国核最近在北京民生美术馆的个展标题>一万幢房子<一样,这种强调不断占有囤积的社会性格是现代资本主义消费社会最显而易见的特征之一。相反的,注重存在与体验,反对物质和资本的侵蚀,又是一种怎样的反叛和政治态度呢?美国心理分析学家埃里希•弗洛姆(Erich Fromm)在他的《占有还是存在》一书中,从社会生活以及宗教的各.
  • In social life, the psychological possession of people originally comes from a survival must: In order to live, I must have possessions. However, the constant possession, has become another goal. Today, just as the artist Liao Guo-kun's recent solo exhibition >Ten Thousand Houses< in the Beijing Minsheng Art Museum, this emphasis on the hoarding of the social character is one of the most obvious features of the modern capitalist consumer society. On the contrary, the focus on the existence and experience, against the erosion of material and capital, but also a kind of rebellion and political attitude? American psychoanalyst Erich Fromm in his >possession or existence< The book, from the social life as well as the religious ... [Automatic translation]

Export metadata

Additional Services

Search Google Scholar
Metadaten
Author:Jin Qin
Parent Title (Chinese):Art China [艺术当代 ], No. 6 (2016), pp. 81-84, 92.
Document Type:Articles
Language:Chinese
Year of first Publication:2016
Release Date:2017/11/20
Format:no download and copy possible
IdNo:Qin_Jin_2016
Erich Fromm's Library and Erich Fromm Archive:Reviews / Rezensionen
Licence (German):no access / nicht zugänglich
Einverstanden ✔
Diese Webseite verwendet technisch erforderliche Session-Cookies. Durch die weitere Nutzung der Webseite stimmen Sie diesem zu. Unsere Datenschutzerklärung finden Sie hier.